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Tag Archive: Mark Wahlberg


  

The 2018 World Series is over with the Boston Red Sox win over the Los Angeles Dodgers last night, but as with the Super Bowl the movie studios provided viewers with new TV spots throughout the television coverage.  Four films were being promoted for the Thanksgiving holiday, and although all the trailers are from films previously announced, audiences have some new views to consider, to decide whether a film will be “in” or out,” after the last of the mashed potatoes and pumpkin pie have been served.  The TV spots included new looks at Fantastic Beasts: The Crimes of Grindelwald, Creed II, Green Book, and Instant Family.

We’ve already previewed earlier trailers for the next Fantastic Beasts installment and Creed II.  Green Book stars Marvel’s Luke Cage costar Mahershala Ali as a classical pianist on tour in the South in the 1960s, with The Lord of the Rings’ Viggo Mortenson is a bouncer that becomes his chauffeur.  Instant Family stars Mark Wahlberg (All the Money in the World, Ted and Transformers series, Planet of the Apes, The Other Guys) and Rose Byrne (X-Men series, Star Wars: Attack of the Clones, 28 Weeks Later) as a couple who adopts three children from foster care.

   

We’ve included the most recent trailers for each of these four movies (and a few others we found).  Check them out:

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Review by C.J. Bunce

It was a bit of an oddity this year to have a choice of watching on television or at the movie theater what might have been a forgotten footnote to the strange 1970s life styles of the rich and famous.  In many ways the only real value of the story of the kidnapping of John Paul Getty III, grandson to the once richest man in the world, is the almost Aesop’s Fables inspired punchline of the movie title, All the Money in the World.  Mark Wahlberg as security man Fletcher Chase gets to deliver the goods to Getty at film’s end:  It doesn’t matter how much money the billionaire Getty had, it didn’t bring him happiness.  Based on John Pearson’s book, Painfully Rich: The Outrageous Fortune and Misfortunes of the Heirs of J. Paul Getty, the film is now streaming on multiple platforms.  This year’s television series Trust, featuring Donald Sutherland as the senior Getty, offered up the same story over a much too long 10 episodes.  Sutherland’s Getty is shown as far more disturbing than in the movie, and other than providing an example of Sutherland in another creepy role, the show had very little to offer.

All the Money in the World, the film version of the story, features a showcase of acting talent in a script that is almost up to the task.  Christopher Plummer is Getty I, the grandfather who in 1973 refused to pay his grandson’s ransom, even after those who kidnapped him cut off and mailed-in the young man’s ear.  Plummer stepped in late in production after Kevin Spacey was ousted from the film because of Spacey’s sexual misconduct scandal.  The result proves that at any age Plummer can create a compelling character, even if the real man behind the character seems far less interesting than one might think.  Wahlberg is playing what has become one of his stock character styles–this is the brash Boston cop in The Departed and the decisive marksman from Shooter.  Wahlberg plays the tough guy well here, in a role that echoes private investigator Jay J. Armes’ rescue of Marlon Brando’s kidnapped son just one year before the events in the film.  Young actor Charlie Plummer (no relation to Christopher) is Getty’s grandson, an atypical twist on the typical troubled youth character.  French actor Romain Duris is compelling as a member of the captor group who helps keep Getty alive during is confinement.  Always delivering a strong performance, Oscar winner Timothy Hutton unfortunately is underutilized as Getty’s loyal lawyer Oswald Hinge.

Directed by Ridley Scott, the movie is similar in execution to last year’s Steven Spielberg historical drama The Post.  The film has themes in common with Orson Welles’ Charles Foster Kane in Citizen Kane, but Scott didn’t opt to add any memorable style as Welles did with his classic story of a man acquiring possessions to the exclusion of family or love.  It’s not great, but it’s a solid drama.  But the biggest success of the film comes through via its lead actress, four-time Oscar-nominee Michelle Williams.  Williams portrays the grandson’s mother not as an emotional wreck but a determined mother who works frantically to negotiate her son’s release, with no help from the elder Getty or her disaster of an ex-husband.  And she couldn’t justify those Academy nods any better than balancing an affected accent, the billionaire family lifestyle, and that single mom angst as she attempts to reflect a parent handling a tragic event most people will never have to encounter.

