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Tag Archive: Robert Shaw


Discovery′s annual Shark Week programming is back beginning this weekend.  From July 27 to August 5 look for ten days of shark-centered features.  Shark Week is television’s longest running summer TV event.  That means Narragansett is back with new promotions and local activities for those on the East Coast, and an online store full of tie-ins to Steven Spielberg’s Jaws to coincide with Shark Week 2019.  Not only is Narragansett one of America’s oldest beer companies (they turned 21 in 1911), Jaws made its beer famous again in 1975 when Robert Shaw′s character Quint downs a can and crunches it to look tough in front of Richard Dreyfuss′s character Hooper.  Hooper created the funniest moment of the film, countering Quint by crushing his Styrofoam cup.

Look for Naked and Afraid: Surviving with Sharks, Shark Trip, Isle of Jaws, Shark After Dark, Sharkwreck, Alien Sharks, Sharkpocalypse, Air Jaws, Sharks Gone Wild, Jaws Comes Home, Laws of Jaws, Sharkzilla, Shaq Does Shark Week, Ocean of Fear, Sharks in the City: LA, Guy Fieri’s Feeding Frenzy, and How Jaws Saved the World, and more, all throughout the week.  Check out your local listings here at Discovery for air times.

Narragansett′s online shop has some great new T-shirts featuring Jaws and the Quint can, plus a foam stress can, a skateboard deck, stickers, pins, logo shirts, hats, hoodies, ornaments, sunglasses, beach towels, posters, even skis and hockey sticks–all featuring the image of the beer can design from 1975 or the shark or 1975 Narragansett logo–as it appeared in the film classic Jaws.  The lager beer itself is also available in ‘Gansett markets with the retro cans.  See the entire 1975 retro collection of tie-ins here at the Narragansett online store.  And check out the Narragansett website here for a series of Jaws screening parties along the East Coast all week, plus other parties, trivia contests and more, announced via the company’s Twitter account: @Gansettbeer.

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JAWS–It’s the reigning king of summer blockbusters–the movie that even prompted the term blockbuster throughout most of the U.S.A. in 1975 because of its crazy long theater lines.  It’s still a favorite of those lucky enough to see it in the theater that summer (drive-in, in my case), and absolutely re-watchable like no other film.  Steven Spielberg directing the toughest shoot of his career, special effects that had to be ditched, a stunning score by John Williams, Richard Dreyfuss at his dramatic funniest, Robert Shaw at his finest.  And coolest.  Robert Shaw.  The Oscar-nominated actor from The Taking of Pelham One Two Three, Force 10 from Navarone, and From Russia With Love, turned 86 this month.  To celebrate, Narragansett, the brand of beer that Shaw drinks on-screen and the can that he crushes in that famous Jaws scene, re-released its famous 1975 commemorative beer can this summer.  Don’t remember the scene?  Check it out below.

Narragansett timed its release with Shaw’s birthday August 9 and Shark Week.  Unforeseeable to the beer company, Quint was brought back into the limelight later in the month with the discovery by Paul Allen and his research team of the actual USS Indianapolis shipwreck some 18,000 feet below sea level on the floor of the Pacific Ocean.  Shaw and Spielberg have been praised by survivors for the realism provided in the movie.  It’s a dose of reality in what was otherwise a summer action movie.  Yet we surmise the story of the tragedy might not have received the prominence in history it deserved, and maybe Paul Allen might not have learned of the ship to seek it out, without the pervasiveness of the film today, and the lore it perpetuates.  Fortunately 22 of the original sailors that survived that fated voyage are still with us.

Narragansett is the beer Theodor Geisel aka Dr. Seuss created ads for.  Unlike Morley cigarettes (which we discussed back in 2011 at borg.com here), Hank Hill’s Alamo Beer, Thomas Magnum’s Old Dusseldorf longnecks, Al Bundy’s Girlie Girl Beer, Homer Simpson’s Duff Beer, Laverne & Shirley’s Shotz Beer, or Drew Carey’s Buzz Beer, Quint was downing and crushing a can of real Narragansett.  Still brewed today, it’s the preferred beer of many in the Northeast and Eastern U.S, where it is distributed.  The iconic movie scene solidified the brand’s reputation as the beer of choice for everyday New Englanders and continues to captivate viewers to this day.  The company offers many great fan products, so make sure you check out its website store for items like its throwback can Christmas ornament, a great two-sided throwback T-shirt, and “Crush it like Quint” full-sized poster.

