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Tag Archive: Michael Giacchino


At this year’s D23 convention, director Brad Bird and Disney/Pixar creator John Lasseter revealed a first look at the coming sequel to 2004’s The Incredibles with the return of superhero costumer Edna “no capes” Mode, and we saw a full trailer back in February (check it out here).  Holly Hunter’s character Helen aka Elastigirl is in the drivers’ seat for the eagerly awaited sequel, and a new trailer for the movie shows us even more.

In the original film Jack-Jack revealed his powers to his babysitter.  This time father Bob Farr aka Mr. Incredible (voiced by Craig T. Nelson) takes on a Mr. Mom role, doing the same kind of botched parenting antics as Michael Keaton in the 1983 film.  Most of the original cast is back, including Nelson, Hunter, Samuel L. Jackson (Frozone), Sarah Vowell (Violet), with Huck Milner replacing Spencer Fox as the new voice of son Dash.  Samuel L. Jackson’s Frozone looks to be as funny as ever.

That mid-century modern artistry defines this series, as well as Michael Giacchino’s 1960s-70s spy flick soundtrack, an update to his exciting original musical score.  It looks like the superheroics are coming from Elastigirl in this chapter, and the humor from Mr. Incredible.

Check out this new trailer for The Incredibles 2:

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At this year’s D23 convention, director Brad Bird and Disney/Pixar creator John Lasseter revealed a first look at the coming sequel to 2004’s The Incredibles with the return of superhero costumer Edna “no capes” Mode.  Bird suggested that Holly Hunter’s character Helen aka Elastigirl would be in the drivers’ seat for the eagerly awaited sequel, and a new trailer for the movie now confirms it.  In The Incredibles 2, Elastigirl is back in action!

In the original film Jack-Jack revealed his powers to his babysitter.  This time father Bob Farr aka Mr. Incredible (voiced by Craig T. Nelson) learns what his baby boy is already aware of.  He not only has powers, he has crazy new powers!  The same mid-century modern artistic style, shown particularly in the Parr family’s new house (the original was destroyed last time around).

Most of the original cast is back, including Nelson, Hunter, Samuel L. Jackson (Frozone), Sarah Vowell (Violet), with Huck Milner replacing Spencer Fox as the new voice of son Dash.  Michael Giacchino will also be back with an update to his exciting original musical score.

Check out this new trailer being aired during this week’s Olympics coverage on NBC for The Incredibles 2:

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Review by C.J. Bunce

It’s just what fans of DC Comics have been begging for.  Finally, a Batman portrayal worthy of Adam West and Michael Keaton.  The complete membership of the classic Justice League as fun as we all remember them from the comic books.  Homages to famous artists adapted to the big screen from the best of DC Comics, like cover artist Jock, plus throwbacks to the campy series of the 1960s.  And more homages to the musical scores from the best of the DC Comics cinematic adaptations of the past, including callbacks to Danny Elfman’s score to the 1989 Batman movie and John Williams’ Superman theme.

What was your favorite DC Comics adaptation before 2017?  How far back do you go?  Most superhero movie fans seem to agree upon the original Superman starring Christopher Reeve as the modern rebirth of the superhero film, and count Reeve among the best embodiments of a superhero on film.  But after Reeve, fans begin to disagree as movies based on DC Comics are concerned, and usually turn to the CW Network television series for the next best DC iterations of comic book adaptations.

So when all of it finally comes together, it finally comes together in 2017, after the likes of misfires including Man of Steel, Batman v. Superman: Dawn of Justice, and Suicide Squad, we finally have an exciting and worthy DC Comics outing that is fun for the entire family, and best of all, it is all heart.

And as a bonus, it features villains worthy of a movie from the DCU.  Sure, you might expect a pantheon of villains like The Joker, Riddler, Penguin, Catwoman, Harley Quinn, Two-Face, Mr. Freeze, Egghead, Scarecrow, Bane, Clayface, Killer Croc, Poison Ivy, Man-Bat, Captain Boomerang, Crazy Quilt, Eraser, Polka Dot Man, Mime, Tarantula, King Tut, Orca, Dr. Phosphorus, Killer Moth, Magpie, March Hare, Frank Miller’s Mutant Leader, Dr. Hugo Strange, Zodiac Master, Gentleman Ghost, Clock King, Red Hood, The Kabuki Twins, Calendar Man, Kite Man, Catman, Calculator, Zebra-Man, and Condiment King.  But all in one movie?  And battling some of fiction’s other greatest supervillains, like Dracula and the other Universal Monsters, The Daleks, Lord Voldemort, Jaws, King Kong, Gremlins, velociraptors, the Wicked Witch of the West, Agent Smith from The Matrix, and Sauron?  Wait–was Darth Vader tied up in some other project?

