Tag Archive: Starz


October is almost here!

Your annual list of scary, ghostly, spooky, creepy, slashery, and generally monstrous films is back.  The goal?  Not to miss your favorite Halloween movies in October, and maybe find some new favorites.  You’ll be able to find many staples of the holiday season.  Need even more recommendations?  Check our borg lists of past recommendations here–Halloween doesn’t arrive each year until we’ve watched The Watcher in the Woods and Silver Bullet.  Below we’ve provided hundreds of movies scheduled to air–hundreds to choose from with a mix of classics and modern fare.  Syfy′s “31 Days of Halloween” is back, along with Freeform′s “31 Nights of Halloween.”  AMC has its “Fear Fest” again, and as with last year you can get caught up on The Walking Dead airing throughout the entire month (you’ll have to check the AMC website for the last few days of the month, as the network doesn’t release its listings this far in advance).  Best of all, TCM hosts a day of monster movies on October 12 and 23, plus movies all month featuring Peter Cushing.  You’ll find this year all the usual suspects: Stephen King, Wes Craven, John Carpenter, Michael Myers, Jason Voorhees, and Freddy Kruger.  Disney channel will be releasing its listings for Monstober later in the month so you may want to check the Disney website for updates.

New for this year–check out the new remake of Hitchcock’s Rebecca, The Haunting of Bly Manor, Ratched, the brilliant zombie series Kingdom, the monster-filled October Faction, The Babysitter, We Have Always Lived in the Castle, and Enola Holmes on Netflix, The Vast of Night on Amazon, the horrors of love on Soulmates on AMC, Blumhouse’s Fantasy Island on Starz and Vudu, or 2019’s Ready or Not on Vudu.  If you missed 2018’s Halloween movie with Jamie Lee Curtis, or Get Out, find them streaming on Vudu and other services–it’s not to be missed (and you can catch all the past entries in the series on AMC).  Also, if you missed Netflix’s latest seasons of Stranger Things or Chilling Adventures of Sabrina, now’s a great time to catch up.  (Note: AMC and Syfy’s listings don’t always mention which versions of the movies are being aired (original or remake?), so your guess is as good as ours).

All month long on streaming services and premium channels like Netflix and Starz you can watch horror movies including The Sixth Sense, The Lost Boys, The Boy, Cloverfield, Coraline, Children of the Corn, Cult of Chucky, Van Helsing, John Carpenter’s The Thing, They Live, and Ghosts of Mars, Young Frankenstein, Aliens vs Predator: Requiem, Underworld: Blood Wars, Resident Evil: The Final Chapter, Zombieland, Life, Scream, Amityville: The Awakening, Sleepy Hollow, Hollow Man, The Craft, and many more, plus series like The Twilight Zone, Ash vs. Evil Dead, Requiem, Bates Motel, and The Frankenstein Chronicles.  Everything you see in AMC’s listings are offered via their on-demand services, so watch those whenever you’d like.  If all else fails, you can find your favorite ghost story or other horror classic on Vudu and Amazon Prime, where you can buy or rent recommendations like The Fog (both versions), The Birds, The Shining, Orphan, Let Me In, The Others, The Woman in Black, Hansel & Gretel: Witch Hunters, Pride and Prejudice and Zombies, Abraham Lincoln: Vampire Hunter, The Ring, Grimm, and It’s the Great Pumpkin, Charlie Brown (all these are highly recommended, and you can catch many of these airing this month, too).

So take notes and put your watch list into your DVR now so you don’t miss anything, especially useful for many of the marathons, which often play in reverse order (?!).  We’ve bolded some of our recommendations.  All times listed are Central Time:

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Review by C.J. Bunce

We’re always on the lookout for the next great British/Irish/Scottish/UK police procedural or mystery, after the next Life on Mars or Ashes to Ashes, Hinterland or Shetland, Marchlands or Lightfields, Zen or Quirke, or, of course, Sherlock.  So the pay-channel Starz releasing a late-year mystery series called Dublin Murders was going to get our attention.  Filmed in Belfast and Dublin, with a noir sensibility–dark places, mysterious characters, and murder–the series has the potential to be a good detective series.  Billed as an “eight-part mystery series with a taproot that drops deep down into Ireland’s past, foreshadows the present and brings insight to its future,” the story follows Sarah Greene as Cassie Maddox and Killian Scott as Rob Reilly, homicide detectives on the trail of the murderer of a school girl.  The murder was similar–too similar–to a murder in the city’s past.

