What If…? is a range of comic book series featuring more than 200 stories that allowed creators to jump outside the usual and let their imagination take over. What if Jane Foster (or Loki? or Rogue?) had found the hammer of Thor? What if Doctor Strange was a disciple of Dormammu? What if Phoenix had not died? What if Vision had destroyed the Avengers? What if Venom had possessed the Punisher? What if Silver Surfer (or the Green Goblin) took the Infinity Gauntlet? What if Legion had killed Magneto? What if Jessica Jones joined the Avengers? What if Hank Pym replaced Stark? What if Disney hadn’t purchased Marvel? Almost all of these questions have been answered in the pages of the comics.
Phase IV of the Marvel Cinematic Universe continues with an animated anthology series based on the classic comic. Jeffrey Wright stars as The Watcher, your guide through all ten episodes, who MCU audiences saw at the end of Guardians of the Galaxy 2–in a Stan Lee cameo. Chadwick Boseman’s last performances as T’Challa appear in four episodes. Hayley Atwell returns as a different version of Peggy Carter. Samuel L. Jackson is back as Fury. Sebastian Stan is Bucky Barnes. Dominic Cooper returns as Howard Stark. Djimon Housou is back as Korath. And Michael Rooker’s Yondu returns from the dead. Plus lots of superheroes you know with other actors substituting voices for those you know from the MCU. And it all begins tomorrow, August 11, on Disney+. A few more trailers/features have been released in the past week, and we’ve bundled them with the previous trailers:
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021! But wait! Next year’s list sure looks a lot like the the films we previewed last December. The covid pandemic has delayed hundreds of film projects, but some made it through. When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks. Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.
Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar. The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem. Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob! Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year. After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out. Other films, like Vast of Night, Extraction, The Old Guard, Rebecca,Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.
So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and Morbius. Wonder Woman 1984 is expected to have a theatrical release by year end. Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.
So what’s left and what’s new?
Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021. Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list. Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration. Note: Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max. Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year. Amazon Studios has fewer, most partnerships with Blumhouse Productions.
As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.
January
Mortal Kombat. Based on the video game. New! Tentative release date: January 15, 2021. HBO Max.
Wrath of Man. Next Jason Statham action flick. New! Tentative release date: January 15, 2021.
The French Dispatch. Wes Anderson and his familiar actors in new quirky film about journalists. New! January 28, 2021.
The Dig. A film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan. January 29, 2021. Netflix.
Following on the heels of 2014’s Kingsman: The Secret Serviceand 2017’s Kingsman: The Golden Circlecomes a prequel film, The King’s Man, and the second movie trailer has just arrived from 20th Century Fox (we previewed the first trailer here at borg last July). Delayed for re-shoots and because of the COVID-19 pandemic, the studio now has its sights set on a September premiere in theaters (we’re not holding our breath). Stepping into an early Kingsman of the type perfected by Colin Firth is the actor who should have played a Bond (but ended up as another M), the BAFTA-winning, twice Academy Award-nominated actor Ralph Fiennes. The young recruit that looks to mimic that series hero Eggsy played by Taron Egerton in the first two films this time goes to Harris Dickinson(Dark Crystal: Age of Resistance).
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? Ghostbusters: Afterlife! Scarlett Johannson solo in Black Widow! A new James Bond movie, No Time to Die. Vin Diesel in Bloodshot and a new Fast & Furious. The original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse. Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black Widow? Compare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.
Do you like sequels? There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way. In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned. Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):
7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
The Dig,a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)
Some of these films will have revised release dates, or get pushed to 2021.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):
January
The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.
Underwater– Thriller, stars Kristin Stewart in underwater horror story – January 10.
Dolittle– Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.
Following on the heels of 2014’s Kingsman: The Secret Serviceand 2017’s Kingsman: The Golden Circlecomes a prequel film, The King’s Man, and the first movie trailer has just arrived from the new 20th Century Fox. Stepping into an early Kingsman of the type perfected by Colin Firth is the actor who should have played a Bond (but ended up as another M), the BAFTA-winning, twice Academy Award-nominated actor Ralph Fiennes. The young recruit that looks to mimic that series hero Eggsy played by Taron Egerton in the first two films this time goes to Harris Dickinson, soon to be voicing a character in Dark Crystal: Age of Resistance.