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When a movie director can re-create the right look and feel of a time and place, the film can take audiences in a darkened theater into the past as well as any time machine.   This year the re-creation is July 1973 and the place is Rome.  The subject is a celebrity family kidnapping that has faded in the memories of most and unknown to the rest, the kidnapping of oil baron and “The Richest Man in the World” J. Paul Getty’s grandson, and the efforts taken to get him back.  All the Money in the World is based on the book Painfully Rich by John Pearson, with a script by David Scarpa (The Day the Earth Stood Still (2008)).  The real-life account of the kidnapping is the stuff of great drama, full of strange decisions and bizarre actions by all involved.  The kidnapping is best known for the ear that was put in the mail–and delayed by a postal strike in Italy–sent by the kidnappers to press the Getty family to pay the ransom.  The story has plenty of room to illustrate the bumbling and the Reversal of Fortune-esque actions of the uber-wealthy that occurred along the way.

The film is directed by Ridley Scott, and stars young actor Charlie Plummer (no relation to Christopher Plummer) as J. Paul Getty III.  Michelle Williams portrays Gail Harris, mother of the kidnapped Getty.  Kevin Spacey looks believable as the aged and eccentric billionaire Getty and Timothy Hutton plays his lawyer.  And Mark Wahlberg, the highest paid actor in Hollywood, portrays the preposterously–but actual–named Fletcher Chase, a “tall, craggy-faced American” who was an ex-CIA operative from San Diego sent by the billionaire to assist in the release of his grandson.

The 1970s era (although the early part of the decade instead of the later) and a key role by a single hardened CIA-trained operative echoes Ben Affleck’s 2012 Best Picture Academy Award winner Argo.  The 1970s look and feel in All the Money in the World is provided by Oscar-nominated production designer Arthur Max (Gladiator, Blackhawk Down, The Martian, Kingdom of Heaven, Prometheus) and set decorators on several productions featuring Italy of the past, Letizia Santucci, Cristina Onori, and Gianpaulo Rifino.  The film also features acclaimed genre cinematographer Dariusz Wolski (Pirates of the Caribbean series, The Martian, War Machine, Dark City, Alice in Wonderland, Alien: Covenant, and the 1980s best rock videos from Aerosmith and Van Halen to The Bangles and Suzanne Vega).

Check out this first trailer for All the Money in the World:

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Gary Gerani, Topps editor for hundreds of classic trading card series returns with a new book in Abrams ComicArts’ unprecedented series of hardcover books recounting the  classic Topps “non-sports” trading cards.  This time Gerani looks at the entire collection of Planet of the Apes images featured throughout three series chronicled on cardboard by Topps in Planet of the Apes: The Original Topps Trading Card Series.

In nearly 500 pages Gerani includes the fronts and backs of all 44 cards from the original 1969 Topps set documenting the original film starring Charlton Heston, all 66 cards based on the 1975 television series (featuring Roddy McDowell and Star Trek’s Mark Lenard), and all 90 base cards, 10 sticker cards, and 44 chase cards from the 2001 reboot film directed by Tim Burton and starring Mark Wahlberg.  If you’re a Planet of the Apes fan, a fan of either of these incarnations of the several adaptations of Pierre Boulle’s 1963 science fiction novel Monkey Planet, or a POTA completist, you’ll learn something new about the franchise now spanning nearly five decades.

