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Tag Archive: Michael Giacchino


Review by C.J. Bunce

If you forgot why so many fans of superhero movies rate The Incredibles as not only their top animated movie but their favorite and best superhero movie, too, The Incredibles 2 will bring you back around.  It was 2004 when we first met the Parr family, and yet here 14 years later the voice acting talent hasn’t missed a beat.  Sure, we have a new actor as Dash (Huck Milner, replacing Spencer Fox), but Craig T. Nelson (Bob/Mr. Incredible), Holly Hunter (Helen/Elastigirl), Sarah Vowell (Violet), and Samuel L. Jackson (Lucius/Frozone) could have recorded this in 2005 and it couldn’t have sounded any better.  And sound is half of the appeal of this solid sequel to the Academy Award-winning original, which won the Oscar for best animated film.

The music is just as incredible as Michael Giacchino’s work in the original, only his expanded themes this time may have resulted in an even better soundtrack.  How did he not win the Oscar for the original?  Who knows, but the Oscar-winning composer (for Up) pulls out all the stops from the 1960s spy movies, leaning on James Bond themes and using trumpets frequently grinding and screaming their way through a film that must be at least 85% action.  If you are patient enough to sit through the full credits you’ll even hear the “classic TV show” style theme songs for each of the lead superheroes.  The Incredibles 2 was worth the wait just for the visuals and style to be mirrored just right, thanks to returning writer/director Brad Bird leading the way.  Bird was nominated for an Oscar for his writing for the original, and his new story nicely balances a fresh, new adventure with those elements fans want more of.  So expect more bumbling by Mr. Incredible, more heroics by Elastigirl, more everything by Frozone, more Edna Mode, and more over-the-top, zany villainy.

Why are the original and The Incredibles 2 such great superhero movies?  They certainly rip the heroics from the comic book pages, they make the family of heroes endearing but not sappy, they pepper the film with humor, and connect it all with an easy, fun story–not too much drama, but when it’s there it’s because of the maniacal nature of the most memorable comic book villains.  The Incredibles 2 also benefits from not feeling obligated to use the Disney convention of adding goofy irrelevant characters added only for a dose of low-brow humor.  They had room to do that with super-baby Jack-Jack, but instead of leaning on him for that, they use the character to help give Mr. Incredible a rounded story arc, providing the baby with several great scenes that steal the show.  Anyone who ever had someone waking them up every night at 3 a.m. will appreciate the realism of little, smiling, happy-go-lucky Jack-Jack.

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Last night the Academy of Science Fiction, Fantasy and Horror Films held the 44th annual Saturn Awards, honoring the best in science fiction, fantasy, horror, and other genres, held in Burbank, California.  Coming into last night’s presentation, Black Panther was nominated in 14 categories, Star Wars: The Last Jedi was nominated in 13 categories, and Blade Runner 2049 and The Shape of Water were each nominated in nine categories.  In television, The Walking Dead led the nominations with seven, followed by Star Trek: Discovery with five.  You can never predict who and what will win at the Saturn Awards, but you can be sure they will be very fandom-centric picks.

Black Panther led the night with four wins, for Best Comic-to-Motion Picture Release, Best Director (Ryan Coogler), Best Supporting Actress (Danai Gurira), and Best Make-up.  Star Wars: The Last Jedi followed with three wins, for Best Actor (Mark Hamill), Best Writing, and Best Editing.  In television, because of the Awards’ split between traditional TV shows and streaming shows, the expected suspects came out on top: The Flash and Marvel’s The Punisher as best superhero shows, and The Orville and Star Trek: Discovery each winning awards.  But the most wins was a tie, with three awards each for Better Call Saul and Twin Peaks: The Return.