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At this year’s D23 convention, director Brad Bird and Disney/Pixar creator John Lasseter revealed a first look at the coming sequel to 2004’s The Incredibles with the return of superhero costumer Edna “no capes” Mode.  Bird suggested that Holly Hunter’s character Helen aka Elastigirl would be in the drivers’ seat for the eagerly awaited sequel, but a new teaser for the movie shows the Incredibles family baby “Jack-Jack” will get some attention of his own.

In the original film Jack-Jack revealed his powers to his babysitter.  This time father Bob Farr aka Mr. Incredible (voiced by Craig T. Nelson) learns what his baby boy is already aware of.  According to The Incredibles director Bird, who will also direct the sequel, expect a return of the same mid-century modern artistic style, shown particularly in the Parr family’s new house (the original was destroyed last time around).

Most of the original cast will be back, including Nelson, Hunter, Samuel L. Jackson (Frozone), Sarah Vowell (Violet), with Huck Milner replacing Spencer Fox as the new voice of son Dash.  Michael Giacchino will also be back with an update to his exciting original musical score.

Check out this incredibly short teaser for The Incredibles 2:

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Review by C.J. Bunce

Amazing?  Definitely.  Spectacular?  Absolutely.  Tom Holland, who stole the show in the key battle of last year’s Captain America: Civil War, has provided the definitive, and yes, the ultimate Spider-man performance in this weekend’s latest Marvel masterwork, Spider-man: Homecoming.  And Holland is equally good, if not better, without the suit as angst-ridden, overburdened teenager and Spider-man alter ego, Peter Parker.  Kids of all ages who ever envisioned the ultimate battle between Spider-man and Batman get their satisfaction here, too: Michael Keaton, in one of his best performances in decades, creates out of an obscure character one of the best supervillain performances to hit the big screen, complete with high-tech bat wings and the classic Keaton we all love to watch.

Moviegoers have seen good efforts from Marvel creating the comic book empire’s flagship, web-slinging superhero before, with Tobey Maguire in three Spider-man solo films and Andrew Garfield in two follow-up Amazing Spider-man films, but this latest story supplies what was missing from the other five: an authentic, likeable, smart, voice-breaking do-gooder and a classic coming of age story with heart.  But it doesn’t skimp on the action, and thanks to some well-filmed 3D and magical IMAX cinematography, one key scene that takes place high atop the Washington Monument made this viewer practically step backward out of his seat into the back row.  Just breathtaking filmmaking.

If you keep a list of superhero movie requirements in the back of your mind, you’ll find that Spider-man: Homecoming fulfills or surpasses them all.  A story with a solid character arc for its lead and antagonist.  A big relief for filmgoers who go to every new superhero movie: writer/director Jon Watts and five other writers (a fact that alone would normally spell certain doom for a film, but not here) knew enough to steer clear of another superhero origin story and instead delved right in.  They flesh out Parker’s relationship with his like-minded, knowledge bowl peers at school and provide more than one jawdropper along the way.  In Keaton’s villain they provide an exceptional, compelling villain, something lacking in the past several years of superhero movies.  Holland sports an update to the Spidey supersuit, and Louise Frogley’s latest costume design is superb, complete with believable, readily available tech supplied in-story by mentor Robert Downey, Jr. as Tony Stark aka Iron Man in his latest perfect adaptation of the role from the comics.  And Michael Giacchino’s powerful and emotional score is among his best, complete with plenty of clever and unexpected themes that amplify the story at the right time.  If you think Peter Parker is a throwaway character, prepare for some emotional work by Holland, especially at his character’s lowest point in the story.

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Review by C.J. Bunce

How can a movie get better on repeated viewings?  What makes that possible?  After three viewings of the home release of Rogue One: A Star Wars Story–the Digital HD edition, the Blu-ray, and the 3D Blu-ray–it’s apparent the film on repeated viewings is indeed as good as the initial theatrical viewing if not better, a rare feat in any genre.  Naysayers who didn’t like the CGI effects of Grand Moff Tarkin and Princess Leia–the primary criticism of the December theatrical release–should find even a home theater big screen television will mask any distractions seen on a 30-foot theater screen.  The Blu-ray and 3D Blu-ray provide the best, clearest picture and sound of any prior Star Wars release.  The 3D transfer is as good as any 3D Blu-ray release to-date, and the special effects, clothing details like stitches and seams are clear and vivid, as is the weathering (or lack thereof, when logical) on props.  As with most 3D movies, outdoor scenes, like the Scarif ground battle, are even more vivid with sharp foregrounds and backgrounds.  Check out the complete review of the film from December here.

