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Tag Archive: Star Wars


It’s been three months since the last preview for Star Wars: The Last Jedi, released as part of the Disney convention in Anaheim, California, with no trailers or significant presence at San Diego Comic-Con.  Again bypassing one of the two major comic book and pop culture conventions, Disney passed over New York Comic Con this past weekend to release the next trailer for the eagerly awaited Episode IX late Monday.  Disney included far more visuals and significant story elements in this preview, which tells a story of a young Padawan who is reaching out for someone to help her forge her path ahead.  Who will help her?  Luke Skywalker?  Kylo Ren?  Snoke?

Her future looks bleak.  This definitely carries the hallmarks of a Dark Side-heavy story like that hinted at with the early looks at The Empire Strikes Back, 37 years ago.  Frankly, we’re backing the team with Chewbacca and his Porg co-pilot.

Implied in the trailer are plenty of spoilers, including at least one key character’s death.  Or are they just tricks meant to tease us?  As Luke says, “This is not going to go the way you think.”  Check out the great detail on Luke’s borg hand–Luke was the first character of any major franchise to use the term “borg” for cyborgs, in the original Star Wars 1970s comic book series:

Disney also released another poster for the film Monday (above).  Check out this new trailer for Star Wars: The Last Jedi:

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For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more.  Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month.  Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.

The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items.  You’ll find the following movies and TV shows represented and more:  3:10 to Yuma (2007), 300, Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers, Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.

You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.

  • Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
  • Sark (David Warner) Grid costume from the original Tron (1982)
  • Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
  • Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
  • Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
  • Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity (sold as individual costume lots)
  • Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
  • Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
  • Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
  • Star-lord helmet from Guardians of the Galaxy
  • Thor (Chris Hemsworth) Mjolnir hammer from Thor

  • Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
  • Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
  • Val Kilmer Batman suit and cowl from Batman Forever
  • Maverick (Tom Cruise) flight suit from Top Gun
  • Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl

And there are so many more.  Like…

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The final season of Star Wars Rebels begins this month with the fourth season premiere on DisneyXD.  Star Wars Rebels is set 14 years after the Star Wars prequels and leads up to the events of Rogue One: A Star Wars Story, and just as a few Rogue One elements were shuffled into last season’s story, a new trailer hints at even more from Rogue One coming.  Notably Star Wars Rebels’ R2-D2-like orange astromech droid C1-10P (aka Chopper) appeared in Rogue One, as did a loudspeaker mention of Rebels series lead Hera Syndulla, and its ship, the Ghost, can be found at the battle of Scarif.   So one question from fans is how far Star Wars Rebels will be stretched into the future of the Star Wars timeline.  Will it have any actual overlap with Rogue One?

Returning from the Empire from last season is Grand Admiral Thrawn, but so is Grand Moff Tarkin, and he’s seen in a new trailer discussing Director Krennic–the white garbed villain of Rogue One, and he mentions Krennic’s “Stardust” project, which we learned was both Galen Erso’s nickname for his daughter Jyn and the code name of the Death Star weapon file at the Imperial archive at Scarif.   Deathtroopers and X-Wing fighters appear in the animated series–and the Star Wars timeline–for the first time, plus the Rebel mercenary Two-Tubes.  Saw Gerrera is back, too, with Mon Mothma, Rex, Bail Organa, and General Dodonna.

Star Wars Rebels is at its best when it sticks to following the tightly-knit team on a single rogue ship flying mission after mission, a formula that Joss Whedon built so well with his Firefly series.  Last season’s best episodes were the standalone episodes outside the ongoing narrative.  All the crewmembers of the Ghost are returning this season, Ezra, Kanan, Hera, Zeb, Sabine, and Chopper, but the crew is fair game to meet their ends for the writers, except for Hera, Chopper, and the ship itself, since we already know they appear later.  Thrawn could potentially be written out of the Star Wars timeline this season, too, since he makes no appearance in Rogue One or A New Hope.   It’s been speculated that the Imperial conference room on the Death Star had an unoccupied seat in A New Hope that belonged to Krennic.  Could it have belonged to Thrawn instead?  Maybe we’ll learn that and more this season.