Maddox and Reilly appear appealing enough at first.  They share a secret of the past that would get them fired had anyone found out: Reilly isn’t really Reilly, but the alter ego of the sole survivor of the crime years ago that resulted in two missing friends, never to be found.  Unfortunately he’s a witness who can’t remember, and by all accounts he shouldn’t be involved with this investigation because of his clear conflict of interest.  Merged with his pursuit of the person behind the missing kids and the recent murder is a story of Maddox’s history catching up with her.  As a child her parents were killed in an auto accident, and to deal with it mentally she invented an imaginary friend she named Lexie.  As an undercover cop, she took on the name Lexie as her alter ego.  Now she and one of her former colleagues stumble upon another murder, a woman who looks just like Cassie.  And surprise: her name is Lexie.  Always waiting for the possibility that we’ve stumbled into an unreliable narrator series, ultimately that’s not the case, the woman was real and not something we’re seeing through Maddox’s imagination.  But the series stumbles for other reasons.

Based on the first two novels of Tana French’s Dublin Murder Squad novels, In the Woods and The Likeness, a key problem is combining the stories from two books to make into one season of television–stories that have little to do with each other.  Both cops have these common stories involving dual personas so it’s easy to see how someone thought it might work.  But it doesn’t.  The first three episodes develop the characters, but suddenly they lose their personalities.  The quiet, likeable, and sympathetic Reilly becomes a jerk, a supremely angry and mean protagonist pushing away Maddox and everyone else and leaving the audience with little to care about from his plot thread.  Maddox has the same collision of character–once admirable and mostly by-the-book, she turns into a nasty character, bitter and horrible to those who care about her.  As Reilly becomes trapped in a development of his own making, Maddox agrees to a job with her former colleague, a preposterous undercover operation impersonating the deceased Lexie in order to discover her murderer.

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Review by C.J. Bunce

If you have been watching closely, you may notice that streaming platforms, pay channels, and cable networks rely on hit movies for the bulk of their replays.  Try to find some of your favorites outside the mainstream on Netflix, for example, and you’re likely to find mostly films made since streaming itself started to be a thing.  Starz has been one monthly pay channel option that is slowly bringing back more obscure films from the past 50 years, films like Outland and Wolfen.  Another you may have missed is Let Me In from a decade ago, another of those rare genre-bending films that–if you’re lucky enough to just stumble across it–is the kind of film to remind you why you love genre films.  It stars twelve-year-old actors Chloe Grace Moretz and Kodi Smit-McPhee in powerful breakout performances, the same year Moretz would deliver one of the big screen’s best superheroine performances as the cute but foul-mouthed Hit Girl in the movie Kick-Ass with Nicolas Cage, and just after Smit-McPhee would co-star in the dystopian film The Road with Viggo Mortenson.

Is it horror, an early 1980s coming-of-age tale, a love story, crime-suspense, a story of an abusive father, or something more (as Starlord might say, “a bit of both”?).  If you enjoy not knowing what genre of film you’re jumping into, this is for you.  Like Midnight Special, Skeleton Key, 12 Monkeys, and The Others, much of the film will creep by before you even have any certainty as to what is “really” going on.  Writer-director Matt Reeves, who brought audiences the Cloverfield series and the latest Planet of the Apes movies and is working on The Batman for 2021, mixes some truly dramatic moments into Let Me In, while also adding the next must-watch for coming of age movies, suspense-thrillers, horror, and romance.  Just as James Mangold delivered a father-daughter love story in Logan, Reeves puts his own stamp on a compelling tale of a boy and the girl next door.

