Oddly enough, no single James Bond movie has yet been given its own contemporaneous behind the scenes book that is worthy of the franchise. That is, until now. Mark Salisbury′s No Time to Die: The Making of the Film is one of those deluxe, full-color, high quality, coffee table-style books like we’ve seen several times at borg. The difference is this one provides a look into the longest running continuous movie franchise. Full of images of the production in action, it also features interviews with the key cast and crew on Daniel Craig’s final turn as James Bond in the franchise’s 25th official production.
After the first of our two pandemic years, when we created last year’s preview of 2021 movies we admit we thought the year was looking iffy from a movie standpoint–so many films delayed or held back, others expected but canceled early in production, etc. All year we wondered what we’d get to see and what we wouldn’t–and thanks to Netflix, Amazon Prime, Vudu, and similar streaming services, a smaller but still impressive array of movies kept us entertained, especially by way of genre content.
Genredom. As always, we’re after the best genre content of the year–with our top categories from the Best in Movies. There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.
Come back tomorrow for our best print media picks and our annual borgHall of Fame inductees. And if you missed it, check out our Best Kick-Ass Genre Heroinesof 2021here and Best TV of 2021here. Wait no further, here are the Best Movies of 2021:
Best Superhero Movie– Venom: Let There Be Carnage (Sony). Overlooked like the original Venom, sharp writing and faithful adaptation of the comics made for the best, most fun superhero movie of 2021. Runner-up: Black Widow (Disney). Despite the delays it was worth the wait, and it stands as a rewatchable and fun movie. Honorable mention: Shang-Chi and the Legend of the Ten Rings (Disney), a great tie-in to characters from throughout the MCU.
Best Action/Adventure Film, Best Visual Effects: Jungle Cruise (Disney), another Disney rollercoaster ride translated to the screen; a film that surprised us as the next incarnation of a Raiders of the Lost Ark-level adventure. Runner-up: Shang-Chi and the Legend of the Ten Rings (Disney). A solid martial arts adventure, a bus scene out of Speed, and great finale action.
Best Film, Best Drama, Best Director (Simon Stone), Best Cinematography (Mike Eley) – The Dig (Netflix). A powerful film, exploring life at the precipice of change, missed and almost missed opportunities, the fleeting nature of life, and the survival of humanity through what we leave behind. Runners-up for Best Film: The Courier (Amazon), Black Widow (Disney), one of the MCU’s best contributions.
No Time to Die. It’s the 25th official James Bond movie and the 27th if you include the independent movie Never Say Never Again and the first version of Casino Royale, all part of the longest running movie blockbuster franchise that began in 1962 with Dr. No. For those hoping for just one more Daniel Craig Bond movie: note that they should have quit while they were ahead, and rolled Spectre into a Daniel Craig finale. No Time to Die is a slow, plodding retread of the Spectre plot. It has a new main villain and several minor ones, but it’s missing all the style of previous Bond outings. That’s thanks to the studio selecting movie director Cary Fukunaga for his first foray into big-budget cinema and using an over-long script that took five writers to create. After a long wait–it’s been six years since Spectre and this was initially set for an April 2020 release–No Time to Die is finally streaming on Vudu and other outlets at sell-through prices. But you may want to save your money and wait until it comes to Netflix or cable.
What appeared from its movie trailer to be a dramatic account of a real-life British archaeological discovery from the early 1940s is actually so much more. Based on a novel by John Preston, The Dig finds Carey Mulligan (Doctor Who, Promising Young Woman) as Edith Pretty, a widow whose estate she initially purchased to one day excavate the giant mounds that sat upon it–to pursue her and her husband’s interest in archaeology. These mounds were once thought to possibly hold artifacts or remains from as far back as the Roman imperial era. She enlists the help of an excavator approaching the end of his career, Basil Brown, played by Ralph Fiennes(Skyfall, Schindler’s List, The English Patient, Harry Potter). What they unearth becomes the greatest discovery from British antiquity, but this isn’t a rousing adventure like Raiders of the Lost Ark. While it shows the slow process and procedure behind an actual dig, the film explores life at the precipice of change, missed and almost missed opportunities, the fleeting nature of life, and the survival of humanity through what we leave behind. It’s a powerful film that merits consideration for Best Picture when the Oscars are announced next month, and possibly other nods (the 2020 Oscars contenders include films released through February 28, 2021). It’s easily the best dramatic film in the past 14 months.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021! But wait! Next year’s list sure looks a lot like the the films we previewed last December. The covid pandemic has delayed hundreds of film projects, but some made it through. When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks. Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.
Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar. The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem. Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob! Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year. After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out. Other films, like Vast of Night, Extraction, The Old Guard, Rebecca,Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.
So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and Morbius. Wonder Woman 1984 is expected to have a theatrical release by year end. Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.
So what’s left and what’s new?
Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021. Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list. Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration. Note: Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max. Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year. Amazon Studios has fewer, most partnerships with Blumhouse Productions.
As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.
January
Mortal Kombat. Based on the video game. New! Tentative release date: January 15, 2021. HBO Max.
Wrath of Man. Next Jason Statham action flick. New! Tentative release date: January 15, 2021.
The French Dispatch. Wes Anderson and his familiar actors in new quirky film about journalists. New! January 28, 2021.
The Dig. A film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan. January 29, 2021. Netflix.