Here are all the winners and nominees:

Movie Awards

Best Comic-to-Motion Picture Release
Winner:  Black Panther
Nominees:
Guardians of the Galaxy Vol. 2
Logan
Spider-Man: Homecoming
Thor: Ragnarok
Wonder Woman

Best Science Fiction Film Release
Winner:  Blade Runner 2049
Nominees:
Alien: Covenant
Life
Star Wars: The Last Jedi
Valerian and the City of a Thousand Planets
War for the Planet of the Apes

Best Fantasy Film Release
Winner:  The Shape of Water
Nominees:
Beauty and the Beast
Downsizing
Jumanji: Welcome to the Jungle
Kong: Skull Island
Paddington 2

Best Horror Film Release
Winner: Get Out
Nominees:
47 Meters Down
Annabelle: Creation
Better Watch Out
It
Mother!

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At this year’s D23 convention, director Brad Bird and Disney/Pixar creator John Lasseter revealed a first look at the coming sequel to 2004’s The Incredibles with the return of superhero costumer Edna “no capes” Mode, and we saw a full trailer back in February (check it out here).  Holly Hunter’s character Helen aka Elastigirl is in the drivers’ seat for the eagerly awaited sequel, and a new trailer for the movie shows us even more.

In the original film Jack-Jack revealed his powers to his babysitter.  This time father Bob Farr aka Mr. Incredible (voiced by Craig T. Nelson) takes on a Mr. Mom role, doing the same kind of botched parenting antics as Michael Keaton in the 1983 film.  Most of the original cast is back, including Nelson, Hunter, Samuel L. Jackson (Frozone), Sarah Vowell (Violet), with Huck Milner replacing Spencer Fox as the new voice of son Dash.  Samuel L. Jackson’s Frozone looks to be as funny as ever.

That mid-century modern artistry defines this series, as well as Michael Giacchino’s 1960s-70s spy flick soundtrack, an update to his exciting original musical score.  It looks like the superheroics are coming from Elastigirl in this chapter, and the humor from Mr. Incredible.

Check out this new trailer for The Incredibles 2:

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At this year’s D23 convention, director Brad Bird and Disney/Pixar creator John Lasseter revealed a first look at the coming sequel to 2004’s The Incredibles with the return of superhero costumer Edna “no capes” Mode.  Bird suggested that Holly Hunter’s character Helen aka Elastigirl would be in the drivers’ seat for the eagerly awaited sequel, and a new trailer for the movie now confirms it.  In The Incredibles 2, Elastigirl is back in action!

In the original film Jack-Jack revealed his powers to his babysitter.  This time father Bob Farr aka Mr. Incredible (voiced by Craig T. Nelson) learns what his baby boy is already aware of.  He not only has powers, he has crazy new powers!  The same mid-century modern artistic style, shown particularly in the Parr family’s new house (the original was destroyed last time around).

Most of the original cast is back, including Nelson, Hunter, Samuel L. Jackson (Frozone), Sarah Vowell (Violet), with Huck Milner replacing Spencer Fox as the new voice of son Dash.  Michael Giacchino will also be back with an update to his exciting original musical score.

Check out this new trailer being aired during this week’s Olympics coverage on NBC for The Incredibles 2:

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Review by C.J. Bunce

It’s just what fans of DC Comics have been begging for.  Finally, a Batman portrayal worthy of Adam West and Michael Keaton.  The complete membership of the classic Justice League as fun as we all remember them from the comic books.  Homages to famous artists adapted to the big screen from the best of DC Comics, like cover artist Jock, plus throwbacks to the campy series of the 1960s.  And more homages to the musical scores from the best of the DC Comics cinematic adaptations of the past, including callbacks to Danny Elfman’s score to the 1989 Batman movie and John Williams’ Superman theme.

What was your favorite DC Comics adaptation before 2017?  How far back do you go?  Most superhero movie fans seem to agree upon the original Superman starring Christopher Reeve as the modern rebirth of the superhero film, and count Reeve among the best embodiments of a superhero on film.  But after Reeve, fans begin to disagree as movies based on DC Comics are concerned, and usually turn to the CW Network television series for the next best DC iterations of comic book adaptations.

So when all of it finally comes together, it finally comes together in 2017, after the likes of misfires including Man of Steel, Batman v. Superman: Dawn of Justice, and Suicide Squad, we finally have an exciting and worthy DC Comics outing that is fun for the entire family, and best of all, it is all heart.

