Tag Archive: Star Wars


Review by C.J. Bunce

How many sci-fi and outer space tropes can you pack into one hour of TV?  You’ll find out in the first episode of Syfy’s new space fantasy series Vagrant Queen It’s like Firefly and The Fifth Element as if they were directed by Sam Raimi.  Star Wars elements meet Doctor Who aliens with effects that feel a lot like The Last Starfighter.  And humor that’s a cross of Guardians of the Galaxy and The Hitchhiker’s Guide to the Galaxy.  Or maybe it’s just sci-fi created by Canadians.  Whatever it is you’ll be all-in with the crew of the spaceship Winnipeg as it takes off into adventures in some galaxy out there that is… not ours.

Adriyan Rae (Atlanta) plays the scavenger Elida, a mix of Marvel’s Valkyrie and Rey from Star Wars, who stealthily has masked her former persona as Queen Eldaya, being pursued by the dreaded Republic, led by Commander Lazaro, played by Paul du Toit (remember Gary Oldman’s Zorg in The Fifth Element? He’s like that guy).  Tom Rozon (Lost Girl, Wynonna Earp) is Isaac, a frenemy from Elida’s past (part Han Solo or Jack Harkness or Lone Starr from Spaceballs or Bruce Campbell in… anything).  They come together with a Kaylee-inspired ship mechanic named Amae, played by Alex McGregor, to save a space station’s bartender, get a ship back, and rescue the queen.  And that’s just the first episode.

It’s light-hearted, campy fun a la Xena: Warrior Princess featuring a group of actors who seem to be competing to see who has the most fun.  It’s a little bit… everything… that you enjoy about space travel, with a cool lead like Killjoys and alien makeups reminiscent of Farscape.  Goofy banter and situations, you’ll find yourself calling out the inspiration from nearly every scene, beginning with an opening rif on The Mandalorian.  This is the escapism you’re looking for right now.

Continue reading

 

Review by C.J. Bunce

We’re probably far from seeing a story featuring the bounty hunter Valance as good as in the pages of the original Marvel Comics series in 1978, but the first issue of the latest Star Wars comic book series is promising.  Valance, borg Hall of Famer and the first character in science fiction specifically referred to as a “borg,” shares the spotlight with a few other familiar faces in Star Wars: Bounty Hunters, now available in comic book stores.  When Star Wars writers and artists pull from the original trilogy and do it right, it can be quite fun for fans of the franchise.  And much seems to involve deconstructing every detail of George Lucas’s original visions.  For this series, that means asking the question: Why would you have so many bounty hunters on the bridge of Darth Vader’s star destroyer?  The answer became clear in last year’s Disney+ series The Mandalorian: it’s because sometimes that’s how the jobs work–if you can afford it.  And that’s the starting point of Star Wars: Bounty Hunters.

In the not too distant past we meet Valance working with Boba Fett the Mandalorian and the lizard-like Trandoshan called Bossk, two of the fellows we first met on Vader’s ship, working a job with a few other hunters.  Only the job goes sideways due to the actions of one of the hunters, Nakano Lash.  So the story begins when Lash becomes the bounty, setting the other hunters after her.  Taking place after the events of The Empire Strikes Back, that means Han Solo remains in carbonite in the cargo hold.  And it also means Lady Proxima is still around, the character that held Han’s life in her hands, introduced in Solo: A  Star Wars Story.  And it also makes room for Doctor Aphra, a character from the more recent comics universe.

 

In fact, writer Ethan Sacks and artist Paolo Villanelli appear to have the ability to play with the entire Star Wars universe in a single series.  No longer are they held back, tethered to the lead characters Luke, Leia, Han, and Darth Vader, so readers can finally dig into the other corners of the already established Star Wars galaxy.  The first issue probably has more characters and action sequences than necessary, but it’s a promising beginning.  Check out covers from the first four issues and a preview of the first issue below.

