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Tag Archive: Star Trek


The big news this week for sci-fi genre fans–besides that surprisingly good trailer for The Orville previewed here earlier this week–is the release of the first full trailer for CBS All Access’s new series Star Trek: Discovery.  The new subscription service network released trailers for its new series Wednesday.  Along with Star Trek: Discovery are trailers for a S.W.A.T. reboot, a SEAL series, a crime drama, and three new comedies.

Fans of Buffy the Vampire Slayer, Angel, and Bones will be happy to see David Boreanaz back as the star of another drama, SEAL Team.  SNL’s hilarious comedian Bobby Moynihan stars in his own comedy, Me, Myself, and I.

Emmy and Golden Globe winner Jeremy Piven, who we last saw as an early 20th century businessman in the brilliant PBS series Mr. Selfridge, will star as a modern-day successful businessman with Richard T. Jones in a new crime series about crowdsourcing called Wisdom of the Crowd.  And fans of The Big Bang Theory will get a prequel series called Young Sheldon.

Check out all the previews for the new TV series from CBS All Access below, along with the network’s PR descriptions:

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Review by C.J. Bunce

For one hundred years the Westmore name has been synonymous with makeup.  Modern fandom knows Michael Westmore as the go-to guy for the face of the stars and alien prosthetics of decades of Star Trek TV shows, but what you may not know is Westmore had an exceptional career in cinema before his days creating the look of the final frontier.  You may also not know Westmore is a great storyteller.  Happily for cinephiles everywhere, Westmore has chronicled many of his encounters with film greats past and present and documented his stories in a new book, Makeup Man: From Rocky to Star Trek, The Amazing Creations of Hollywood’s Michael Westmore.

Full of anecdotes and brushes with Hollywood royalty, Makeup Man showcases Westmore, his famous family that preceded him, and the work he created that cemented his name in the Hollywood Walk of Fame.  For Star Trek fans looking for insight into re-creating their own Klingons and Vulcans, Westmore previously shared his knowledge in the now out-of-print books Star Trek: Aliens and Artifacts (available at Amazon here), and the Star Trek: The Next Generation Makeup FX Journal (available here).  Makeup Man touches on Westmore’s Star Trek makeup work in the last third of the book, but it is targeted more at his Hollywood memories before the 1980s.  In fact Makeup Man is best when Westmore recounts stories that blend the unique creations and techniques of his craft with the acting and film legends of the past that he worked with, like a story about a little-known, MacGyver-esque, facelift trick he used from his family’s past for Shelley Winters.

Westmore’s prose evokes an amiable master artisan sharing campfire stories of days long ago.  Most interesting is his work with Sylvester Stallone in creating the look of Rocky (1976).  Westmore discusses dodging the cameraman during takes to be able to add the necessary makeup to reflect Rocky’s next punch to the head.  Westmore recounts a little known (but popular at the time) 1984 made-for-TV movie based on a true story, called Why Me?  For the film he had to recreate actual facial reconstructive surgery during all its phases for a woman disfigured in an auto accident.  Westmore’s greatest achievement is probably his Academy Award for Mask (1984), also based on a true story, where he earned the Westmore family’s only Oscar for his work recreating a 16-year-old boy with a rare facial disorder (played in the film by Eric Stoltz).  Each of these stories documents the challenges of Westmore’s craft and his ingenuity in delivering Hollywood magic on the big (and small) screen.

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IDW Publishing writer Mike Johnson continues to take Star Trek where no one has taken Star Trek before.  As he did successfully in Star Trek Countdown and Star Trek: Nero, Johnson continues the adventures of Captain James T. Kirk and his crew in the Star Trek “Kelvin” timeline–the new timeline begun by J.J. Abrams beginning in 2009.  Johnson is breaking new grounds along with artist Tony Shasteen in Star Trek: Boldly Go, a monthly comic book series featuring a standalone story issue hitting comic book stores tomorrow.