And as a bonus, it features villains worthy of a movie from the DCU.  Sure, you might expect a pantheon of villains like The Joker, Riddler, Penguin, Catwoman, Harley Quinn, Two-Face, Mr. Freeze, Egghead, Scarecrow, Bane, Clayface, Killer Croc, Poison Ivy, Man-Bat, Captain Boomerang, Crazy Quilt, Eraser, Polka Dot Man, Mime, Tarantula, King Tut, Orca, Dr. Phosphorus, Killer Moth, Magpie, March Hare, Frank Miller’s Mutant Leader, Dr. Hugo Strange, Zodiac Master, Gentleman Ghost, Clock King, Red Hood, The Kabuki Twins, Calendar Man, Kite Man, Catman, Calculator, Zebra-Man, and Condiment King.  But all in one movie?  And battling some of fiction’s other greatest supervillains, like Dracula and the other Universal Monsters, The Daleks, Lord Voldemort, Jaws, King Kong, Gremlins, velociraptors, the Wicked Witch of the West, Agent Smith from The Matrix, and Sauron?  Wait–was Darth Vader tied up in some other project?

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At this year’s D23 convention, director Brad Bird and Disney/Pixar creator John Lasseter revealed a first look at the coming sequel to 2004’s The Incredibles with the return of superhero costumer Edna “no capes” Mode.  Bird suggested that Holly Hunter’s character Helen aka Elastigirl would be in the drivers’ seat for the eagerly awaited sequel, but a new teaser for the movie shows the Incredibles family baby “Jack-Jack” will get some attention of his own.

In the original film Jack-Jack revealed his powers to his babysitter.  This time father Bob Farr aka Mr. Incredible (voiced by Craig T. Nelson) learns what his baby boy is already aware of.  According to The Incredibles director Bird, who will also direct the sequel, expect a return of the same mid-century modern artistic style, shown particularly in the Parr family’s new house (the original was destroyed last time around).

Most of the original cast will be back, including Nelson, Hunter, Samuel L. Jackson (Frozone), Sarah Vowell (Violet), with Huck Milner replacing Spencer Fox as the new voice of son Dash.  Michael Giacchino will also be back with an update to his exciting original musical score.

Check out this incredibly short teaser for The Incredibles 2:

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Review by C.J. Bunce

Amazing?  Definitely.  Spectacular?  Absolutely.  Tom Holland, who stole the show in the key battle of last year’s Captain America: Civil War, has provided the definitive, and yes, the ultimate Spider-man performance in this weekend’s latest Marvel masterwork, Spider-man: Homecoming.  And Holland is equally good, if not better, without the suit as angst-ridden, overburdened teenager and Spider-man alter ego, Peter Parker.  Kids of all ages who ever envisioned the ultimate battle between Spider-man and Batman get their satisfaction here, too: Michael Keaton, in one of his best performances in decades, creates out of an obscure character one of the best supervillain performances to hit the big screen, complete with high-tech bat wings and the classic Keaton we all love to watch.

Moviegoers have seen good efforts from Marvel creating the comic book empire’s flagship, web-slinging superhero before, with Tobey Maguire in three Spider-man solo films and Andrew Garfield in two follow-up Amazing Spider-man films, but this latest story supplies what was missing from the other five: an authentic, likeable, smart, voice-breaking do-gooder and a classic coming of age story with heart.  But it doesn’t skimp on the action, and thanks to some well-filmed 3D and magical IMAX cinematography, one key scene that takes place high atop the Washington Monument made this viewer practically step backward out of his seat into the back row.  Just breathtaking filmmaking.

