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Tag Archive: Kevin Eastman


 

The annual Star Wars Day, May the Fourth, is back again–an excuse to watch the movies again and meet up with friends and talk all things of a galaxy far, far away.  And again it is overlapping with Free Comic Book Day, a good excuse to visit your local comic book shop and get re-introduced to some series you may have missed.

You can’t beat the “gold line” of comics this year, with Jody Houser writing two free comics, Doctor Who and Stranger Things Jason Aaron serves as a writer on the Avengers issue (including a great Wolverine story), which is always a good FCBD title.  Archie Comics has a new Riverdale Season 3 FCBD story.  Teenage Mutant Ninja Turtles creator Kevin Eastman is back writing the featured TMNT issue.  And fans of the Whedonverse won’t want to miss their copy of the BOOM! Studios twofer of Buffy the Vampire Slayer and Firefly, complete with a great cover by Moon Knight cover artist and Vampironica creator Greg Smallwood.  And for adults, Vampirella fans should check out its Issue #0/FCBD issue, celebrating the 50th anniversary of the character, complete with art by Bruce Timm and work by the late Forrest J. Ackerman.  Two other interesting titles for the older crowd worth checking out are Antarctic Press’s Punchline with great art by Matthew Weldon, and Shout Comics’ Midnight Sky.

 

The above issues are also good choices for kids, but some other titles are more targeted at the younger set including Casper the Ghost in Casper’s Spooksville.  Dear Justice League lets kids go one-on-one with their favorite superheroes.  Go Fish! is a great looking fish tale.  You can never go wrong with a new Little Lulu story.  Lumberjanes is back with another campfire story.  And last but not least, Star Wars Adventures is a great pick for any Star Wars fan this May the Fourth.

Take a look at some covers and previews to books available free (supplies may be limited) at Elite Comics or your local comic book shop today only:

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In less than four weeks pop culture convention Planet Comicon Kansas City returns, this time to celebrate its 20th year.  Even more than before the event is hosting a pantheon of nationally recognized comic book writers and artists for its seventh year in the downtown Kansas City, Missouri, venue at the giant Bartle Hall facility at the Kansas City Convention Center.  The show runs Friday, March 29 through Sunday, March 31.  Bring your stacks of comics for autographs from your favorite creators–we’ve included here only a few important and familiar books by creators scheduled to be at the event.  Attendees will see some of the biggest names and most popular character creators spanning fives decades of comics, including:

Chris Claremont, writer and creator of dozens of characters including Rogue, Mystique, Phoenix, Emma Frost, Legion, Gambit, and Captain Britain.  His classic books include a long run on Uncanny X-Men, including the popular story arcs The Dark Phoenix Saga and Days of Future Past, adapted into X-Men: Days of Future Past, multiple X-Men movies, and this summer’s coming film Dark Phoenix.

Jim Starlin, writer/artist and creator of Thanos, Drax the Destroyer, Gamora, the Master of Kung Fu, and the first graphic novel published by Marvel Comics, The Death of Captain Marvel.  His classic books include Batman: The Cult, Batman: A Death in the Family, and Cosmic Odyssey.

Jim Steranko, writer/artist known for his unique 1960s style, his work on Nick Fury, Agent of S.H.I.E.L.D., plus memorable runs on Captain America and X-Men.  He was also a creator of concept art designs for Raiders of the Lost Ark.

Fabian Nicieza, writer known for creating Deadpool in the pages of The New Mutants, and working on dozens of key superhero titles.  His classic books include New Warriors and Psi-Force.

Keith Giffen, artist and creator of Rocket the Raccoon and Lobo.  His classic books include several issues of Legion of Super-Heroes.

Kevin Eastman, writer and creator of Teenage Mutant Ninja Turtles.

Steve McNiven, artist and creator of Marvel Comics’ Civil WarMcNiven is known for his cover art on dozens of Marvel titles.

Bob McLeod, artist and creator of The New Mutants.  (A concept that is the subject of 20th Century Fox’s last slated Marvel project, the coming late summer big-screen release The New Mutants).

And that’s not all…

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A classic board game and TV show are getting new tie-in comic book series and a classic creator and character are all coming to IDW Publishing this year. IDW announced several new books this week to expand their line of monthly series. The Hasbro board game Clue/Cluedo is getting a new comic book mini-series. The Netflix award-winning TV series GLOW is getting a limited series.  And Stan Sakai is bringing his world of the swordsrabbit Usagi Yojimbo to IDW with stories old and new, including a full-color, three-part series.

The Sakai announcement is bigger than a single series, as IDW says it plans to bring all 35 years of his Usagi Yojimbo stories into new collected editions–the black and white comic will be in full color for the first time–and new stories are being prepared.  Beginning in June, a three-part story set again in the Edo period in 17th century Japan finds Usagi “embroiled in a puppet drama where the players are not quite what they seem.”  According to Sakai, “Bunraku (Japanese puppetry) captures many elements that make the world of Usagi Yojimbo unique: an adventure filled with Japanese culture, folklore, and history.  It also features the return of a long-awaited fan favorite character and Yokai (Japanese supernatural creatures).”  Usagi Yojimbo #1 will be released in a main cover by Sakai, plus variants by Daniel Warren Johnson (Murder Falcon), Kevin Eastman (Teenage Mutant Ninja Turtles), and comics legend Walt Simonson.