In the first four issues of Star Trek: Boldly Go, Johnson and Shasteen take readers beyond last summer’s hit movie Star Trek Beyond.  Kirk and his crew are divided now, serving aboard separate vessels.  Kirk leads the USS Endeavour, with Bones as second rank under another medical chief.  Chekov serves with them.  Spock and Uhura are on sabbatical on New Vulcan with Sarek.  Scotty is teaching at the Academy back on Earth.  Commander Sulu is serving under Captain Terrell (played by Paul Winfield in Star Trek II: The Wrath of Khan) aboard the USS Concord.  And then a nemesis encountered much later in the Prime Universe pursues the Concord.  Why? Is resistance truly futile?  Find out when The Borg seize Spock.

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Fortunately instead of being merely a gimmick to bring the key villains from Star Trek: The Next Generation into the realm of the original series, the change-up in the timeline is nicely tied to a logical occurrence in Kirk and Spock’s past, while further binding the ex-Enterprise crew together.

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Tomorrow with Issue #5 Johnson and Shasteen set their focus on Jaylah, the heroine from Star Trek Beyond, and our nominee for the most kickass heroine of all the Star Trek films.  It’s a great, personal story, providing backstory showing how Jaylah ended up where she encountered the Enterprise crew at the beginning of Star Trek Beyond, and where the character is now.  Here is a preview of Star Trek: Boldly Go, Issue #5, courtesy of IDW Publishing:

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USS Discovery Star Trek 2016 take off

CBS has now revealed six cast members for the next Star Trek television series, the CBS All Access pay channel series Star Trek: Discovery.  Focusing on another ship of the Starfleet line that flew the friendly galactic skies ten years before the original Star Trek series, USS Discovery NCC-1031 is slated to be available to subscribers sometime in 2017.  Supporting many fans’ analysis that the ship sports design elements from Federation and Klingon vessels from the era of the original show, three new cast members were revealed this week–all of them to play Klingons.

Along with word that originally-tapped showrunner Bryan Fuller is no longer part of the production, CBS announced in the past few weeks that award-winning actress Michelle Yeoh, known to genre fans for both her leading role in Crouching Tiger, Hidden Dragon, and as a “Bond girl” in Tomorrow Never Dies, will play Captain Georgiou, but at least at first she will not be leading the Discovery, but a vessel called the Shenzhou.  Known for his extensive work in heavy make-up, genre fans were pleased to learn Doug Jones will be featured in the series.  Known for roles in Hellboy, Pan’s Labyrinth, Crimson Peak, Fantastic Four: Rise of the Silver Surfer, DC’s CW Network series, and much more, Jones will play Lieutenant Saru, a Starfleet science officer and member of an alien species new to Star Trek.  Anthony Rapp (Psych, A Beautiful Mind, Rent, The X-Files, Twister) will play Lieutenant Stamets, an astromycologist (a fungus expert) and Starfleet science officer aboard the Discovery.

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So who are the Klingons?  Chris Obi will play T’Kuvma, a Klingon leader set on uniting the Klingon houses.  Shazad Latif will play his protégé, Commanding Officer Kol.  And Mary Chieffo will play the Klingon vessel’s Battle Deck Commander L’Rell.  Obi has worked in series including Doctor Who and American Gods as well as Snow White and the Huntsman.  Latif has been seen in series from MI-5 to Penny Dreadful.  Chieffo is a relative newcomer to television, known for her “statuesque” 6-foot tall presence.

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Review by C.J. Bunce

It will take fans of the earlier editions of The Star Trek Encyclopedia: A Reference Guide to the Future, Revised and Expanded Edition less than a dozen pages of browsing to realize the enormity of the material–and the effort–required to update the previous 1999 edition for this 50th anniversary boxed, hardcover, two-volume reference published this week.  Enterprise–the series that has been virtually ignored in Star Trek reference publications, finally gets its due, as does the later seasons of Voyager, the last season of Deep Space Nine, and the films Star Trek Nemesis, Star Trek (2009), and Star Trek Into Darkness. 

