Tag Archive: Star Trek


PatrickPicard

Patrick Stewart is back again to save the day, and he’s doing it in two ways.  As Sir Patrick Stewart, he has begun reading sonnets and sharing his readings online.  And as one of our favorite Captains, Jean-Luc Picard, he’s sharing news of the ability for anyone to stream the first season of his new series Star Trek: Picard on the CBS All Access streaming service–free.

As most know, the master thespian was an actor in the Royal Shakespeare Company before appearing in Star Trek: The Next Generation and as Charles Xavier in the Marvel X-Men franchise films, including one of his landmark performances in James Mangold’s 2017 Oscar-nominated film, Logan.  On his social media (see his Instagram page here) Sir Pat has begun reciting a sonnet a day, in the hopes that “a sonnet a day keeps the doctor away.”  He has so far read Shakespeare sonnets 116, 1, and 2.

Patrick Stewart

And Tuesday he announced more good news for his Star Trek fans: “Our #StarTrekPicard season finale is Thursday, and starting today until 4/23, you can watch for free on @CBSAllAccess in the US with the code: GIFT.”  All you need to do is sign up for the streaming service and use the code GIFT.  Check out the CBS All Access website for full details.

Star Trek: Picard takes place twenty years after the events in the movie Star Trek: Nemesis, which resulted in the death of Brent Spiner’s character Data, and also after the events of Star Trek (2009), which resulted in the destruction of the planet Romulus.

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Connoisseur of all things Star Trek, author Dayton Ward is back next month with his next in-universe look at what makes the Federation tick in Star Trek Kirk Fu Manual: A Guide to Starfleet’s Most Feared Martial Art It’s a comical look at everyone’s first (or second) favorite Captain, in his familiar 1960s (or 23rd century) uniform and scene stealing stances, rendered for the willing student or old-school fan by artist Christian Cornia.  Providing a how-to manual of some of Captain James T. Kirk’s more eccentric hand-to-hand combat moves, it gives you some step-by-step instruction in being cool like Kirk, complete with excerpts from his personal log.

Who exactly is the Kirk Fu Manual for?  It’s for those who listened to our recommendations of Ward’s past humorous inside looks at the franchise, seen in his Hidden Universe Travel Guide to Vulcan (reviewed here at borg) and his Hidden Universe Travel Guide to the Klingon Empire (reviewed here).  And it’s exactly the right gift for your office party swap when you can’t figure what to buy, but you know your boss is a Star Trek addict.

Readers better pay attention, as they’ll find a check-yourself test at the end.  And a certificate for those who pass.  If Kirk Fu is not your thing, don’t worry–Spock steps in with alternative suggestions in a bonus section.  Take a look at a preview of the Kirk Fu Manual below, courtesy of publisher Insight Editions.

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Sometimes you wish you could go back in time, to decades past where life was simpler and you could grab a magazine at the local bookstore or grocery store rack to get a fix from your favorite movies or TV series.  Back in the 1970s and 1980s sometimes that meant Starlog, Starburst, or Space Wars, Fantastic Films Magazine, or even mags aimed at the younger set, like Dynamite.  Then people like Dan Madsen came along with fan clubs that resulted in titles targeted at specific, single fandoms like The Lucasfilm Fan Club Magazine for Star Wars, and Star Trek Communicator and other titles under variants of those names.  Titan Magazines inherited management of these legacies decades ago, and is still putting out both Star Wars Insider and Star Trek Magazine, and it’s the articles from those mags that fans can “read again for the first time” as Titan launches three new compilation books, Star Wars: The Best of the Original Trilogy, Star Wars: Rogues, Scoundrels, and Bounty Hunters, and Star Trek Picard: The Classic Chronicles.

The two Star Wars books are tied to the anticipation for the release of the final chapter in the original Star Wars saga as Star Wars: The Rise of Skywalker arrives in theaters in December and The Mandalorian series begins streaming in November.  And the Star Trek book is primed to get newer fans up to speed in time for the release of the Star Trek Picard television series.  If you collect the magazines, you have already read this content, but if you haven’t or you threw out your magazines over the years, this is your chance to check out Titan’s targeted looks back at these big franchises.

