Tag Archive: The Mandalorian


 

Such a large bounty for such a small package.

Topps has released the first trading card set in its more than 40-year run of Star Wars trading cards exclusively devoted to a single character.  And who would that be?  Everyone’s favorite Yoda mini-me lookalike, The Child, who the world has branded Baby Yoda.  Unlike many of the Star Wars series Topps has created over the years, this will be easy for everyone to get the complete base set, as it sells in a single box.  The Mandalorian: Journey of the Child Trading Cards follows the adventures of The Child as viewers of the Disney+ TV series (and anyone with the Internet) saw, but now you’ll have the best key framed images from season one.  You can pick up the set now for about $11 here at Amazon. 

A man of your skill should make short work of this.

Plus, there are variant cards for collectors outside the base set, for those wanting to go on the hunt.  These are the cards you are looking for:

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Review by C.J. Bunce

Now that everyone has seen it who likely was going to watch CBS All Access’s next Star Trek incarnation, Star Trek: Picard, it’s time to delve into the series.  If you haven’t yet, take advantage of the free CBS All Access offer while you can.  Series star Patrick Stewart has said he decided to bring his character back to the screen because of the role he performed for even more years than Picard–Charles Xavier in the X-Men series–specifically because of the strong finish he was able to give the character in James Mangold’s Oscar-nominated finale Logan, possibly Stewart’s strongest performance in his film and TV career opposite Old Man Logan as Old Man Charles.  Stewart succeeded, as Star Trek: Picard, already expecting at least another season, showcases the beloved character as Old Man Picard and wraps far better fans’ last meeting with not only Picard, but Data, Riker, and Troi, too.  And surprisingly it does that for Star Trek Voyager, specifically for Jeri Ryan′s Seven of Nine, who also had a rather anticlimactic finale in the last episode of that series.  Her new take is very different from before, but still lots of fun.

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Plenty of genre television is out there right now for viewers at home to consume.  But discovering that one that is so exceptional is truly an exciting thing.  So you might stumble through Tales from the Loop or Locke & Key or Briarpatch and give up before you even get to the halfway point, but then you land on The Mandalorian and know what great genre television has the potential to be.

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At first look “The Child in a cooler” doesn’t sound like something anyone should be selling at all.  But context matters!  Originally The Child–who the world has dubbed Baby Yoda–was couriered around in what looks like a modified Hamilton Beach ice cream maker (which, not coincidentally, has been selling out since the debut of the series).  Our secret sources tell us it is called a Camtono, a prop that made its first appearance in the Star Wars saga on Cloud City in Return of the Jedi.  Igloo–the company you’ve probably bought coolers from your entire life–has issued a new tie-in product available until April 20 only, inspired by the floating pod container (not the ice cream… er… Camtono…) the Mandalorian used to transport The Child after the bounty hunter discovered the truth of his bounty.

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Review by C.J. Bunce

How many sci-fi and outer space tropes can you pack into one hour of TV?  You’ll find out in the first episode of Syfy’s new space fantasy series Vagrant Queen It’s like Firefly and The Fifth Element as if they were directed by Sam Raimi.  Star Wars elements meet Doctor Who aliens with effects that feel a lot like The Last Starfighter.  And humor that’s a cross of Guardians of the Galaxy and The Hitchhiker’s Guide to the Galaxy.  Or maybe it’s just sci-fi created by Canadians.  Whatever it is you’ll be all-in with the crew of the spaceship Winnipeg as it takes off into adventures in some galaxy out there that is… not ours.

Adriyan Rae (Atlanta) plays the scavenger Elida, a mix of Marvel’s Valkyrie and Rey from Star Wars, who stealthily has masked her former persona as Queen Eldaya, being pursued by the dreaded Republic, led by Commander Lazaro, played by Paul du Toit (remember Gary Oldman’s Zorg in The Fifth Element? He’s like that guy).  Tom Rozon (Lost Girl, Wynonna Earp) is Isaac, a frenemy from Elida’s past (part Han Solo or Jack Harkness or Lone Starr from Spaceballs or Bruce Campbell in… anything).  They come together with a Kaylee-inspired ship mechanic named Amae, played by Alex McGregor, to save a space station’s bartender, get a ship back, and rescue the queen.  And that’s just the first episode.

