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Tag Archive: Star Wars


Visitors to San Diego Comic-Con this weekend have a chance to view screen-used costumes from three popular sci-fi franchises.  Disney, CBS, and the Prop Store have each created displays to showcase movie costumes for fans.  Three Star Wars characters from Star Wars: The Last Jedi are represented in the Star Wars pavilion at booth #2913 inside the convention hall.  The Prop Store is featuring one Serenity costume set to sell at auction at a later date, on display at booth #3845.  And CBS gives those not attending SDCC 2017 an opportunity to check out a dozen new Star Trek: Discovery costumes at the Michael J. Wolf Fine Arts Gallery in San Diego.

Inside the convention center, the Star Wars display features Resistance pilot uniforms for Poe Dameron, Nien Nunb, and Dameron’s wingman, Abednedo alien C’ai Threnalli, as well as one of the film’s BB-8 droids.  At the Prop Store display, several costumes from various movies and TV series are on display, including one of the Malcolm Reynolds costumes used in the Firefly TV series sequel Serenity, worn by Nathan Fillion.

 

At the Michael J. Wolf Fine Arts Gallery, Star Trek fans can see a display of new Starfleet, Klingon, and Vulcan costumes and props from Star Trek: Discovery, and get a photo sitting in one of three originals of the captain’s chair used in the new series.  Costumes include a new Starfleet EVA spacesuit and one of James Frain’s costumes worn as Sarek in the series.  New Starfleet props of the tricorder, phaser, and rifle echo original series props, where Klingon bladed and disruptor props are entirely new, reflecting a more ornate design scheme than fans have seen before.  Intimidation is clearly key to the new Klingons, who still sport their cloven-toed boots and familar tradition–small etched lettering on the knife blade on one d’k tagh blade states in Klingonese, “There is honor in death.”

Binderup trek 3

Check out a few photos:

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Today at the 2017 edition of Disney’s D23 Expo in Anaheim, California, the biennial “The Walt Disney Studios Live Action Films” presentation provided new looks at live-action feature films from Walt Disney Studios, Marvel Studios, and Lucasfilm, including this new “sizzle reel” for Star Wars: The Last Jedi, the eighth chapter in the Star Wars saga coming to theaters later this year.

You’ll find plenty of views of new aliens and spacecraft, plus the key cast talking briefly about the film, new costumes for most of the cast, and even a few minor spoilers–in case you’re still wondering if Luke Skywalker will actually take the lightsaber from Rey as they left it at the end of Star Wars: The Force Awakens.  Plus six new character posters featuring the key cast in red.

Only a few glimpses of actual footage from the film are revealed in the preview, but you’ll still see plenty of camera shots of the cameramen filming characters and effects shots.

Check out the new behind the scenes sizzle reel for Star Wars: The Last Jedi:

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As with Peter Jackson and The Lord of the Rings/The Hobbit franchise, George Lucas and Lucasfilm have rarely let screen-used props and costumes out of their own personal or corporate collections.  From time to time costume components retained by production staff members or third-party contributors to the productions have surfaced at private auction, mainly parts of costumes including Darth Vader and Stormtrooper helmets, various weapons including like blasters and lightsabers, and model ship filming miniatures.  But never before has an entire Star Wars character found its way to auction, and one of the most iconic pieces in the history of film at that.  So when a beautiful, full-sized R2-D2 hit the auction block yesterday, deep-pocket bidders took notice.  In an exciting back and forth of increasing bids in $100,000 increments, it seemed the bids for R2-D2 wouldn’t end.  In less than 3 minutes the hammer stopped at $2.3 million for a total sale price (after factoring a 20% buyer’s fee) of $2.76 million.  This was not only the first private Star Wars sale to eclipse seven figures, it is the highest known price paid in public auction for a piece of Star Wars film history (a Panavision movie camera used by Lucas to film the original Star Wars sold previously for $625,000, the filming miniature model of the Rebel Blockade Runner spaceship from the opening scene of the original Star Wars sold for $465,000, and a miniature filming model of a TIE Fighter sold for more than $400,000).

