Tag Archive: horror movies


Review by C.J. Bunce

Your first glance at the title of TCM’s latest overview of a key genre of Hollywood’s greatest films may give you pause: Fright Favorites: 31 Movies to Haunt Your Halloween and BeyondOnly 31 movies?  Quickly you’ll figure out that the 31 highlighted movies in horror historian David J. Skal’s list are only the framework for a larger, chronological examination of the horror genre, with a lean in to Hollywood’s horror classics, the kind you’re most likely to find on the Turner Classic Movies TCM channel.  In this list of recommendations, readers are sure to pull their hair out, since it’s very likely nobody’s personal list will match the author’s–or anyone else’s.  Yet that’s why we turn to these books, and as you’d expect, Fright Favorites doesn’t disappoint: You’re practically guaranteed to add an obscure–or not-so-obscure–horror film to your future watch list.

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October is almost here!

Your annual list of scary, ghostly, spooky, creepy, slashery, and generally monstrous films is back.  The goal?  Not to miss your favorite Halloween movies in October, and maybe find some new favorites.  You’ll be able to find many staples of the holiday season.  Need even more recommendations?  Check our borg lists of past recommendations here–Halloween doesn’t arrive each year until we’ve watched The Watcher in the Woods and Silver Bullet.  Below we’ve provided hundreds of movies scheduled to air–hundreds to choose from with a mix of classics and modern fare.  Syfy′s “31 Days of Halloween” is back, along with Freeform′s “31 Nights of Halloween.”  AMC has its “Fear Fest” again, and as with last year you can get caught up on The Walking Dead airing throughout the entire month (you’ll have to check the AMC website for the last few days of the month, as the network doesn’t release its listings this far in advance).  Best of all, TCM hosts a day of monster movies on October 12 and 23, plus movies all month featuring Peter Cushing.  You’ll find this year all the usual suspects: Stephen King, Wes Craven, John Carpenter, Michael Myers, Jason Voorhees, and Freddy Kruger.  Disney channel will be releasing its listings for Monstober later in the month so you may want to check the Disney website for updates.

New for this year–check out the new remake of Hitchcock’s Rebecca, The Haunting of Bly Manor, Ratched, the brilliant zombie series Kingdom, the monster-filled October Faction, The Babysitter, We Have Always Lived in the Castle, and Enola Holmes on Netflix, The Vast of Night on Amazon, the horrors of love on Soulmates on AMC, Blumhouse’s Fantasy Island on Starz and Vudu, or 2019’s Ready or Not on Vudu.  If you missed 2018’s Halloween movie with Jamie Lee Curtis, or Get Out, find them streaming on Vudu and other services–it’s not to be missed (and you can catch all the past entries in the series on AMC).  Also, if you missed Netflix’s latest seasons of Stranger Things or Chilling Adventures of Sabrina, now’s a great time to catch up.  (Note: AMC and Syfy’s listings don’t always mention which versions of the movies are being aired (original or remake?), so your guess is as good as ours).

All month long on streaming services and premium channels like Netflix and Starz you can watch horror movies including The Sixth Sense, The Lost Boys, The Boy, Cloverfield, Coraline, Children of the Corn, Cult of Chucky, Van Helsing, John Carpenter’s The Thing, They Live, and Ghosts of Mars, Young Frankenstein, Aliens vs Predator: Requiem, Underworld: Blood Wars, Resident Evil: The Final Chapter, Zombieland, Life, Scream, Amityville: The Awakening, Sleepy Hollow, Hollow Man, The Craft, and many more, plus series like The Twilight Zone, Ash vs. Evil Dead, Requiem, Bates Motel, and The Frankenstein Chronicles.  Everything you see in AMC’s listings are offered via their on-demand services, so watch those whenever you’d like.  If all else fails, you can find your favorite ghost story or other horror classic on Vudu and Amazon Prime, where you can buy or rent recommendations like The Fog (both versions), The Birds, The Shining, Orphan, Let Me In, The Others, The Woman in Black, Hansel & Gretel: Witch Hunters, Pride and Prejudice and Zombies, Abraham Lincoln: Vampire Hunter, The Ring, Grimm, and It’s the Great Pumpkin, Charlie Brown (all these are highly recommended, and you can catch many of these airing this month, too).