IDW returns to Clue tie-in mysteries with CLUE: Candlestick, a three-issue comic book miniseries launching in May. “Rife with puzzles, secrets, and lies, and everyone’s a suspect,” the series will be created by animator Dash Shaw writing, illustrative, coloring, and lettering a new Clue mystery.  Check out a preview of the new Clue series below, courtesy of IDW Publishing.
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Berkeley Breathed, Mike Mignola, Lynn Johnston, Joe Jusko, Kevin Eastman, Freddie Williams III, JK Woodward, Scott and David Tipton, Marc Andreyko, Bobby Moynihan, and cast from Wynonna Earp, are among dozens of comic book and television creators to be featured at signings and panels hosted by IDW Publishing at next week’s 49th annual San Diego Comic-Con.

As you’d expect IDW will also be bringing to Booth #2743 lots of comic book exclusives and special edition hardcover format books.  You’ll find Jack Kirby, Jim Starlin, and John Byrne Artist’s Editions, plus comics featuring Star Wars, Star Trek, X-Men, Teenage Mutant Ninja Turtles, DuckTales, Danger Girl, Judge Dredd, My Little Pony, Sonic, Transformers, Ghostbusters, Sword of Ages, and more, including several exclusive variant covers only available at SDCC 2018.

Get more information on all the SDCC 2018 exclusives from IDW at the publisher’s website here.

Here are the announced exclusives from IDW, followed by IDW’s signings and panels:

Jack Kirby’s Heroes & Monsters Artist’s Edition, Heroes Convention Variant
Cover by Jack Kirby
$150, Limited to 100 units
15” x 22”
Many of Jack “King” Kirby’s most iconic heroes (Captain America, the X-Men, Ant-Man, and Sgt. Fury) join seven of his best monster stories in this collection, plus a gallery section filled with covers and pin-ups.  Debuting at this year’s SDCC is the variant cover featuring Tales of Suspense #98 — Captain America versus Black Panther.

Jack Kirby’s Heroes & Monsters Artist’s Edition, Monsters Convention Variant
Cover by Jack Kirby
$150, Limited to 100 units
15” x 22”

Jim Starlin’s Marvel Cosmic Artifact Edition, Signed Convention Variant
Cover by Jim Starlin
$150, Limited to 100 units, each with a bound-in signature plate signed by Jim Starlin.
12” x 17”
This Artifact Edition focuses on Jim Starlin’s beloved Warlock, Thanos, and Captain Marvel, stories that shaped the Marvel Universe for decades. Debuting at this year’s SDCC is the variant cover featuring Marvel Two-In-One Annual #2 with Thanos fighting Spider-Man and the Thing.

John Byrne’s X-Men Artifact Edition, Signed Convention Variant
Cover by John Byrne
$150, Limited to 100 units, each with a bound-in signature plate signed by John Byrne.
12” x 17”
John Byrne’s run on the X-Men that introduced Alpha Flight and created the near-mythical storylines “The Dark Phoenix Saga” and “Days of Future Past!”  Debuting at this year’s SDCC is the variant cover featuring X-Men #133, where Wolverine goes berserker-style on the Hellfire Club.

Joe Jusko’s Marvel Masterpieces Hardcover Convention Variant
Cover by Joe Jusko
$75 each, Limited to 150 units
Joe Jusko’s complete Marvel Masterpieces painted trading card art from the 2016 Upper Deck set is collected in its entirety for the first time — more than 130 never-before-seen masterpieces, including hard-to-find premium cards.  Debuting at this year’s SDCC is the variant cover featuring a new painting of the Incredible Hulk.

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This past April we previewed here at borg.com what we predicted would be the crossover event of the summer.  We’re glad we were right!  The crossover is Teenage Mutant Ninja Turtles/Usagi Yojimbo from IDW Publishing, by arrangement with Dark Horse Comics, Nickelodeon, and Miyamoto Usagi creator Stan Sakai.  Sakai returns to his nimble samurai rabbit warrior 33 years after its first appearance, writing, drawing, and lettering the new book, with Tom Luth supplying the color.  Kevin Eastman, co-creator of Teenage Mutant Ninja Turtles, even lends a hand, supplying a cover variant for the book.  Both series featuring anthropomorphic martial arts heroes were created in 1984.

The quality of this book can’t be overstated–it’s gorgeous.  With most comic books a panel or two per page always seems to get short shrift, sometimes an image with no details or silhouette, but that’s not the case with Sakai’s work here.  You can see Sakai’s love for these characters in every panel on every page–emotion, action, or attitude is always present–as he conjures a tale derived from Namazu, a legend in Japanese tradition.  He combines his samurai hero with Kakera–his version of the Teenage Mutant Ninja Turtles sensei Splinter–and everyone’s favorite ninja turtles as they embark on a quest to save Japan.  Sakai’s story is based on the story of a giant catfish that lives under the Japanese islands, whose movements are the cause for frequent earthquakes.  A great hero was able to pin the fish under a massive rock at Kashima Shrine.  In his new twist on the legend, a piece of the rock has broken off, weakening its power, and now the catfish threatens to destroy the country.  Our heroes must face the demonic spearman Jei, who wants the country destroyed and threatens to interfere with their efforts as they return the rock to its rightful place.