If you keep a list of superhero movie requirements in the back of your mind, you’ll find that Spider-man: Homecoming fulfills or surpasses them all.  A story with a solid character arc for its lead and antagonist.  A big relief for filmgoers who go to every new superhero movie: writer/director Jon Watts and five other writers (a fact that alone would normally spell certain doom for a film, but not here) knew enough to steer clear of another superhero origin story and instead delved right in.  They flesh out Parker’s relationship with his like-minded, knowledge bowl peers at school and provide more than one jawdropper along the way.  In Keaton’s villain they provide an exceptional, compelling villain, something lacking in the past several years of superhero movies.  Holland sports an update to the Spidey supersuit, and Louise Frogley’s latest costume design is superb, complete with believable, readily available tech supplied in-story by mentor Robert Downey, Jr. as Tony Stark aka Iron Man in his latest perfect adaptation of the role from the comics.  And Michael Giacchino’s powerful and emotional score is among his best, complete with plenty of clever and unexpected themes that amplify the story at the right time.  If you think Peter Parker is a throwaway character, prepare for some emotional work by Holland, especially at his character’s lowest point in the story.

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Review by C.J. Bunce

How can a movie get better on repeated viewings?  What makes that possible?  After three viewings of the home release of Rogue One: A Star Wars Story–the Digital HD edition, the Blu-ray, and the 3D Blu-ray–it’s apparent the film on repeated viewings is indeed as good as the initial theatrical viewing if not better, a rare feat in any genre.  Naysayers who didn’t like the CGI effects of Grand Moff Tarkin and Princess Leia–the primary criticism of the December theatrical release–should find even a home theater big screen television will mask any distractions seen on a 30-foot theater screen.  The Blu-ray and 3D Blu-ray provide the best, clearest picture and sound of any prior Star Wars release.  The 3D transfer is as good as any 3D Blu-ray release to-date, and the special effects, clothing details like stitches and seams are clear and vivid, as is the weathering (or lack thereof, when logical) on props.  As with most 3D movies, outdoor scenes, like the Scarif ground battle, are even more vivid with sharp foregrounds and backgrounds.  Check out the complete review of the film from December here.

The special features disc includes a version of the bonus features viewable together as an entire documentary and also viewable by chapter.  The extra disc available through Target stores only includes two short extra chapters, and although the creature shop feature is excellent the two extras wouldn’t normally be enough to tilt a buyer toward the Target edition–costs being the same–and some may instead opt for packaging, like Steelbook boxes (Best Buy only) or Connexions cards (available only in the Wal-Mart edition).  Fun bits in the features to look for include Bodhi actor Riz Ahmed’s audition tapes for Edwards, a feature documenting many Easter eggs from the show even the best eye likely never identified, and interviews with motion capture actors Guy Henry (Grand Moff Tarkin) and Ingvild Daila (Princess Leia), both who look little like Peter Cushing or Carrie Fisher, proving that simply using lookalikes or prosthetics would not have been a realistic option for re-creating these characters.  The standard bonus features included with the bundles are K-2SO: The Droid, Baze & Chirrut: Guardians of the Whills, Bodhi & Saw: The Pilot & the Revolutionary, The Empire, Visions of Hope: The Look of Rogue One, The Princess & the Governor, Epilogue: The Story Continues, and Rogue Connections (the Easter eggs list).

Rogue One easily merits ranking as the third best film in the series after Star Wars: A New Hope and The Empire Strikes Back–but truly in a league with those two films.  One of the best war movie stories put to film, the best prequel or prequel that is also a sequel (yes, even considering the great Godfather II), the best space battle, the best use of spaceship filming (director Gareth Edwards avoids 2001: A Space Odyssey and Star Trek: The Motion Picture-era overly-long ship takes and instead uses his imagery only as necessary to drive the story forward), while featuring one of the all-time best heist movies.

It really has it all.

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star-trek-beyond-makeup

Speaking of Mark Hamill’s performance in this year’s December release Star Wars: The Last Jedi, Star Wars: The Force Awakens director J.J. Abrams said this past week, “I think we are all going to be very upset if he does not win an Oscar.”  It’s a great thought, and certainly hits on what must be a significant role in this year’s eagerly awaited Episode XIII.  But it’s pretty unlikely if the ghost of Oscars past has anything to say about it.  This year is like most years when it comes to Academy Award nominations.  Dramas monopolize the nominee categories yet again.  When a genre is represented–also as usual–the representations are dramas in genre dress (like Passengers).  The usual representation of biopics (like Jackie), movies about Hollywood (like La La Land) and historical dramas (like Hacksaw Ridge) are back as well, sure to take home some of the coveted trophies tonight.  But nine nominees for best picture and no Midnight Special?