An invaluable reference until the creation of the online fan-run Memory Alpha, the original three editions of the The Star Trek Encyclopedia were the only place for fans to get quick Star Trek data with the last update in 1999.  The advent of the Internet seemed to have spelled certain doom for any hope of a revised and updated edition.  Memory Alpha has more than 40,000 pages of detailed Star Trek reference data.  How could a 1,056 page two-volume edition compete?  For one, long-time fans of all or many of the Star Trek series likely appreciate the ability to pull a reference book off the shelf.  Memory Alpha’s recent updates make the website difficult to navigate and website TrekCore’s value is very much in its screen captures.  Star Trek reference works have been very sporadically released in the past 20 years, so fans are always clamoring for a new book.  The Star Trek Encyclopedia is very much an encyclopedia, and many may not remember the days of pulling a volume of an encyclopedia off the shelf and reading it through for entertainment.  This is a great set of books to do just that.  And the detailed content is what fans want.

Excluding this summer’s release Star Trek Beyond, original edition creators (and former Star Trek art department creative gurus) Michael Okuda and Denise Okuda craftily and seamlessly weaved the J.J. Abrams’s movies–called the Kelvin timeline now– into this work as explained in their foreword (only Star Trek (2009)’s villain Nero’s entry, for example, bridges both the Prime timeline and the Kelvin timeline in The Star Trek Encyclopedia).  The Star Trek Encyclopedia is also the first publication that thoroughly addresses the nuts and bolts of Star Trek Into Darkness. 

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I came up with a list of my favorite items: references, characters, objects, and places that did not turn up in the past editions, to see if they all were now included.  They were, except for entries and images of certain key alien weapons, uniforms, and artifacts from the Kelvin timeline (like John Eaves’ beautifully designed Klingon weapons, Romulan disruptors and rifles, or the new Klingon uniforms and helmets).  These types of updates are present across the board for Enterprise, Deep Space Nine, and Voyager.  Artist Ian Fullwood updates Doug Drexler’s artwork quite well, adding to his work updates with the same look and feel as Drexler’s original creations.  Don’t expect past entries to be updated other than some have updated photographs–the research and preparation was clearly all about the new series and movies, also what the fans want and expect.

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The first entry in Insight Editions’ new Hidden Universe Travel Guides series will prompt you to book your next vacation early, and a bit better informed.  Dayton Ward provides his take on the Lonely Planet and similar travel guides with the target of our first Final Frontier pleasure trip–not to Risa–but to Spock’s home planet Vulcan.  Don’t worry, it’s not just shrines, volcanoes, and caves.  You’ll find Vulcan the planet is more fun than most Vulcan people you know.

This in-universe book works because of Ward’s humor and his creative choice of content, tapping his extensive Trek expertise from his decades of producing Star Trek novels.  Ward’s travel guide is loyal to the format of Earth destination books (I compared it to my travel guides to Jamaica), which to some extent requires repetition.  But Ward makes that work, too, coming up with clever examples derived from Star Trek canon that will test your knowledge of the planet, the people, and the culture.  So you’ll see for each of eight selected regions how to get around, sights and activities, shopping and entertainment, dining and nightlife, and lodging, but you’ll find a broad variety of events to keep each chapter fresh (try Spring Break at Lake Yuron, orbital skydiving at Vulcana Regar, or re-enactments of prison life at the Veklar Prison Museum), plenty of different bars and (primarily) vegetarian cuisine to choose from (I crave some plomeek soup, but no Whataburger?), including the familiar now-franchised Quark’s Bar (but don’t try to steal the menus!).

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Like Earth guides, you’ll learn helpful information about local culture and customs (want to try out a lirpa at a Vulcan marriage ceremony?), etiquette, warnings (how to get rid of an unwanted katra), and safety information like tourist traps, and souvenirs to avoid (buying fake Vulcan ears is tacky).  I particularly like the idea of the B’jinglan Air and Space Museum, including the displayed starship Ni’Var, now suspended in the same drydock in which it was built.  Definitely some detailed thought went into this book.

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Darmok and Jalad at Tanagra.