So take notes and put your watch list into your DVR now so you don’t miss anything, especially useful for many of the marathons, which often play in reverse order (?!).  We’ve bolded some of our recommendations.  All times listed are Central Time:

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Fantasies rarely play out as you would expect.  — Mr. Roarke

You could have guessed from the trailers that Blumhouse’s Fantasy Island would cross the original 1977-1984 series with Black Mirror, but could you have guessed it’s also a sort of mash-up with The Dark Crystal and The Hobbit?  Bloodshot, Kick-Ass 2, and Bates Motel writer Jeff Wadlow directs an unexpected twist on the original series, proving such a reboot that respects the source material and takes advantage of a big movie budget can be successful, even without original show staples like Ricardo Montalban and Hervé Villechaize.  One of the stronger attempts and biggest successes at remaking a classic TV series, Fantasy Island is now streaming on Starz and other platforms.

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It’s that step after you’ve exhausted all of the Jason Voorhees, Michael Myers, and Freddy Krueger horror flicks.  It’s in the camp of horror with The Ring, The Grudge, and Urban Legend, and maybe even When a Stranger Calls.  This one is another take on the Bloody Mary legend (or is it Beetlejuice?).  It’s, of course, Candyman, the horror that first saw a young Tony Todd as the creepy villain from the mind of famed horror writer Clive Barker, all of 28 years ago.

We now have a first trailer for a sequel to the 1992 cult horror film, again called Candyman The big news is it’s coming from producer Jordan Peele and director Nia DaCosta, and because of Oscar-winner Peele (Get Out, The Twilight Zone) it stands a better chance at getting noticed from the ordinary slasher film fare.

It also seems to have greater credibility because Tony Todd is back in at least some role in the film, giving the perception that he’s given this sequel his own seal of approval, which is good for fans of the original Candyman.  Todd starred in the first film with Virginia Madsen (Swamp Thing, Monk, Dune) and Ted Raimi (Twin Peaks, Ash vs Evil Dead), before he became well known for roles in Chuck, The Crow, The Flash, The Orville, The X-Files, the Final Destination series, and several Star Trek series.

Wait–there’s no candy here.  How many times will “say my name” be the theme of 21st century movie?  We’ll pass on the red band trailer for this one.  But here’s the green band–yet still blood, bug, hook, and scare-filled–trailer for the new Candyman:

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Review by C.J. Bunce

If you have been watching closely, you may notice that streaming platforms, pay channels, and cable networks rely on hit movies for the bulk of their replays.  Try to find some of your favorites outside the mainstream on Netflix, for example, and you’re likely to find mostly films made since streaming itself started to be a thing.  Starz has been one monthly pay channel option that is slowly bringing back more obscure films from the past 50 years, films like Outland and Wolfen.  Another you may have missed is Let Me In from a decade ago, another of those rare genre-bending films that–if you’re lucky enough to just stumble across it–is the kind of film to remind you why you love genre films.  It stars twelve-year-old actors Chloe Grace Moretz and Kodi Smit-McPhee in powerful breakout performances, the same year Moretz would deliver one of the big screen’s best superheroine performances as the cute but foul-mouthed Hit Girl in the movie Kick-Ass with Nicolas Cage, and just after Smit-McPhee would co-star in the dystopian film The Road with Viggo Mortenson.