Like many props in the film industry, this R2-D2, made of aluminum, steel, and fiberglass parts, was pieced together from many parts that had been used, retired, and refurbished throughout the Star Wars films.  According to auction house Profiles in History, who handled the sale yesterday at its offices in Calabasas, California, the anonymous seller sourced the many robotic components together over several years.  And, indeed, Profiles in History has demonstrated via photographic evidence the R2-D2 can be screen-matched via its individual components to screen use in each film of the original trilogy (1977-1983) and the first two prequel films (1999-2002).  After several weeks of publicity for the auction, the ownership of the restored R2 unit and its sale at this auction was not disputed, and so the bidding got underway at approximately noon Pacific time yesterday.

Profiles in History staff taking phone bids during the auction said there was no time to celebrate the success of the R2-D2 during the auction–even after three days of the auction more than 500 lots remained to be bid on following the landmark sale of the droid.  The sale of the R2-D2 prop came only a day after Profiles in History sold the famous floor John Travolta danced on in the climax of Saturday Night Fever for $1.2 million.  A golden prop foot of R2’s pal C-3PO went unsold at the auction, but in December 2008 Profiles in History sold a golden prop head of C-3PO, worn by actor Anthony Daniels, for $120,000.

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We got a taste of the rampaging Darth Vader we always wanted to see in the finale of Rogue One: A Star Wars Story.  In all of the movies Darth Vader seemed to be more shadow and talk than the wrath and ferocity his enemies feared in the films and stories.  So when do we get to see Darth Vader at his peak?  Marvel Comics writer Charles Soule (Poe Dameron, Astonishing X-Men) and artist Giuseppe Camuncoli (Amazing Spider-man) will give us the first look at that side of Darth Vader this month in the newest series titled Darth Vader.

Darth Vader takes place immediately after Star Wars Episode III: Revenge of the Sith.  So this is the Vader new to his cybernetic form, new to the armor, the breathing apparatus, and he’s alone–his wife and to his knowledge an unborn child is dead.  His only “friend” is the Emperor himself.  Vader’s first steps in the Dark Side as a Sith Lord, the acquisition of his red light saber, and his rise to power into the Imperial command structure are all ahead for readers of the series.  Check out a preview of Issue #1 below, after the break.

   

The first issue will feature several covers.  The main cover is by Jim Cheung.  Other covers will be provided by artists Adi Granov, Skottie Young, Phil Noto, an action figure variant by John Tyler Christopher, a blank sketch cover, a movie film cover, and an incredible homage to Dave Cockrum’s cover to Uncanny X-Men, Issue #145, by Mark Brooks–one of this year’s candidates for best comic book cover art.

Here’s Cockrum’s original cover and the pre-color, and pre-weathered version of the image by Brooks:

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You’ve taken your first step into a larger world.

In the beginning there was Georges Méliès’s 1902 space fantasy/science fiction film Le Voyage dans la Lune.  It would take another 65 years before we’d get a look at what a realistic outer space could look like in 2001: A Space Odyssey, but before that we’d get glimpses from film visionaries in the likes of Forbidden Planet, TV series like Lost in Space and Star Trek, and a final, old school vision of the future in the 1976 film Logan’s Run.  Each of these has its place in the history of science fiction, but none can compare to the epic storytelling, characters, and special effects–the surprise rollercoaster ride–we walked into on May 25, 1977, as the opening crawl passed over our heads to reveal an enormous spaceship and our first breaths in a world with this phenomenon called Star Wars. 

What would we be looking back on if not for the imagination and personal interests of George Lucas, the writer?  What if Lucas hadn’t grown up a fan of Flash Gordon, classic sci-fi movies, classic fantasy lore, and Akira Kurosawa films?  What would we be talking about in 2017 to escape the challenges of the real world if not the first images of an eighth follow-on film to Star Wars?  From Star Wars sprouted changes across cinema.  Cutting edge sound improvements thanks to THX.  Cutting edge visuals thanks to Industrial Light and Magic.  Mass marketed tie-ins of every sort throughout the creative arts as a new, multi-billion dollar, international industry.

Ten times.  My brother, my sister, my mom and dad, and me, first at the old Southridge III Theater.  We saw it ten times in the theater, and a few of those screenings we just sat through over and again all day on a Saturday, and then we saw it on the giant, wide screen downtown at the River Hills theater.  I missed the premiere and opening days, but my schoolmates at the end of my first year of school couldn’t stop talking about it.  My innate stubbornness and hesitation to join the crowd was already fixed: “But Star Wars is such a boring title!”  And then I saw it.  And everything changed.  Hardly a year would go by that I, or my parents, weren’t contributing to what would be Lucas’s $4 billion dollar empire, buying tie-ins we’d never even heard of before May 1977.  But what a fun ride he provided in return!