Check out this trailer for Season 4 of Star Wars Rebels:

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Tonight is that Black Friday prequel known to Star Wars toy fans as early Christmas.  Only last year it was labeled Force Friday, so this time around it’s called Force Friday II.  Force Friday II is that off-hour store raid where you have the chance to be the first on your block to say that you own the umpteenth variant of a Boba Fett action figure (seriously, another classic Boba Fett is hitting toy stores tonight, and no, that doesn’t mean he is going to be in the new movie).  The first Force Friday was September 4, 2015, with new toys for Star Wars: The Force Awakens, but for whatever reason we didn’t have a Force Friday last year for Rogue One: A Star Wars Story.  Those toys were first widely released September 30, 2016.  The same kind of thing happened earlier, including way back with the prequels, and to a less coordinated extent with The Empire Strikes Back and Return of the Jedi.  Only back then you had to know someone who knew someone who was in the local distribution chain who would sell you (under the table) the only three Yodas (with the orange, not the brown snake) that shipped to your town for what was then a steep upcharge of $3.50 apiece (flash forward a year later when Target had an entire wall of the exact same action figure on clearance for fifty cents apiece).  These days retailers are required to stick to schedules or they risk losing future opportunities.

If you thought George Lucas had the tie-in marketing game perfected, you haven’t met Disney.

Force Friday II weekend” kicks off tonight at midnight local time.  Disney marketing refers to it as the launch of new products “inspired by Star Wars: The Last Jedi.”  It’s the variety of stores that makes this year’s early toy store raid so unusual.  Bed, Bath and Beyond, Staples, Kohl’s, JC Penney, Hot Topic, Brookstone, are involved.  For Star Wars?  Yes, and Target, Toys ‘R’ Us, and Wal-Mart, and other stores like you’d expect.  Disney actually issued a pdf file listing all the stores having events early Friday morning.  Star Wars: The Last Jedi tie-ins are serious business.  And they will be everywhere.  Campbells’ soup labels?  Yes, even grocery stores are heavily involved in marketing the December 2017 film release.

So maybe your best bet is to gather up the gang in the car and go for a drive around town and just look for store lights.  If it’s midnight and they are turned on, the store is probably selling some kind of Star Wars exclusive, and store-by-store you can try to amass a small portion of the giant haul that will be what stores are carrying in plentiful supply by Christmas.  Or just go to StarWars.com for an extensive list of what is available, and where.  Note:  All stores in all locations may not be open tonight.

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Visitors to San Diego Comic-Con this weekend have a chance to view screen-used costumes from three popular sci-fi franchises.  Disney, CBS, and the Prop Store have each created displays to showcase movie costumes for fans.  Three Star Wars characters from Star Wars: The Last Jedi are represented in the Star Wars pavilion at booth #2913 inside the convention hall.  The Prop Store is featuring one Serenity costume set to sell at auction at a later date, on display at booth #3845.  And CBS gives those not attending SDCC 2017 an opportunity to check out a dozen new Star Trek: Discovery costumes at the Michael J. Wolf Fine Arts Gallery in San Diego.

Inside the convention center, the Star Wars display features Resistance pilot uniforms for Poe Dameron, Nien Nunb, and Dameron’s wingman, Abednedo alien C’ai Threnalli, as well as one of the film’s BB-8 droids.  At the Prop Store display, several costumes from various movies and TV series are on display, including one of the Malcolm Reynolds costumes used in the Firefly TV series sequel Serenity, worn by Nathan Fillion.

 

At the Michael J. Wolf Fine Arts Gallery, Star Trek fans can see a display of new Starfleet, Klingon, and Vulcan costumes and props from Star Trek: Discovery, and get a photo sitting in one of three originals of the captain’s chair used in the new series.  Costumes include a new Starfleet EVA spacesuit and one of James Frain’s costumes worn as Sarek in the series.  New Starfleet props of the tricorder, phaser, and rifle echo original series props, where Klingon bladed and disruptor props are entirely new, reflecting a more ornate design scheme than fans have seen before.  Intimidation is clearly key to the new Klingons, who still sport their cloven-toed boots and familar tradition–small etched lettering on the knife blade on one d’k tagh blade states in Klingonese, “There is honor in death.”

Binderup trek 3

Check out a few photos:

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   lastjedicharacter luke

Today at the 2017 edition of Disney’s D23 Expo in Anaheim, California, the biennial “The Walt Disney Studios Live Action Films” presentation provided new looks at live-action feature films from Walt Disney Studios, Marvel Studios, and Lucasfilm, including this new “sizzle reel” for Star Wars: The Last Jedi, the eighth chapter in the Star Wars saga coming to theaters later this year.

You’ll find plenty of views of new aliens and spacecraft, plus the key cast talking briefly about the film, new costumes for most of the cast, and even a few minor spoilers–in case you’re still wondering if Luke Skywalker will actually take the lightsaber from Rey as they left it at the end of Star Wars: The Force Awakens.  Plus six new character posters featuring the key cast in red.