Twenty-five years ago one of the finest episodes of television aired on your local channel carrying syndicated programming.  Arguably the best episode in the history of the Star Trek franchise, frequently found atop “best of Star Trek” lists, and among the best of all science fiction stories, it was Darmok, the Star Trek: The Next Generation episode featuring guest star Paul Winfield as the noble Tamarian Captain Dathon.  Darmok first aired September 30, 1991, the first standalone episode of the excellent fifth season, which featured memorable episodes including Ensign Ro, Unification, Cause and Effect, The Perfect Mate, I, Borg, The Next Phase, and another highly rated standalone episode that bookended the season, The Inner Light.  Written by Joe Menosky and Philip LaZebnik, and directed by Winrich Kolbe, Darmok broke new ground for Star Trek first and foremost by removing the universal translator from the equation and allowing one of the 20th (and 21st) century’s key challenges–communication between cultures–to be the focus of an episode.  Like the transporter beam and the holodeck, the translator was a story device–a crutch of sorts–that allowed writers to skip beyond basic problems and move along to more complex conflicts.  Darmok took Star Trek back to the basics.

The Federation and the Tamarians–also called the “Children of Tama”–historically failed to break the language barrier, and therefore never could open up diplomatic relations, until 2368.  The Tamarians were an intelligent and strong alien race–their ship easily overpowered the Enterprise-D.  Piglike in appearance thanks to the make-up work of Michael Westmore, they wore warrior clothing (designed by Robert Blackman) that was reptilian in design, with a vest of multi-colored grommets, and a bandolier of leather, copper, and brass that supported a sheath with a dagger that was both practical and ceremonial.  The vest featured totems, crystals wrapped in shaved metal, used for personal spiritual ceremonies.  The captain kept a log book at his belt, chronicling his journey in the strange written language of the Tamarian people.

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Shaka.  When the walls fell.

The Tamarians reached out to the Federation first, resulting in Captain Jean-Luc Picard (Patrick Stewart) confronting Dathon via bridge-to-bridge visual communication in orbit of the planet El-Adrel IV.  Frustrated by the continued dissonance, Dathon beamed himself, and Picard, to the surface of the planet.  Dathon’s goal: To use the metaphor of “Darmok and Jalad at Tanagra”–a Tamarian story where two warriors joined together by facing a common foe–to bring himself and Picard–and thereby both cultures–together, one way or another.  What took Picard and the viewing audience the course of the episode to learn, that one could begin to understand the Tamarians once you realized they communicated in metaphors, came too late for Dathon.  The enemy of the metaphor–the planet’s beast in the reality they faced on the surface of El-Adrel IV–attacked both him and Picard, but not before Picard understood.

Sokath. His eyes uncovered! 

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Review by C.J. Bunce

It takes a unique brand of personality to pull together the required components to make a hit television series.  It took a bit of a showman to convince Hollywood in 1965 to produce a science fiction series aimed at kids, and before Star Trek, someone had to lay the groundwork for a series taking place in another world.  That someone was the P.T. Barnum of his day, Irwin Allen.  Classic television researcher Marc Cushman has delved into his favorite show from his youth to deliver a full picture of Allen and the first season of the hit series Lost in Space in his latest work, volume one of Irwin Allen’s Lost in Space: The Authorized Biography of a Classic Sci-Fi Series.

What do all these TV series have in common?  Lassie, Bonanza, Zorro, The Danny Thomas Show, The Twilight Zone, Leave it to Beaver, The Sound of Music, Psycho, and Alfred Hitchcock Presents/Hour?  An assemblage of hundreds of TV people in front and behind the camera came together to make an unlikely idea into a success.  At nearly 700 pages, Cushman’s book leaves no rock left unturned, interconnecting a Who’s Who of Hollywood.  He investigates oddball directors like Irwin Allen, who built up his office desk so visitors would be left to look up to him and had his own “yes man” who would repeat conversations to him as he discussed business with people, and Sobey Martin, viewed by the cast as a bad director who would fall asleep during filming, yet he was the only one who seemed to be able to get an episode filmed on time.  The production never seemed to get an episode filmed with the allotted budget.

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Just as Cushman revealed in his similarly-formatted, award-winning three volume chronicle of Star Trek (These are the Voyages, reviewed previously here at borg.com) that Lucille Ball was the mastermind producer behind Star Trek, here we see the influence of movie and TV stars Groucho Marx and Red Buttons on Irwin Allen as he pushed forward to create the first season of Lost in Space.   Where the coming new sci-fi series Star Trek would be a “Wagon Train to the stars,” Allen was orchestrating a “Swiss Family Robinson in space” an idea that would encounter its own breed of intellectual property legal issues along the way.