As with the prior films The King’s Manappears stylish, but with a historical England twist. Expect again wall-to-wall, part dark comedy, and that over-the-top, operatic violence. Series director Matthew Vaughn(Kick-Ass, Kick-Ass 2, X-Men: First Class, Layer Cake) continues to make his mark on the action genre, with his own British spy genre tale mixing the vibe of The Man from U.N.C.L.E. and The Avengers of the 1960s, based on the 2012 The Secret Service: Kingsman comic book series from award-winning creators Mark Millar(Kick-Ass, Old Man Logan) and Dave Gibbons (Watchmen).
Every great British spy story needs a Bond girl, and whether she’s a “King’s Man” or foil, this time the choice is actual former Bond girl Gemma Arterton (Quantum of Solace, Hansel & Gretel: Witch Hunters) to take over where Sofia Boutella left off in the first movie. You’ll also find a familiar face with Captain Marvel and Shazam!’s Djimon Hounsou. The King’s Manreflects a cast list that includes superhero go-to guy Aaron Taylor-Johnson (Kick-Ass, Avengers: Age of Ultron),Stanley Tucci(Captain America: The First Avenger),Rhys Ifans (Harry Potter and the Deathly Hallows), Daniel Bruhl (Captain America: Civil War, Falcon and Winter Soldier), Charles Dance (Godzilla: King of the Monsters, Gosford Park),Watchmen and Downton Abbey’sMatthew Goode, and Pirates of the Caribbean and Bohemian Rhapsody’sTom Hollander as King George V.
Take a look at the first trailer for The King’s Man:
Today we have three fall movies to preview, one from a film long-completed and scheduled to arrive in theaters way back in 2017, another a new look at an old property, and a third featuring a modern crime story about a tough cop. First up is The Current War, a film we first previewed here at borg way back in January 13, 2018. Movie studios have fallout, collateral damage–call it what you like– from industry shifts, whether cancelations following mergers or projects braking during sex scandals. The latter was the reason for the initial delays for The Current War, a late production of The Weinstein Company. The star factor is nothing to sneeze at, with a slate of stars now popular for their superhero roles leading the way: Benedict Cumberbatch(Doctor Strange) plays Thomas Alva Edison, Michael Shannon (Man of Steel) is George Westinghouse, Nicholas Hoult (X-Men franchise) is Nikola Tesla, and Tom Holland (Marvel Cinematic Universe) is Samuel Insull, an early General Electric co-founder. Will this film electrify audiences or were the delays a sign it’s going to have a rough go of it? The earliest we’ll know is October, when it finally arrives in theaters.
Raise your hand if you loved the first reboot movie adaptation of the 1970s-1980s TV classic series Charlie’s Angels? No? That one starred Drew Barrymore, Cameron Diaz, and Lucy Liu. Unfortunately it was more parody than homage, more wacky than the action drama that made the original such a success with audiences 40 years ago. Another reboot is on its way, titled again Charlie’s Angels, and somehow this version with its next generation of film stars and removal of melodrama and humor at first blush seems to have more in common with the original. It stars a very upbeat styled Kristen Stewart (Twilight series) plus newcomer Ella Balinska and Naomi Scott(Power Rangers, Aladdin). The credits circulating so far list a slate of actors playing Bosley, including the film’s director Elizabeth Banks(Brightburn, Hunger Games series), Patrick Stewart(Star Trek Nemesis), and Djimon Hounsou(Captain Marvel). Weren’t we just talking about this movie Wednesday?
And last for today is Black and Blue, another October 2019 release, starring James Bond’s Moneypenny, Naomie Harris, as a British rookie cop caught in the wrong place at the wrong time. The trailer for this film looks like a lot of 1980s cop movies, which might be a good thing. As with the other films previewed today, look for even more actors in tis film from the superhero spheres, including Luke Cage’sMike Colter and Captain America: Winter Soldier’sFrank Grillo, plus Fast & Furious regular Tyrese Gibson.