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Philanthropist Paul Allen is known by many as the owner of the Seattle Seahawks and the Portland Trailblazers, but he’s also known by space technology and science enthusiasts and science fiction fans.  In addition to co-founding Microsoft and earning billions allowing him to fund myriad projects, he owns the suborbital commercial spacecraft SpaceShipOne, the Allen Institute for Artificial Intelligence, and the Museum of Pop Culture in Seattle, which houses several screen-used props and costumes from the history of sci-fi TV and film, among many other educational, charitable, and influential enterprises.  Recently Allen used his wealth to begin to earn his sea legs as the next Dr. Robert Ballard, the ocean explorer who discovered the shipwrecks of the R.M.S Titanic in 1985, the battleship Bismarck in 1989, the USS Yorktown in 1998, and John F. Kennedy’s PT-109 in 2002.  In 2015 expeditions Allen and his team discovered among the ocean’s depths the bell to the British vessel HMS Hood and the remnants of the Japanese battleship Musashi, and earlier this year he located the wreckage of the Italian destroyer Artigliere.  Yesterday Allen and a small expedition crew on the research vessel Petrel discovered what was thought unfindable: the remains of the World War II cruiser USS Indianapolis (CA-35).  Allen’s discovery off the coast of the Philippines, 18,000 feet below the surface of the Pacific Ocean, now puts him in league with Ballard, and more importantly, will hopefully bring closure to the 22 remaining survivors of one of the most famous ships in modern history to meet a dire end at sea.

At 12:20 pm local time Saturday, August 19, 2017, Allen released the following tweet:

The “35” in the photograph above is the ship’s registry number painted on the hull (and throughout the vessel) clearly identifying the ship as the Indianapolis.  “To be able to honor the brave men of the USS Indianapolis and their families through the discovery of a ship that played such a significant role in ending World War II is truly humbling,” Allen said in a statement.  “As Americans, we all owe a debt of gratitude to the crew for their courage, persistence and sacrifice in the face of horrendous circumstances.  While our search for the rest of the wreckage will continue, I hope everyone connected to this historic ship will feel some measure of closure at this discovery so long in coming.”

Ship’s bell of the USS Indianapolis as photographed by the crew of the research vessel Petrel Saturday.

In the final days of World War II, the USS Indianapolis had completed delivery of components of the atomic bomb to the island Tinian.  Dubbed “Little Boy,” the bomb would be dropped on Hiroshima, precipitating the end of the war.  The mission was secret, and so on July 30, 1945, when Japanese submarine I-58 struck the ship’s starboard side with two Type 95 torpedoes–one in the bow and one amidships–the Indianapolis sank within 12 minutes, but tragically was not listed as overdue.  By the time a rescue party arrived, more than four days had passed and the approximately 800 survivors of the 1,196 crew ship dwindled to only 316, resulting from dehydration and shark attack.  A fantastic National Geographic compilation of interviews from 2015 provides first-hand accounts from surviving sailors of the Indianapolis’s end 72 years ago. But you already know this story.  Thanks to Steven Spielberg’s Jaws, the Indianapolis has been etched in modern memory since the film’s debut in 1975.  Without the fictional character of Robert Shaw’s seaman Quint, the Indianapolis might be but a forgotten footnote to history along with so many equally valiant ships lost in wartime.  The Indianapolis is now a revered part of the American consciousness along with the USS Arizona, and it’s doubtful anyone would have pursued this project but for the importance and tragedy of this ship’s crew communicated to us by a film, and amplified by that film’s continuing legacy.

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A close up for Bruce the shark in Jaws

Review by C.J. Bunce

In time for the 40th anniversary of the movie Jaws, Titan Books issued an updated edition of Jaws: Memories from Martha’s Vineyard, a rare and unusual chronicle of the making of a film.  Told via photographs and interviews from the locals who helped literally make the film, from construction crews to performers tapped to play key roles in the movies, Memories offers yet another view of the making of the first modern summer blockbuster.

What differentiates this book from other works on this movie (or any other movie) is the “local” perspective.  Instead of giving the standard Hollywood view of the “making of” a movie using interviews with the crew and producers as you’d normally find on the TV and Film shelf, the authors, Jaws memorabilia collectors Matt Taylor and Jim Beller, take a historical research approach.  They rely on primary source material, through hundreds of hours of interviews with every islander who would speak with them, newspaper clippings from 1974, scrapbooks and photo albums that have sat on shelves for 35 years, including plenty of information never before seen by the general public.  The result is a story told in photos rarely seen for any film or film franchise–something you’d only find from years of books published about Star Wars, Star Trek, and the Indiana Jones movies.

