Tag Archive: Sherlock Holmes


Review by C.J. Bunce

In the Victorian holiday tradition of spending Christmas sharing tales of ghosts and other haunts, comes James Lovegrove′s latest novel, Sherlock Holmes and the Christmas Demon Another excellent addition in Lovegrove’s long list of new tales of Sir Arthur Conan Doyle’s hero and his earnest confidante and co-conspirator in sleuthing, Dr. John Watson, here readers encounter the master detective in a tale of murder and high crimes in the yuletide season.  Like Charles Dickens’ A Christmas Carol, expect an ample serving of curiosity and cleverness, and perhaps a side of the supernatural.

It’s 1890 and Holmes and Watson are called to Fellscar Keep in Yorkshire by one Eve Allerthorpe, the heir-apparent to a family fortune.  She believes she is haunted by a Krampus-like being, the legendary Christmas demonic spirit known as the “Black Thurrick.”  Holmes and Watson believe she’s being duped–the family fortune will belong to her when she turns 21 this Christmas Eve unless she is found to not be of sound mind.  So who is trying to prove that she is insane?  As the family and extended guests arrive for the holidays, Holmes and Watson ruffle feathers, encounter strange happenings, and investigate the wing of the house where the family matriarch died, as Watson finds himself the next target for the demon.

Lovegrove knows how to take Holmes and Watson for an unusual spin, having wrapped his Holmes trilogy The Cthulhu Casebooks this year with the final chapter, Sherlock Holmes and the Sussex Sea-Devils (reviewed here at borg and just out in paperback).  As with Lovegrove’s previous Sherlock Holmes novels and his Firefly novels Big Damn Hero and The Magnificent Nine, the story is rich and funny, and the action clips along to a surprise, satisfying ending.

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Review by C.J. Bunce

In his fourth novel expanding on the world of Arthur Conan Doyle’s Sherlock Holmes and Dr. John Watson, The Adventure of the Peculiar Protocols, writer and movie director Nicholas Meyer adds another mash-up to his repertoire, weaving Doyle’s dynamic duo together with real-life contemporaries and events in England and Russia in 1905.  In keeping with Doyle’s subtext of having his heroes address and attempt to thwart social injustices, Meyer takes a real-life hoax document used for more than a century to discredit Jewish people and weaves it into the fictional narrative to address and mirror racism, governance, and propaganda in current government and politics.  Meyer overlays his own lessons of history on a murder plot brought to Holmes by renowned brother Mycroft, the solving of which takes Holmes and Watson outside their familiar England to far-off Russia.

Readers who haven’t read the original Doyle stories would benefit by tackling a few of those first, or any of the several modern sequels, sidebars, and tie-in books we’ve reviewed over the past decade here at borg.  The Peculiar Protocols is a narrative for diehard Holmes & Watson readers, stuffed full with early 20th century psychology, Easter Eggs, callbacks, and a host of real historical figures interspersed convincingly in the style of a Kim Newman novel.  To absorb all the layers introduced into the story, readers will want to follow Holmes’ lead and pay close attention to the details–something readers will enjoy more after becoming familiar with Doyle’s original style.  Meyer’s “meta” conceit as backdrop for the story is the finding of diary pages believed to have been written by the real Dr. Watson, and so the Special Collections library folks at the University of Iowa, Meyer’s alma mater and keeper of his own original papers, deposited the material into Meyer’s hands for deft handling, knowing he’s done this before.

Meyer never forgets his Star Trek chops (having written three Star Trek movies and directed two).  Meyer, who I interviewed here at borg back in 2016, then confirmed his intent in Star Trek VI: The Undiscovered Country to have created Sherlock Holmes as a real character in the world of Star Trek by having Spock refer to Holmes as one of his ancestors.  That movie doesn’t hide its reliance on Spock as a future master sleuth inspired by Doyle’s detective.  Now if you want to see the source of where Spock got his own signature fighting move, you might check out Peculiar Protocols if only to find Spock’s ancestor using a familiar method to debilitate a foe.