It’s light-hearted, campy fun a la Xena: Warrior Princess featuring a group of actors who seem to be competing to see who has the most fun.  It’s a little bit… everything… that you enjoy about space travel, with a cool lead like Killjoys and alien makeups reminiscent of Farscape.  Goofy banter and situations, you’ll find yourself calling out the inspiration from nearly every scene, beginning with an opening rif on The Mandalorian.  This is the escapism you’re looking for right now.

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Review by C.J. Bunce

We’re probably far from seeing a story featuring the bounty hunter Valance as good as in the pages of the original Marvel Comics series in 1978, but the first issue of the latest Star Wars comic book series is promising.  Valance, borg Hall of Famer and the first character in science fiction specifically referred to as a “borg,” shares the spotlight with a few other familiar faces in Star Wars: Bounty Hunters, now available in comic book stores.  When Star Wars writers and artists pull from the original trilogy and do it right, it can be quite fun for fans of the franchise.  And much seems to involve deconstructing every detail of George Lucas’s original visions.  For this series, that means asking the question: Why would you have so many bounty hunters on the bridge of Darth Vader’s star destroyer?  The answer became clear in last year’s Disney+ series The Mandalorian: it’s because sometimes that’s how the jobs work–if you can afford it.  And that’s the starting point of Star Wars: Bounty Hunters.

In the not too distant past we meet Valance working with Boba Fett the Mandalorian and the lizard-like Trandoshan called Bossk, two of the fellows we first met on Vader’s ship, working a job with a few other hunters.  Only the job goes sideways due to the actions of one of the hunters, Nakano Lash.  So the story begins when Lash becomes the bounty, setting the other hunters after her.  Taking place after the events of The Empire Strikes Back, that means Han Solo remains in carbonite in the cargo hold.  And it also means Lady Proxima is still around, the character that held Han’s life in her hands, introduced in Solo: A  Star Wars Story.  And it also makes room for Doctor Aphra, a character from the more recent comics universe.

 

In fact, writer Ethan Sacks and artist Paolo Villanelli appear to have the ability to play with the entire Star Wars universe in a single series.  No longer are they held back, tethered to the lead characters Luke, Leia, Han, and Darth Vader, so readers can finally dig into the other corners of the already established Star Wars galaxy.  The first issue probably has more characters and action sequences than necessary, but it’s a promising beginning.  Check out covers from the first four issues and a preview of the first issue below.

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The major toy companies have big plans for New York Toy Fair 2020 this weekend, and already have released marketing information for one of the biggest toy licenses, despite the Skywalker saga ending with Star Wars: The Rise of Skywalker this past December.  But the Disney+ series has had no problem taking up any slack, thanks to The Mandalorian, universally seen as the most acclaimed and fan-reviewed sci-fi/fantasy series yet–a major rarity in a modern era of snark, trolls, and haters.  Finally, last year’s bizarrely planned drought of available toys featuring The Child, more popularly known by fans as Baby Yoda, will at last be met with a saturation of varieties of the character.  The character will only get more popular and the toys available featuring it are sure to be the major win this year for Disney and Lucasfilm, if not the entire toy industry.  Look for the return of Star Wars: The Clone Wars with a final season on Disney+ to be met with a return of figures and playsets from the animated series.

Getting a jumpstart on the weekend toy show, several of the new toy lines are already available for pre-order focused on The Mandalorian.  We selected what we see as the best of the bunch from the Star Wars previews.  The entirety of the Star Wars licensed products revealed at the show will be even bigger.  Check out images below and links to pre-order at Amazon where available.  As with every annual Toy Fair, just because the toys are announced doesn’t mean you won’t have to wait until next Christmas season to see them in stores.  Ugh!  But some you’ll find are available right now.