Vintage photographs, tie-in toys and other products, posters, interviews, and articles full of trivia are reason enough to take a look back through these books.  And those photographs include many you’ve probably not seen before–or at least haven’t seen in a long, long time.  Clocking in at 176 pages, each book has something for every fan of these franchises.  Star Wars: Rogues, Scoundrels, and Bounty Hunters is a must for anyone after lots of detail photographs of Chewbacca and your favorite bounty hunters, something from every previous Star Wars film through Solo: A Star Wars Story.  Star Trek Picard: The Classic Chronicles isn’t just about Patrick Stewart’s Captain Jean-Luc Picard, but is an overview of the entire series and films featuring the NextGen crew.  Star Wars: The Best of the Original Trilogy is perhaps the most nostalgic, with those marketing photographs and accompanying 1970s magazine style art that could have come straight out of Dynamite magazine.

Below are previews of all three books.  Catch up on the past–order these books at your local bookstore or comic book shop or from Amazon at these links: Star Wars: The Best of the Original Trilogy, Star Wars: Rogues, Scoundrels, and Bounty Hunters, and Star Trek Picard: The Classic Chronicles.

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Review by C.J. Bunce

Actor Vic Mignogna, who has played Star Trek’s Captain Kirk on the fan-made series Star Trek Continues, has taken on an enormous task in his latest project, narrating the mammoth behind-the-scenes look at classic television and creator/producer Gene Roddenberry in an audio play adaptation of the Saturn Award-winning These Are the Voyages–ST: TOS Season One–nearly 29 hours in all.  Master researcher and TV historian Marc Cushman has meticulously crafted several volumes detailing the Golden Age of Television, including four volumes (and fifth on the way) of Star Trek history.  With the new audiobook, Cushman has assembled nearly 100 voice actors, including several Star Trek insiders quoted in the book, who returned to voice their contributions from Cushman’s first book in his series.  Among the voices you’ll hear writer Dorothy Fontana, writer Ronald D. Moore, actor Clint Howard, casting director Joe D’Agosta, actor Sean Kenney, and director Ralph Senensky, plus sons of Leonard Nimoy (Adam) and James Doohan (Chris) voicing their fathers’ quoted material, and other surprises, like Mythbusters co-host and Star Trek Continues actor Grant Imahara as the voice of George Takei.  The result is a fantastic way to kick back and enjoy the long-lost past and inner-workings of your favorite 1960s sci-fi series.

Marc Cushman’s adaptation of his own work, with Susan Osborn, smartly distills his lengthy first volume into the key narrative elements–Gene Roddenberry’s arrival in Hollywood, the development of Star Trek, Roddenberry’s assemblage of creators, directors, producers, writers, and actors for his series, and the episode by episode chronicle of the ups and downs of season one.  Mignogna is a fantastic choice to walk the audience along, a mix of 1930s radioplay storyteller and Ken Burns’ award-winning series of documentaries.  For anyone afraid of embarking on a lengthy 658-page non-fiction book, this is your answer.

Actor Vic Mignogna with Star Trek repeat guest actor Clint Howard.

Voice actor Ralph Miller really nails the talkative and often irritable Gene Roddenberry.  The less-known players in the story often provide the most interesting performances, men and women reproducing 1960s inflections and accents in a myriad of types believably well.  The dialogue in the book has a more lively feel and effect when spoken.  As an example, Gene Roddenberry and Matt Jefferies’ discussions (originally via written correspondence) over details of military components to be incorporated into the series sets provides for some humor in the drama.  Listeners will really get a good picture of these two negotiating over who was better able to sign-off on the look of the practical, visual bits of the series.  And the production values are spot on–These Are the Voyages–ST: TOS Season One is a well-produced, entertaining work full of trivia for Star Trek fans and classic TV buffs, presented in an unusual, unexpected way.

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We’ve been speculating about a new animated Star Trek for years (like back here at borg), and it’s sort of like the folks at CBS and Paramount listened to us.  Ideas of an animated Star Trek have finally taken hold of late, first with Ira Steven Behr’s Deep Space Nine documentary, and even more recently with announcements of three shows in development for 2020 or 2021: two animated shorts, an animated comedy series by Rick and Morty writer Mike McMahan about the lower decks crew of a Starfleet ship, and a Nickelodeon series aimed at kids.  Is there an interest in animated Treks?  We loved that replica costume company Anovos was offering pre-orders for a cool, purple–and screen-accurate–cartoon-style Klingon uniform. Unfortunately Anovos reported production was canceled for insufficient interest.  But Behr’s documentary amped up the buzz for the potential of the medium, especially as a way to bring back actors who may not want to appear in front of the camera anymore, via voice work.  Audio genius company Big Finish has made a big business of resurrecting most of its 50 year history of Doctor Who actors (and their companions) via new audio stories, even without the animated visuals.  Want more William Shatner as Captain Kirk?  This is the way to do it.