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Review by C.J. Bunce

So many genre novels are quick reads, full of action and modern surprises.  Once in a while you stumble upon the slow read–the book that is so smartly written, so exciting and enjoyable you never want it to end, and you force yourself to take it slow and enjoy the author’s use of language.  With his latest book I’ve now added James Lovegrove to my shortlist of authors I will make sure to read as soon as his next work is released.  His new novel is Sherlock Holmes and the Sussex Sea-Devils, book three of his trilogy, The Cthulhu Casebooks.  In short, this work has it all–tie-ins, a mash-up, genre-bending, and immersive storytelling in a suspense-filled mystery adventure.  It’s a big feat because the very subject matter and project has much to overcome.  First, it is the third book in a series, not your usual place as a reader to begin.  As it is a new release, I delved in anyway, and discovered Lovegrove crafted a complete end-to-end story requiring no prior knowledge of the first two books in the series.  Second, it’s a tie-in and a mash-up of the most well-known historical characters in all of fiction, Arthur Conan Doyle‘s Sherlock Holmes and Dr. John Watson twisted together with the macabre, dark world of H.P. Lovecraft.

I’ve reviewed several Watson and Holmes stories written in the past decade and the challenge is always the same–getting two voices just right, voices that are so familiar after reading original Doyle writings, and watching countless modern sequels and a host of television series and movie versions.  One misstep and it’s easy to pull a reader out of the narrative, yet Lovegrove doesn’t skip a beat in this regard.  Whether you’re drawn to the TV series with Benedict Cumberbatch and Martin Freeman, the classic Basil Rathbone film version, modern retellings, or just Doyle’s own marvelous words, you will feel this book is a believable sequel to the original stories and the voices are spot-on.  Another barrier for Lovegrove to overcome is getting right that rich world of H.P. Lovecraft, whose works and words drip with a uniquely strange brilliance and eerie beauty.  Again, Lovegrove fully captures the spirit of his creations and seaside environments, too, as if he’d conjured Lovecraft for this story.  This strange mash-up of the logical, rational Holmes and Watson and the dark and fantastical Lovecraft probably shouldn’t work so well.  These are opposites, right?  But Lovegrove fuses them into one, evoking the 19th century wonder of H.G. Wells and Jules Verne science fiction and fantasy along the way.  Not merely a fun romp for fans of either world, Sherlock Holmes and the Sussex Sea-Devils has all the realism and research of a scholarly work, sinking us into the world of England, the nautical life of coastal peoples at the turn of the 20th century.

The story begins a few years after the retirement of Holmes and Watson.  In Doyle’s story “His Last Bow” we learned the character retired to a farm at Sussex Downs taking on beekeeping as a pastime.  Only two original stories take place during Holmes’ retirement.  This is where Lovegrove’s Watson catches up with Holmes: The date is 1910 and as England and the world moves toward war, Holmes and Watson learn the leaders of the famed Diogenes Club are all dead, found under strange circumstances.  When three young women go missing in a nearby town, the detective duo takes on sleuthing out their disappearance as their final case, where they encounter local lore that speaks of monsters from the deep and a foretold legend of the return of a phantom from long ago.  Locals believe that is why the women are missing, and Holmes knows it must all be connected.  How much is real, how much is fantasy?  Is it possible Holmes could discover both worlds might co-exist?  Can Holmes ever escape the specter of his lifelong nemesis Moriarty?  And what of his brother Mycroft?

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Review by C.J. Bunce

It was only a year ago, in Timothy Zahn‘s novel Star Wars: Thrawn, that Zahn returned to provide the backstory for the enigmatic military genius Grand Admiral Thrawn, who emerged from the sidelined Expanded Universe novels of the past to be part of the rebooted Star Wars canon as a driving force in last year’s season of Star Wars RebelsZahn has returned with another tale of Thrawn, this time partnering the strategist with two of the most important characters of the entire Star Wars saga (or three, from a certain point of view): Anakin Skywalker, Padme Amidala, and Darth Vader.  In his latest novel, the author of the most popular Star Wars novel series (the Heir to the Empire saga), brings us Star Wars: Thrawn–Alliances, one of the best character studies (in book form or on film) of Thrawn, Vader, Anakin, and Padme.