Only a few glimpses of actual footage from the film are revealed in the preview, but you’ll still see plenty of camera shots of the cameramen filming characters and effects shots.

Check out the new behind the scenes sizzle reel for Star Wars: The Last Jedi:

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As with Peter Jackson and The Lord of the Rings/The Hobbit franchise, George Lucas and Lucasfilm have rarely let screen-used props and costumes out of their own personal or corporate collections.  From time to time costume components retained by production staff members or third-party contributors to the productions have surfaced at private auction, mainly parts of costumes including Darth Vader and Stormtrooper helmets, various weapons including like blasters and lightsabers, and model ship filming miniatures.  But never before has an entire Star Wars character found its way to auction, and one of the most iconic pieces in the history of film at that.  So when a beautiful, full-sized R2-D2 hit the auction block yesterday, deep-pocket bidders took notice.  In an exciting back and forth of increasing bids in $100,000 increments, it seemed the bids for R2-D2 wouldn’t end.  In less than 3 minutes the hammer stopped at $2.3 million for a total sale price (after factoring a 20% buyer’s fee) of $2.76 million.  This was not only the first private Star Wars sale to eclipse seven figures, it is the highest known price paid in public auction for a piece of Star Wars film history (a Panavision movie camera used by Lucas to film the original Star Wars sold previously for $625,000, the filming miniature model of the Rebel Blockade Runner spaceship from the opening scene of the original Star Wars sold for $465,000, and a miniature filming model of a TIE Fighter sold for more than $400,000).

Like many props in the film industry, this R2-D2, made of aluminum, steel, and fiberglass parts, was pieced together from many parts that had been used, retired, and refurbished throughout the Star Wars films.  According to auction house Profiles in History, who handled the sale yesterday at its offices in Calabasas, California, the anonymous seller sourced the many robotic components together over several years.  And, indeed, Profiles in History has demonstrated via photographic evidence the R2-D2 can be screen-matched via its individual components to screen use in each film of the original trilogy (1977-1983) and the first two prequel films (1999-2002).  After several weeks of publicity for the auction, the ownership of the restored R2 unit and its sale at this auction was not disputed, and so the bidding got underway at approximately noon Pacific time yesterday.

Profiles in History staff taking phone bids during the auction said there was no time to celebrate the success of the R2-D2 during the auction–even after three days of the auction more than 500 lots remained to be bid on following the landmark sale of the droid.  The sale of the R2-D2 prop came only a day after Profiles in History sold the famous floor John Travolta danced on in the climax of Saturday Night Fever for $1.2 million.  A golden prop foot of R2’s pal C-3PO went unsold at the auction, but in December 2008 Profiles in History sold a golden prop head of C-3PO, worn by actor Anthony Daniels, for $120,000.

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We got a taste of the rampaging Darth Vader we always wanted to see in the finale of Rogue One: A Star Wars Story.  In all of the movies Darth Vader seemed to be more shadow and talk than the wrath and ferocity his enemies feared in the films and stories.  So when do we get to see Darth Vader at his peak?  Marvel Comics writer Charles Soule (Poe Dameron, Astonishing X-Men) and artist Giuseppe Camuncoli (Amazing Spider-man) will give us the first look at that side of Darth Vader this month in the newest series titled Darth Vader.

Darth Vader takes place immediately after Star Wars Episode III: Revenge of the Sith.  So this is the Vader new to his cybernetic form, new to the armor, the breathing apparatus, and he’s alone–his wife and to his knowledge an unborn child is dead.  His only “friend” is the Emperor himself.  Vader’s first steps in the Dark Side as a Sith Lord, the acquisition of his red light saber, and his rise to power into the Imperial command structure are all ahead for readers of the series.  Check out a preview of Issue #1 below, after the break.

   

The first issue will feature several covers.  The main cover is by Jim Cheung.  Other covers will be provided by artists Adi Granov, Skottie Young, Phil Noto, an action figure variant by John Tyler Christopher, a blank sketch cover, a movie film cover, and an incredible homage to Dave Cockrum’s cover to Uncanny X-Men, Issue #145, by Mark Brooks–one of this year’s candidates for best comic book cover art.

Here’s Cockrum’s original cover and the pre-color, and pre-weathered version of the image by Brooks:

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You’ve taken your first step into a larger world.

