Tag Archive: The Mandalorian


Once a year at borg we ask: What makes a great screen heroine? It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  Despite delays in releases due to the covid pandemic, nothing kept Hollywood from including great female characters on the screen, even if that meant moving movies to the small screen for a while. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  (Want to see previous years’ kickass genre heroines to see how 2020 compares?  Here are 2019, 2018, 2017, 2016, and 2015). Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass, and often badass, character is about.

This year we add masked superheroines, a CDC epidemiologist, aliens, assassins, martial artists, warriors, cyborgs, a telephone operator, an engineer, a bounty hunter, and a frog and a pig–with a roster evenly split between television and movie characters. Credit goes to both the writers, costumers, and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2020:

Bo-Katan Kryze (The Mandalorian, Star Wars: The Clone Wars).  In the animated series she would let nothing stand in her way. In a galaxy with villains like Grand Admiral Thrawn and Grand Moff Gideon, we’re lucky to have Bo-Katan on our side. Leading a team to find the Darksaber and restore Mandalore, she’s also willing to enlist a lone straggler, and help him for his efforts. With Katee Sackhoff, the actress behind Starbuck, in the armor, the coolness factor goes up by a factor of 100. Great heroines are great leaders, and, like Bo-Katan, they wield an incredible arsenal of skills. (Disney/Lucasfilm)

Nicole Haught in Wynonna Earp

Sheriff Nicole Haught (Wynonna Earp).  Katherine Barrell’s tough, savvy, and friendly sheriff is one of the best reasons to watch Wynonna Earp, now four seasons running. She’s the girlfriend of Wynonna’s sister Waverly, she is plugged into the local supernatural happenings, and she’s always available to lend a hand, when she’s not carrying out her sheriff duties. She’s an investigator who is loyal, driven, and smart. She’s also fun and friendly, making her the heart of the series. In a show about supernatural people, she holds her own as law enforcer simply by her own human wits. (Syfy)

Seven of Nine (Star Trek Picard).  More than forty years of Star Trek have revealed some exceptional women leaders. This year we were lucky to see the re-appearance of one of the best, a character who was captured as a child and trapped in what amounts to a technological cult. With the help of a strong captain, Seven was able to break free, and re-learn what it means to be human. This year that meant helping a legendary former admiral, avenge the death of her closest friend, and fight for good long after her call to duty. (CBS All Access)

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The last time genre fans had a news release as big as this week’s Marvel and Star Wars news was from Disney about the ten Phase IV Marvel projects announced at San Diego Comic-Con 2019.  In addition to yesterday’s Marvel news, Disney previewed eleven major Star Wars projects in the pipeline.  Not a surprise so much as a wish fulfilled for millions of Star Wars fans is a spin-off live-action TV series called Ahsoka, featuring the return of Rosario Dawson as the Force- and lightsaber-wielding Ahsoka Tano.  An actor returns on the franchise, a preview for a series that started filming last month, Disney reveals the title of the next Star Wars movie, plus news on new movies for Willow and Indiana Jones And Lucasfilm CEO Kathleen Kennedy had more surprises.

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Review by C.J. Bunce

With the second season opener “The Marshall,” I thought the new season would be more of the same (see my review here).  A bit light on plot, and so similar to a few episodes from the first season, I figured Jon Favreau, Dave Filoni, & Co. were going to deliver some more good entertainment, but not take too many risks.  Not one week later I had to take that back, as the episode “The Passenger” delivered a spectacular single-story episode reminiscent of Alien and The Thing.  The fourth episode of the season, “The Siege,” was a return of characters from season one and more of the single most important, far-reaching draw for any age group or other demographic, Baby Yoda, given the name Grogu in last week’s episode.  But if you take a look at this season, especially episodes 11, 13, and 14, what you may find is the third greatest Star Wars movie.  Or at least your third favorite.  I’ll avoid spoilers for yesterday’s new episode “The Tragedy” below except to mention the director and that the episode blew me away, but let’s dig into this season so far.

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Review by C.J. Bunce

It really is the ultimate holiday gift for your favorite Star Wars fan.  The nostalgia in the ideas for the Disney+ series The Mandalorian, as illustrated and explained in The Art of Star Wars: The Mandalorian, is exactly what fans were hoping for in their next Star Wars experience, probably dating all the way back to the anticipation of the release of Return of the Jedi back in 1983.  There’s a reason for the universal praise for the series, and why it’s one of the best television series of the past ten years, if not one of the best Westerns ever.  Jon Favreau, Doug Chiang, & Co. figured out how to please a diverse fandom.  By including the concept artwork in the end credits for each episode, they took us back to the Ralph McQuarrie paintings that inspired the first Star Wars film.  But those images are only the beginning.