    

Although you’ll get exactly what you’d expect–full color images of the fronts and backs of the cards, Abrams’ trademark bubble gum cover and wax pack wrapper jacket, and promotional images–the real insight is found in Gerani’s knowledge as a Topps and Hollywood insider.  Working directly on the second and third series and working with the creators of the original series, Gerani provides an understanding of the business of designing a trading card series, the challenges (like celebrity image licensing restrictions), and high points (like finding that perfect image for a card that fans will love).  Many cards use photos taken on the shooting set, so they give different vantage points to the actors and sets than found in the films.

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wahlberg-5-trans“We’re not giving up, okay?”

Director Michael Bay turned around the Transformers franchise with his fourth installment in the series, Transformers: Age of Extinction.  His film served as not only the action-packed, fun romp you’d expect, it also showed off some of the best use of 3D special effects we’ve ever seen.  Mark Wahlberg’s goofy but sincere awe at the giant machines proved he was a great choice to come back for the next big-screen Transformers film.

For this fifth movie in the series, Transformers: The Last Knight, the first full trailer released by Paramount this week shows a return to a darker world, pitting machine vs. machine and man vs. machine in the ultimate showdown.  Bumble Bee vs. Optimus Prime?  Who is The Last Knight?  Will it have the fun of the last film?  The lackluster second and third installments have us worried about a threepeat, but we’d love a repeat of the action from Bay’s last effort.

transformers-5

Sure to have some mega-sized swordplay, the new film reflects Bay needing to make  each new film bigger and bigger.  Let’s hope that also means bigger and better.  Here is the trailer for next year’s Transformers: The Last Knight:

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deepwater-horizon-Wahlberg-lg

It must be time again to analyze the importance of a good movie trailer.  A good movie trailer may not indicate a good movie is behind it, but if you can’t even create a good movie trailer from your movie footage then the movie behind it probably doesn’t stand a chance at being good.  Just take a look at all the horrible Batman v Superman movie trailers and this week’s unusually large barrage of over-exuberant advance reviews.

We now have a our first look at what could be a great disaster movie if it wasn’t about a real disaster that has nothing possibly entertaining to share–the failure of BP and the oil industry to properly see that its equipment did what it was supposed to instead of ruin the ocean, nature, and the planet.  But this trailer for Deepwater Horizon reveals–in the way only an exciting action genre movie trailer can–this movie is “inspired by the true story of real heroes”.  What?  Big explosions!  Cool!  Nail-biting tension!  Neato!  The cutesy family talking about daddy’s job feels a lot like an advertisement for… BP.  What is the story of the BP oil disaster?  Wouldn’t a movie about that story star Mark Ruffalo as a lawyer fighting to see that the BP execs get what they deserve?  A story of volunteers trying to save the fish and birds drowning in oil?  Instead we get a well-stocked action film cast with the likes of Mark Wahlberg, Kurt Russell, Kate Hudson, and John Malkovich–a great cast–for another movie.

Without a doubt it is too early to judge a film by its trailer, but that’s not the point.  It’s up to the marketing folks at the studios to grab us and get us hooked.  This trailer misses the mark.  The solution?  Go back and try again.  Unless this is as good as it gets.

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Rogue One clip

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2016 as have been disclosed.  Usually we select the 24 that look like the biggest hits, but we’re going all out for 2016.  The result is a whopping 48 movies, many you’ll probably want to see in the theater or catch on video.  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2016 calendar!

Most coming out in the second half of 2016 don’t even have posters released yet, but many do.  We’ve included descriptions and key cast so you can start planning accordingly.

Star Trek Beyond clip

What do we think will be the biggest hits of the year?  How about Star Wars: Rogue One?  Or Star Trek Beyond?  You’ve heard endlessly about Batman v Superman: Dawn of Justice, but 2016 will also see Doctor Strange, Captain America: Civil War, and X-Men: Apocalypse.  There’s even a handful of Westerns, with The Hateful 8, Jane Got a Gun, and another remake of The Magnificent Seven heading our way.

01 Hateful Eight poster

The Hateful Eight – January 1

Tarentino’s Western!  Ennio Morricone score!  Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, and Channing Tatum!

