With Amazon Studios releasing a new, full-length trailer for its six-part series Good Omens, showrunner Neil Gaiman discussed his creative process for the book and the show at this weekend’s South by Southwest (SXSW 2019) conference and festival in Austin, Texas. Check out his panel interview below, with Gaiman discussing the series and his creative process. Gaiman co-wrote the novel Good Omens on which the series is based with Terry Pratchett way back in 1989. Pratchett passed away in 2015, and now, led by Gaiman’s efforts, twenty-nine years after its creation the book is on its way to a TV adaptation later this spring.
In Good Omens the end of the world is coming, and opposite personalities in the form of an Angel and Demon are brought together to form an unlikely alliance to stop Armageddon. They have lost the Antichrist, an 11-year-old boy unaware he’s meant to bring upon the end of days, sending the pair to find him and save the world before… The End. The series combines the talents of Douglas Mackinnon, who directed episodes of Sherlock and Doctor Who, and it stars David Tennant (Doctor Who, Jessica Jones, Harry Potter and the Goblet of Fire, Viva Blackpool) and Michael Sheen (Passengers, Doctor Who, Tron: Legacy, Frost/Nixon, Alice in Wonderland). Other big names appearing in the series include Benedict Cumberbatch (Sherlock, The Hobbit, Star Trek Into Darkness), Jon Hamm (Baby Driver), Miranda Richardson (Harry Potter and the Deathly Hallows, Muppets Most Wanted), Mark Gatiss (Sherlock), Michael McKean (Clue, Laverne and Shirley), David Morrissey (Doctor Who, The Walking Dead), Frances McDormand (Fargo, Three Billboards, Isle of Dogs), and Brian Cox (Shetland, RED, Doctor Who).
First, take a look at the new full-length trailer for the series, followed by the discussion with Neil Gaiman this weekend at SXSW 2019, and a brief behind-the-scenes featurette:
animated movie, which I plan to review here soon. But what’s coming this month is the most talked about graphic novel of all time, Frank Miller’s 
in its first adaptation, coming direct to video. DC Comics must have done some research to indicate it wouldn’t make enough money for this movie to hit the theaters, which is unfortunate, because I think even the simple animation style used wouldn’t matter–DKR fans would go to the theater to see this. The negative is that, like so many other movies these days, it is being broken into two parts, so maybe the length was the problem.