No Time to Die. It will be the 25th official James Bond movie and the 27th if you include the independent movie Never Say Never Again and the first version of Casino Royale, all part of the longest running blockbuster franchise that began in 1962 with Dr. No. Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology. The premiere of No Time to Die – said to be the last Daniel Craig stint as James Bond – was delayed due to studio concerns about the COVID-19 pandemic. The next, action-packed movie trailer for No Time to Dieis here (check it out below). The film is now slated for a November release. But does anyone think crowds will return to theaters by then?
Following on the heels of 2014’s Kingsman: The Secret Serviceand 2017’s Kingsman: The Golden Circlecomes a prequel film, The King’s Man, and the second movie trailer has just arrived from 20th Century Fox (we previewed the first trailer here at borg last July). Delayed for re-shoots and because of the COVID-19 pandemic, the studio now has its sights set on a September premiere in theaters (we’re not holding our breath). Stepping into an early Kingsman of the type perfected by Colin Firth is the actor who should have played a Bond (but ended up as another M), the BAFTA-winning, twice Academy Award-nominated actor Ralph Fiennes. The young recruit that looks to mimic that series hero Eggsy played by Taron Egerton in the first two films this time goes to Harris Dickinson(Dark Crystal: Age of Resistance).
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? Ghostbusters: Afterlife! Scarlett Johannson solo in Black Widow! A new James Bond movie, No Time to Die. Vin Diesel in Bloodshot and a new Fast & Furious. The original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse. Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black Widow? Compare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.
Do you like sequels? There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way. In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned. Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):
7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
The Dig,a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)
Some of these films will have revised release dates, or get pushed to 2021.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):
January
The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.
Underwater– Thriller, stars Kristin Stewart in underwater horror story – January 10.
Dolittle– Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.
No Time to Die. It will be the 25th official James Bond movie and the 27th if you include the independent movie Never Say Never Again and the first version of Casino Royale, all part of the longest running blockbuster franchise that began in 1962 with Dr. No. The first full movie trailer for No Time to Dieis here (check it out below), along with several character posters. And those (like us) who see Daniel Craig as their favorite Bond will be sad to hear Craig says this will be his last turn at 007. His performance as “the man every guy wants to be and every woman wants to be with” would no doubt be familiar to author Ian Fleming, whose character was a rugged, late career spy as Craig has played it (check out our past reviews of the Bond novels here at borg).
Along with other international venues, Bond returns to Jamaica in his next film, where we’ve seen him before in Dr. No and Live and Let Die, but more importantly it’s Bond coming full circle, as Jamaica is where Fleming wrote all of his Bond stories, at his real home there he called Goldeneye. Long-time series producer Barbara Broccoli tapped Cary Fukunaga, a cinematographer and relative newcomer to the big screen, to take the reins as director, following Sam Mendes, who directed the last two Bond movies. Returning as the familiar core characters are Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Christoph Waltz, and Léa Seydoux as Bond’s latest love interest from the last outing. New to the series are Rami Malek(Bohemian Rhapsody) as the villain Safin, plus Ana de Armas(Blade Runner 2049),Lashana Lynch(Captain Marvel) as a new 00, Lourdes Faberes (Knightfall),Rae Lim(Tomb Raider), and Billy Magnussen(Black Mirror).
Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
Check out all the character posters (which list the UK release date) and the first trailer released today for No Time to Die:
You may not know it, but you probably first met them in their record-breaking music video that they pulled together in only two weeks for Peter Gabriel’s song, Sledgehammer. It’s a story of two teenagers borrowing mom’s old kitchen table to use to film their Plasticine creations. Flash forward a few years and their multiple Oscar-winning company is negotiating for big-budget real estate for their movie studio. The company is Aardman Animations, named for the star character of their earliest film. And the founders are Peter Lord and David Sproxton, who have documented their journey in this year’s latest chronicle of the history of animation, A Grand Success! The Aardman Journey, One Frame at a Time, now available from Abrams Press.
It’s not just a biography of the two boys who would see their company bring home four Oscars and even more nominations and BAFTAs. A Grand Success! (the title a play on their first Oscar-nominated adventure, A Grand Day Out) is a time capsule of those key intersections of effort, skill, perseverance, and happenstance, that can make any endeavor a success. The efforts of the small British upstart found their footing in both the worlds of fantasy film and advertising. One put the food on the table until, like many creators, they could focus on their passions. And although they didn’t sever their ties with commercial work, they created what are now among the most recognized characters in England and the world outside the United States (and their U.S. following isn’t too bad, either). Before long their ideas had them sealing big deals with the likes of Jeffrey Katzenberg and Steven Spielberg, and having actors from Ralph Fiennes, Helena Bonham Carter, Hugh Grant, Eddie Redmayne, Maisie Williams, and Tom Hiddleston–the cream of Britain’s acting talent– providing the voices of their characters.
A crowning achievement in animation in The Wrong Trousers, from the studio lauded by Ray Harryhausen, Terry Gilliam, and Matt Groening.
Lord and Sproxton pull in two other key players in their look at Aardman’s history, animators Nick Park and Richard “Golly” Goleszowski. Park grew up as a fan of Aardman’s films as a kid, and by 1989, when he was only 31, he was attending Oscar parties as the face of the studio. All four would create iconic characters from Wallace & Gromit, Shaun the Sheep, and the anthropomorphic “very British” animals of Creature Comforts.