Although you’ll find the preface timeline indicates this story fits between Solo: A Star Wars Story and Rogue One: A Star Wars Story (immediately following A New Dawn), a good half of Thrawn–Alliances 342 pages takes place just before the events of Star Wars Episode III: Revenge of the Sith.  This is important because it introduces significant events for its key characters that have never been mentioned outside this book.  Most important is an early partnership between Anakin Skywalker and Thrawn at a time when Skywalker was Republic representative and Jedi and newly married to Senator Amidala, and before Thrawn joined the Imperial Navy.  As with most Star Wars stories, a recurring theme is the echo or repetition of events (dialogue, scenes, etc.) among key characters in the Star Wars universe, across the movies, novels, and comics.  So readers now learn that before the events of Star Wars Rebels, Emperor Palpatine once decided to partner Thrawn with Darth Vader to investigate a disturbance in the Force occurring on the very planet Anakin and Padme first met Thrawn years before, an outlying planet called Batuu.  The twist is that Vader’s former existence as Anakin is a carefully guarded secret in the forward story, not even disclosed to Thrawn.  The helmeted and fully armored Vader is quite knowledgeable about his past with Thrawn, and so we get to watch a sort of dance between the characters over the course of the story.

Zahn gives some powerful dialogue to Darth Vader in this story, possibly some of his best lines in the saga, and you can hear James Earl Jones’s voice in each delivery.  Because the always angry and impatient Vader is shown as the only slightly progressed and naïve Jedi, neither incarnation is a match for the wits of the shrewd and dynamic Thrawn, Zahn’s original creation first introduced in the now mostly discarded novel Heir to the Empire In many ways Zahn takes this novel as his opportunity to create a better, stronger, more manipulative villain than Darth Vader, a feat that is great for Thrawn but it also could be seen to minimize what has always been the saga’s #1 villain.  Zahn also has an opportunity to finally give Padme a rich and heroic adventure–a sadly lacking component in George Lucas’s prequel trilogy.  Yet Zahn doesn’t take full advantage of that opportunity.  She is allowed to come to the aid of some tangent factions and gets a brief survival story, but her role is secondary to the two key parallel leads and unfortunately ishe s underutilized again.

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Review by C.J. Bunce

When next surfing your next adventure on Netflix, fans of seafaring stories will want to make sure they save some time for the 2005 television mini-series To the Ends of the Earth, one of the best accounts of the brutal, nasty, ignoble, and vile side of life in the early 19th century.  In what would be a relatively simple flight across continents today on a jet plane was a life-risking venture on the high seas in 1812, as a young British aristocrat named Edmund Talbot travels by a converted ex-warship to Australia, and learns more about social positions, decency, military discipline, and character than he contemplated when he booked his voyage into politics around the globe.  As with the recently reviewed series The Terror, To the Ends of the Earth is a grimy, authentic look at life below deck for the several tiers of passengers (a mirror of British society) in a classic man-of-war.   But where the production for The Terror looks gorgeously historic, it’s the stench that seems to permeate this tale in a way unmatched by The Terror, the A&E Horatio Hornblower series, Master and Commander: To the Far Side of the World, or Kenneth Brannagh’s Shackleton. 

Sometimes just plain gross, but never in a gratuitous way, To the Ends of the Earth is a smartly written story in the same serial delivery as the Hornblower series, this one three 90-minute chapters for a total of 4.5 hours.  Based on a trilogy of novels from the 1980s by Nobel Prize-winning Lord of the Flies author William Golding, for fans of modern film and modern takes on Sherlock Holmes, the series is a great, early pairing of the BBC’s Sherlock, Benedict Cumberbatch, and the big screen Sherlock Holmes: A Game of Shadow’s Moriarty, Jared Harris.  Although his fictional story is less popular an his voyage less memorable, Harris elevates his layered Captain Anderson to a naval leader comparable to Forester’s Pellew and Foster and O’Brian’s Aubrey (and a comparison of his captain then to his The Terror captain 15 years later is also worth the watch).  A younger Cumberbatch also shows his acting chops and foreshadows his later rise in filmdom, carrying each scene for nearly the entirety of the series’ 4.5 hours as the show’s tour guide, Talbot.