Is it horror, an early 1980s coming-of-age tale, a love story, crime-suspense, a story of an abusive father, or something more (as Starlord might say, “a bit of both”?).  If you enjoy not knowing what genre of film you’re jumping into, this is for you.  Like Midnight Special, Skeleton Key, 12 Monkeys, and The Others, much of the film will creep by before you even have any certainty as to what is “really” going on.  Writer-director Matt Reeves, who brought audiences the Cloverfield series and the latest Planet of the Apes movies and is working on The Batman for 2021, mixes some truly dramatic moments into Let Me In, while also adding the next must-watch for coming of age movies, suspense-thrillers, horror, and romance.  Just as James Mangold delivered a father-daughter love story in Logan, Reeves puts his own stamp on a compelling tale of a boy and the girl next door.

The clues Reeves delivers along the way will be more obvious to some than others.  Donnie Darko, Fargo, Logan, The Outsiders–Don’t be surprised if Reeves’ deftly drawn scenes evoke feelings from all sorts of big films.  Disturbing, poignant, triumphant, chilling.  You might even get twisted into feeling a certain sympathy for one of the film’s creepier characters.  A police detective played by Elias Koteas (Shooter, Zodiac, Gattaca) will have you think you’re following Mark Ruffalo’s character in another Zodiac movie.

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Review by C.J. Bunce

Not a lot of new movies strike the right balance between horror and comedy, but if you’re looking for a solid Halloween movie to watch with your spouse and older kids, The Babysitter is a good pick, and if you subscribe to Netflix, you don’t need to fork out a rental fee.  Actually a Netflix produced release from only 2017, The Babysitter has a great cast of rising stars, it’s laugh-out-loud funny, and it doubles as a coming of age movie.  What it’s not, is a Clive Barker-esque slasher flick, or full of real-world slaughter and shocker scenarios like so many modern horror movies–it’s an easy fantasy to entertain you and the family for ninety minutes.

Directed by Joseph McGinty Nichol aka McG (Supernatural, Chuck, Terminator: Salvation, Charlie’s Angels), The Babysitter is a day in the life of pre-teen Cole, played by The Christmas Chronicles’ Judah Lewis (an absolute ringer for C. Thomas Howell in E.T. and The Outsiders), a kid who is probably too old to have a babysitter, but he doesn’t mind because she’s a much older and attractive teenage hottie,  played by Samara Weaving.  Weaving is fast becoming a big name in movies, after a string of horror roles including this summer’s Ready Or Not, last year’s series Picnic at Hanging Rock, and before that, Ash vs. Evil Dead (she’s also known for her role in the Oscar-winning Three Billboards Outside Ebbing, Missouri, and is soon to star in the Bill & Ted sequel and she’s playing Scarlett in Snake Eyes, the next G.I. Joe movie).  Weaving’s character Bee is a great friend to Cole–basically a big sister–who knows his friends are jealous of his relationship with a “hot” high schooler, but his real friend and love interest is the same-aged girl across the street, Melanie, played by young Emily Lind, a kid actor who has been making TV series (Medium, Revenge, Eastwick) and movies (Doctor Sleep, Replicas) for more than a decade.

One night while Bee is babysitting Cole, Melanie convinces him to stay up late and spy on what Bee and her friends are doing in the house after he falls asleep.  When Cole sneaks down to take a peek, he quickly learns that Bee and a group of teen friends (played by Robbie Amell (The X-Files, The Flash), Bella Thorne (Scream, Amityville: The Awakening), Andrew Bachelor (Angie Tribeca, The Mindy Project), and Hana Mae Lee (Pitch Perfect, Jem and the Holograms)) are conducting a ritual human sacrifice.

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Happy October!