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Review by C.J. Bunce

It’s not your typical holiday special, but it may be one to return to each year, The LEGO Star Wars Holiday Special has arrived, a parody of the franchise starring LEGO Rey as she attempts to find a way to teach Finn to become a Jedi, using information she learns on Life Day–Life Day the holiday first introduced in the original 1978 Star Wars Holiday Special, which was a perfect snapshot of what you would expect for a blockbuster movie’s TV tie-in in the 1970s.  Disney has used this show as an opportunity to poke fun at itself, at the Star Wars ideas it has created since it bought the franchise from George Lucas, while also poking fun at some of the ideas Lucas created.  It’s not just for fans of the third Skywalker trilogy of movies as time travel arrives in the Star Wars universe, allowing Rey to zip back and forth to every corner of the past, meeting all your familiar friends in key scenes from the movies.

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Review by C.J. Bunce

Even if you couldn’t muddle through the first six seasons of Star Wars: The Clone Wars, which aired from 2008 through 2014, fans of the Disney+ series The Mandalorian now have one reason to take a look back at the animated series.  Earlier this year executive producer and creator Dave Filoni presented a fill-in-the-blanks, seventh and final season of The Clone Wars for Disney+.  Last week on The Mandalorian, Katee Sackhoff (Longmire, Battlestar Galactica) reprised the character Bo-Katan, a Mandalorian she voiced in 2012 and 2013 on the series, with a reference to fan-favorite spin-off character Ahsoka Tano, voiced by Ashley Eckstein in the animated series, and soon to be played by Rosario Dawson (Marvel’s Luke Cage, Men in Black II) in The Mandalorian.  If you want to see some interesting connections between the past in the Star Wars movies–the prequels, the animated series Star Wars Rebels, and more–and the current happenings on The Mandalorian, it’s time to revisit the 2020 season of The Clone Wars.

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Just in time for our holidays, the Star Wars Holiday Special is making a comeback later this month.  It will be forty-two years to the day that kids like myself first saw Bea Arthur serenade a cantina full of familiar aliens as Ackmena, met Chewbacca’s extended family, and saw Boba Fett on the screen for the first time (after his preview as an action figure offer).  The Special aired on television for the first time in 1978, and now Disney+ is bringing the holiday special to a new generation of Star Wars fans.  The twist is your next celebration of Life Day is also the next LEGO movie, so expect loads of laughs and throwbacks in the animated LEGO Star Wars Holiday SpecialEven better, it comes with time travel and mash-ups across the movie spectrum.

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If you’ve been watching the new season of The Mandalorian, you might agree that this week’s new episode, The Passenger, may be the best episode yet.  Heck, if we’d have seen it back in the 1970s and 1980s with the original trilogy, we might have rated it even better than the films.  When we reviewed Abrams Books’ last behind the scenes look at the Star Wars franchise in The Art of Star Wars: The Rise of Skywalker, we mentioned we were hoping that the publisher would get the rights for The Mandalorian series so we could get a close-up look at the costumes, props, and production art–and continue with a sixth volume of Abrams’ superb series of behind-the-scenes looks at the franchise.  Well Star Wars fans are in luck.  The Art of Star Wars: The Mandalorian is now available for pre-order here at Amazon, and we have a preview for borg readers below.

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Review by C.J. Bunce

One of the oldest sayings of actors is never take a role with an animal or a child, because you’ll always get upstaged.  That’s where the Disney+ series is currently stuck–they created a character in The Child (aka Baby Yoda) that we’d all probably rather see more than Pedro Pascal’s title character.  Yes, The Mandalorian is back this weekend with the first episode of Season Two, more than welcome fun in the year of COVID-19 and real-life, high-stakes politics.  The series is full of Easter eggs and good throwbacks to the original trilogy, the prequels, bits and pieces of the entire franchise.  But the plot for the season opener is a retread of themes and scenes from last year, light on our favorite young green-eared friend.

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Review by C.J. Bunce

Delayed a bit due to the pandemic, a Star Wars tie-in comic book series proved this summer to be the best so far since Marvel Comics pulled the comics license back from Dark Horse.   Star Wars: Bounty Hunters completed its first story arc and will be coming next month to comic shops in a collected edition, available via pre-order now here at Amazon.  Compiling the first five issues of a new series in the vein of The Mandalorian, it establishes itself with a new anti-hero from the past and familiar faces fans of the original trilogy love.  It all begins by asking why all those bounty hunters appeared together on Darth Vader’s ship Executor in that brief scene in The Empire Strikes Back.

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