Flies.  Rotted food.  The stench of the wounded and the dying in close quarters.  The constant rocking of the ship, inability to walk, or sit, or drink, or sleep without getting sick, wet clothes, rashes, injuries, preparing for battle, losing men overboard–this film stinks (well, almost) like no other, and thankfully without the addition of Smell-o-vision.  Add to that being lost, the uncertainty of ever landing anywhere, distrust, embarrassment, mutinous types, savvy sailors and poor sailors, alcohol, drugs, sex, and no doctor or surgeon in sight for six months.  Oh, the good ol’ days, right?  We must take the books’ author and the studio’s word for it as to true authenticity, but the costumes and treatment of the human condition seems completely spot-on.  Thomas Hobbes’ life outside society as “solitary, poor, nasty, brutish, and short” has hardly been more plainly laid out.

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Review by C.J. Bunce

Kim Newman’s Anno Dracula is a series of novels and short stories that began in 1992, showcasing an elaborate and detailed parallel history of Earth set between 1888 and 1990 (so far), where Bram Stoker’s Dracula is seen as a true biographical account of the real Count, and the Count controls England by winning the hand of Queen Victoria.  Anno Dracula is a steampunk mix of fictional characters and real people spanning a century in a bit of a The League of Extraordinary Gentlemen and Legenderry construct.  Gunga Din, Fu Manchu, Sherlock and Mycroft Holmes, Lestat de Lioncourt (from Interview with the Vampire), Prince Mamuwalde (from Blacula), Doctor Moreau, Allan Quatermain, and even Carl Kolchak from The Night Stalker all show up in Newman’s fantasy world, alongside real people of the past like Billy the Kid, Catherine the Great, Joseph Merrick, William Morris, Beatrix Potter, and Orson Welles.  Newman’s entirely new story is in the form of a comic book series, Anno Dracula–1895: Seven Days in Mayhem, published by Titan Comics and illustrated by Paul McCaffrey, and it is now available in a collected trade edition from Titan Comics.

As Dracula’s tenth jubilee approaches, an assassination plan is underway from radical forces in Great Britain.  Newman’s powerful lead Kate Reed–journalist, free thinker, and vampire–has joined a council of revolutionaries, but when Dracula’s secret police come crashing in she turns to a familiar old friend to try to save herself and the Count himself, but she must first get through Count Graf Von Orlok of Nosferatu fame.  As with past entries in the series, this is not a tale about Dracula, but more about every other living and fictional famous face of the day.  And my favorite piece of a Kim Newman story is his use of fantastic characters and historical figures sometimes only for a single page or, as with his new graphic series, in a single panel, but always for a reason, and often for a joke (Twilight books, you are not exempt).  So keep a lookout for a steampunk cyborg Thomas Edison and a ship captain with a striking similarity to Lon Chaney’s Phantom of the Opera.  Artist McCaffrey’s artistry is a great pairing with Newman’s classic prose.

Few authors have a such a command of their subjects as Newman has of vampire lore and film.  Check out my interview with Newman back in 2013 here at borg.com, as well as our reviews of his sequels to the novel Anno Dracula:  Dracula Cha Cha Cha here, and Johnny Alucard here.  Fans of Alan Moore’s several adaptations of classic characters will love Newman’s works, but be prepared:  Where Moore puts a few characters together to have an adventure such as in The League of Extraordinary Gentlemen, Newman has deftly woven easily more than a thousand into his world.  Anno Dracula–1895: Seven Days in Mayhem is proof that the entire Anno Dracula series should be adapted to the graphic novel format.  An exciting, rousing tale, it’s too good to pass up.

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For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more.  Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month.  Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.