The clues Reeves delivers along the way will be more obvious to some than others.  Donnie Darko, Fargo, Logan, The Outsiders–Don’t be surprised if Reeves’ deftly drawn scenes evoke feelings from all sorts of big films.  Disturbing, poignant, triumphant, chilling.  You might even get twisted into feeling a certain sympathy for one of the film’s creepier characters.  A police detective played by Elias Koteas (Shooter, Zodiac, Gattaca) will have you think you’re following Mark Ruffalo’s character in another Zodiac movie.

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Happy October!

Your annual list of scary, ghostly, spooky, creepy, slashery, and generally monstrous films is back.  The goal?  Not to miss your favorite Halloween movies in October, and maybe find some new favorites.  You’ll be able to find many staples of the holiday season.  Below we’ve provided hundreds of movies scheduled to air–hundreds to choose from with a mix of classics and modern.  Syfy′s “31 Days of Halloween” is back, along with Freeform′s “31 Nights of Halloween” (which continues to be a dozen or so movies played over and over all month, with some kind of world record to be set with its too-many-to-count airings of Hocus Pocus).  As always AMC doesn’t kick in with its “Fear Fest” until October 14, and as with last year you can get caught up on The Walking Dead, and The Terror all airing throughout the entire month (you’ll have to check the AMC website for the last week of the month, as they don’t release their listings this far in advance).  Best of all, TCM hosts Godzilla with 17 movies airing Fridays in October, and 41 horror classics on Thursdays–really your best bet for the season.  You’ll find this year another Stephen King movie marathon, some Wes Craven, John Carpenter, Vincent Price, Michael Myers, Jason Voorhees, and Freddy Kruger.  Disney channel will be releasing its listings for Monstober later in the month so you may want to check the Disney website for updates.

We’ve bolded some of our recommendations and asterisked other notable events in October.  If you missed last year’s new Halloween movie with Jamie Lee Curtis, find it streaming on Vudu and other services–it’s not to be missed (and you can catch all the past entries in the series on AMC).  Also, if you missed Netflix’s latest seasons of Stranger Things or Chilling Adventures of Sabrina, now’s a great time to catch up.  And with showings of both Predator and Hellboy movies, you might as well catch the new releases on Vudu, The Predator and Hellboy (2019).

All month long on streaming services and premium channels like Netflix and Starz you can watch horror movies including The Sixth Sense, The Lost Boys, The Boy, Cloverfield, Coraline, Children of the Corn, Cult of Chucky, Van Helsing, John Carpenter’s The Thing, They Live, and Ghosts of Mars, Young Frankenstein, Aliens vs Predator: Requiem, Underworld: Blood Wars, Resident Evil: The Final Chapter, Zombieland, Life, Scream, Amityville: The Awakening, Sleepy Hollow, Hollow Man, The Craft, and many more, plus series like The Twilight Zone, Ash vs. Evil Dead, Requiem, Bates Motel, and The Frankenstein Chronicles.  If all else fails, you can find your favorite ghost story or other horror classic on Vudu and Amazon Prime, where you can buy or rent recommendations like The Fog (both versions), The Birds, The Shining, Orphan, Let Me In, The Others, The Woman in Black, Hansel & Gretel: Witch Hunters, Pride and Prejudice and Zombies, Abraham Lincoln: Vampire Hunter, The Ring, Grimm, and It’s the Great Pumpkin, Charlie Brown (all these are highly recommended, and you can catch many of these airing this month, too).  Need more recommendations?  Check our past recommendation lists here.

So take notes and put your watch list into your DVR now so you don’t miss anything, especially useful for many of the marathons, which often play in reverse order (?!).  All times listed are Central Time:

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Review by C.J. Bunce

Is he a superhero?

A character who gives of himself to save lives, repeatedly, using his unusual mental and physical abilities–that’s pretty much our definition of superhero.  If The Punisher is a superhero, if Batman would be a superhero without the costume, then you have the The Equalizer Denzel Washington is back again, in the sequel to the surprise 2014 reboot of the 1980s television series, and if you missed Washington as this character in 2014, it’s time to catch up, as The Equalizer 2 makes its way to several steaming platforms, including Vudu and Amazon Prime, and it’s now showing on Starz.