So let’s start with The Child.  The big toy will be Hasbro’s The Child Animatronic Edition (shown above), a battery-powered toy with 25+ sounds and movements, including “Force nap,” giggles, sleeping sounds, coos, “Force activation,” and a removable necklace, and fabric robe.  It’s available for pre-order now here for $59.99.  Projected release date is December 15, 2020.  The gamble is getting your order in now versus the possibility of short supplies in December.

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Our borg Best of 2019 list continues today with the Best Books of 2019.  If you missed them, check out our review of the Best Movies of 2019 here, the Kick-Ass Heroines of 2019 here, the Best in Television 2019 here, and the Best Comics of 2019 here.

We reviewed more than 100 books that we recommended to our readers this year, and some even made it onto our favorites shelf.  We don’t print reviews of books that we read and don’t recommend, so this shortlist reflects only this year’s cream of the crop.

So let’s get going.  Here are our selections for this year:

Best Read, Best Fantasy Read, Best New Edition of Previous Published Work, Best Translated Work – A Hero Born: Legends of the Condor Heroes 1 by Jin Yong, translated by Anna Holmwood (St. Martin’s Press).  The first book in one of the most read books of all time finally makes its way to the U.S. after its premiere in Great Britain.  Readers will learn why George Lucas pulled its concepts for his Skywalker saga, and why generations of Chinese fans of fantasy of flocked to its heroes and villains.  Honorable mention for Best Fantasy Read: A Labyrinth of Scions and Sorcery by Curtis Craddock (Tor Books), The Dark Lord Clementine by Sarah Jean Horwitz (Algonquin Young Readers).

Best New Novel, Best Horror Novel, Best Historical Novel, Best Mystery Novel – The Cthulhu Casebooks: Sherlock Holmes and the Sussex Sea-Devils by James Lovegrove (Titan Books).  A truly literary work combining a smart Holmesian adventure and the dark mind of H.P. Lovecraft.  Readers will love Lovegrove’s approach, Holmes and Watson’s journey, and all the creepy surprises.

Best Sci-Fi Novel, Best Thriller – The Andromeda Evolution by Daniel H. Wilson (HarperCollins).  Wilson successfully conjured the spirit of Michael Crichton for this smart, creepy, and oddly current sci-fi sequel to The Andromeda Strain.  A cast of characters just like Crichton would have put together, and a must-read.

Best Franchise Tie-In Novel – Firefly: Magnificent Nine by James Lovegrove (Titan Books).  One of the best authors around crafts a worthy story to expand the Firefly canon and give fans their own new movie of sorts for the franchise.  Runner-up: Alien: Prototype by Tim Waggoner (Titan Books).  Honorable Mention: Death of the Planet of the Apes by Andrew E.C. Gaska (Titan Books).

Best Retro Read – Mike Hammer: Murder, My Love, by Mickey Spillane and Max Allan Collins (Titan Books).  Collins continues to bring Spillane’s characters to life with thrilling prose and all the best pieces of noir drama and action.  Honorable mention: Brothers Keepers by Donald E. Westlake (Hard Case Crime).

Best Genre Non-Fiction – Industrial Light & Magic Presents: Making of Solo: A Star Wars Story by Rob Bredow (Harry N. Abrams).  Bredow’s unique access to the production made for a rare opportunity in any production to see details of the filmmaking process.  Every movie should have such a great deep dive behind the scenes.  Honorable mention: The Making of Alien by J.W. Rinzler (Titan Books).

There’s much more of our selections for 2019’s Best in Print to go…

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This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired.  Richly detailed sets and costumes.  An impossible feat to replicate.  No drama came close.  No other visual effects spectacle could touch it.  And its audience is everyone.  A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years.  If you love genre like we do, this was as good as it gets.  And like icing on the cake, along came The Mandalorian at year end.

But we’re not going to ignore the other good things that happened on the small screen this year.

Our borg Best of 2019 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2019 here and the best Kick-Ass Heroines of 2019 here.

Without further ado, this year’s Best in Television:

Best Borg SeriesDoom Patrol (DC Universe).  With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman.  Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein).  For 2019, it was the way to get your borg fix on the small screen.

Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV SoundtrackThe Dark Crystal: Age of Resistance (Netflix).  It was worth the wait.  Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded.  The kindest heroes, the darkest evil, a truly epic, legendary story for the ages.  Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much?  Even that wouldn’t be enough if not for the layered mythology and epic adventure story.  Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s  imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.

Best TV Sci-fi Series, Best TV DramaThe Man in the High Castle (Amazon).  Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel.  The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale.  Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition.  Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”

Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup The Mandalorian (Disney+).  Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond.  Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.

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It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 26 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits.  So we’re not forgetting Lagertha in Vikings, Liv Moore from iZombie, Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things, Juliet Higgins in Magnum PI, Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who, Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina.  At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker.  This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, an emperor (not empress!), and even a cyborg–with a roster evenly split between television and movie characters.

Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2019:

Aughra (The Dark Crystal: Age of Resistance).  If there was a greater woman character in the history of fantasy film, we don’t know who that would be.  We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year.  Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season.  She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)

Black Widow (Avengers: Endgame).  After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos.  And yet she still didn’t get the fanfare that Tony Stark did.  We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)

Hattie Shaw (Fast & Furious Presents: Hobbs & Shaw).  As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all.  If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock?  (Universal)

Agent M (Men in Black: International).  Valkyrie Tessa Thompson is back on the list again, this time as the first movie lead Woman in Black, earning her nebulizer with the help of her Thor-world partner Chris Hemsworth.  As a little girl, Molly witnessed an alien as her parents were zapped by Men in Black, and she worked her entire life to be able to get into the CIA or FBI, hoping one would be the entry point into the secret organization.  Agents O and High T would recognize her value to the team, as she saved the planet from the latest menace. (Columbia/Sony)

Cyclone Mei (The Legend of the Condor Heroes).  Even as an evil witch, Viola Mi’s master of the Nine Yin White Bone Claw and Heart Destroying Palm techniques became a sympathetic villain after her husband died at the hands of young Guo Jing and she became blind.  Even blind she used internal techniques to defeat anyone she perceived as a threat.  Master of the whip with fearsome claws, beautiful and fierce Mei Chaofeng once joined her husband as the “Twin Masters of the Dark Winds” to possess a forbidden manual of martial arts, and would leave mountains of bodies in their wake as they sank deeper into the dark teachings.  (iQIYI)

Sarah Connor (Terminator: Dark Fate).  We were excited when we heard Linda Hamilton would return to the franchise 27 years after she had a major transformation from waitress into the woman who would save 3 billion lives.  One of Sci-Fi’s two best-known kick-ass heroines (along with Ellen Ripley), original terminator target Sarah Connor lost none of that drive and determination to continue to kill Terminators into the 21st century.  As a grandma surrogate and mentor to the next generation of leadership, we’ve no doubt the future is safe again.  (Paramount/20th Century Fox)

Special Agent Dinah Madani (Marvel’s The Punisher).  For the entire second season, Amber Rose Revah’s DHS agent was hot on the trail of taking down Billy Russo’s villain Jigsaw.  Who knew she’d need to get through his psychiatrist first.  She was always tough and good at her job, but proved herself in the final two episodes of the series.  (Netflix)

Leia Organa (Star Wars: Rise of Skywalker).  Princess or General, Carrie Fisher’s Leia Organa was one of the 1970s brand of kick-ass heroines, although we still wish she’d had the opportunity to show her stuff just as Rey was able to in the third trilogy movies.  We prefer seeing her as she continued after the original trilogy in Timothy Zahn’s novels, the Dark Empire comics, and the 20 years of the Expanded Universe stories, where we saw her realize power as great as Luke and the rest of the Jedi Order.  (Disney/Lucasfilm)

Captain Marvel (Captain Marvel/Avengers: Endgame).  Brie Larson’s take on Captain Marvel was an end-to-end story about being tough and taking charge.  An entry in the Marvel Cinematic Universe that didn’t fit the mold of past films, it allowed audiences to meet her for the first time and ramp up our appreciation for all she could do in short order.  Soon enough she’d be integral to relocating Thanos after The Snap, and she’d return one more time in the final battle to try to turn the universe back to the way it was.  (Disney/Marvel)

