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Tag Archive: Michael Fassbender


Ever wonder how the studios make the determination to release one version of a trailer in the U.S. and a different version simultaneously elsewhere?  So do we.  Language differences aside, a few cultural distinctions would make sense sometimes, but infrequently.  But how do you explain it with a straightforward superhero movie?  We previewed the U.S. trailer last week here at borg for this summer’s X-Men movie Dark Phoenix.  It looked great.  Then we saw the international version.

The international version leaves out the introduction with a weepy superheroine Jean Grey, but instead offers a developing, linear short film summary that builds and teases like a good trailer should, reflecting the power and excitement the character Dark Phoenix is known for.  And it teases an incredible space shuttle scene.  This is the right trailer to get people into theaters.  Yet it’s not the trailer most Americans will see.

Take a look and see what you think.  Here’s the new international trailer for Dark Phoenix:

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It’s hard to believe the reboot cast of the X-Men franchise is at its fourth film with this summer’s 20th Century Fox release, Dark Phoenix Despite delays caused by studio mergers, this last film before who-knows-what will happen couldn’t look better, an exciting topper on the X-Men movie franchise.  With eleven of thirteen films released so far since the first film, X-Men, arrived with Patrick Stewart, Hugh Jackman, and Ian McKellen in 2000, it’s become the seventh highest grossing film franchise ever.  With a pretty stuffed superhero film market only getting bigger this year (the last of the Fox Marvel films, The New Mutants, follows in August), Dark Phoenix could be the film that dodges the hype, bringing a classic film story and legion of familiar characters into what will hopefully be a solid comic book story adaptation.  Since X-Men: First Class, James McAvoy‘s Professor X, Michael Fassbender‘s Magneto, Jennifer Lawrence‘s Raven, Nicholas Hoult‘s Beast, and (with X-Men: Days of Future Past) Evan Peters‘ Quicksilver are among the best actor/character combinations of all the superhero films.

One of the best parts of X-Men: Apocalypse was the re-introduction of Jean Grey, with Sophie Turner providing an engaging take of the character, along with what might be the best incarnation in any medium of the normally bland Scott Summers, improved upon by actor Tye Sheridan.  Argue it how you want, Marvel Comics has long established the most powerful superhero to be Jean Grey as Phoenix.  And yet among the weakest of the eleven films was X-Men: The Last Stand, the first attempt at revealing her power.  With Dark Phoenix, fans get to see another attempt.  Were the X-Men movies to be transferred a few years earlier into the Marvel Cinematic Universe of Disney, would we be seeing some version of Jean Grey in the position of Carol Danvers/Captain Marvel, poised to eliminate Thanos in Avengers: Endgame?  Or Deadpool, also, for that matter, who has similarly been nestled in the Fox version of Marvel and written to destroy Thanos before)?

Whatever the climax of Avengers: Endgame, it’s good to know another superhero movie awaits this summer.  Check out the new poster and this stellar new trailer for Dark Phoenix:

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  The last of the nine films in the Star Wars saga.  Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.  Shazam! is DC’s contribution.  Quentin Tarentino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorcese is back with an all-star cast in The Irishman (on Netflix).  M. Night Shyamalan finishes his dark superhero trilogy with GlassArnold Schwarzenegger and Linda Hamilton return in TerminatorJordan Peele is back with another horror film with Us.

Do you like sequels?  This is your year.  Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet SemataryDisney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year.  Yep, lots and lots of sequels are coming.

Some films don’t have locked-in release dates yet.  Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:

  • Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
  • The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
  • The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
  • 6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
  • The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
  • The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
  • Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)

Some of these films will have revised release dates, or get pushed to 2020.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):

January

Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.

Serenity – Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.

King of Thieves – Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.