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Timothy Zahn’s Thrawn trilogy–Heir to the Empire, Dark Force Rising, and The Last Command–excited a generation of Star Wars fans when the original trilogy was in the past and no future movies were planned.  It’s greatest value was in its continuation of our favorite characters: Luke, Leia, Han, Chewbacca, and the droids.  But it also introduced two key players: Mara Jade aka the Emperor’s Hand who would one day become the object of Luke Skywalker’s affection, and a blue-skinned, white-garbed officer of the Imperial Navy called Grand Admiral Thrawn.  Thrawn became part of the post-Disney canon in the animated series Star Wars Rebels, which reflected the foreboding leader of Zahn’s original books.  This month Zahn brings Thrawn’s rise to power into Star Wars canon again in his new novel Star Wars: Thrawn.

Thrawn is a military overview of the Nazi Germany-inspired Imperial Navy, recounting an exiled, strategy-savvy “Chiss” (Thrawn’s alien race) who uses his unique abilities to climb the ladder and assume greater power as part of the growing Empire following the events of Revenge of the Sith.  Zahn includes first person narration by Thrawn in both introductory chapter paragraphs and observations inserted into the text as he keys in on descriptive details of every encounter.  Thrawn is Zahn’s attempt at a Holmesian genius, a calculating survivor who still must rely on a young cadet (his Watson) named Eli Vanto, used primarily for his ability to translate both words and culture.  Unlike Zahn’s original trilogy, Thrawn feels more enmeshed in Star Wars prequel storytelling than the original trilogy movies.  By showing Thrawn’s backstory as an exiled leader who finds his way out, Thrawn also reads as if Zahn was attempting to make Thrawn the Khan (a la Star Trek II: The Wrath of Khan) of the Star Wars universe.  Unfortunately we don’t really get to see Thrawn in any confrontation with a powerful foe as Khan saw in Star Trek II, although he is potentially as intelligent and crafty as Star Trek’s Khan.

   

It’s Thrawn’s backstory before the events in the Thrawn novel that appear to contain the action and intrigue missing here–Thrawn both before his exile and during his exile sound like the makings of a great book.  Instead here the focus on Thrawn’s own quirks, like a fascination for Clone Wars era technology, and Thrawn’s awkward attempts to navigate the lower ranks of the Imperial chain of command, make for a slow read.  This is in part due to an unnecessary but lengthy sideline story of the struggles of Ahrinda Pryce, who will become a governor of Lothal in Star Wars Rebels.  Pryce’s story takes over a fair chunk of this 448-page novel.  The time given to Pryce and Vanto pull away some much needed action, intrigue, and suspense.

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One thing missing from the latest round of Star Wars toys is the miniature catalogs that were included in playsets and vehicles back in the 1970s and 1980s.  These were not only features of Star Wars toys.  Other lines, such as LEGO brick sets, included similar booklets.  As a kid you either learned about the next round of Kenner toys from commercials tucked between Saturday morning cartoons or the big deal for all kids each year–the Sears and JC Penney Christmas catalogs.

Along with the inserts and catalogs, kids would learn about new toys from other sources, like advertisements in comic books, magazines, and even local newspapers.  It’s these advertisements that Star Wars fan and chronicler Philip Reed has collected for his next book about toys.  Now fully funded is his latest Kickstarter campaign, A Galaxy of Action Figure Savings–a companion to last year’s Collect These Figures and Accessories–a 96-page hardcover book loaded with more newspaper ads, toy photos, commercial screenshots, and images of related marketing materials.

We’ve read Reed’s eighth of now nine books on the history of toys, last year’s Collect These Figures and Accessories, an unofficial overview interspersed with trivia and close-up photos of marketing materials and the actual trilogy tie-in toys spanning 1977 to 1986.  It’s easy to spend hours gawking at these artifacts of the past again, comparing prices, and studying those items that may or may not have made it to store shelves.  But fair warning, comparing the costs of action figures to today’s prices is a bit depressing.