Continue reading

The Ninth Doctor, Darth Vader, Superman, James Bond’s Q, Lt. Cmdr. Data, Ahsoka Tano, Ariel-The Little Mermaid, a Mythbuster, a slate of characters from the CW Arrowverse, Stranger Things, and The Karate Kid, and more are heading to Kansas City

For twenty-one years Planet Comicon Kansas City has been one of the Midwest’s biggest comic book and pop culture conventions and that was no less so in 2014 when it became the largest attended event in the history of the Kansas City Convention Center.  And it’s only gotten bigger.  Last year’s show featured guests including Henry Winkler, William Shatner, John Wesley Shipp, Cary Elwes, and Joonas Suotamo, and this year more of the most memorable names from TV and movies from the past and present are slated to attend.  Leading things off, The Doctor is In–The Ninth Doctor to be exact–Christopher Eccleston, star of Doctor Who who also played villains in Thor: The Dark World and G.I. Joe: The Rise of Cobra, will make his first appearance at the annual event, which takes place at Kansas City’s convention center at Bartle Hall, March 20-22, 2020.

Fan-favorite nerd, cosplayer, builder, and either your first or second favorite Mythbuster, Adam Savage will be making his first appearance at the show.  Making their second appearances at the event are star of Rogue One: A Star Wars Story (and Guardians of the Galaxy and Harry Potter universe actor) Darth Vader actor Spencer Wilding and Star Trek legend–Data himself (and Dr. Soong, Lore, and B9)–beloved actor Brent Spiner.  After several appearances of past Superman actors, Midwest native Brandon Routh is finally coming to PCKC.  He’ll be joined by other CW Arrowverse actors, Rachel Skarsten (in her second Kansas City convention appearance), plus Katie Cassidy, Kevin Conroy, Jes Macallen, Courtney Ford, and Caity Lotz.

Two Yutes?  My Cousin Vinny, The Outsiders, and Crossroads star Ralph Macchio is making his first appearance at PCKC.  Joining him are his co-stars from The Karate Kid and Cobra Kai, Martin Kove and William ZabkaStranger Things fans can meet stars Gaten Matarazzo, Caleb McLaughlin, and Gabriella Pizzolo.  To top it all off, formerly James Bond’s Q and Monty Python comedy legend, John Cleese is making his first convention appearance in Kansas City.  And perennial Planet Comicon Kansas City guest, the original Hulk, Lou Ferrigno will be back in town for the event.

–there’s something for every TV and movie fanboy and fangirl at this year’s show.

Continue reading

The major toy companies have big plans for New York Toy Fair 2020 this weekend, and already have released marketing information for one of the biggest toy licenses, despite the Skywalker saga ending with Star Wars: The Rise of Skywalker this past December.  But the Disney+ series has had no problem taking up any slack, thanks to The Mandalorian, universally seen as the most acclaimed and fan-reviewed sci-fi/fantasy series yet–a major rarity in a modern era of snark, trolls, and haters.  Finally, last year’s bizarrely planned drought of available toys featuring The Child, more popularly known by fans as Baby Yoda, will at last be met with a saturation of varieties of the character.  The character will only get more popular and the toys available featuring it are sure to be the major win this year for Disney and Lucasfilm, if not the entire toy industry.  Look for the return of Star Wars: The Clone Wars with a final season on Disney+ to be met with a return of figures and playsets from the animated series.

Getting a jumpstart on the weekend toy show, several of the new toy lines are already available for pre-order focused on The Mandalorian.  We selected what we see as the best of the bunch from the Star Wars previews.  The entirety of the Star Wars licensed products revealed at the show will be even bigger.  Check out images below and links to pre-order at Amazon where available.  As with every annual Toy Fair, just because the toys are announced doesn’t mean you won’t have to wait until next Christmas season to see them in stores.  Ugh!  But some you’ll find are available right now.

So let’s start with The Child.  The big toy will be Hasbro’s The Child Animatronic Edition (shown above), a battery-powered toy with 25+ sounds and movements, including “Force nap,” giggles, sleeping sounds, coos, “Force activation,” and a removable necklace, and fabric robe.  It’s available for pre-order now here for $59.99.  Projected release date is December 15, 2020.  The gamble is getting your order in now versus the possibility of short supplies in December.