Amity Island billboard in production

The story is told chronologically, day by day from the selection of the filming locations on Martha’s Vineyard in Massachusetts to pre-production and on through the wrap-up of filming.  The memorabilia and ephemera pictured includes everything from the remnants of the actual boats used in the movie to the more mundane, like checks and contracts for day laborers.  Yet every piece is interesting, like candid Polaroids showing Robert Shaw’s first day on set and Spielberg at the cabin he lived at during the shoot.  The experience of sifting through all that remains of the production is a bit like spending a weekend at a small town local library researching any historical event from a town’s past.

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Jaws movie poster

ALAMO DRAFTHOUSE–On the Fourth of July weekend, you must include a summer blockbuster in your planning, and there’s not much better you could ask for than a Fourth of July screening of Jaws, which features a small coastal town in the days leading up to the holiday back in 1975.  Thirty-nine years later and the entire film still stands strong, dated only by some clothing of the locals, which–let’s face it–could still be the fashion in beach communities up and down both coasts.  This weekend the Alamo Drafthouse offered up the opportunity to see Jaws on the big screen again or for the first time.  Unlike screenings of some other classic films at other theaters, this screening had what looked like an original reel of Jaws with flickers and pops.  In an age of widely available, digitally-re-mastered cuts of classic movies like Jaws, it was surprisingly fun to see the film just as audiences would have seen it in 1975.

I first saw Jaws at the S.E. 14th Street Drive-in theater in its initial summer run.  I was about the age of Scheider’s youngest son in the movie.  Knowing I would fall asleep in the back seat likely before the film started, my folks hadn’t figured I would actually manage to see the entire introduction.  Luckily the film was darkly lit and I didn’t know what I was watching.  I took away no memory of the film beyond dark images of a girl swimming.  My sister didn’t fare as well, and what made the film the blockbuster it was sunk in with her–that great white shark keeping us all out of the water–a summer when beaches across the country must have had lower attendances–and it certainly kept her away for a while.  Not having seen Jaws straight through in several years, but instead viewing it probably hundreds of times in bits and pieces over those intervening years, I couldn’t have been happier that it was as good as I remembered and even more engaging on the big screen.

Jaws crew

Take star Roy Scheider, for instance.  Today you might cast Eddie McClintock or Colin Ferguson for his role as everyman on his first gig as new chief of police in a new town.  Scheider has many funny lines to break the tension, beyond the many quotable lines.  His wife played by Lorraine Gary carries on as the supporter of her husband perfectly.  Richard Dreyfuss is, of course, Richard Dreyfuss, always holding back a laugh even in the most desperate of circumstances.  Jaws is without a doubt Dreyfuss’s best role–a great feat considering his many big roles over the decades (American Graffiti, Close Encounters of the Third Kind, The Goodbye Girl, Always, The American President, R.E.D.).

But what is no surprise is the powerhouse performance by character actor Robert Shaw as Quint.  I think this was the first time I ever intended to order a drink or snack from the dine-in seating theater but was so transfixed, mostly due to Shaw, that I walked out having never ordered anything.  It’s not just the Indianapolis speech he is known so well for.  There’s also his introduction at the city council meeting.  His mouthiness when his boat is being loaded to go after the shark.  His taking the time to teach the chief how to tie knots on the boat.  Shaw, who died young resulting from problems with alcoholism, created the quintessential (pun intended) old salty sea captain in Jaws.  His performance is full of nuance.  Sure, he is part Captain Ahab, but he is so much more.

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Crush it like Quint

JAWS–It’s the reigning king of summer blockbusters–the movie that even prompted the term blockbuster throughout most of the U.S.A. in 1975 because of its crazy long theater lines.  It’s still a favorite of those lucky enough to see it in the theater that summer (drive-in, in my case), and absolutely re-watchable like no other film.  And that awesome cardboard shark standee display that stalked the halls of mall theaters everywhere.  The one that made you hide behind your mom.  Yeah, that one.  Steven Spielberg directing the toughest shoot of his career, special effects that had to be ditched, a stunning score by John Williams, Richard Dreyfuss at his dramatic funniest, Robert Shaw at his coolest.

The original blockbuster

Robert Shaw.  The actor from The Taking of Pelham One Two Three, Force 10 from Navarone, and From Russia With Love.  Then his most unforgettable role as the salty sailor Quint.  And that speech about the Indianapolis.  Moviemaking at it’s finest.  And Quint’s cool attitude as he crushes that beer can.  And Dreyfuss’s response.  Don’t remember the scene?  Check it out here:

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