As you can see above, Sakai’s sound effects are brilliant!

   

Look for cover variants from Sakai, longtime Sakai collaborator Sergio Aragonés, Mouse Guard’s David Petersen, and Kevin Eastman–ten covers in all.

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Review by C.J. Bunce

Both Neil Gaiman (Sandman) and Kevin Eastman (Teenage Mutant Ninja Turtles) tried it, but didn’t complete it in time.  Professional comic book writers and artists and especially the combination writer/artist most likely have all heard of the 24-hour comic challenge, but not everyone has given it a try.  Twenty-seven years ago comic book writer/artist Scott McCloud came up with the idea to improve his skills and speed in creating a 24-page comic book complete with story and art, which normally can take about 30 days.  The result was not so much a contest but a personal achievement challenge like running a marathon or climbing a mountain.  A new documentary titled 24 Hour Comic, directed by Milan Erceg, screened for attendees Saturday at the Marriott Grand Ballroom at San Diego Convention Center as part of San Diego Comic-Con.

Eight participants.  24 hours.  Gravitas Ventures’ 24 Hour Comic follows an event hosted at my old local comic book shop, Things from Another World, in Portland, Oregon.  24 Hour Comic is both a celebration of the Portland comic book creator scene and a close-up look at eight individuals of differing levels as they each try to meet the challenge.  Not everyone makes it to the end.  Four-time Harvey Award and Eisner Award winner Scott McCloud appears in the film, describing the origin, process, and history of the 24-hour challenge, which is hosted by comic book shops, schools, and art studios around the world, often following a designated annual 24-Hour Comic Day.  Eisner and Harvey Award winner McCloud wrote the useful guide to sequential art Understanding Comics: The Invisible Art and several other comic book art texts.  He also compiled several attempts at the 24-hour comic in his book 24 Hour Comics, where he showcases the efforts of Neil Gaiman, Steve Bissette, Alexander Grecian, and others.

The rules can be found here, and are detailed in McCloud’s book.  The biggest surprise having read about the contest and several 24-hour comics over the years was that I assumed the artists used standard comic book pages, those full-sized 11×17-inch art boards.  In the film each artist uses what appears to be paper half that size, splitting each sheet into two full pages, which would seem to take less time to fill.  Erceg introduces us to his eight subjects, each in different phases of skill, from a 13-year-old girl to a 16-time participant, a web creator, a design professional, independent creators, and an ex-creator returning to give the process another try.  The final works for those who completed the challenge?  We don’t get to read the entirety of the final books from any creator in the film, but the excerpts given are surprisingly polished. Far from the frantic scribbles you might expect from anyone missing a night’s sleep to work round the clock, the comics appear professionally done, clever, and humorous, reflecting each artist’s creativity and talent.  The film is dotted with interviews by several well-known faces, including Dark Horse Comics president Mike Richardson, Dark Horse Comics editor-in-chief Scott Allie, cartoonist Batton Lash, and graphic novelists and digital creators Arnold and Jacob Pander.

The hour-long documentary provides a fair look at a cross section of a profession where the median income for a full-time comic book artist is about $38,896, according to the film.  Although the challenge is not a competition per se, a few participants throw about some contrived and good natured trash talk to keep the film light-hearted.  One participant had some interesting insights into the comic book profession, a bit of a creators’ quagmire: “You work on a project you don’t care about, but make good money, but you work on a project you do care about, and don’t make any money on it”–something reflected in many fields, no doubt.  This is not a time-compressed look at the 24-hour period of this challenge, but provides interviews with subjects about their status at intervals throughout the day, night, and following morning.  So to fill some of the time Erceg follows two subjects on a quick trip to Stumptown Comic Con, other subjects are interviewed at local studios or homes, and another is followed on a side trip to Seattle to discuss a commission project.  The majority shared how difficult it is to succeed in the comic book industry, and one tried and left the industry after initial success because it couldn’t pay medical bills.

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A1_Annual cover

If you are looking for an introduction to critically acclaimed comics in one volume while also getting a dose of exposure to some newer talents, Atomeka Press has teamed up with Titan Comics to release a new hardcover volume, A1 Annual: The World’s Greatest Comics.  With such a loaded title, you’d expect the entries to be pretty powerful stuff.  You’ll certainly find a broad mix of story and art styles, but ultimately beauty is in the eye of the reader.  Does the volume live up to the title?

No doubt everyone, no matter how critical your eye, will find at least a few gems here.  When you realize you’re dealing with the likes of Joe Simon, Jack Kirby, Dave Gibbons, Bill Sienkiewicz, Jim Steranko, Alan Moore, and James Robinson, it’s pretty easy to see why the editors had the chutzpah to come up with such a cocky title.

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