And what a sequel!  It is another one of those rare films that surpasses its predecessor.  More intrigue, more action, and even without the origin story from the first movie, The Equalizer 2 proves audiences don’t need it to jump into a finally crafted story of spies and revenge.  Washington is back as Robert McCall, and he’s The Saint, Ethan Hunt, James Bond, and The Shadow all rolled up into one.  This time he’s started a new life in Boston, and learns about the city through his job as a Lyft driver.  Diehard film fans really only need to see the one other name on the marquee with Washington to know what they’re in for: Antoine Fuqua.  Fuqua (Training Day, Shooter, The Magnificent Seven) directs the film like he does all his others, like he has something to prove.  The Equalizer 2 is worthy of its popular and critically acclaimed star, and Fuqua adds to the character with a spectacular setting for the film’s finale: a hurricane pummeling the coast of Massachusetts.

If you’re looking forward to the new Star Wars television series The Mandalorian, you have another reason to catch The Equalizer 2, as the series star Pedro Pascal (Kingsman: The Golden Circle, The Great Wall) plays a former team member of McCall in his CIA days.  The subplots may even be better than the main story, and in one McCall mentors a young neighbor played by Ashton Sanders (Moonlight).  Other supporting roles are filled by some familiar faces, including returning actors Melissa Leo (Homicide, Oblivion, Wayward Pines, Veronica Mars) and Bill Pullman (Deceived, Independence Day, Spaceballs), plus the always versatile Sakina Jaffrey (Heroes, Sleepy Hollow, Mr. Robot).

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It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 25 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on.  Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

In 2018 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked as well had the characters been swapped for males.  We had a former MI-5 agent, bounty hunters, assassins, doctors, defenders, advanced superhumans, superheroines, warriors, witches, and even a few cyborgs–with a roster evenly split between television and movie characters.

Better yet, here’s something we haven’t said before.  Several of our selections this year were played by women over 50.

These are the Best Kick-Ass Genre Heroines of 2018:

Enfys Nest (Solo: A Star Wars Story).  For the first half of Solo: A Star Wars Story, Enfys Nest was the leader of a band of pirates, a character as cool and ruthless as anyone Han Solo ever faced.  But once she took off her mask,  it became clear how important she was, how significant her mission was–even more so than Han Solo’s own pursuit of mere wealth.  She foreshadowed what Han would later find with Leia, an early glimpse at a rogue and scoundrel who actually had some good in him.  When they joined forces, it made their characters even better.  And she became one of the best warriors in the Star Wars universe since the original trilogy.  (Disney/Lucasfilm)

Okoye (Black Panther, Avengers: Infinity War).  Is there any woman warrior as powerful and impressive in a fantasy movie this year as Danai Gurira’s Okoye?  We can’t think of any.  A smart commander, a brave soldier, a loyal ally.  Stalwart, devoted, steadfast, strong physically, intimidating and wise, with a keen unwavering ferocity, she represented the best of Wakanda, and fought bravely to defend the world at the last stand against Thanos.  (Disney/Marvel)

Higgins (Magnum PI).  Few television characters are as beloved as Jonathan Higgins in the original Magnum, p.i.  So it was going to be risky having any actor step into the role John Hillerman made famous.  So when the show honored the original character and late actor with such a finely tuned, updated character and actor, we took notice.  Perdita Weeks’s Juliet Higgins is everything Robin Masters was–the character we all thought Higgins was in secret.  We don’t know whether we’ll learn the truth this time around and what that truth will be, but as an ex-British secret service agent, she’s a James Bond for Thomas Magnum to partner with–literally running alongside the show’s star and fighting and shooting her way as an equal.  And the result?  Every episode of the first season was full of great action and fun.  (CBS)
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Odds are, you’re going to find this year to be the best year yet for accessing your favorite Halloween movies in October.  Particularly if you have a DVR and basic cable, you’ll be able to find many staples of the holiday season.  Below we’ve provided hundreds of movies scheduled to air–hundreds to choose from with a mix of classics and brand new shows–our annual compilation of the movies you get with the typical national basic cable packages.  Syfy’s 31 Days of Halloween is back, along with Freeform’s 31 Nights of Halloween.  AMC’s Fear Fest begins October 14, this year swapping out many movies for reruns of The Walking Dead, leads up to the new season premiere of the series (AMC’s listing below will be updated once they publish their final official schedule).  And TCM is back with monster classics and special theme days.