The special features disc includes a version of the bonus features viewable together as an entire documentary and also viewable by chapter.  The extra disc available through Target stores only includes two short extra chapters, and although the creature shop feature is excellent the two extras wouldn’t normally be enough to tilt a buyer toward the Target edition–costs being the same–and some may instead opt for packaging, like Steelbook boxes (Best Buy only) or Connexions cards (available only in the Wal-Mart edition).  Fun bits in the features to look for include Bodhi actor Riz Ahmed’s audition tapes for Edwards, a feature documenting many Easter eggs from the show even the best eye likely never identified, and interviews with motion capture actors Guy Henry (Grand Moff Tarkin) and Ingvild Daila (Princess Leia), both who look little like Peter Cushing or Carrie Fisher, proving that simply using lookalikes or prosthetics would not have been a realistic option for re-creating these characters.  The standard bonus features included with the bundles are K-2SO: The Droid, Baze & Chirrut: Guardians of the Whills, Bodhi & Saw: The Pilot & the Revolutionary, The Empire, Visions of Hope: The Look of Rogue One, The Princess & the Governor, Epilogue: The Story Continues, and Rogue Connections (the Easter eggs list).

Rogue One easily merits ranking as the third best film in the series after Star Wars: A New Hope and The Empire Strikes Back–but truly in a league with those two films.  One of the best war movie stories put to film, the best prequel or prequel that is also a sequel (yes, even considering the great Godfather II), the best space battle, the best use of spaceship filming (director Gareth Edwards avoids 2001: A Space Odyssey and Star Trek: The Motion Picture-era overly-long ship takes and instead uses his imagery only as necessary to drive the story forward), while featuring one of the all-time best heist movies.

It really has it all.

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Speaking of Mark Hamill’s performance in this year’s December release Star Wars: The Last Jedi, Star Wars: The Force Awakens director J.J. Abrams said this past week, “I think we are all going to be very upset if he does not win an Oscar.”  It’s a great thought, and certainly hits on what must be a significant role in this year’s eagerly awaited Episode XIII.  But it’s pretty unlikely if the ghost of Oscars past has anything to say about it.  This year is like most years when it comes to Academy Award nominations.  Dramas monopolize the nominee categories yet again.  When a genre is represented–also as usual–the representations are dramas in genre dress (like Passengers).  The usual representation of biopics (like Jackie), movies about Hollywood (like La La Land) and historical dramas (like Hacksaw Ridge) are back as well, sure to take home some of the coveted trophies tonight.  But nine nominees for best picture and no Midnight Special?

The best animated film category provides a little relief, with Kubo and the Two Strings, Moana, Life as a Zucchini, The Red Turtle, and Zootopia as nominees.  Oscar winner Colleen Atwood is back as a costume design nominee with one of the year’s fantasy releases, Fantastic Beasts and Where to Find Them, which also garnered a nod for production design.  But why Fantastic Beasts?  Compare Atwood’s reserved designs for Fantastic Beasts with her elaborate designs for The Huntsman: Winter’s War.  Alas, Dave Crossman and Glyn Dillon’s landmark costume designs for Rogue One: A Star Wars Story were completely ignored, as were the hundreds of new, stunning, alien wardrobe designs and Starfleet retro-design uniforms created by Sanja Milkovic Hays for Star Trek Beyond.

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As usual you need to look for the technical categories for the genre works.  Star Trek Beyond and Suicide Squad, along with A Man Called Ove are the makeup and hairstyling contenders.  Considering the fifty unique makeups designed for Star Trek Beyond in the franchise’s fiftieth year, this would be a triumph for the franchise.  Rogue One: A Star Wars Story landed multiple nominations this year, including a deserved nod for sound mixing.