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Review by C.J. Bunce

The early 2018 release Alien: Covenant is now streaming on Amazon Prime, Vudu, and other streaming services.  It is the second act of a two-part story focusing in major part on the android* named David, the continuation of non-human humanoids we first encountered in the Ridley Scott’s original 1979 film Alien with Ash, and later Bishop, and others.  Continuing David’s quest from Scott’s follow-up, 2012’s Prometheus (yes, this is that “sequel to a prequel” we discussed here at borg back in 2012), David has embarked on a search for the creation of mankind prompted by his creator, Peter Weyland, played by Guy Pearce.  David’s cold, deliberate calm is disturbing–he is a robot, he is emotionless, despite improvements on earlier models that make him appear kind, even sincere.  Yet, as we learned in Prometheus, David is little, if any, evolved more than the decision-making by HAL 9000 of 2001: A Space Odyssey.

Is David’s ruthlessness carried forward into Alien: Covenant?  You’ll need to watch the movie to find out.  There you’ll meet an upgraded version of David’s android design.  Also played brilliantly by Michael Fassbender, the android Walter replaces David as assistant to the humans in Alien: Covenant as they embark on a mission to settle a colony in deep space, led by James Franco‘s Branson, Billy Crudup‘s Oram, and Katherine Waterston‘s Daniels.  In a great dual performance by Fassbender, Walter encounters David as the story progresses.  And that’s where David’s Drawings come into play.

Disturbing and grotesque.  David, as part of his quest from Weyland, studies, researches, and documents lifeforms he encounters.  Many of these are in the form of sketches, sketches that can be found on the screen in the film, and in the new bound portfolio volume called David’s Drawings, from production artists Dan Hallett and Matt Hatton (see our preview below).  The artwork is meticulous, like something out of Gray’s Anatomy So the drawings are both in-universe props, and a real-world document of the filmmakers.   In more than 200 images, the boxed set (featuring a hardcover of drawings and a second volume including interviews with the artists) features the complete arc of his journey from David’s studies of flora and fauna, to his more sinister experiments on creatures, and the film’s most disturbing, surprise revelation.

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It must be going forward if 20th Century Fox releases an actual trailer for the movie, right?  After the last contract is inked it may very well be that only thirteen “X-Men movies” were ever made, before Disney steps in and recombines the Marvel X-Men adaptations into Disney’s Marvel Cinematic Universe.  For those of us that loved the X-Men movies, this is the winding down of a great era of movies, highlighted by the casting of Hugh Jackman as Wolverine, Patrick Stewart as Professor X, and Ian McKellen as Magneto.  Who will ever forget one of the finest adaptations to film of any superhero from any comic book as Evan Peters became Quicksilver, defending his fellow mutants in the Pentagon?  And the high point of any superhero movie (from Marvel Comics, DC Comics, or anyone else) must be the Academy Award nomination for best screenplay for Logan this year.  Like the competing films in the Avengers films, there were as many high as low points, but some greatness happened throughout X-Men, X-Men 2: X-Men United, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class, The Wolverine, X-Men: Days of Future Past, Deadpool, X-Men: Apocalypse, Logan, and Deadpool 2.

Only two more films were in the works when negotiations for control of 20th Century Fox’s film group got closer to a deal this year: Dark Phoenix and The New Mutants.  We previewed The New Mutants trailer way back last October here at borg, announcing an expected release date in April 2018, which came and went (the release date currently reflects a long overdue August 2019 premiere in theaters).  At last, 20th Century Fox has released a trailer for Dark Phoenix.

Dark Phoenix represents one of X-Men fans’ favorite classic X-Men stories.  We have already seen one take on the Dark Phoenix story, as Famke Janssen’s Jane Grey destroyed everyone she cares about in X-Men: The Last Stand, but after the timeline manipulation in X-Men Days of Future Past we learned again the lesson of the Terminator movies: The future’s not set–There’s no fate but what we make for ourselves.  