Your annual list of scary, ghostly, spooky, creepy, slashery, and generally monstrous films is back.  The goal?  Not to miss your favorite Halloween movies in October, and maybe find some new favorites.  You’ll be able to find many staples of the holiday season.  Below we’ve provided hundreds of movies scheduled to air–hundreds to choose from with a mix of classics and modern.  Syfy′s “31 Days of Halloween” is back, along with Freeform′s “31 Nights of Halloween” (which continues to be a dozen or so movies played over and over all month, with some kind of world record to be set with its too-many-to-count airings of Hocus Pocus).  As always AMC doesn’t kick in with its “Fear Fest” until October 14, and as with last year you can get caught up on The Walking Dead, and The Terror all airing throughout the entire month (you’ll have to check the AMC website for the last week of the month, as they don’t release their listings this far in advance).  Best of all, TCM hosts Godzilla with 17 movies airing Fridays in October, and 41 horror classics on Thursdays–really your best bet for the season.  You’ll find this year another Stephen King movie marathon, some Wes Craven, John Carpenter, Vincent Price, Michael Myers, Jason Voorhees, and Freddy Kruger.  Disney channel will be releasing its listings for Monstober later in the month so you may want to check the Disney website for updates.

We’ve bolded some of our recommendations and asterisked other notable events in October.  If you missed last year’s new Halloween movie with Jamie Lee Curtis, find it streaming on Vudu and other services–it’s not to be missed (and you can catch all the past entries in the series on AMC).  Also, if you missed Netflix’s latest seasons of Stranger Things or Chilling Adventures of Sabrina, now’s a great time to catch up.  And with showings of both Predator and Hellboy movies, you might as well catch the new releases on Vudu, The Predator and Hellboy (2019).

All month long on streaming services and premium channels like Netflix and Starz you can watch horror movies including The Sixth Sense, The Lost Boys, The Boy, Cloverfield, Coraline, Children of the Corn, Cult of Chucky, Van Helsing, John Carpenter’s The Thing, They Live, and Ghosts of Mars, Young Frankenstein, Aliens vs Predator: Requiem, Underworld: Blood Wars, Resident Evil: The Final Chapter, Zombieland, Life, Scream, Amityville: The Awakening, Sleepy Hollow, Hollow Man, The Craft, and many more, plus series like The Twilight Zone, Ash vs. Evil Dead, Requiem, Bates Motel, and The Frankenstein Chronicles.  If all else fails, you can find your favorite ghost story or other horror classic on Vudu and Amazon Prime, where you can buy or rent recommendations like The Fog (both versions), The Birds, The Shining, Orphan, Let Me In, The Others, The Woman in Black, Hansel & Gretel: Witch Hunters, Pride and Prejudice and Zombies, Abraham Lincoln: Vampire Hunter, The Ring, Grimm, and It’s the Great Pumpkin, Charlie Brown (all these are highly recommended, and you can catch many of these airing this month, too).  Need more recommendations?  Check our past recommendation lists here.

So take notes and put your watch list into your DVR now so you don’t miss anything, especially useful for many of the marathons, which often play in reverse order (?!).  All times listed are Central Time:

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There’s something about Mary, a new horror film coming this fall, that screams out John Carpenter.  It has that seaside feel of Carpenter’s The Fog, complete with a haunted seafaring vessel and moody cinematography.  It also has that trapped-in-an-evil-car vibe of Carpenter’s adaptation of Stephen King’s Christine.  It’s about an old boat with a past, found and restored, and haunted–all Christine elements.  Who doesn’t want more Carpenter movies, or second best, a Carpenter homage?  Mary is a new horror film that boasts its contrast with the average why-not-run-from-the-haunted-house movie by staging its ghost story on a boat: “The thing about boats is there’s nowhere to run.”  A nice double feature with The Lighthouse, perhaps?  The first trailer for the movie also conjures a little Jaws, The Ring, and Dead Calm.

Academy Award-winning actor Gary Oldman (The Dark Knight Rises, Harry Potter and the Prisoner of Azkaban, RoboCop, The Fifth Element) and Emily Mortimer (Mary Poppins Returns, The Kid, The Ghost and the Darkness) star in the indie film, which is directed by cinematographer Michael Goi (Chilling Adventures of Sabrina, Swamp Thing, American Horror Story), with a cast including Jennifer Esposito, straight off her supporting role in The Boys, plus Manuel Garcia-Rulfo (The Magnificent Seven, Murder on the Orient Express), Natalie Jean (Gotham), Michael Landes (Final Destination 2, Lois & Clark: The New Adventures of Superman), Stefanie Scott (Chuck, Jem and the Holograms), and Owen Teague (IT, Black Mirror).

