A little more than twenty-five years ago, Star Trek: First Contact arrived as an iffy proposition: A Star Trek movie directed by Number One aka Commander Will Riker aka Jonathan Frakes? And then it proved what fans had been begging for for years. If you put Star Trek’s reins in the hands of someone who knows the universe, who has lived it week after week for years–who really gets it–you might produce a movie that gets it all exactly right. Star Trek: First Contact has long been recognized as the best of the Next Generation cast films, and for many, the best trek of them all. All these years later fans can see how it was done in Joe Fordham’s long overdue examination of the film in Star Trek: First Contact–The Making of the Classic Film. It’s available for pre-order now here at Amazon, arriving in July.
Take a look inside this long-awaited, behind-the scenes view of the making of the action-filled First Contact:
The rich and powerful, they take what they want. We steal it back for you. Sometimes bad guys make the best good guys. We provide… Leverage.
Leverage original series executive producer and director Dean Devlin has credited a loyal fan base to bringing the team at Leverage Consulting & Associates back after its five-season run from 2008 to 2012. The new series–call it a reboot, a continuation, a sequel, or just a new season–filmed as Leverage 2 and Leverage 2.0 and now titled Leverage: Redemption, will catch up with most of the original lead characters eight years after the series finale, “The Long Good-bye Job.” We previewed the new series last year here at borg, as the series tried to get underway in the face of a pandemic. The production made it, creating 13 episodes, and now we have the first trailer for the show.
The rich and powerful, they take what they want. We steal it back for you. Sometimes bad guys make the best good guys. We provide… Leverage.
Leverage original series executive producer and director Dean Devlin has credited a loyal fan base to bringing the team at Leverage Consulting & Associates back after its five-season run from 2008 to 2012. The new series–call it a reboot, a continuation, a sequel, or just a new season–filmed as Leverage 2 and Leverage 2.0 and now titled Leverage: Redemption, will catch up with most of the original lead characters eight years after the series finale, “The Long Good-bye Job.” We previewed the new series last year here at borg, as the series tried to get underway in the face of a pandemic. The production made it, creating 13 episodes, and this weekend series co-star (and episode director) Beth Riesgraf confirmed on social media fans will get to see the series in 2021.
After delivering a dozen Star Trekbooks, fiction and non-fiction, authors Paula M. Block and Terry J. Erdmann are back in the franchise, this time covering the entire first two seasons of CBS All Access’s Star Trek: Discovery in their new book The Art of Star Trek: Discovery. This is the latest concept art and film production book in a franchise of some of the best printed TV and film retrospectives. Star Trek: Discovery, which led the newest chapter in the television Star Trek Universe (followed by Short Treks, Picard and Lower Decks), follows the exploits of Vulcan-raised science officer Michael Burnham and the crew of the U.S.S. Discovery as they boldly go where no one has gone before. This book covers every corner of the series in an attractive hardcover full of great photographs.
Today we move from the big screen to the small screen with the Best TV Series of 2020. If you missed it, check out our review of the Best Movies of 2020here and the best Kick-Ass Heroines of 2020 here. We watch a lot of television, and probably love a good series even more than a great movie. We preview hundreds of series, but outside big franchise content you want to know about, we only review what we recommend–the best genre content we’re watching. The theory? If we like it, we think you may like it. The best shows have a compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, and all kinds of well-executed genre elements that satisfy and leave viewers feeling inspired. Even better if we see richly detailed sets and costumes.
Without further ado, this year’s Best in Television:
Best Borg Series – Altered Carbon (Netflix). Showing life in a world well past the merger of the organic and inorganic via stacks placed in human individuals’ vertebrae in the back of the neck, the second season of the series further revealed the dark side of being able to live forever. What parts of life have the most value in a cybernetic world? What crimes emerge when body and mind can be separated and re-shuffled? Honorable mention: Star Trek: Picard (CBD All Access)–revisiting Star Trek’s old nemeses The Borg and introducing the cyborg-like nonbiological humanoids called Synths, the same term used in the BBC’s Humans.
Best TV Borg, Best TV Villain – Darth Maul (played by Sam Witwer and Ray Park), Star Wars: The Clone Wars (Disney+). The athletic performer Ray Park provided the best-ever lightsaber duel scenes in his co-starring performance in The Phantom Menace. Watching the animated series this year it was clear Darth Maul wasn’t just another animated character. Add another great duel to the books–Park’s motion capture abilities live on and continue to set the bar for Star Wars action sequences, and Witwer voices a character we never want to see go away again. Honorable mention for Best TV Villain: Grand Moff Gideon, Giancarlo Esposito, The Mandalorian (Disney+).