Last year Dynamite brought Charlie’s Angels back from the 1980s for some new adventures, joining other classic TV series comic adaptations including Batman ’66, Wonder Woman ’77, The Six Million Dollar Man, and The Bionic Woman. Dynamite has combined a few classic TV shows already, including a story with Wonder Woman ’77 and The Bionic Womantaking down some fembots. This year the publisher is putting together two more dream team-ups with The Bionic Woman joining Charlie’s Angels on a mission in Charlie’s Angels/The Bionic Woman. When Bosley hands Kelly Garrett, Kris Munroe, and Julie Rogers their next assignment from Charlie, they encounter one of our favorite classic borg characters, the bionic-powered Jaime Sommers. Following the events of the television series into the 1980s, we catch up with a privatized Office of Scientific Investigation, and it’s up to these four women to make sure the OSI technology doesn’t get into the wrong hands for military applications.
It’s a great move using the latter trio from Charlie’s Angels for the new series. Artist Cat Skaggs′ rendering of Tanya Roberts as Julie on her cover variant to Issue #1 is perfect, and she also provides a great portrait of Lindsay Wagner as Jaime for the cover of Issue #2. Other covers were drawn by Ron Lesser and Jim Mahfood, whose Issue #2 features a gorgeous, stylized, throwback design.
Cameron DeOrdio(Josie and the Pussycats) steps in to write this series, and in the first issue she lays the groundwork for a compelling spy thriller. Artist Soo Lee(Strange Attractors) brings in her unique style to give the series an authentic early 1980s vibe. Her artwork has elements of manga and anime blended with Matt Kindt, but best of all the book looks as if it could have been drawn in 1982. Color work is by Addison Duke, with letters by Crank!
Here are some preview images and covers for the first two issues, courtesy of Dynamite:
These days most movies translate just fine from the big screen to a home high definition television. Late December’s release from Warner Brothers, DC’s Aquaman, is a surprisingly good transfer, showcasing the film’s epic fantasy seascapes and truly unique otherworld sea creatures without the sound contrast and lighting issues that plague recent action film releases. Aquaman is available now on 4D, Blu-ray, DVD, and in digital formats, and it’s available both on Vudu and Amazon Prime. A single word to describe this rare, solid entry in the DC franchise? Epic. Throughout the film viewers will see concepts from the history of fantasy films absorbed into its plot, from the likes of Raiders of the Lost Ark to Jules Verne’s 20,000 Leagues Under the Sea and Journey to the Center of the Earth, to Ray Harryhausen fantasy classics, King Solomon’s Mines and Tomb Raider, and even Harry Potter and Tolkien’s Middle-earth stories.
It all begins with the cast, and in particular the chemistry between the always cool and confident actor who looks born to play superheroes, Jason Momoa as Arthur Curry, and Amber Heard as a beautiful grown-up Ariel turned badass named Mera, who may be the best realized heroine from the comics in the DC universe. Aquaman director James Wan(Furious 7) does something rare for the superhero genre and forms his film around a romance between the two as they embark on a quest across the planet for the legendary trident of King Atlan, first king of the earliest water-breathers living under the sea. Wan makes that happen more successfully than other DC romances of the past, including even Clark Kent and Lois Lane. What is not lost on the small screen is the CGI-heavy undersea universe, but this time a film is CGI-heavy in a good, exciting way (Aquaman knocks the much lauded CGI film Avatar out of the water in every way). Atlanteans riding sea horses, sharks, whales, and turtles. Aquaman and Mera hiding out inside a whale, Pinocchio-style. The film hits its visual zenith with a giant Kraken-like beast with an appearance as awesome as seeing Godzilla for the first time. The visuals have all the imagination and colorful execution that makes for a rewatchable film, and the score has a pounding synth feel, with a mixed vibe of Daft Punk from Tron: Legacy and Queen from Flash Gordon.
The home release is accompanied by 15 behind-the-scenes features. The best has Dolph Lundgren explaining the connections between key characters and concepts in the comic books with the portrayal in the film, in Going Deep Into the World of Aquaman. You get a feel for how energetic and how fun Jason Momoa is in real life in Becoming Aquaman and A Match Made in Atlantis. Details of how the director expanded on the comics and where he mixed Kaiju and historical sea stories can be found in James Wan: World Builder. Heroines of Atlantis will leave viewers convinced future films in the series need more women characters, with only two to speak of in this film. Other features include Aqua Tech,Atlantis Warfare, Black Manta,Villainous Training, Kingdoms of the Seven Seas,Creating Undersea Creatures, three Scene Study Breakdowns (the Sicily battle, the early submarine attack, and the underwater trench climax), and a sneak preview of Shazam.