Continue reading

It’s easy to argue that the very best part of George Lucas’s Star Wars prequels was Darth Maul.  All of his scenes in The Phantom Menace and especially his “Duel of the Fates” with Qui-Gon Jinn and Obi-Wan Kenobi were spectacular, a cut above the rest of the three films, thanks in no small part to the physical prowess (and facial expressions) of actor Ray Park.  The lightsaber scene is still unsurpassed as the best Jedi-Sith duel of all eleven Star Wars films.  Yet, as we learned for the third time this past December, just because someone knocks you down a vast Imperial chasm, it doesn’t mean you’re actually dead (we should have learned this lesson from Luke in The Empire Strikes Back).  The animated series Star Wars: The Clone Wars resurrected Maul, first as a rebuilt man with robotic legs in season four (an amnesiac found on a “junkyard” planet like where Rey is later seen), then upgraded with more human-like cyborg legs.  Maul will return in a new 12-episode seventh season, voiced again by Sam Witwer, where he will have a rematch with The Clone Wars heroine Ahsoka Tano, former Padawan of Anakin Skywalker.  Maul will again be portrayed by Ray Park, this time using motion capture for the animation.

Somebody at Disney must know we love Darth Maul (we’re thinking The Clone Wars original director Dave Filoni, back again for this final season) because of Maul’s return in Solo: A Star Wars Story, revealed in the film’s climax as the ultimate villain behind the curtain.  Was Emilia Clarke’s Qi-ra intended to be Maul’s Sith student?  Was she about to be?  Will we ever find out?  Oddly enough, we didn’t/couldn’t learn the answer because the film Solo was made toward the end of Star Wars Rebels, which ended its run years after the events in Solo, although it takes place before the events in Solo.  What we do know is Darth Maul is still around for Star Wars Rebels, where he tricks the young series lead Ezra into being his student, and ultimately Daul dies at the hands of… Obi-Wan Kenobi, who is hiding Luke on Tatooine, something that could also be addressed in the forthcoming, yet-to-be-titled Obi-Wan Kenobi live-action series.  Confused yet?  This ordering might help:

  • The Phantom Menace
  • Attack of the Clones
  • The Clone Wars
  • Revenge of the Sith
  • Solo: A Star Wars Story
  • Star Wars Rebels
  • Rogue One: A Star Wars Story
  • Star Wars/A New Hope
  • The Empire Strikes Back
  • Return of the Jedi
  • The Mandalorian
  • The Force Awakens
  • The Last Jedi
  • The Rise of Skywalker

Understanding The Clone Wars’ other fan-favorite character, Ahsoka Tano, voiced again by Ashley Eckstein, pretty much requires another viewing of both The Clone Wars and Star Wars Rebels to get fully caught up.  Originally she was destined to die at the hands of her Jedi Master, Anakin aka Vader, but then in Star Wars Rebels there was some time travel and parallel world business that prevented her death, plus the return of Emperor Palpatine… even before The Rise of Skywalker.  Tano is considered by many fans to be one of the strongest heroines of the Star Wars saga (along with Leia Organa, Jyn Erso and Rey), appearing in a number of novels and comics outside the TV series.  Her spirit voice can be heard in the battle between Rey and Palpatine in The Rise of Skywalker, where fans learned she must have died off-screen sometime before the events in that film.

First disclosed at San Diego Comic-Con last summer, Disney/Lucasfilm is bringing 12 new episodes of The Clone Wars to pay streaming channel Disney+ beginning next month.  The series appears to follow the older, original series animation style versus the updated, more realistic characters and environments of Star Wars Rebels.  Here’s the first trailer for the series, followed by an earlier preview:

Continue reading

Review by C.J. Bunce

The “Moviemaking Magic/Cinemagic” series from Abrams Books is my current favorite book format for genre tie-in non-fiction works.  Check out my reviews of the volume on the Marvel Studios Heroes and Villains here, and the first volume on Star Wars, The Moviemaking Magic of Star Wars: Creatures and Aliens, here.  The format is interactive, featuring several series of foldout photographs that allow the reader to see the changes in design over time, like ships from concept to realized model.  And these books allow for hundreds of photographs and how-to film production process accounts and interviews, arranged in an easy to reference chronology.  With the latest film in theaters, Star Wars: The Rise of Skywalker, Abrams has published the next look behind the scenes at the production process, The Moviemaking Magic of Star Wars: Ships and Battles, the most comprehensive account of the 11-film franchise’s models, sculptures, concept artwork, and their creators since Sculpting a Galaxy was released in 2005 when we only had six films available (you can see my review of that book here).