We’ve bolded some of our recommendations and other notable events in October.  A new Halloween movie will be in theaters and you can watch all the past entries in the series on AMC.  TCM honors the 200th anniversary of Frankenstein with several classic spin-offs.  You won’t want to miss Netflix’s The Chilling Adventures of Sabrina, too.  A Stephen King movie marathon, Wes Craven, John Carpenter, Vincent Price, Christopher Lee, Bela Legosi, Lon Chaney, Boris Karloff, Michael Myers, Jason Voorhees, Freddy Kruger, and lots of exorcisms.  Plus lots of animated movies on Freeform, and the Disney channel will be releasing its listings for Monstober later in the month.

All month long on Netflix you can watch horror movies including The Sixth Sense, The Lost Boys, The Boy, Cloverfield, Coraline, Children of the Corn, Cult of Chucky, Van Helsing, plus series like Stranger Things, The Twilight Zone, Ash vs. Evil Dead, Requiem, Bates Motel, and The Frankenstein Chronicles.  On Starz you can find a mix of sci-fi and horror movies including John Carpenter’s The Thing, They Live, and Ghosts of Mars, Young Frankenstein, Aliens vs Predator: Requiem, Underworld: Blood Wars, Resident Evil: The Final Chapter, Zombieland, Life, Scream, Amityville: The Awakening, Sleepy Hollow, Hollow Man, The Craft, and many more.  If all else fails, you can probably grab your favorite ghost story or other horror classic on Vudu and Amazon Prime, where you can buy or rent recommendations like The Fog (both versions), The Birds, The Shining, Orphan, Let Me In, The Others, The Woman in Black, Hansel & Gretel: Witch Hunters, Pride and Prejudice and Zombies, Abraham Lincoln: Vampire Hunter, The Ring, Grimm, and It’s the Great Pumpkin, Charlie Brown.  

So take notes and put your watch list into your DVR now so you don’t miss anything.  (All times listed are Central Time):

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Review by C.J. Bunce

In the realm of cool it’s really hard not to begin with something like Bruce Brown’s 1966 surfing documentary The Endless Summer.  Whether or not you’ve ever tried to surf or even been to the beach, the carefree attitude of these 1960s surfers is infectious.  Brown’s follow-up in 1994, The Endless Summer II, showed us what changed–and what hadn’t changed–in the intervening 30 years.  A documentary airing the rest of this year on Starz provides another perspective on catching waves.  It’s Shorebreak: The Clark Little Story, a highly-praised, multiple film festival pick in 2016 and 2017.

Clark “Turbo” Little is “the award-winning photographer with the largest social media following in the world,” who carved his own niche in the coastal photography market.  While other photographers were clogging beaches trying to get the best shot of the most dangerous waves and those attempting to surf them, Little started taking photographs of a world nobody else was paying any attention to: the shorebreak–that zone where the waves hammer the beach, and the photographer takes repeated poundings to get his perfect image.  In the documentary we watch director Peter King film Little as he films the unique natural formations that occur inside the waves as they slam him into the surf.  The result is a wealth of breathtaking photos that have been featured at international museums including the Smithsonian Institution, in advertisements, in outdoor magazines, and even in a memorable National Geographic Magazine spread.  Now a full-time career for Little, his clients include Apple, Nike, Nikon, Facebook, Hewlett-Packard, Toyota, Anheuser Busch, Starbucks, Whole Foods, and more.  Little has filmed both stills and video on the North Shore of Oahu, Maui, Kauai, Big Island, California, Japan, and French Polynesia, and published two books, The Shorebreak Art of Clark Little and Shorebreak