Cushman pulls archival interviews from the late series star Guy Williams (one of the top TV stars in the 1960s as he came off his successful run as Zorro and would portray astronaut John Robinson), everyone’s favorite TV mom June Lockhart (as pioneer female astronaut Maureen Robinson), Western and true crime TV star Mark Goddard (as scientist Don West), new starlet Marta Kristen (as John and Maureen’s eldest daughter Judy Robinson), Angela Cartwright fresh off her breakout role with Julie Andrews in The Sound of Music (as Penny Robinson), young Billy Mumy, the versatile child guest star of The Twilight Zone, The Munsters, I Dream of Jeannie, Bewitched, The Fugitive, and The Alfred Hitchcock Hour (as Will Robinson), Bob May (as the guy in the Robot), and the last-minute addition, character actor Jonathan Harris (as the quirky villain Mr. Smith).

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Tomorrow IDW Publishing is beginning a new bi-monthly anthology series, Star Trek Waypoint.  And we have a preview for borg.com readers from Issue #1 below.  The series is billed as a 50th anniversary look across all the Star Trek incarnations, and it features a host of writers we haven’t seen before in IDW comics.  Issue #1 includes a Star Trek: The Next Generation story featuring Geordi and Data and an Original Series story featuring Uhura.  Fans of the Star Trek Countdown prequel series should take note:  Although the anthology stories aren’t specifically pegged in the canon timeline, writer Donny Cates and artist Mack Chater’s story “Puzzles” feels like a continuation of the Star Trek 2009 prequel story, after Spock and Nero return to the past and create what we now know as the “Kelvin timeline.”

Star Trek Countdown (reviewed here back in 2011) was one of the comic medium’s most fascinating stories so far, revealing Captain Picard working again with Data, with new Starfleet uniforms and an engrossing future.  Similar uniforms appear in “Puzzles.”  It’s an exciting starting point for fans who want to see Star Trek continue to move into the future beyond past TV series.  The second story in Star Trek Waypoint features Uhura, and has the look and feel of authentic, classic Star Trek episodes.  Sandra Lanz serves dual roles on that story, titled “Daylily,” as both writer and artist.

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In November Issue #2 will feature two more Original Series stories.  Look for a preview here in two months.  You can look forward to fan favorite Star Trek novelists Dayton Ward and Kevin Dilmore creating an homage to the classic Gold Key Star Trek comics (remember the great photo covers?), featuring Kirk and Spock on an uncharted planet.  Artwork will be provided by Star Trek comic book artist Gordon Purcell.  The second story is a “red shirt” story, written by author Sam Maggs with art by Star Trek and Doctor Who artist Rachael Stott.

Check out this great preview to Issue #1, courtesy of IDW Publishing:

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You can usually expect that the Smithsonian Institution productions will deliver quality programming, and its latest is no exception.  The two-hour documentary Building Star Trek chronicles fifty years of Star Trek from its inception to the artifacts of the series that remain decades later, and from the idea of a 23rd century future and beyond to futuristic technologies being made reality today.

The Smithsonian used two museum exhibits to bookend its overview of Star Trek for the 50th anniversary, one on each coast.  At the Smithsonian’s own National Air and Space Museum (NASM) in Washington, DC, the museum recounts the recent restoration of the original filming model of the Enterprise, which has been on display there since 1974, but not as a featured display.  On the West Coast the EMP Museum in Seattle created a display of props and costumes as well.

Interspersed with snippets from the progress of each museum’s projects are interviews with insiders like reboot actor and writer Simon Pegg, actor Karl Urban, original series star Nichelle Nichols, original series writer DC Fontana, and Trek fans.  With each artifact featured in the exhibits, a short segment is given to an original creator, like the designer of the original shuttle Galileo, and a modern-day scientist working on the implementation of concepts introduced or emphasized in Star Trek, like phasers, tricorders, transporters, the universal translator, and warp drive.

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The Star Trek display running currently at the EMP Museum in Seattle.

The documentary doesn’t take itself too seriously, using campy graphics that reflect the humor of the original series–an acknowledged critical component of the show’s success.

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