The book is targeted at a younger audience, but Star Wars fans of any age will appreciate the detail and information they may not have read about before, including notes from George Lucas from the first idea for the film, his treatment for The Star Wars, to Colin Cantwell and Joe Johnston′s concept drawings, all the way through the two “Star Wars story” movies Rogue One and Solo, and all nine Skywalker saga films, including a preview page of concept art from The Rise of Skywalker.  The original trilogy gets the biggest share of the coverage, including the full run of major ships, how they were developed, and what method was used to get them on the big screen, but the 21st century films and the prequels also get significant sections.  Readers will follow the development of filmmaking methods old and new: full-sized sets and vehicles like the landspeeder and X-wing fighter, scale models (both small and large scale), kitbashing, matte painting, and CGI.

Fans of the Millennium Falcon specifically will not want to miss this book.  They can track the development of the many models and designs used across the original trilogy, which had to be resurrected for the final trilogy with a side trip to an early, modified version of the ship for Solo: A Star Wars Story.  Coverage includes concept art, unused designs, and photos of the pocket-sized models through the multiple full-sized, walk-on creations. The various Death Star space stations and Star Destroyers get similar handling in the book.

Continue reading

Review by C.J. Bunce

With the much anticipated ninth episode Star Wars: The Rise of Skywalker here at last, writer/director J.J. Abrams has succeeded again at managing a major film franchise challenge and making the best of it.  With Star Trek in 2009, he took a waning property and shot new life into it, but came up short four years later when he tried again and delivered Star Trek Into Darkness, heavily milking the nostalgia of the fan base with its retread of Star Trek: The Wrath of Khan.  In 2015 Abrams was handed the keys to the other big space franchise, where he revitalized a left-for-dead movie saga and delivered Star Wars: The Force Awakens, notable for the introduction of Daisy Ridley’s curious and mysterious desert scavenger Rey, arguably one of the most fleshed out characters in the entire franchise with this final installment.  Fortunately Abrams’s return to Star Wars will likely net better results for its fanbase with a movie that rises to become the best in the final trilogy, or at least as good as his The Force Awakens.  Is this still George Lucas’s Star Wars?  No, but that just shows the power and unique status of the original trilogy–even Lucas couldn’t capture the magic again with his prequels.  The Rise of Skywalker is the kind of movie that could be judged on its merits as a J.J. Abrams movie and separately as a Star Wars sequel.  Whether you as a viewer like this installment or not will depend on your own expectations.

Abrams may be at his best, with his unique style, lens flares and all, when he gives fans what they want.  Abram’s success this holiday season is a bit of a salvage effort, bringing Rey back as the focal hero/heroine of the story, incorporating some of the saga’s best “Jedi being Jedi” sequences, and tapping into the nostalgia for the 1977 original in bite-sized bits instead of leaning on it like he did so unapologetically with Star Trek Into Darkness.  If only Abrams had made all three Star Wars films, this third chapter could have been much tighter, and the whole trilogy would likely be better received by most of the fanbase.  As a viewer if you don’t (or can’t) just sit back and enjoy the cameo performances, throwbacks, and Easter eggs, you’ll get the feeling that using two directors instead of one over the three films is the crux of any problems in The Rise of Skywalker.  Upon its release, the previous installment The Last Jedi felt like it belonged to an entirely different story than The Force Awakens.  Plot threads created by Abrams were summarily abandoned.  Key characters were eliminated without explanation.  New plot threads came from out of nowhere.  In short, the director-flipping was the big mistake from a storytelling perspective.  Abrams has the extensive portfolio behind him to demonstrate he would have been the right choice to direct all three films.  So this time Abrams had a greater task than ever before, because he was stuck making major course corrections, all to get this tale back on track, re-focused again on Rey.  The necessary patchwork aside, The Rise of Skywalker will go down as one of Abrams’ best works.

Will Star Wars, or more specifically, the Skywalker saga with this three-part conclusion, endure the test of time?  If audiences continue to believe in its value as entertainment, there is no reason why studios can’t keep going back to this material repeatedly–think Shakespeare’s plays, Doyle’s Sherlock Holmes, Shelley’s Frankenstein, Dickens’s Ebenezer ScroogeRecall how even more recent stories like the Terminator, Predator, and Halloween (and Star Trek) film series have continued to make sequels and wholesale reboots, disregarding a film that doesn’t do as well and continuing like it was never made.  There’s no reason that can’t happen someday with Star Wars.  So those fans who still want to see the Expanded Universe on the big screen–the complexities and triumphs of both Timothy Zahn’s sequel trilogy and Dark Horse Comics’ many stories like Dark Empire that did so much more with heroes Luke and Leia–just wait.  Someday the right new visionary will step in and make it happen, but fans will need to accept new actors as their heroes, just like we saw with the latest Star Trek trilogy.