Just two months ago we reviewed here at borg television historian and researcher Marc Cushman’s latest brilliant deep dive into vintage television in his book These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 1 (1970-75) It is a highly recommended, monumental 764-page treatise on Roddenberry, his development of the animated series, and a guide to each episode with exhaustive behind the scenes crew information.  If the future of Star Trek is, indeed, animated, it makes sense another book is coming your way, this time a full color pictorial look at the classic animated series called Star Trek: The Official Guide to the Animated Series, and you can check out some preview pages below.

The animated voyages often represented the lighter side of Star Trek that was picked up on by Harve Bennett and Nicholas Meyer in their story for Star Trek IV: The Voyage Home, incorporating more bits of humor that would become an integral part of what makes Star Trek… Star Trek from then on.  One of the biggest curiosities of post-Animated Trek is not including the unique alien bridge officers Arex and M’Ress as characters in the movies and series since.  Both have only had appearances in DC Comics’ Star Trek monthly and various novels.  Years ago Gene Roddenberry acknowledged the costs–of requirements like heavy prosthetic and makeup–required of bringing these characters to live-action versions were too burdensome for television production, yet similarly styled characters have cropped up in Star Trek IV and V and Star Trek: The Next Generation.  With the kind of makeup work done by Oscar-nominated creator Joel Harlow in Star Trek (2009) and Star Trek Beyond and Emmy-winner James MacKinnon for Doug Jones in Star Trek Discovery, a live-action Arex and M’Ress could happen.

Take a look at this preview for Star Trek: The Official Guide to the Animated Series, available for pre-order now here at Amazon:

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Review by C.J. Bunce

Twenty years ago the last episode of Star Trek: Deep Space Nine premiered, and for its anniversary a crowdfunding project funded a feature-length retrospective on the series.  Deep Space Nine: What We Left Behind will be familiar to any fan of Deep Space Nine who has delved into the special features found in the DVD sets or online via YouTube.  It’s full of those reminiscences, albeit updated, diehard fans have viewed countless times in interviews with cast and crew and via panels at the annual Star Trek convention in Las Vegas.  But the unique feature for this new documentary is a reunion of writers from the series who sit down and block out what a possible next episode of the series might include.

Deep Space Nine showrunner and executive producer Ira Steven Behr leads the documentary, hitting the high points of his seven years creating Deep Space Nine, intercutting new and old interviews with key and supporting cast members, a few members of the production staff, co-creator Rick Berman and the man representing the business side of production, Kerry McCluggage, former chairman of Paramount Television Group.  Deep Space Nine: What We Left Behind does not look closely at the production from a design, costumes, props, music, or technical standpoint, but is almost exclusively focused on the writers and actors, and why the crew thinks its show was different from competing programs in the 1990s (although some art production familiar faces including Herman Zimmerman, Michael and Denise Okuda, and Doug Drexler make brief appearances).

The writers room reunion of Behr, Ronald D. Moore, René Echevarria, Hans Beimler, and Robert Hewitt Wolfe talking through a spec script idea for a new 20th anniversary reunion episode is a great guide for anyone wanting a glimpse at the process of developing a television show.  Backed by a cartoon art/Ken Burns-esque multimedia mock-up of characters and sets by artists Magdalena Marinova, Kai De Mello-Folsom, and Luke Snailham, it’s a better presentation format than watching more talking heads.  The result feels quite like a Brannon Braga or Ronald D. Moore series finale episode (see Star Trek: The Next Generation’s “All Good Things…” and Star Trek Voyager’s “Endgame”), complete with a time jump and appearances by grown-up regular players, in this case Jake Sisko and Molly O’Brien.  Vedek Kira?  Captain Nog?  With some make-up and new costumes, the writers’ episode creation would have actually made a fine final episode to the series, providing some resolution to the fate of Avery Brooks′ Captain Sisko.