In the beginning there was Georges Méliès’s 1902 space fantasy/science fiction film Le Voyage dans la Lune.  It would take another 65 years before we’d get a look at what a realistic outer space could look like in 2001: A Space Odyssey, but before that we’d get glimpses from film visionaries in the likes of Forbidden Planet, TV series like Lost in Space and Star Trek, and a final, old school vision of the future in the 1976 film Logan’s Run.  Each of these has its place in the history of science fiction, but none can compare to the epic storytelling, characters, and special effects–the surprise rollercoaster ride–we walked into on May 25, 1977, as the opening crawl passed over our heads to reveal an enormous spaceship and our first breaths in a world with this phenomenon called Star Wars. 

What would we be looking back on if not for the imagination and personal interests of George Lucas, the writer?  What if Lucas hadn’t grown up a fan of Flash Gordon, classic sci-fi movies, classic fantasy lore, and Akira Kurosawa films?  What would we be talking about in 2017 to escape the challenges of the real world if not the first images of an eighth follow-on film to Star Wars?  From Star Wars sprouted changes across cinema.  Cutting edge sound improvements thanks to THX.  Cutting edge visuals thanks to Industrial Light and Magic.  Mass marketed tie-ins of every sort throughout the creative arts as a new, multi-billion dollar, international industry.

Ten times.  My brother, my sister, my mom and dad, and me, first at the old Southridge III Theater.  We saw it ten times in the theater, and a few of those screenings we just sat through over and again all day on a Saturday, and then we saw it on the giant, wide screen downtown at the River Hills theater.  I missed the premiere and opening days, but my schoolmates at the end of my first year of school couldn’t stop talking about it.  My innate stubbornness and hesitation to join the crowd was already fixed: “But Star Wars is such a boring title!”  And then I saw it.  And everything changed.  Hardly a year would go by that I, or my parents, weren’t contributing to what would be Lucas’s $4 billion dollar empire, buying tie-ins we’d never even heard of before May 1977.  But what a fun ride he provided in return!

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Timothy Zahn’s Thrawn trilogy–Heir to the Empire, Dark Force Rising, and The Last Command–excited a generation of Star Wars fans when the original trilogy was in the past and no future movies were planned.  It’s greatest value was in its continuation of our favorite characters: Luke, Leia, Han, Chewbacca, and the droids.  But it also introduced two key players: Mara Jade aka the Emperor’s Hand who would one day become the object of Luke Skywalker’s affection, and a blue-skinned, white-garbed officer of the Imperial Navy called Grand Admiral Thrawn.  Thrawn became part of the post-Disney canon in the animated series Star Wars Rebels, which reflected the foreboding leader of Zahn’s original books.  This month Zahn brings Thrawn’s rise to power into Star Wars canon again in his new novel Star Wars: Thrawn.

Thrawn is a military overview of the Nazi Germany-inspired Imperial Navy, recounting an exiled, strategy-savvy “Chiss” (Thrawn’s alien race) who uses his unique abilities to climb the ladder and assume greater power as part of the growing Empire following the events of Revenge of the Sith.  Zahn includes first person narration by Thrawn in both introductory chapter paragraphs and observations inserted into the text as he keys in on descriptive details of every encounter.  Thrawn is Zahn’s attempt at a Holmesian genius, a calculating survivor who still must rely on a young cadet (his Watson) named Eli Vanto, used primarily for his ability to translate both words and culture.  Unlike Zahn’s original trilogy, Thrawn feels more enmeshed in Star Wars prequel storytelling than the original trilogy movies.  By showing Thrawn’s backstory as an exiled leader who finds his way out, Thrawn also reads as if Zahn was attempting to make Thrawn the Khan (a la Star Trek II: The Wrath of Khan) of the Star Wars universe.  Unfortunately we don’t really get to see Thrawn in any confrontation with a powerful foe as Khan saw in Star Trek II, although he is potentially as intelligent and crafty as Star Trek’s Khan.

   

It’s Thrawn’s backstory before the events in the Thrawn novel that appear to contain the action and intrigue missing here–Thrawn both before his exile and during his exile sound like the makings of a great book.  Instead here the focus on Thrawn’s own quirks, like a fascination for Clone Wars era technology, and Thrawn’s awkward attempts to navigate the lower ranks of the Imperial chain of command, make for a slow read.  This is in part due to an unnecessary but lengthy sideline story of the struggles of Ahrinda Pryce, who will become a governor of Lothal in Star Wars Rebels.  Pryce’s story takes over a fair chunk of this 448-page novel.  The time given to Pryce and Vanto pull away some much needed action, intrigue, and suspense.

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