The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items.  You’ll find the following movies and TV shows represented and more:  3:10 to Yuma (2007), 300, Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers, Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.

You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.

  • Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
  • Sark (David Warner) Grid costume from the original Tron (1982)
  • Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
  • Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
  • Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
  • Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity (sold as individual costume lots)
  • Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
  • Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
  • Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
  • Star-lord helmet from Guardians of the Galaxy
  • Thor (Chris Hemsworth) Mjolnir hammer from Thor

  • Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
  • Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
  • Val Kilmer Batman suit and cowl from Batman Forever
  • Maverick (Tom Cruise) flight suit from Top Gun
  • Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl

And there are so many more.  Like…

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Star Trek: The Wrath of Khan–a member of that fabled Class of 1982’s “best summer of movies”–turned 35 this year, and to celebrate, the film is returning to theaters as part of the Fathom Events series.  It has been said the film’s director and screenplay writer Nicholas Meyer saved Star Trek.  Meyer was well-known as the author of the New York Times bestselling novel The Seven-Per-Cent Solution and its screenplay, which earned him an Oscar nomination, and for directing and writing the screenplay for the fan-favorite, time travel thriller, Time After Time.  After the lukewarm response at the box office to Star Trek: The Motion Picture, executive producer Harve Bennett tapped Meyer to take the franchise in a bold, new direction, and the result, Star Trek II: The Wrath of Khan, became the best reviewed film of the franchise and a classic among all science fiction.  Many details about Meyer’s work have been recounted in Allan Asherman’s The Making of Star Trek II: The Wrath of Khan and Meyer’s own memoir, The View from the Bridge.  Meyer has also shared a trove of his thoughts and work on the film in director commentaries accompanying the film’s various home releases.  He’s not quite finished with Star Trek yet–he’s back again as a writer and producer on the new series, Star Trek: Discovery, premiering next month.

I was ecstatic to interview Nicholas Meyer this past week and listen to him reminisce as director and screenwriter of The Wrath of Khan for the approaching anniversary theatrical release, and ask him questions I’ve had for years about his long writing career.  Meyer sees himself first as a storyteller.  In addition to The Wrath of Khan, he wrote the screenplay for Star Trek IV: The Voyage Home and he directed and wrote the screenplay for Star Trek VI: The Undiscovered Country.  I think you’ll discover—or rediscover—that in Meyer’s selections of leading stage and screen actors like Christopher Plummer, Meyer provided gravitas to the Star Trek universe, and by infusing classical literature into the voices of characters from the likes of Shakespeare, Doyle, and Melville, he elevated Star Trek’s story beyond mere popular science fiction.  Everything that would come after The Wrath of Khan in the Star Trek franchise exists as a direct result of Meyer’s success on that film.

Director Nicholas Meyer observing final detail work as Ricardo Montalban’s headwrap is applied, filming the first appearance of Khan in Star Trek II: The Wrath of Khan.

CB:  Welcome to borg.com.  Thanks for chatting with me and borg.com readers today and congratulations on the 35th anniversary of Star Trek II: The Wrath of Khan.

NM:  Thank you so much.  It’s a real pleasant surprise—As Kirk said to Scotty, “That’ll be a pleasant surprise.”

CB:  Let’s talk about Ricardo Montalban as Khan.  I have always loved this line: “I’ll chase him ‘round the Moons of Nibia and ‘round the Antares Maelstrom and ‘round Perdition’s flames.”  When you write something like that, do you know that you’ve got it, and when you see Montalban saying it and it appears on the screen, do you get any satisfaction of seeing that all come together?

NM:  Absolutely!  I have to say, first of all, I didn’t write it.  Herman Melville wrote it.  I substituted a few planets or something.  This is all Ahab.  I just cribbed it.  I remember with some satisfaction what I took to be at the time my cleverness (which turns out to be the curse of Kirk: “I patted myself on the back for my cleverness”).  It wasn’t until I saw Ricardo actually do it that I got goosebumps, and thought, “Holy cow.  This is wonderful!”  And I said to him actually at some point during the movie, “You really should be playing Lear.”  He sort of looks like Lear–with a big set of pecs.  Because he has been on stage, he was on Broadway, he did legit plays.  He was very touched, I think, that I had told him this, and he made some disparaging remark about his Hispanic accent.  I said, “That’s all bullshit.  You enunciate perfectly.  You could do this.”  I think Khan was as close as he ever got to doing it.