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Review by C.J. Bunce

TV historian and Star Trek expert Marc Cushman has returned with his next volume in the history of the creators of Star Trek, the 1960s television series, the hardcover book These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 1 (1970-75).  At a massive 763 pages, Cushman uses his trademark style of sifting through every available source to collect details about Hollywood, executives, writers, actors, and everyone in between to provide a history of television via the extensive use of contemporary, primary source materials.  The book includes dozens of black and white photographs, screen shots, marketing images, and behind the scenes photographs.

Fans of Star Trek: The Animated Series and the tie-in novels that began with author James Blish should take note: Much of the book is about Star Trek: The Animated Series, the marketing of Star Trek by Roddenberry’s company Lincoln Enterprises, and several studio tie-ins during the 1970s, including the Gold Key comics, and Blish’s famous run of novels–all which kept Trek fans engaged for a decade without a live-action presence.  The rest is devoted to Roddenberry’s personal projects before and after The Animated Series.

Many themes are brought to light as Cushman tracks Roddenberry’s career and efforts to revive Star Trek after the 1960s series cancellation.  Roddenberry’s in-your-face nature with studio executives didn’t help him any, yet his persistence kept him in the business.  William Shatner was able to rely on his past success as an actor to easily move ahead with his career and lay the groundwork to become the icon he is known as today.  Leonard Nimoy benefited the most directly from Star Trek–he became a sex symbol, and moved from a music career to becoming co-star of the original Mission: Impossible.  He also didn’t miss a beat continuing his acting with major stage productions.  The rest of the cast was type-cast, having more difficulty finding work, especially Walter Koenig, who was even denied a voice-acting role on The Animated Series.  But The Animated Series would prove several things: Every member of the cast was ready to jump at the chance of returning to Star Trek despite their other projects.  Nimoy was at first hesitant, but when seeing the rest of the cast join up he seemed to not want to be left behind.  This included the writers for the original series–everyone asked to provide a script for The Animated Series wanted to return to the unique science fiction material–and did.

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Anyone who grew up with the original Star Wars trilogy also grew up with the Kenner line of action figures and other toys.  Eagerly awaiting kids learned about each new figure and each new ship and playset via commercials during Saturday morning cartoons.  They also learned about them in the Sears and JC Penney Christmas catalogs and mini-catalogs that accompanied certain ships, games and playsets–making checklists from the catalog for Santa was a key component of being a kid.  Over the next two days an auction house in Valencia, California is selling off a Star Wars fan’s ultimate dream collection.  At its Vintage Toys and Collectibles Live Auction, auction house Prop Store is auctioning off a spectacular collection of the Star Wars toys most kids from the era are familiar with, plus many of the rarer toys and prototypes that were known for decades to exist only through rumor and occasional obscure references.  Among the collection is a high-quality collection of nearly 100 pieces from Lucasfilm executive Howard Kazanjian.

Long before the latest Star Wars trilogy, Luke Skywalker actor Mark Hamill mentioned in interviews that certain Lucasfilm professionals received the line of new tie-in toy products as they were rolled out.  He mentioned that his kids enjoyed most of them, and he’s joked about wishing he’d saved some in the original boxes because of the sale prices some achieve today.  Kazanjian was also on that distribution list, and he maintained the toys he received in the mail for 40 years, some boxes were never opened and remain in near mint condition.  Prop Store’s auction catalog is incredible, a full color book of photographs and descriptive information almost as exciting as the auction itself–an extraordinary trip back through time even if you’re not able to drop $5,000–minimum–on a rare vinyl-caped Jawa or Yak Face variant action figure.

Bop bags, a Luke headset radio, Give-a-Show projectors, all the ships and action figures you remember, and trading cards are just the beginning,  The auction is featuring the rare Cloud City cardboard playset kids first saw in the Sears catalog–the only early playset that included four action figures (currently bidding at $400).  There’s the radio-controlled Sandcrawler (currently at $2,500), rare plush toys each starting at bids in the thousands of dollars, and all but the rare IG-88 figure in the large-sized version that was created for the key characters to match up with G.I. Joe and The Six Million Dollar Man.

But the 3.75-inch action figures make up the bulk of the toys hitting the auction block today.  The rare vinyl-caped Jawa even before the auction starts is already bid up to $6,000 (all bidders must pay the strike price plus more than 20% of the price for now-standard auction house fees).  An original R2-D2 is at $4,000, and if you want one of the rare “Power of the Force” Yak Face figures, it’s going to cost you more than $8,000.  At the end of the initial run of The Empire Strikes Back, I remember an entire wall of Yoda figures at my Target store being sold on clearance at fifty cents apiece.  That action figure type in this auction has already been bid up to $1,000.  In hindsight the figures on that clearance display were worth a small fortune.

