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Tag Archive: Margaret Qualley


Quentin Tarentino‘s next film, Once Upon a Time in Hollywood, has so many reasons to give it your attention, where do we begin?  As heavily advertised, the “retired director” is back as writer and director on his ninth film, and every one of his films gains critical and popular acclaim–from Reservoir Dogs to The Hateful Eight, they’re all notable for Tarentino’s unique brash and violent style.  Emphasize that style element because he tends to hit the right mark when searching out throwback vibes for his fans, whether via Pam Grier and Samuel L. Jackson in the 1970s in Jackie Brown or reaching back through time with 1950s nostalgia with John Travolta and Uma Thurman in a retro diner in Pulp Fiction.  So where will Tarentino turn for a film set in 1969?  Something violent in an era of unique style.  So the “Manson family” murders, of course.

The biggest risk for Tarentino (beyond being seen as exploiting a murder still in the national consciousness 50 years later) is casting some major actors, and some not-so-major actors, as actors from the past.  The easier question to answer may be “Who isn’t in this movie?”  In the leading role is Leonardo DiCaprio as a fictional character based on Burt Reynolds.  Brad Pitt co-stars as a character based on Reynolds’ long-time stuntman, Hal Needham.  Margot Robbie plays actress and Manson family victim Sharon Tate, who was married to Roman Polanski and pregnant at the time of her murder.  Dakota Fanning plays Squeaky Fromme, Bruce Dern plays the rancher that allowed the Mansons to reside on his land where they are believed to have planned the murders, and Lena Dunham plays another Manson family member.  Al Pacino plays a Hollywood agent, and from the Tarentino acting troupe, look for bit appearances by regulars Kurt Russell, Tim Roth, and Michael Madsen.  As a sad footnote, this will be the last film appearance of Luke Perry, who portrays real-life TV Western star Wayne Maunder, who died just this past November.

But the real challenge is casting Steve McQueen, Bruce Lee, Connie Stevens, and Mama Cass Elliot in the film–highly-recognizable icons.  Those roles go to Homeland and Life’s Damian Lewis as McQueen, Empire and Inhumans’ Mike Moh as Lee, Dreama Walker (Gran Torino) as Stevens, and Rachel Redleaf as Cass.  We only get a brief look at Redleaf and longer view of Moh as Lee (with a decent vocal impersonation) in the first trailer for the film–Lee had been working on a film with Sharon Tate.  Tarentino also invited in a league of children of well-known actors for his film, like Andie MacDowell’s daughter Margaret Qualley (IO), Bruce Willis and Demi Moore’s daughter Rumer Willis (Hawaii Five-O), Uma Thurman and Ethan Hawke’s daughter Maya Hawke (Stranger Things), Kevin Smith’s daughter Harley Quinn Smith (Supergirl), Clifton Collins, Jr. (Star Trek 2009) grandson of Western actor Pedro Gonzalez-Gonzalez, and one more relative, Tarentino’s wife, Daniella Pick (Pick Up, Exit).  

Along with real-world characters, Tarentino pulled in some familiar actors from the late 1960s and 1970s, including Nicholas Hammond, known for role as Peter Parker in TV’s The Amazing Spider-Man, a regular face from the 1970s and 1980s: Martin Kove (The Karate Kid), and Brenda Vaccaro (Airport ’77, Capricorn One).  And even frequent TV guest star Spencer Garrett is a ringer for any number of Disney film stars from the 1960s (and he’s the son of actress Kathleen Nolan (Magnum, p.i., The Incredible Hulk)).  There are many more familiar actors in this one, including James Marsden (X-Men), Emile Hirsch (Into the Wild), Lorenza Izzo (The House With a Clock in Its Walls), Sydney Sweeney (The Handmaid’s Tale), and Buffy the Vampire Slayer favorite Danny Strong.  (With so many extras listed as Playboy Bunnies, it’s probably fair to expect a cameo from someone playing Hugh Hefner, too).

In case you missed it, here is the first trailer for Once Upon a Time in Hollywood:

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Review by C.J. Bunce

The trailers appeared like it could have been so much more, but it wasn’t to happen.  Instead of the science fiction thriller promised in the trailer, this month’s Netflix movie Io is a slow, dry character study about a character who isn’t all that interesting.  Margaret Qualley (The Nice Guys) has the lead role as Sam, daughter of a world-renowned scientist in the years after a toxin has finally pushed life from Earth.  Most of humanity leaves for a colony on Jupiter’s planet Io, including Sam’s boyfriend, who tries to prompt her to meet him there via future email (that looks like text on a vintage Commodore 64).  But Sam’s father has died, and she continues his research, attempting to prove “life will find a way” on Earth.  Her father’s speeches persuaded many to stay, including Micah, played by Anthony Mackie (Avengers: Infinity War), whose wife has died.  Via air balloon, Micah travels to Sam’s science station, one of the rare places where oxygen still allows life to go on.  He comes to murder Sam’s dad, but when he learns of Sam and her desolation, he tells her she needs to come with him on the last flight from Earth.  Most of the film time is quiet thought, Sam doing her experiments, including killing a bee, apologizing blandly like that makes it okay.  And Sam and Micah talk at each other, contrived anger in spots from Micah, seeming indifference to anything from Sam.  Should they stay or should they go?

Without any emotional punch by Qualley, not much about the film works.  It’s a tale that has been told so much in science fiction and in so many better ways, that Io’s effort to tell the “end of days” story has little to offer other than an attempt at splicing in several mythology allegory references.  But without compelling, believable characters and a story with a coherent message, the effort is pointless.  The entirety of the film is in the Netflix trailer, and the rest of the film is filler.  The message of any apocalypse story is for humanity to wake up and not let the world go to hell.  Beyond that, many other movies have used the concept of apocalypse that are more accessible and interesting.  Netflix’s own Orbiter 9 is much better, and the Tom Cruise sci-fi tale Obsidian offers a similar story with much more to keep viewers engaged.  Even the Mad Max series offers characters who act like they want to survive.  Fans of the slow-paced, sci-fi dramas Arrival or Interstellar might very well like this film, and that may have been Io’s target audience, but with little budget or script it doesn’t come close to those either.

The production expects the audience to infer too much about the character of Sam from the performance of actress Margaret Qualley.  But the director, newcomer Jonathan Helpert, never settles in on who Sam is supposed to be and how much empathy we’re supposed to have for her.  The easy part is understanding her loneliness, since her father died and left her alone.  But the entirety of her emotions are held within–the audience cannot tell anything about her by her methodical, scientific mannerisms, her limited written messages to a boyfriend off-planet, or her stilted conversations with newcomer Micah.  We know she wonders about artwork off in a museum in a territory that is deadly, but so what?

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