The best animated film category provides a little relief, with Kubo and the Two Strings, Moana, Life as a Zucchini, The Red Turtle, and Zootopia as nominees.  Oscar winner Colleen Atwood is back as a costume design nominee with one of the year’s fantasy releases, Fantastic Beasts and Where to Find Them, which also garnered a nod for production design.  But why Fantastic Beasts?  Compare Atwood’s reserved designs for Fantastic Beasts with her elaborate designs for The Huntsman: Winter’s War.  Alas, Dave Crossman and Glyn Dillon’s landmark costume designs for Rogue One: A Star Wars Story were completely ignored, as were the hundreds of new, stunning, alien wardrobe designs and Starfleet retro-design uniforms created by Sanja Milkovic Hays for Star Trek Beyond.

rogue-one-cgi

As usual you need to look for the technical categories for the genre works.  Star Trek Beyond and Suicide Squad, along with A Man Called Ove are the makeup and hairstyling contenders.  Considering the fifty unique makeups designed for Star Trek Beyond in the franchise’s fiftieth year, this would be a triumph for the franchise.  Rogue One: A Star Wars Story landed multiple nominations this year, including a deserved nod for sound mixing.

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dr-strange-video     steelbook-doctor-strange

Review by C.J. Bunce

In a year with Deadpool, X-Men: Apocalypse, Captain America: Civil War, Batman vs. Superman: Dawn of Justice, and Suicide Squad, only one really knocked our socks off beginning to end with no caveats.  Doctor Strange, our pick for last year’s best superhero movie, began with a hotshot medical whiz played as smartly as ever by Benedict Cumberbatch, who embarked on an intriguing story arc with the help of a mystic brilliantly played by Tilda Swinton.  Along the way Cumberbatch introduced us to the next great character of the Marvel Cinematic Universe, a dead ringer for the classic comic book character who sports the coolest cloak ever, and wields otherworldly special effect powers that really look great in 3D.  Plus, we had a great villain in Mads Mikkelsen’s Kaecilius, humor, and a solid supporting cast.  Next week Doctor Strange makes its way to online streaming services with the 3D Blu-ray, Blu-ray, and DVD release scheduled for February 28, 2017.

Doctor Strange includes the best recent use of 3D in the theater, so if you have the 3D player and compatible TV the 3D Blu-ray will be the way to go.  Viewing it in 3D in the theater was a must, from Doctor Strange’s spell weapons to a world colliding with an amped up Spirograph meets Kaleidoscope-infused reality, from conflicts on Salvador Dali paintings come to life and M.C. Escher and Labyrinth-inspired battlefields, to journeys through distant outer space and beyond time.  Crisp clarity and beautiful cinematography reveals modern effects at their best thanks to the production of Kevin Feige–who has coordinated everything Marvel for both Disney and Twentieth Century Fox–and director of photography Ben Davis (Guardians of the Galaxy, Avengers: Age of Ultron, Kick-Ass, Stardust, Layer Cake).

doctor-strange-3d-blu-ray

Look forward to some great costume work from Academy Award-winning costume designer Alexandra Byrne (Hamlet, Elizabeth, The Phantom of the Opera, The Avengers, Guardians of the Galaxy).  And Michael Giacchino is finally back with a superb musical score more on par with his work on The Incredibles than more recent soundtrack efforts.  Giacchino really hedged his bets last year, producing soundtracks to 2016 releases Star Trek Beyond, Zootopia, Doctor Strange, and Rogue One: A Star Wars Story.   Giacchino really justified his place as an Oscar-winning composer with his brilliant score for Doctor Strange, a score we think was on par with his superb work on The Incredibles.

After the break, check out all the extras for the home edition release and an unusual–unusually cute–trailer for the home release of Doctor Strange:

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