Along with the new official poster, check out this first trailer for Dark Phoenix:

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Author Simon Ward has crafted a new behind-the-scenes account of a sci-fi film, this time the latest entry and third Ridley Scott-helmed film in his Alien series, Alien: Covenant.  As you would expect, The Art and Making of Alien: Covenant features hundreds of photographs from what is probably the goriest film in the series.  Like another sci-fi/horror mash-up film 10 Cloverfield Lane, it also has its share of surprises, particularly as it leaves viewers in suspense as they learn the kind of horror film unfolding isn’t what they first thought.  Ward’s new book doesn’t reveal all the surprises, but enough to encourage readers to wait until they’ve seen the film to read the book.  Since a book like this is mainly for the diehard Alien fan, this won’t be an issue to most of its readers.

The Art and Making of Alien: Covenant, like Ward’s previous works The Art and Making of Independence Day: Resurgence (reviewed here at borg.com) and Aliens: The Set Photography (reviewed here) is more about the making of the film than a traditional “art of” film resource.  so don’t look for the typical concept art.  You will see plenty of film stills, behind the scenes shots with the actors, and some good visuals of the film’s set design.  Ward also moves step-by-step through the film, pulling in production staff and actors to give insight into the filmmaking process for this unique movie.

Ward interviewed director Ridley Scott, revealing Scott’s thought process behind this film and its place in the series, each key cast member discusses their view of their characters.  Concept artist Steve Burg describes the differences between Alien: Covenant and the last film in the series, Prometheus.  Creatures supervisor Conor O’Sullivan reveals the influences in the new Xenomorph designs.  Director of photography Dariusz Wolski provides a look at scene set-up and his lighting and cinematography choices.

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x-men-apocalypse-quicksilver-rescue-scene

Review by C.J. Bunce

Superheroes in movies and television.  It’s the entertainment explosion of the past ten years, beginning with Jon Favreau’s Iron Man in 2008.  Yet after only ten years, after so many Marvel lookalikes and too many dark Dark Knights, what superhero shows rise above the rest?  All fanboys and fangirls have an opinion.  The best part is that there truly is something for everyone.  Maybe you like Netflix’s cool and gritty Luke Cage.  Or maybe the CW parade of DC series is your thing.  If you’re like us, you love Ant Man and Guardians of the Galaxy over all the Marvel and DC team-up movies.  Maybe you like it all.  Director Bryan Singer created another X-Men entry that was released last summer, overlooked by many, but a solid entry in the X-Men cinema archive: X-Men: Apocalypse.  It’s streaming now on Amazon Prime, and it’s not to be missed, especially for Logan fans collecting all of Hugh Jackman’s Wolverine appearances and everyone looking for a great superhero assemblage.

How often do superhero movies, or any other drama, sci-fi, fantasy, or action franchise movie, threaten stakes as great as the end of the world?  How many actually take you through an apocalypse?  X-Men: Apocalypse delivers the rampage and destruction you read about as a kid inside the pages of Marvel Super Heroes Secret Wars.  If you enjoy seeing great superhero powers on the big screen, as with X-Men: Days of Future Past, Evan Peters’ Quicksilver remains the defending champion.  He gets even more character development and screen time in X-Men: Apocalypse.

X-men plane

As kids we debated over what power would allow you to triumph over your superhero peers, and Singer must have done the same thing and landed with the same answer.  Speed.  Despite giving us the best superhero TV series of the 1980s and today with its two looks at Barry Allen/The Flash, DC Entertainment has not yet shown us all a speedster could do.  Will that happen in Justice League this year?  Any speedster work will be compared to Quicksilver.  Until that film hits theaters, X-Men: Apocalypse is worth a second look for Quicksilver’s big scene alone.  But there’s more.

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alien-covenant

Directed by Ridley Scott and written by John Logan, Alien: Covenant is coming to theaters this summer.  It is another of those rare and unusual films:  The prequel that is also a sequel.  It is the sequel to Prometheus (2012), so it is the second installment in the Alien franchise chronologically, prequel to the original Alien (1979), and the sixth movie produced in the series.