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On the Big Wheel.  On the bedroom wall.  On the Trapper Keeper.  On the toy box.  On the dresser.  Everywhere your parents didn’t want you to put ’em.  If you were a kid in the 1970s and 1980s and you collected Topps Star Wars trading cards, your sticker collection might look like this today:

Because the stickers that came one per pack ended up going anywhere kids are going to think they should go.  Or you might have kept your stickers intact–maybe you even made a complete collection of the trading cards–but, because of the nature of random inserts, your sticker collection looked like this:

If this describes you, then this new throwback book is just for you.

As a supplement to the series of books chronicling the original Star Wars trilogy trading cards (reviewed previously at borg.com here), the stickers are now available in a single volume from Abrams, Topps, and Lucasfilm, Star Wars: Topps Classic Sticker Book.  Reprinting a selection of the original sticker images from these card sets as removable stickers, kids young and old can use them anywhere or place them on one of five double-sided pullout posters included.

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Never been to a comic book or pop culture convention before?  Always wanted to go to San Diego Comic-Con but you don’t have the vacation time available or the funds?  Planet Comicon is next weekend in Kansas City and although it isn’t as big as SDCC, it is a great way to get a complete three-day convention experience centrally located in the Midwest, ideal for a last-minute road trip for the family or a car full of friends.  It’s less than 8 hours by car from Dallas, less than 7 hours from Minneapolis, a little more than 7 hours from Indianapolis, and a little more than 8 hours from Denver.  And you don’t need to buy advance tickets–you can purchase them at the door.

So why make the trip?  How about meeting Jason Isaacs, the latest captain of a Star Trek television series and star of the Harry Potter movies (and great TV roles)?  Want to compare notes on Doctor Who companions with Catherine Tate (in her first U.S. convention appearance) and Billie Piper?   Want to talk Arrow and Torchwood with John Barrowman, or have another chance to meet Arrow star Stephen Amell?  Are you a Hellboy and Star Trek fan and haven’t yet met Ron Perlman?  It’s the Star Wars 40th anniversary–how about meeting the newest actor to portray Darth Vader, Rogue One: A Star Wars Story actor Spencer Wilding?

Are you a Browncoat? Firefly’s Summer Glau is scheduled to attend, and Supernatural’s Jim Beaver.  Do you want to talk 20 years of Buffy the Vampire Slayer with Emma Caulfield?  Are you a fan of Lost Girl and need to get your fae fix with Anna Silk, Rachel Skarsten, Zoie Palmer, and Emmanuelle Vaugier?

Want to buy comics, books, or sketches from some of the best creators from across the country, like one of the all-time greats, Howard Chaykin, or Timothy Zahn, creator of the new novel Thrawn?  Click here to see everyone you can meet at Artist Alley.  Do you collect busts of superheroes and are missing some key characters?  Check out thousands of square feet of dealers selling everything from action figures to T-shirts to limited edition prints and toy lightsabers.  Whatever you collect, crazy or not, if it’s related to TV, movies or comics you’ll likely find something there.  And that’s just part of your day.  There will also be panels, and cosplay is always a highlight of the show.

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Happy Easter!  Along with the Easter Bunny, how well do you know the famous rabbits of print and screen?  We thought we’d dig in and see what we found and a few dozen surfaced that you probably know, maybe don’t know, or might want to know.  Americans are raised knowing something about the Easter Bunny from year one.  Are any of these other rabbits even more famous?

We had a hard time finding a photo of one famous movie rabbit.  There he is–Harvey, from the 1950 movie co-starring Jimmy Stewart.

Everyone needs a painting in their home like that.

Since it’s Star Wars Celebration weekend, we won’t forget our favorite rogue rabbit, Jaxxon, from the Howard Chaykin and Roy Thomas 1970s Star Wars comic book series.  (That’s him at the top of this article).

We discussed another comic book rabbit only yesterday here at borg.com, Stan Sakai’s samurai from Usagi Yojimbo.

Usagi is a rabbit you want on your side.  But so is Judy Hopp.  She’s one great cop.

She’s the star of last year’s Academy Award winner for Best Animated Film, Zootopia.  And speaking of zoos, Judy would fit right in with this next guy.

That’s Captain Carrot, from Captain Carrot and his Amazing Zoo Crew!, the 1980s DC Comics series.

Who could be cuter than Thumper, the rabbit from the 1942 Disney movie, Bambi?

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