Best Sci-fi TV Series, Best TV Fantasy, Best Western TV Series – The Mandalorian (Disney+). Not a lot needs explaining with this series, which continues to be compared to the original Star Wars and The Empire Strikes Back more than anything with the Star Wars label on it since. The Western motif is still alive, not all that hidden here in space fantasy garb. And we won’t get started on the impact of The Child (aka Baby Yoda) now called Grogu, on the genre-loving world and beyond. Credit Dave Filoni and Jon Favreau’s visible enthusiasm and love for the original movies for a series that only gets better with each episode, despite their short lengths. Honorable mention for Best Sci-Fi TV Series: Star Trek: Picard (CBS All Access).
Surprisingly for a Star Trek series, we haven’t seen much by way of tie-ins for this year’s newest small-screen incarnation, Star Trek Picard. We at borgenjoyed the series, the Star Trek version of the Old Man trope that actor Patrick Stewart contributed to so well with Hugh Jackman in the Old Man Logan movie, Logan. We especially liked the new Romulan characters the series introduced, and Jonathan Frakes’ Will Riker back in the captain’s chair was hard to beat. Patrick Stewart has taken his beloved Jean-Luc Picard there and back again many times, so maybe we haven’t seen a lot more because it’s already been done before. But out now for holiday gift-giving is a new look back at the good captain and his memorable commentary across seven seasons of The Next Generation, four feature films, and the first season of his new series. It’s The Wisdom of Picard, a book full of his most memorable utterances.
TV historian and Star Trek expert Marc Cushman is back to continue his second trilogy of books about the development, production, and struggles behind the first two decades of Star Trek. In These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 2 (1975-77), at last we get to delve into the biggest Star Trek project never delivered: The 1970s Star Trek: Phase II series that would be parted out and become Star Trek: The Motion Picture and later Star Trek: The Next Generation. And that’s not all–ideas and early scripts for Phase II continue to be tapped in the 21st century Star Trek series and films. Even better, Cushman digs into the ever-developing Star Trek novels, conventions, and more, which became the practice grounds for the wider, broad world of pop culture fandom as a whole. How did Star Trek finally movie forward from the original series to become what it is today? How did the fans play a major role in making that happen? Continue reading →
Like the split between fans of the third Star Wars trilogy and The Mandalorian, fans of Star Trek probably see themselves aligned to prefer either Star Trek: Discovery or Star Trek: Picard. Or maybe there’s even a better contrast between Star Trek: Discovery’s first season worldbuilding vs. that series’ second season’s throwback concepts. Was your favorite character the badass Mirror Universe Emperor Philippa Georgiou (formerly Federation Captain), played by the sly and fabulous Michelle Yeoh (the only actor onscreen who could actually immobilize someone in real life with her martial arts skill and the highest paid actress in Asia)? Maybe it was the very Original Series-inspired engineer Jett Reno, who got the best dialogue and had the best style of any character in this decade of Trekdom, played by the brilliantly funny Tig Notaro? Maybe it is the series lead, the very straight-laced Ant-Man and The Wasp-inspired sci-fi-meets-superheroine, Captain Michael Burnham, played by Sonequa Martin-Green? Or maybe it is Anson Mount giving his own superhero performance as an early (and later?) famous Captain Christopher Pike of the familiar good ship Enterprise? Turns out, if any one of the above fits the bill for you, Star Trek has something for you heading your way.
Now that everyone has seen it who likely was going to watch CBS All Access’s next Star Trek incarnation, Star Trek: Picard, it’s time to delve into the series. If you haven’t yet, take advantage of the free CBS All Access offer while you can. Series star Patrick Stewart has said he decided to bring his character back to the screen because of the role he performed for even more years than Picard–Charles Xavier in the X-Men series–specifically because of the strong finish he was able to give the character in James Mangold’s Oscar-nominated finale Logan, possibly Stewart’s strongest performance in his film and TV career opposite Old Man Logan as Old Man Charles. Stewart succeeded, as Star Trek: Picard, already expecting at least another season, showcases the beloved character as Old Man Picard and wraps far better fans’ last meeting with not only Picard, but Data, Riker, and Troi, too. And surprisingly it does that for Star Trek Voyager, specifically for Jeri Ryan′s Seven of Nine, who also had a rather anticlimactic finale in the last episode of that series. Her new take is very different from before, but still lots of fun.
Now that the series has wrapped, a new hardcover book from Titan is taking a look at the long-awaited return of Patrick Stewart as beloved Star Trek Captain Jean-Luc Picard from Star Trek: The Next Generation. Via a series of interviews with cast members and key crew, Star Trek: Picard–The Official Collector’s Edition provides fans of the CBS All Access streaming service show Star Trek: Picard with insight into the latest generation of Starfleet tales. Now a retired admiral, Picard sets off on what might be a lost cause, protecting a young woman who may have ties to Data, the android who gave his life to save Picard the last time we saw the characters on the big screen in 2002’s Star Trek Nemesis.