The film tracks a colony ship, the Covenant, which arrives at a habitable planet and finds Michael Fassbender’s cyborg David, who we last saw at the end of Prometheus.  Fassbender plays dual roles, as the Weyland Corporation’s creation is also a member of the Covenant, as seen in the below preview.

alien-covenant-trailer

Fassbender, Noomi Rapace, and Guy Pearce return from Prometheus in Alien: Covenant.  New players include James Franco, Katherine Waterston (Fantastic Beasts and Where to Find Them), Billy Crudup (Watchmen), Danny McBride (Superbad, Fanboys), Demián Bichir (The Hateful Eight), Carmen Ejogo  (Fantastic Beasts and Where to Find Them), Amy Seimetz (Stranger Things), Jussie Smollett (Revenge), Callie Hernandez (Machete Kills, Sin City: A Dame to Kill For), Nathaniel Dean (Farscape), and Alexander England (Gods of Egypt).

Check out this unusual preview, the first five minutes of the film: Continue reading

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Fans and filmgoers may not realize the theatrical adaptation of the popular Ubisoft video game Assassin’s Creed is really unlike any other past movie based on a video game.  Never before has a brand owner, here Ubisoft, taken such a hands-on approach to making a film adaptation.  That comes through in Ian Nathan’s new look at the film and its unique production process, Assassin’s Creed: Into the Animus.

Ubisoft has been involved in not only several iterations of the game but continuations found in comic books and graphic novels, as well as behind the scenes concept art books for the various versions of the game.  Pride in the brand and maintaining the integrity of the story for gamers was taken into account from the inception of the film as concept.  From casting Michael Fassbender as the film’s lead to Fassbender’s role as a producer and personally delving in to understand the mechanics of the world of the gameplay and what that meant for his two parallel characters–Aguilar in the past and Callum in the modern age–loyalty to the game was always a priority, as recounted by the crew interviewed by Ian Nathan for this book.

assassins-creed-into-the-animus

For those who haven’t seen the film, the plot follows two protagonists in a world of Assassins and Templars, men separated by centuries of history yet linked by their DNA, necessitating the re-creation of a historically accurate fifteenth-century Spain and a technologically advanced present day world.  Assassin’s Creed: Into the Animus is an introduction to the complex world of the games, a look at the elaborate sets and exotic filming locations, an understanding of the choreography of the parkour scenes the film is known for, and maintaining the trademark look of the franchise, including Aguilar’s famous assassin’s hood.

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alien-covenant-clip

On Christmas Eve 20th Century Fox released the first trailer for Ridley Scott’s next gory chapter in the Alien cycle, Alien: Covenant.  In a bit of a deja vu, only four years ago we saw the first trailer and images of Ridley Scott’s touted reboot of the Alien franchise in the 2013 theatrical release Prometheus.  Like the trailer for Prometheus, we are left scratching our heads.  Alien: Covenant is the sequel to Prometheus, and prequel to the original Alien, yet the trailer makes the new film look an awful lot like the original Alien.  Is Scott really releasing a cloaked remake of Alien, banking on some idea similar to the formula J.J. Abrams succeeded with in last year’s Star Wars: The Force Awakens (a remake of sorts of the original Star Wars)?

Assuming the trailer reflects the final film, which admittedly is not always the case, Alien: Covenant may appeal to fans of the horror and sci-fi shocker Alien.  But what about the fans of the Alien sequel Aliens, which focused more on the action above the science fiction and horror components?

crudup

Viewers are left to assume that blood-and-gore horror is going to take center stage in Alien: Covenant, although we’ll no doubt get some bits and pieces of sci-fi and some action along the way.  The story revolves around the crew of the colony ship Covenant.  The crew encounters a planet that is not what it seems and a familiar face–Michael Fassbender’s synthetic borg David, survivor of the doomed Prometheus expedition.

Check out this trailer for Alien: Covenant:

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