The last we saw Saturday Night Live sensation Mike Myers was as a music agent in the Oscar-winning Bohemian Rhapsody. Myers can do drama like he can do funny. But beyond his megahit movie series Wayne’s World and Shrek, his reputation over the long haul is similar to Eddie Murphy and Jerry Lewis–a comedic man of many faces, which he honed on SNL and his Austin Powers movie series. His next outing, a Netflix series mocking conspiracy theories, is called The Pentaverate, and it looks more like Austin Powers than the rest, complete with Myers playing multiple roles. It also points back to one of his funnier bits in the comedy classic So I Married an Axe Murderer.
Only a year ago I called director Craig Brewer’s 2019 biopic Dolemite is My Name–the theatrical return of Eddie Murphy and Wesley Snipes from Netflix–the big Oscar miss of the year. It begged the question: When was the last time Murphy and Snipes were this good, and why did they ever leave the top spot on marquees of movie houses everywhere? Brewer is back again with Murphy and Snipes, this time in a sequel to director John Landis’s quirky 1988 comedy Coming to America, a two-time Oscar nominee for costumes and one of Rick Baker’s makeup nominations for turning Murphy and co-star Arsenio Hall into a host of characters, a box office success that gained favor over the years thanks to video rental stores, and today it’s a nostalgic trip back to the 1980s. The sequel Coming 2 America is a big surprise: a big budget marvel not from Netflix but Amazon Studios, a thoughtful, funny, surprisingly deep sequel we didn’t know we wanted, and a result that is even better than the original. More than “just another sequel,” it’s a fairy tale like The Princess Diaries, a bit A Knight’s Tale, a bit Crazy Rich Asians, and a worthy sequel in concept and art design to Black Panther. It’s also a celebration of the career and characters of Eddie Murphy, and it expands to be a celebration of black culture and comedic films via dozens of great Easter eggs. In short, it’s one of the best direct-to-television movies since studios started moving from movie houses to home screens.
When Oscar gets it right, it highlights something about the current zeitgeist, not necessarily a mirror image of the social, literary, artistic, political, or technological achievements of the day, but at least a taste of it. Do many of the nominees for the Academy Awards have that this year? Ford v Ferrari, Once Upon a Time in Hollywood, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Parasite, or The Irishman? Did they last year? How about a story about a person trying to make a name for himself, barely getting by, trying to pay his bills, experiencing a tough go at it before he realizes his dream? Perhaps the biggest miss of this year’s ballot is one of those timeless stories of self-made success: Dolemite is My Name.
Dolemite is My Nameis a biopic and a classic underdog story. The seemingly ageless Eddie Murphy has his best leading role and best performance of his career, playing comedian, singer, actor, and film producer Rudy Ray Moore, who found his niche in cinema in the 1970s. Murphy as Moore is like Richard Pryor at his best. Murphy plays Moore as Everyman, pulling together his own outgoing nature from his 1980s stand-up performances and finessing them with the benefit of years of experience into a real, believable, even heroic character. This is the same character type we saw resonate so expertly last year with Brent Jenning’s lead character struggling to succeed after putting years into a failed career in TV’s Lodge 49. Murphy’s range of emotion, his subtlety, his depth of struggle and effort in every look and word is exactly why you have awards for acting in the first place. This film is a smartly scripted drama with comedy notes, written by dynamic writing duo Scott Alexander and Larry Karaszewski (Man on the Moon, Ed Wood, The People vs. Larry Flynt). It’s backed up with costumes, hairdos, music, cars, language, and an all-around fashion fest of 1975. If you didn’t know better you’d think this was a Quentin Tarantino film, because it gets the retro production design just right, as he has been able to do so well. Instead it’s Craig Brewer directing, the director of Hustle & Flow, the Footloose remake, and Empire series.
Supporting Murphy is a fantastic cast, beginning with Da’Vine Joy Randolph as Lady Reed, as an immensely entertaining and sympathetic single mom, brushing off her ex as Murphy’s Rudy Ray Moore watches and learns. Moore invites her into his partnership. He and his friends go to the movies for laughs and walk out nonplussed. Moore knows he can do better. So he tries to get financing and make a movie. His selected production staff, and the actors behind them, makes for a dream assemblage. Keegan-Michael Key(The Predator, Tomorrowland),Craig Robinson(Mr. Robot, Hot Tub Time Machine), Mike Epps (Resident Evil, The Hangover), Tituss Burgess (The Addams Family, 30 Rock), and Kodi Smit-McPhee(X-Men: Dark Phoenix, Let Me In), plus familiar faces Wesley Snipes, Chris Rock, and Snoop Dogg make for a top tier cast. When these people are working together in an old abandoned hotel converted to a film set, you witness the same kind of camaraderie as audiences witnessed in those barber shops in Do the Right Thing and Marvel’s Luke Cage.