The solid leading and supporting cast and some nicely creepy cinematography and scares in the trailer make this look like a good Halloween pick.  And the eerie music is supplied by frequent horror movie–and Avengers movie series–composers The Newton Brothers.  Here’s the trailer for Mary:

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This October one of the trailers in front of the 40th anniversary screening of Halloween received some surprising positive audience responses.  The trailer was for Happy Death Day 2U, the sequel to the mildly well-received horror movie ($50 million+ profits and better than average reviews), director Christopher Landon‘s October 2017 release, Happy Death Day.

We couldn’t wait to preview the trailer here at borg.com.  But we waited.  And waited.

At last Universal Pictures has released the October trailer online.  As with the original movie, Happy Death Day 2U deals with one of our favorite sci-fi tropes, the time loop.  The sequel appears to shift from a Tru Calling type time loop story to more of a full-on Final Destination vibe, as star Jessica Rothe‘s put-upon college student Tree Gelbman must save not only herself from those freakish masked fiends, this time she must save all of her friends.

We think the trailer is hilarious and Rothe delivers a particularly funny performance.  Take a look at the trailer:

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Review by C.J. Bunce

Even better than seeing the original on the big screen again, writer-director David Gordon Green’s Halloween hits all the right notes to make the latest, but surely not the last, installment in the Halloween series the best sequel of the franchise.  This Halloween may be the best horror sequel so far, in any series.  Some may think that’s an easy task, yet for fans of the genre and nine previous sequels, including a similar effort 20 years ago with Halloween H20 and a reboot series by Rob Zombie, this weekend’s theatrical release will probably become the new go-to movie after the original, next year and the year after.  Horror fans knew the film worked on paper–genre-defining scream queen Jamie Lee Curtis returning again to the role that made her famous, this time showing her extensive preparation for the inevitable return of the serial killer that she barely slipped past as a teenager, contributions from co-creator John Carpenter as executive producer and composer, and Michael Myers’s return, even performed by original actor Nick Castle and a weathered 40-year-old latex mask.  The actual delivery fulfills the promise: the retro-style opening credits and Carpenter’s haunting theme prepare the audience for the suspense, thrills, and jumps over the next two hours.

Tha performances are everything:  Curtis’s Laurie Strode is tough, smart, and prepared, but she’s not perfect, a bit addled by a lifetime of fear and not physically strong enough to take on Myers, so the outcome is not entirely predictable.  Will Patton (The Mothman Prophecies, The Postman, Armageddon, Falling Skies) joins the cast as Sheriff Hawkins, an older version of the first young man to arrive at the original murder scene in 1978.  He, along with Omar Dorsey (Castle, Chuck, Starsky & Hutch) as Sheriff Barker, bring the added gravitas and nostalgic vibe from former go-to Carpenter company cast members like Peter Jason and Keith David.  Strode’s granddaughter Allyson, played by Andi Matichak (Orange is the New Black, Blue Bloods), like her grandmother, turns the horror genre upside down, as less of a victim, instead taking charge of the situation when possible.  To a lesser extent the script provides some opportunity for Ant-Man’s Judy Greer to protect her family as Laurie’s daughter and Allyson’s mother.  Rounding out the performances are a young Jibrail Nantambu as more than the stock kid stuck for Halloween night with his babysitter.

When a genre’s failings are part of what define it, even the film’s lesser components are consistent with the spirit of the original film.  A doctor and an institution that are overly interested in a 40-year-old murder that gets mocked by a group of students, along with events that occurred in sequels that are ignored this time around and dismissed as the stuff of local legend, all somehow fit the movie and the genre.  Could Carpenter himself have filled in some of the story missteps had he directed this one?  Who knows.  For the most part, Strode, Myers, and their new story follow the rulebook for the characters established 40 years ago.

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