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dr-strange-video     steelbook-doctor-strange

In a year with Deadpool, X-Men: Apocalypse, Captain America: Civil War, Batman vs. Superman: Dawn of Justice, and Suicide Squad, only one really knocked our socks off beginning to end with no caveats.  Doctor Strange, our pick for last year’s best superhero movie, began with a hotshot medical whiz played as smartly as ever by Benedict Cumberbatch, who embarked on an intriguing story arc with the help of a mystic brilliantly played by Tilda Swinton.  Along the way Cumberbatch introduced us to the next great character of the Marvel Cinematic Universe, a dead ringer for the classic comic book character who sports the coolest cloak ever, and wields otherworldly special effect powers that really look great in 3D.  Plus, we had a great villain in Mads Mikkelsen’s Kaecilius, humor, and a solid supporting cast.  Next week Doctor Strange makes its way to online streaming services with the 3D Blu-ray, Blu-ray, and DVD release scheduled for February 28, 2017.

Doctor Strange includes the best recent use of 3D in the theater, so if you have the 3D player and compatible TV the 3D Blu-ray will be the way to go.  Viewing it in 3D in the theater was a must, from Doctor Strange’s spell weapons to a world colliding with an amped up Spirograph meets Kaleidoscope-infused reality, from conflicts on Salvador Dali paintings come to life and M.C. Escher and Labyrinth-inspired battlefields, to journeys through distant outer space and beyond time.  Crisp clarity and beautiful cinematography reveals modern effects at their best thanks to the production of Kevin Feige–who has coordinated everything Marvel for both Disney and Twentieth Century Fox–and director of photography Ben Davis (Guardians of the Galaxy, Avengers: Age of Ultron, Kick-Ass, Stardust, Layer Cake).

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Look forward to some great costume work from Academy Award-winning costume designer Alexandra Byrne (Hamlet, Elizabeth, The Phantom of the Opera, The Avengers, Guardians of the Galaxy).  And Michael Giacchino is finally back with a superb musical score more on par with his work on The Incredibles than more recent soundtrack efforts.  Giacchino really hedged his bets last year, producing soundtracks to 2016 releases Star Trek Beyond, Zootopia, Doctor Strange, and Rogue One: A Star Wars Story.   Giacchino really justified his place as an Oscar-winning composer with his brilliant score for Doctor Strange, a score we think was on par with his superb work on The Incredibles.

After the break, check out all the extras for the home edition release and an unusual–unusually cute–trailer for the home release of Doctor Strange:

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rogue

What a year!  The world’s a changing place and no less so than with the welcome onslaught of new movies, television shows, books, comics, and everything else that entertained us in 2016.  All year long we tried to keep up with the best of what Hollywood had to offer and honed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our picks for our annual Best of the Best list.  We watched all of nearly two dozen TV series, and enough of others to know we’d seen enough.  We watched dozens of new movies, reviewed more than three dozen books (and read even more), and kept up with dozens of comic book titles.  We witnessed the 75th anniversary of Wonder Woman, Green Arrow, Archie, and Captain America, the 50th anniversary of Star Trek and Charles Schulz’s Great Pumpkin, Rocky turned 40, and it was the 30th anniversary of Aliens and Labyrinth.  And the Cubs finally won the World Series.

Today we reveal the best genre content of 2016–with our top categories from movies and television Best Sci-Fi Fix, Best Fantasy Fix, Best Superhero Fix, Best Animated Fix, and Best Borg, followed by our Best in Movies picks.  The big winner was Rogue One, taking 13 spots, followed by Doctor Strange with three.  Come back later this week for our TV and print media picks, our special look at Kick-ass Heroines of 2016, followed by our annual borg.com Hall of Fame inductees.

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Best Sci-Fi Fix – Rogue One: A Star Wars Story (Lucasfilm).  Although the franchise is more space fantasy than science fiction, all the elements of the best sci-fi were crammed into Rogue One.  Epic space battles, aliens, and loads of sci-fi technology.  A compelling story.  We’re wagering this film will be a classic we go back to for years to come, upsetting Star Wars: The Force Awakens as the third best of the eight films in the series.  It’s everything a sci-fi fan could want.

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Best Fantasy FixThe Huntsman: Winter’s War (Universal Pictures).  Like Rogue One it was a prequel that was also a sequel.  Better than the original Snow White and the Huntsman, this early 2016 release provided a high-fantasy story rooted in the classic fairy tale, rewarding viewers midway with a surprise change-up.  Three tough female leads, four brave (and funny) dwarves, two epic quests, a fairy tale romance, and elaborate costumes and sets made for a perfect fantasy film.