Cara Dune (The Mandalorian).  A master of hand-to-hand combat as well as crack sharp-shooter, the latest Star Wars heroine (played by Gina Carano) helped the Mandalorian take down an AT-ST in their first go. Once a shock trooper with the Rebel Alliance and a fighter after the Battle of Endor, Cara is just the help the Mandalorian and The Child need going forward in the series.  (Disney/Lucasfilm)

Sue Lynn Blackbird (Stumptown).  Always the smartest person in the room, and ten steps ahead of everyone else, Tantoo Cardinal’s Sue Lynn runs the local Tribal Casino, but she does much more.  She’s a businesswoman who always negotiates from the power position.  Her leadership role means she has the power to excommunicate anyone who isn’t acting in the best interests of the tribe–or give them another chance.  She’s also tough enough to forgive and mentor younger walking disasters she encounters from time to time. (ABC)

Emperor Philippa Georgiou (Star Trek: Discovery). We’ve always loved Michelle Yeoh, but the series writers for her latest character held back in the first season of the series. At last viewers got the full monte when the mirror version of the series lead character’s captain returned not only to help her, but to eliminate any who got in her way, and proceed to take over the secret spy agency of the prime world timeline. Up there with Jaylah from Star Trek Beyond, “Mirror Georgiou” is one of the new breed of badass Star Trek character.

Christine Gavin (Wu Assassins).  Vikings star Katheryn Winnick makes her second showing on the list, this time as San Francisco undercover police officer Christine Gavin.  Expecting to find the ringleader of a major crime syndicate, she began her work gaining the trust of a man in a local chop shop, only to discover a larger world existed beyond the world we see every day.  Possessing some major martial arts skills and a street fighting manner, she didn’t lose a fight all season long, and helped battle evil in both dimensions.  (Netflix)

Grace (Terminator: Dark Fate).  Sent from the future to save a young woman who has the potential to go forward and lead a rebellion against a new technological apocalypse, Mackenzie Davis’s Grace stepped up to fight a new brand of Terminator.  A human that volunteered to undergo enhancements to make herself into a full-fledged cyborg, she would fulfill her mission, giving the ultimate sacrifice for the future of humanity. (Paramount/20th Century Fox)

Huang Rong (The Legend of the Condor Heroes).  Quick thinking with a photographic memory, Yitong Ling’s Rong’er met her future husband on one of her outings in beggar garb disguised as a man, practicing her skills as a thief and 13th century grifter.  Young and easy to underestimate, with the witty banter of Buffy the Vampire Slayer and an almost supernatural ability to coerce anyone to do her bidding, her charismatic traits were only matched by her mastery of enough schools of martial arts to prevent anyone from learning who taught her.  Raised on Peach Blossom Island by her father, she learned how to confuse an enemy, and is able to convince Hong Qigong to teach her even more, all in exchange for her cooking–hey, you can be a badass and also a master chef.  (iQIYI)

Maudra Fara (The Dark Crystal: Age of Resistance). Refusing to recognize Seladon’s claim to the position of All-Maudra, she’d challenge her for the Living CrownFara assumed the title of Maudra after Vala, her mother, had been killed during the First Battle of Stone-in-the-Wood, and she would prove to be the fiercest of all the Gelflings, male or female.  Who wouldn’t follow her into harm’s way?  Alice Dinnean was the puppeteer behind the scenes, with Lena Headey supplying her voice.  (Henson/Netflix)

Grace (Ready Or Not).  Samara Weaving’s character Grace made for the perfect bride on her wedding day… who married into a family of psychopaths that required she first beat them in a wedding night game of hide and seek–to the death.  A horror movie that was also a suspense thriller, Ready Or Not ran circles around the similar Knives Out from an entertainment and excitement standpoint.  Grace had to shoot though her in-laws and extended family to survive the night, somehow finding the mettle to defend herself when the unthinkable became the thinkable–and for audiences it was so much fun!  (Mythology/Vinson)

Vedek Kira Nerys (Deep Space Nine: What We Left Behind).  In this year’s Deep Space Nine documentary, the creators of the series returned to give viewers a glimpse at what Season 8 would have looked like had they been able to continue, complete with Kira as Vedek, in charge of the space station and taking her seven year character arc into new places.  It’s the same grit Nana Visitor gave to her performance, and the spirit of the original shown through as she joins with her former Starfleet colleagues at the show’s cliffhanger.