Shorebreak: The Clark Little Story, reveals Little’s pathway to creating his photography subject of choice.  It’s a similar kind of mellow ride as found in Bruce Brown’s surfing documentaries–the kind of movie to meditate to or focus in closely with the benefit of quality HD and Little’s beautiful imagery.  Little’s work can cause some sore muscles or even a broken neck if not done properly, but his work doesn’t have that tense risk factor of the big surf crowd.  Yet he seems to be embraced by the community, walking the walk and talking that very cool vocabulary familiar to the beach community.  Little shoots much of his work from nearby his home in Haleiwa, Hawaii.

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Review by C.J. Bunce

Do you want to see the best series opener you’ll probably see this year?  If you’re a J.K. Simmons fan–and even if you’re not–set your DVR for tonight’s premiere of Counterpart on Starz.  It’s Dirty Harry meets The Adjustment Bureau as J.K. Simmons plays mild-mannered Howard Silk, a thirty-year veteran of a low-level interface job in a Berlin carryover Cold War installation.  But his world is turned upside down when he learns an experiment back in the 1980s split time apart and created a duplicate world, and he meets his counterpart–the Howard Silk from the other side, a brusque, 007 spy, who has little patience for his genetically-identical, under-achiever self.

Could Counterpart be J.K. Simmons chance at a coveted television role like Tatiany Maslany’s multiple roles in Orphan Black?  We can only hope.  His role is similar to Jason Isaacs’s dual role in the 2012 series Awake.  But will there only be two Howard Silks, or more?  With so many characters in series these days not making it through a single character arc all season, Simmons’ Silk gets plenty of development in his first hour.  It’s clear we’re going to get a season of Simmons vs. Simmons, and the series opener allows for audiences to witness plenty of nicely filmed interactions between the two.

It’s exciting, smart, dramatic, and even poignant.  Silk’s wife, played by Olivia Williams (The Sixth Sense, The Postman, Rushmore) on this side of the timeline is in a coma, and Silk visits her to read to her each night.  He is confronted by her brother, an unlikeable sort played by Jamie Bamber (Battlestar Galactica, Horatio Hornblower).  Sara Serraiocco plays a badass counterspy.

Check out this trailer for the series:

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Our favorite TV borg in 2016 was Bruce Campbell as he teamed up with on-screen father Lee Majors in the Starz television series Ash vs Evil Dead.  Reprising his role from the Evil Dead film series and Army of Darkness, the chainsaw-armed suave hero Ash is back next month for Season 3 of the dark comedy-meets-horror gore fest.  Starz releases a new teaser for the 2018 episodes this week, a mock beer ad featuring Ash as a smarmy 1980s guy cruising a lounge.

Fake brand Shemps Beer (think the TV-pervasive Morley cigarettes or Magnum’s Old Dusseldorf beer) was featured in the Starz series first seasons.  The “Shemp” in “Shemps Beer” is Campbell’s and Evil Dead and series co-creator Sam Raimi’s term for all the back-up characters they needed to pull in for their low-budget original film Evil Dead, a play on The Three Stooges’ third member of the comedy team who replaced Curly, Shemp Howard, who also died and was replaced but with his previous stand-in–a “fake Shemp.”  Hence “Shemps” as the series fake beer.

Accompanied by Cutting Crew’s memorable radio song, Campbell is back being the Bruce Campbell we loved in the Evil Dead films and series, and as star of Burn Notice, and in Sam Raimi’s Spider-man movies (the best part of those films, actually) and in his series Jack of All Trades, and in Hercules: The Legendary Journeys, and in Xena: Warrior Princess, and in Lois and Clark: The New Adventures of Superman, and in The Adventures of Brisco County Jr.

Check out this new teaser for Season 3 of Ash vs Evil Dead, and the full preview for this year’s episodes:

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