Want to dig in further?  Spoilers follow.

Continue reading

Review by C.J. Bunce

Despite living in an international economy with the ability to communicate via portable devices with literally anyone on the planet, it’s a shame that the exchange of culture between the Western world and China is still stuck in the 20th century.  We only just saw an English translation of one of the best, most widely read, epic fantasy novels from China this year with the release of A Hero Born (reviewed here at borg), only the first book in author Jin Yong’s 1950s wuxia novel series.  The books have been adapted and interpreted over the past 70 years into dozens of films, TV series, and spin-offs.  But until recently they have only been available in China, or for those outside of China who have taken efforts to seek them out.  A Hero Born is only the first of twelve novels in the saga The Legend of the Condor Heroes Even without global circulation the series has influenced countless other stories, including so many elements of George Lucas’s Star Wars saga audiences will lose track of all the common elements.  If you think Lucas based his story only on the works of Akira Kurosawa’s films from Japan, think again–there’s as much Condor Heroes in Star Wars’s galaxy as Hidden Fortress. 

The most recent adaptation of the The Legend of the Condor Heroes story can be found in a 2017 series, starring well-known actors in China.  It’s only available if you’re willing to pick up an international DVD player, or you track it down on YouTube (both available in subtitled English editions).  But if you watch it–a whopping 52 incredible hour-long format episodes, you’re in store for one of the finest, most exciting genre series you’ve ever seen.  The quality of the production, the incredible martial arts work and visual effects, and top quality acting is prompting us to add this series to our own “Best of 2019” review coming later this month.  Sure, it’s two years since it came out in China, but there is no U.S. distribution channel.  Ideally Netflix would pick it up as they did for this year’s Korean series, Kingdom.  Two pregnant women escape an early 13th century conflict as their husbands, sworn brothers in spirit, are killed.  Their sons grow up separately, unaware of each other.  Guo Jing is honest, loyal and righteous, but slow to learn socially, and more importantly in the ways of the martial arts.  The other, Yang Kang, is clever and suave, but scheming and treacherous. They eventually meet each other and their respective lovers, Huang Rong and Mu Nianci.

Directed by Jiang Jiajun (also known as Jeffrey Chiang), the series follows Guo Jing, raised as Song and living on a rural farm with his mother.  He soon saves a man, a warrior in conflict with a general who will rise to become history’s Genghis Khan, and in doing so he is trained in bow and arrow in Khan’s legion.  Soon he is also taken on by seven martial arts masters in the techniques of kung fu, but they train him for a reason he is not aware of.  They made a wager at the boy’s birth with another martial arts master, a man who agreed to train the other boy, Yang Kang.  On the boys’ 18th birthday they are to meet at a restaurant where they will compete–the winner will determine who wins:  Jing’s seven masters or Kang’s master.  Unfortunately, Jing is awkward at basic moves including skywalking, while the other boy takes to kung fu very well.  But circumstances favor Jing, and others come along to fill in the blanks so that he can make a good showing when he turns 18, form a bond with friend and lover Rong, and go on to meet the Five Greats and compete in a mountain contest at the highest level.

Continue reading

Review by C.J. Bunce

Jawas, Ugnaughts, and Bounty Hunters… oh, my.

With three episodes in and a new episode dropping today on the new Disney+ streaming service, it’s time to dig into the latest entry in the Star Wars universe.  Great music, callbacks to prior Star Wars elements, and the best alien creations of any sci-fi or fantasy that have come along in years provide fans a lot to talk about.  With a complete story arc, and what is essentially a new, full-fledged Star Wars movie in the A Star Wars Story vein, The Mandalorian might be the greatest innovation in the Star Wars saga since the original movie that started it off back in 1977.