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Kim Newman’s Anno Dracula is a series of novels and short stories that began in 1992, showcasing an elaborate and detailed parallel history of Earth set between 1888 and 1990 (so far), where Bram Stoker’s Dracula is really a biographical account of the real Count, and the Count controls England by winning the hand of Queen Victoria.  Anno Dracula is a steampunk mix of fictional characters and real people spanning a century in a bit of a The League of Extraordinary Gentlemen and Legenderry construct.  Writers take note:  If you want to see a master storybuilder in action, read Newman–few authors have a such a command of their subjects as Newman has of vampire lore and film.  Check out our interview with Newman back in 2013 here at borg.com, as well as our reviews of his sequels to the novel Anno Dracula:  Dracula Cha Cha Cha here, and Johnny Alucard here.

Gunga Din, Fu Manchu, Sherlock and Mycroft Holmes, Lestat de Lioncourt (from Interview with the Vampire), Prince Mamuwalde (from Blacula), Doctor Moreau, Count Orlok (from Nosferatu), Allan Quatermain, and even Carl Kolchak from The Night Stalker all show up in the early stories of Newman’s fantasy world, alongside real people of the past like Billy the Kid, Catherine the Great, Joseph Merrick, William Morris, Beatrice Potter, and Orson Welles.  Newman’s entirely new story is in the form of a comic book series, Anno Dracula–1895: Seven Days in Mayhem, published by Titan Comics and illustrated by Paul McCaffrey.  Here is the summary of the series, which will see its first issue available this week:

1895.  Prince Dracula has ruled Great Britain for ten years, spreading vampirism through every level of society.  On the eve of Dracula’s Jubilee, radical forces gather to oppose the tyrant.  Kate Reed, vampire journalist and free-thinker, takes a seat on the revolutionary Council of Seven Days, though she learns that the anarchist group harbors a traitor in its midst.  The Grey Men, Dracula’s dreaded secret police, have been ordered to quash all resistance to the rule of the arch-vampire.  With intrigue on all sides, the scene is set for an explosive addition to the Anno Dracula series.
   
Look for Thomas Edison, and his powerful, recurring leading women characters Kate Reed and Penelope Churchward in this all-new story, plus many more familiar names.  A variety of great covers to the first issue are available, with artwork by Paul McCaffrey, Tom Mandrake, Brian Williamson, Jeff Zornow, and Mike Collins.  Check out this preview of Issue #1 from Titan Comics:

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Dynamite Comics is releasing three compilation editions of previously published work tomorrow, and we have previews of all three below for borg.com readers.

Sherlock Holmes Omnibus Volume 1 collects three stories:  The Trail of Sherlock Holmes, Liverpool Demon, and Year One, written by Leah Moore, John Reppion, and Scott Beaty, with artwork by Aaron Campbell, Daniel Indro, and Matt Triano, and a cover by John Cassaday.  At 400 pages this will keep Holmes fans busy.

Xena: Warrior Princess – All Roads includes the first six issues of Dynamite’s monthly series.  Written by Genevieve Valentine, with artwork by Ariel Medel and cover by Greg Land, this is a great series Xena and Gabrielle fans will love.

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And finally, Art of Red Sonja Volume 2 collects more of various artist interpretations of Red Sonja published by Dynamite over the years.  The 336-page volume includes an introduction by the great Roy Thomas, and you’ll find plenty to love with works by artists including Alex Ross, Arthur Adams, Nicola Scott, Ed Benes, Jay Anacleto, Jenny Frison, Lucio Parrillo, Paul Renaud, Joseph Michael Linsner, plus several others.  Cover art is by Jenny Frison.

Check out previews of all three books after the break:

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