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The 5th Wave – January 8

Chloe Grace Moretz and Liev Schreiber in an alien invasion.

03 400 days poster

400 Days – January 12

The CW’s Brandon Routh, Caity Lotz, and Tom Cavanaugh in a movie about astronauts that seems to be a play on Ender’s Game.

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Ridiculous 6

Today we have three previews for coming theatrical releases of the comedy variety.  Two of them hail from two of the most financially successful former Saturday Night Live cast members, and one a coming-of-age zombie flick full of young actors.  Are they all dumb comedies, or will any of them break through the pack and be worth the ticket price?

The first film comes from Adam Sandler’s production company and will be a Netflix release.  It’s a Western comedy–a rare genre appearance for audiences–with a large cast that might make you think of big cast pieces of years past like Airplane!  Along with Sandler, The Ridiculous 6 stars Steve Buscemi, Terry Crews, Norm MacDonald, Danny Trejo, Will Forte, Luke Wilson, Steve Zahn, David Spade, Rob Schneider, Chris Parnell, John Turturro, Jon Lovitz, and Vanilla Ice.  That’s a lot of former SNL cast members!

will-ferrell-daddys-home-scene

The stars of the hilarious comedy The Other Guys are back.  Will Farrell, the most successful SNL actor since Eddie Murphy, and along with Sandler one of the big three of the box office grossing SNL elite shares billing again with one of our favorite actors, the versatile Mark Wahlberg, in Daddy’s Home.  Farrell is a step-dad and must contend with his wife’s tougher and cooler ex-husband, played by Wahlberg.  This is the film widely reported on earlier this year where Farrell and crew broke in on an actual basketball game and seemingly drunk Farrell beaned a dance group gal in the face (no worries, she was a stunt woman in on the gag).  Definitely one for the Farrell and Wahlberg fans out there.

Zombie Scouts

Finally, The Scout’s Guide to the Zombie Apocalypse is the latest zombie flick.  It’s a comedy and coming of age movie, but also seems like it has a bit of Steven Spielberg’s Super 8 meets American Pie.  Definitely a strange entry, it features a slate of young actors including Arnold’s son Patrick Schwarzenegger, plus comedic actors Cloris Leachman and David Koechner.

Here are the trailers:

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Mark Wahlberg track suit Six Billion Dollar Man running

Damián Szifrón, who was nominated this year for Best Foreign Language Film at the Academy Awards, was selected to write the screenplay for the reboot film of the classic 1970s Bionic Man tale.  The Six Billion Dollar Man, to star Mark Wahlberg (Ted, Shooter, The Italian Job) as Steve Austin, will be directed by Peter Berg (Battleship, Hancock).

“I couldn’t be more honored and grateful. Such a major challenge represents a great opportunity,” Szifrón said in a press release this week. “The themes surrounding this beloved property allow for the creation of a memorable sci-fi actioner as well as a bold spy thriller.  Expectations are high and I’ll do my best to deliver the strongest basis for an amazing cinematic experience.”

The Argentinian writer/director won numerous awards internationally for his film Wild Things, including the Oscar nod.  He has also penned and directed several Latin TV series.

bionic eye

The film will be based on the characters in the classic TV series, The Six Million Dollar Man, and its source material, the novel Cyborg by Martin Caidin, reviewed previously at borg.com here.

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Hayden Christensen in Outcast

Sure it was brief but even more interesting than the movie trailers at the big game today (except for Terminator Genisys, previewed at borg.com here earlier) is the teaser for Heroes Reborn.  Not only do we get Jack Coleman, the horned-rimmed glasses man, back, but our first look at Zachary Levi on an NBC series since the end of season five of Chuck:

Heroes Reborn does not yet have a release date.

The latest of the trailers for Jurassic World finally makes the movie look pretty good.  Earlier trailers seemed a bit thin, but the prospect of Chris Pratt as a circus lion tamer for raptors seems like a great idea:

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