Agent Francesca “Frankie” Trowbridge (Whiskey Cavalier).  Lauren Cohan’s Frankie had it all, and unfortunately for fans the show was canceled after only one season.  But what a season!  This agent was every bit 100% James Bond but she also used her looks and smarts to double as “Bond girl” when the mission called for it.  In hand-to-hand combat or with a weapon, whatever bad guys the writers threw at her, nobody could get past her for long. (ABC)

Zan Hui (Wu Assassins).  Cold and near emotionless, Hong Kong movie star JuJu Chan’s Zan was ruthless as henchwoman to the leader of the Triads.  But she was also ambitious, and at her first opportunity she didn’t hesitate to act.  Incredibly skilled in kung fu and street fighting as well as weaponry, she didn’t need the supernatural skills of the other characters to make an impact.  (Netflix)

Two (6 Underground).  Melanie Laurent’s Camille was ready to join One and his secret force of ghosts, undoing some of the damage she’d done while CIA operative.  Quiet and saying little most of the time, she reveals to the squad’s hitman she knows all she needs to navigate international politics.  Take down a government led by a murderous villain and replace him with someone better?  Count her in.  (Netflix)

Gunnhild (Vikings).  An entire series could be written around Ragga Ragnars’ strong and proud warrior.  As shield-maiden, she doesn’t hesitate to lead the fight with her sword onto the battlefield.  Also kind and humble, she also doesn’t hesitate to make sure her niece and nephew are protected when she has a dream that they are in danger.  As Queen of Kattigat she proves she’s the right person at the right time in history.  (History)

Dex Parios (Stumptown).  Taking a character from the comic books to the screen, Cobie Smulders made ex-Marine Dex her own.  Her P.I. is a walking disaster, always “this close” to succeeding, and always trying to claw her way back from the last worst decision she could have made.  Somehow she is able to look after her brother.  She makes Jessica Jones look like a lightweight, always her own worst enemy.  But if she keeps fighting back in this city, she may just make it after all. (ABC)

Amelia Wren (The Aeronauts).  Nobody else on the list had to climb to the top of a balloon in freezing cold temperatures with frostbitten, unusable fingers at a height of more than 30,000 feet.  And Felicity Jones’s Amelia Wren was based on a real person.  Does it get more badass than that?  That she was a composite character doesn’t matter–she’ll make audiences breathless as she performs one death-defying feat after another in her two-hour flight. (Netflix)

Bell Mallory (The Man in the High Castle).  In the series’ alternate histore, while the Eastern United States was still being fought over by the Nazis and a small band of resistance fighters, Frances Turner’s Bell Mallory rescued San Francisco and led a revolt that removed Japanese occupation from the entire west coast.  Undercover op?  Whatever it takes.  A strategist and brains behind taking out a slew of leaders, she knew who to trust and who not to, and her decisions helped put the U.S. back into American control. (Amazon Studios)

Deet (The Dark Crystal: Age of Resistance).  The nicest gelfling of the Grottan clan you could ever meet, she befriends plant and animal alike.  Once she experiences a vision by touching Vliste-Staba, the Sanctuary Tree located in the Mountains of Grot, the nature loving soul joins the resistance.  And when the Skekses are ready to destroy Thra, she is the only one who can muster the power to stop them.  An unlikely hero, we don’t yet know the extent of the price she paid for restoring the balance of Thra.  Performers Beccy Henderson and Nathalie Emmanuel couldn’t have created a better heroine.  (Netflix)

And that’s this year’s list.  Keep coming back the remainder of this month as we reveal the rest of our Best in Film, Best in TV, and Best in Print, and our borg Hall of Fame inductees for 2019.

Want to see previous years’ kickass genre heroines?  Here are 2018, 2017, 2016, and 2015.

C.J. Bunce
Editor
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