It’s been nearly five years since we first reviewed the award-winning, low-budget sci-fi alien invasion flick Attack the Block. Now that Jodie Whittaker is in the spotlight for her selection as the next Doctor in the BBC’s Doctor Who, and John Boyega will be returning this December for his second stint as Imperial turned Resistance fighter Finn in Star Wars: The Last Jedi, let’s look back to them working together as co-leads in writer/director Joe Cornish’s modern cult classic. Attack the Block should be in every sci-fi fan’s arsenal. When we first reviewed Attack the Block here at borg.com, we compared it to another low-budget British sci-fi/horror mash-up, 1985’s Lifeforce (which co-starred a then less-known Patrick Stewart). After repeat viewings since then, it’s clear Attack the Block is a much better film, full of action, suspense, humor, and good acting by young actors who all feel very real on-screen. In 2011 only fans of the actors from the Cornetto films would have noticed it, because of the slightly larger than cameo performance by Nick Frost, one-half of the Simon Pegg/Frost comic duo (Shaun of the Dead, The Fuzz, Spaced, Paul). Attack the Block was an unknown commodity that didn’t get much reaction at the U.S. box office in 2011 because it was not marketed well and it was not a typical, Hollywood-made sci-fi epic. It was before its time–it’s Stranger Things, UK style. It’s Judgment Night and John Carpenter’s original Attack on Precinct 13 meets E.T., if E.T. didn’t have good intentions and Elliot wasn’t a nice little kid.
It takes a bit to warm up to the main cast of Attack the Block. We follow a teen gang of British kids in masks led by John Boyega’s character Moses as they unabashedly and violently mug a nurse named Sam, played by Jodie Whittaker. From the beginning Whittaker’s Sam really is the only person in the film we are completely sympathetic toward, despite efforts of the writer to get viewers to understand this gang of kids. We almost get to the point of sympathy for the others once Sam decides she may very well be killed by aliens if she does not join up with the gang, and this film takes a swing at answering the question: “Under what situation would a victim, however reluctantly, join up with her attacker?” Violent alien beast invasion, of course! Despite playing the thug, Boyega had charisma even early on and it’s understandable why he has his own band of followers. He gets in over his head dealing with a slightly older drug kingpin who “owns the block” and takes the kid under his wing for a drug sale. His followers are a motley sort. Along with a pair of much younger kids that add some comic relief, and an additional wandering, stoned teenager, they must come together to fight the gang leader and worse—the onslaught of big hairy aliens.
The scarf of a future Doctor! Jodie Whittaker in Attack the Block.
Six years later, Attack the Block easily holds its own. For alien invasion film fans, it offers one of the best aliens of any 21st century production–big or low budget—giant dark, furry beasts built like hybrid gorilla/buffalos, with phosphorescent blue fangs, able to leap and spring and climb buildings. We don’t ever see clear views of these creatures, and that mystery and an overall lack of gore throughout the movie helps form the mystique of these creatures–think the uncertainty of when the shark appears next in Jaws–and it makes them just plain scary as they chase their targets down hallways and up buildings. They aren’t hive-minded aliens from Alien or conniving predators as in Predator, but they don’t need to be.
. First of all you get eight films on eight discs, and unlike other directors’ releases, like the superb 
, this edition includes a bundle of great extras on several of the discs. These films have been released singly and you may already have the best available editions of films like Jaws. But if you don’t this may be the time to catch up your video library.
or updated Blu-ray with features 
from Amazon.com. It’s not available on streaming but is a rental option from Netflix. Certain versions, like the Deluxe Edition, come with a blue-red 3D glasses and the standard 2D version. For this review we chose the standard version with the 3D TV upconvert option with Extreme 3D.
. What we don’t know from any of the books we’ve reviewed on poster artists is how they might have competed for work over the years. Andrea Alvin makes no mention of Struzan, but seems to indicate Alvin was able to keep a nice niche of clients over the years, ranging from the decision-makers behind the movies of Mel Brooks, Steven Spielberg, Tim Burton, and the renaissance of animated Disney blockbusters.