If there are faults in The Mandalorian, it is in its faithfulness to George Lucas’s world building.  Sometimes that includes clunky, simple dialogue.  Sometimes that includes characters with names that lack creativity (such as a mercenary named Greef, since a General Grievous wasn’t enough).  Sometimes that includes lack of rich character development and layered storytelling.  That said, there is so little fan service in the major creative franchises, so that when–at last–someone is listening to fandom, and the people pulling the strings grew up with the original trilogy like they did (I’m talking about you, Dave Filoni and Jon Favreau), and they artfully deliver in such a satisfying way, well, the perceived faults just don’t seem to matter.  The Mandalorian is the dream of every kid who lived through Star Wars in multiple viewings in the theater in 1977.  Every kid who played with a Jawa in a plastic Kenner Sandcrawler.  Every kid who had action figures of Boba Fett, IG-88, and Bossk, battling each other, and mashed up his/her Ugnaught action figure from The Empire Strikes Back with a patrol dewback toy from the first movie.  And every kid who still thinks Boba Fett can’t be surpassed as the word “cool” is defined, despite lots of variants on the character in the prequels and animated shows.  All that plus so, so many Easter eggs to find.

But The Mandalorian probably couldn’t have happened before now.  It relies on the effectiveness of Roger Christian’s lived-in distressed look of buildings and objects replicated so well in Gareth Edwards’ Rogue One in 2016.  It relies on the confidence that the Western is not dead, as tried on for size in Ron Howard’s Solo in 2018.  And it even skips over The Empire Strikes Back to find what may be a simple Western story framework as seen in Lucas’s original Star Wars, itself an interpretation of Akira Kurosawa and Jin Yong’s legendary heroic adventures.  In good writer style, it has all those beats needed so that the first three episodes could have been released with only little tweaks in theaters, and shown on the big screen, as a standalone.  Say, The Mandalorian: A Star Wars Story, as a major motion picture.  You need a good story and good writing, regardless of genre, to grab viewers.  This first tale may not be complex, but compare it to the first three episodes of any other sci-fi or fantasy series or any movie, and it’s The Mandalorian that rises above the rest.

Continue reading

Sometimes you wish you could go back in time, to decades past where life was simpler and you could grab a magazine at the local bookstore or grocery store rack to get a fix from your favorite movies or TV series.  Back in the 1970s and 1980s sometimes that meant Starlog, Starburst, or Space Wars, Fantastic Films Magazine, or even mags aimed at the younger set, like Dynamite.  Then people like Dan Madsen came along with fan clubs that resulted in titles targeted at specific, single fandoms like The Lucasfilm Fan Club Magazine for Star Wars, and Star Trek Communicator and other titles under variants of those names.  Titan Magazines inherited management of these legacies decades ago, and is still putting out both Star Wars Insider and Star Trek Magazine, and it’s the articles from those mags that fans can “read again for the first time” as Titan launches three new compilation books, Star Wars: The Best of the Original Trilogy, Star Wars: Rogues, Scoundrels, and Bounty Hunters, and Star Trek Picard: The Classic Chronicles.

The two Star Wars books are tied to the anticipation for the release of the final chapter in the original Star Wars saga as Star Wars: The Rise of Skywalker arrives in theaters in December and The Mandalorian series begins streaming in November.  And the Star Trek book is primed to get newer fans up to speed in time for the release of the Star Trek Picard television series.  If you collect the magazines, you have already read this content, but if you haven’t or you threw out your magazines over the years, this is your chance to check out Titan’s targeted looks back at these big franchises.

Vintage photographs, tie-in toys and other products, posters, interviews, and articles full of trivia are reason enough to take a look back through these books.  And those photographs include many you’ve probably not seen before–or at least haven’t seen in a long, long time.  Clocking in at 176 pages, each book has something for every fan of these franchises.  Star Wars: Rogues, Scoundrels, and Bounty Hunters is a must for anyone after lots of detail photographs of Chewbacca and your favorite bounty hunters, something from every previous Star Wars film through Solo: A Star Wars Story.  Star Trek Picard: The Classic Chronicles isn’t just about Patrick Stewart’s Captain Jean-Luc Picard, but is an overview of the entire series and films featuring the NextGen crew.  Star Wars: The Best of the Original Trilogy is perhaps the most nostalgic, with those marketing photographs and accompanying 1970s magazine style art that could have come straight out of Dynamite magazine.

Below are previews of all three books.  Catch up on the past–order these books at your local bookstore or comic book shop or from Amazon at these links: Star Wars: The Best of the Original Trilogy, Star Wars: Rogues, Scoundrels, and Bounty Hunters, and Star Trek Picard: The Classic Chronicles.

Continue reading