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The sale of a rare, screen-used television prop continued the upward trend in values of Star Trek props at an auction this weekend held in California and online.  Auction house Prop Store offered nearly 400 props, costumes, set pieces, models, and other memorabilia from the collection of television prop private collector James Comisar.  Many of the lots did not receive bids that met the reserve price set by the seller, but a key, rare, Klingon disruptor from the 1960s Star Trek series sold strong, at $40,000 plus buyer’s premium, for a total sale price of $48,800.  One of the pieces that did not git a bidder to meet the reserve price was the tunic worn by William Shatner as Captain Kirk in one of television and pop culture’s most significant milestones, the first interracial kiss, between Shatner’s Kirk and Nichelle Nichols as Lieutenant Uhura in the episode “Plato’s Stepchildren,” which aired 50 years ago.  That tunic had a minimum reserve price set at $40,000, but only received $20,000 in bids.

Referred to in the series as “phaser” and “disruptor,” and used as a weapon by both Klingons and Romulans in the series, the Klingon disruptor hand prop that sold this weekend joins a small list of significant pieces sold at public auction, but it isn’t the highest price paid for a Star Trek hand prop.  That was $231,000, for the 2013 sale of a phaser rifle famously held in marketing images by William Shatner as Captain Kirk for the original Star Trek series, produced specifically for the retooled pilot episode, but never used afterward in the series.

The Klingon disruptor, also used by Romulans in the series, which sold this weekend at Prop Store’s auction.

Other key sales past sales of Star Trek hand props include the 2011 sale of an original series Starfleet phaser for $78,000, and a 2001 sale of a Starfleet phaser from Star Trek II: The Wrath of Khan, where the winning bidder paid $57,500.

Find out more about the Klingon disruptor at this detailed look at the prop here.

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Review by C.J. Bunce

From Star Trek V: The Final Frontier to four Next Generation movies and the J.J. Abrams Kelvin timeline movies, and Deep Space Nine through the Enterprise and Discovery series, concept artist, illustrator, prop designer, and model maker John Eaves has designed ships and objects familiar to any sci-fi fan.  This Tuesday the eagerly anticipated behind-the-scenes book Star Trek: The Art of John Eaves arrives from online retailers and book stores, and we at borg.com previewed a copy.  Just as you would expect, the book is full of hundreds of concept art designs, most of them ultimately used for the final model or CGI renderings seen on film.  John Eaves has developed his own style over the years, so in the past decade when even passing fans saw a ship on the big or small screen, they could usually tell when Eaves designed it.  Take a look at our preview pages from Star Trek: The Art of John Eaves here.

Eaves tells his story, referencing those artists of film that inspired him, some he would work with directly and others he admired from his youth: Joe Alves, Ron Cobb, Greg Jein, Grant McCune, Robert McCall, Nilo Rodis-Jamero, Ralph McQuarrie, Joe Johnston, Richard Edlund, John Dykstra, Syd Mead, and others.  The shifting look of Star Trek, its ships, and props, began to take on a new look with his designs for the Enterprise-B in Star Trek Generations, which required a modification to the Excelsior model to accommodate a key scene featuring Captain Kirk.  For the update to the ship Eaves incorporated a design from the World War II Catalina PBY-5A airplane.  Eaves grew up near an airfield, where he was first given a pad and pencil to make his own illustrations, and his understanding of aerodynamics can be found throughout his work.   And as Eaves tells it, Star Trek designer Michael Okuda would often be nearby to point out relevant components to incorporate.

The Eaves design aesthetic is unmistakable, in the elegant Vulcan lander and Phoenix rocket in Star Trek: First Contact, in the arc-shaped Son-a warship concepts in Star Trek Insurrection, in the removal of the “neck” and compact configuration of the Enterprise-E, and in the Reman Scimitar, the Romulan Valdore, and Scorpion fighters for Star Trek Nemesis.  The artist says his Discovery designs were inspired, surprisingly, by the rocket that took Taylor away and back in the original Planet of the Apes.  You can see the inspiration in the view of the ship from below.

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