Make no mistake, Billy Batson aka Fawcett Comics’ Captain Marvel (aka Shazam since 2012) has always been the most difficult to fold into the DC pantheon of superheroes. With Batman, Superman, and Wonder Woman–the trinity at the top of DC Comics for so long–audiences always know much of what those characters are going to bring to a story even before they walk into the theater. To be fair, Billy wasn’t a DC original, shuffled much later into the DC universe because of some decades-long legal tedium. Billy Batson is a kid who suddenly becomes a superhero, so the trailers have been compared to Penny Marshall’s Big, another story about a kid suddenly dealing with being grown-up. And that is, indeed, part of Shazam! The movie is also part origin story, because although Shazam! adheres to Billy’s origin story going back to the 1940s (just as Captain America: The First Avenger adhered to its source material), much of the audience that saw the character in his heyday–when he was even more popular and well-known than Superman–aren’t around to make up the target moviegoing audience. But Big and an origin story is just the beginning.
You know it when you watch a movie unfold and realize something great is happening. DC Entertainment–the movie guys–finally paid attention to DC Comics–the actual writers and artists who built the character from the ground up–and at last delivered what this comic book reader has always wanted. Shazam!, the story, Zachary Levi‘s superhero, and a new young actor named Jack Dylan Grazer as Billy’s friend Freddy–are fantastic. The magic, wonder, and heart of DC Comics is finally back in the theaters. It’s a gamechanger for the DC universe, because it finally steps away from Zack Snyder’s dark and brooding Justice League and returns it to the roots of DC Comics and DC At the Movies that we first got a taste of with Christopher Reeve’s first Superman and Michael Keaton’s first Batman. So if the executives at DC are paying attention, and audiences agree once the film hits general release April 5, this could be an opportunity for a switch-up–an excuse to build a new Marvel-level superhero film universe around the new, amazingly fun and appealing superhero characters in this film.
At its core, the story by new screenwriter Henry Gayden updating a script by Darren Lemke(Shrek Forever After, Jack the Giant Slayer, Goosebumps) is about a foster family and the importance of family, so don’t think this is another frivolous superhero movie to be easily dismissed. As with Spider-Man: Homecoming and Spider-Man: Into the Spider-Verse, it’s loaded with emotional beats, and it’s all heart. What do kids care about, and what are they afraid of? The film takes some time to look seriously at these things. It’s not only laugh-out-loud funny in spots, expect some snorts, too. But look for some emotional pangs along the way, on par with an oft-forgotten superhero movie that may have more heart than any other, the 1980 John Ritter sleeper (and one of my favorites) Hero At Large. Which makes Shazam! also a movie for fans who count Spider-Man: Homecoming and The Incredibles among their most favorite superhero movies.
As the last Marvel Cinematic Universe film arrives in theaters before the climactic conclusion to the decade-long journey culminates in Avengers: Endgame, one new book celebrates Captain Marvel, the film (reviewed here at borg), and another provides a new adventure for the superheroine expanding from the pages of Marvel Comics. Captain Marvel: The Official Movie Special is the film’s official “souvenir book” full of photographs behind the scenes as well as screen images tied together with interviews from the cast and crew. It’s the kind of book fans of the film can go to to find details of the production process, and learn more about the actors and how they approached the characters.
Also now in print is Tess Sharpe’s novel Captain Marvel: Liberation Run, which is not related to the film, but provides a new story bringing together Carol Danvers, Mantis, Medusa, Ant-Man, and more, as the Captain goes to a distant planet to save a group of women aliens from an oppressive autocracy. Readers will find the novel closer to the most recent comic book series than past comics or the character as seen in the film. Captain Marvel: The Official Movie Special is available now for pre-order here at Amazon (shipping Tuesday), and Captain Marvel: Liberation Run is available here.
Readers of Captain Marvel: The Official Movie Special will get a sense in the cast interviews (Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Jude Law, Annette Bening, Clark Gregg, Djimon Hounsou, Lashana Lynch, Gemma Chan, Algenis Perez Soto, and Rune Temte) of the approach each actor took for their characters, how they worked with the directors and other actors, and share their thoughts on the Marvel Cinematic Universe in general.