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Best Superhero FixThe Magnificent Seven (MGM/Columbia Pictures).  When we first reviewed The Magnificent Seven we were surprised it had adapted the Yul Brynner version and Akira Kurosawa’s earlier Seven Samurai so well.  We were even more surprised at how well the cast, and cast of characters, worked together to create a true ensemble piece.  It rivaled every attempt by the studios to make a great superhero team-up, and, but for the Western garb and setting, it rates as the year’s best of the superhero genre.  Runner-up, a close contender for the win was the second appearance of Evan Peters as Quicksilver doing his speedster business slow-motion style again in X-Men: Apocalypse.

Stranger Things cast

Best Retro FixStranger Things (Netflix).  It’s a TV series that would have made a solid movie hit in 1982.  So many series appear unexpectedly these days with a full season ready to stream immediately.  Most demonstrate why they couldn’t cut it with the networks or a major cable channel.  Not so with some of Netflix’s series, especially the surprise hit Stranger Things.  With a nicely eerie soundtrack, title font, a Twin Peaks-meets Steven Spielberg coming of age film cul-de-sac for the setting, and  John Carpenter meets Stephen King vibe, it’s no wonder Stranger Things was the #1 talked about series this year.  Our favorite part, besides the young heroine of the show, was the attention to throwback clothes, toys, posters, and 1980s pop culture references.  It’s a series we’ll revisit in the future, and look forward to in its second season.

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Best Borg/Best Movie Villain – Darth Vader (Rogue One: A Star Wars Story).  Darth Vader returned in his best scene of the franchise outside of The Empire Strikes Back in Rogue One: A Star Wars Story.  It wasn’t James Earl Jones’s return to voice one of the best villains in the history of cinema that grabbed us, but the full-on rampage Vader takes to pursue the stolen Rebel plans in the film’s finale.  Director (and lifelong Star Wars fan) Gareth Edwards gave fans exactly what they wanted, utilizing an impressive UK creature actor Spencer Wilding to do his bidding as the imposing Lord of the Sith.  We also got a peek at what little of the man remained years after his battle with Obi-Wan Kenobi.  We saw inside his cybernetic suit of armor via a scene featuring him floating in a bacta tank.  Darth Vader remains one of the greatest borgs of all time.

Want to know who we picked for best in effects, soundtrack, and best sci-fi, fantasy, comedy, and horror movies of the year?  Take a look after the cut…

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Review by C.J. Bunce

Rogue One: A Star Wars Story finally answers the question of what kind of movie you would get if Hollywood would only, finally, let a diehard fan direct a major franchise film.  For all the great cast of actors and heroic characters in this unique tie-in film that falls outside the episodic trilogies, the real hero turns out to be director Gareth Edwards.  Edwards does so many things right with Rogue One you’ll lose count, and the best of this is surprise after surprise of what is at the next turn.  And if you watched all the trailers that seemed to reveal all too much, surprise again, you ain’t seen nothing yet.  This is, without exception, the most fun movie in the franchise since The Empire Strikes Back, despite its equally dark tone, and it has all the action of the original Indiana Jones movie, Raiders of the Lost Ark.

With Star Wars: The Force Awakens, fans immediately jumped at the chance of finding its place in the list of the best and worst of the prior six films.  Is Rogue One better than The Force Awakens?  In many ways, yes.  In other ways, such as the use of too many jumps between geographic road marker titles along the way and tightness of story plotting, Rogue One is probably a bit behind.  What fans really want to do is compare Rogue One to the original Star Wars and The Empire Strikes Back.  So how does it compare?  It really is too soon to tell.  The hype and excitement of any new blockbuster in a franchise you love makes you want to heap on the high praise.  Is The Force Awakens as good as we thought a year ago?  Fans will never agree.  But the fact Rogue One is worthy of the comparison to Star Wars and The Empire Strikes Back should be praise enough.

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The best thing about Rogue One is CGI and motion capture technology improvements.  The best kept film secret in several years should be kept for all to experience, and later we can all chat about it once everyone has had a chance to see the film.  Prepare to be impressed.  Technology is finally catching up with Connie Willis’s future Hollywood novel Remake.  Rogue One also has great writing–an issue that haunted the prequels.  The dialogue is smarter than probably all the past episodes.  The space battles aren’t superfluous like in Return of the Jedi and all of the prequels.  Every step in the film is in furtherance of the goal–find the plans to destroy the Death Star.  This is not a mere MacGuffin, this mission has gravity for everyone.  Delivered like an epic World War II era film, Rogue One is the best war movie of the franchise.

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