Tom Hiddleston’s Loki is likely the most popular villain in all of the Marvel Cinematic Universe. He’s also one of the best, staying true not only to the comics, but the spirit of the Norse mythology they pulled him from. So a Lokiseries, coming soon to pay streaming provider Disney+, is almost guaranteed to be the big winner of 2021, right? That seems to be confirmed in the latest trailer for the six-episode event series. Is there a superhero series or movie this year you’re more anxious to watch than Loki?
As demonstrated by Luke Wilson’s appearance as co-star of Stargirl, you get the feeling the Wilson brothers are going to be the secret weapon for another sure-fire superhero series (even if it is about a super-villain). This time it’s Owen Wilson as Mobius M. Mobius, who is going to introduce Loki–and the audience–to a new universe tangent to the Marvel world we know about. Mobius M. Mobius is a character with some true comics street cred, originating from the mind of writer/artist Walt Simonson. And Mobius has a past in the comics pages connecting him with Fantastic Four and She-Hulk–will Wilson’s character be the new glue to connect the integration of the FF from Fox to Disney, and pull Tatiana Maslany’s She-Hulk into the MCU in her own series, due to arrive next year?
And does this furry friend know Goose from Captain Marvel? Other actors in the series include Gugu Mbatha-Raw, Sophia Di Martino, Wunmi Mosaku, and Richard E. Grant, who played Marvel character Dr. Rice, the mad scientist in Logan, from the other Marvel studio–Is this another opportunity to pull in the Fox Marvel stories?
It was only a year ago here at borg we were discussing some of the projects expected to arrive in 2020. That didn’t happen, but a pandemic later and some juggling by the execs at Disney and we seem to have a realistic schedule for the projects we’ll see in 2021. So let’s gather some excitement for Marvel superheroes heading our way, at least from the first looks at these shows we’ve seen via their movie and series trailers. What does it look like we’re going to actually see in 2021 via streaming Disney+ or Vudu streaming? As Phase IV of the Marvel Cinematic Universe continues with the final episodes of WandaVision on Disney+, next up will be The Falcon and the Winter Soldier starting on Disney+ March 19. Probably the most eagerly awaited of all Marvel projects since Spider-Man: Far from Home is Black Widow, delayed and delayed some more, now expected to arrive May 7, probably for a theater run and a pay version via Disney+. Which leaves the six episode mini-series Loki, also expected to arrive in May, via Disney+. The common link? All of these feature characters and storylines still heavily anchored to Phase III of the MCU, and all are an opportunity to tweak the past via time travel or a changed past to allow for new characters and new storylines.
Venom: Let There Be Carnage is expected to arrive in theaters June 25, and Shang-Chi: The Legend of the Ten Rings has a July 9 premiere date, but Disney hasn’t issued a trailer for either yet. As a bonus we’ll throw in the trailer below for the animated series What… If? which doesn’t have anything but a 2021 projected Disney+ series launch date, and the trailer for Morbius, a Sony production tying into the MCU–at least via a cameo by Michael Keaton as Vulture, the villain from Sony’s Spider-Man: Homecoming. It’s now slated for a January 2022 theatrical premiere. Although an Eternals movie is expected around Thanskgiving and another Spider-Man movie could slip in around Christmas, all the other Phase IV projects have been pushed out beyond 2021–the next movies featuring Doctor Strange, Thor, Black Panther, Captain Marvel, Ant-Man and The Wasp, Guardians of the Galaxy, and Fantastic Four, and TV series featuring a new Hawkeye, Moon Knight, She-Hulk, Guardians of the Galaxy (a special), Secret Invasion, Ironheart, Armor Wars, and a Wakanda series.
It’s always a big surprise when the holiday episode of Doctor Who is a critical not-to-be-missed episode. When we last saw the Doctor, she was trapped millions of light years away in an alien prison. The New Year’s Day 2021 special Revolution of the Daleksis not a filler, out-of-continuity holiday showpiece, instead continuing after ten months have lapsed for the Doctor’s companions back on Earth, and after the Doctor has been imprisoned for years in that same relative time span. If you missed this episode you missed: the return of John Barrowman’s universal fan-favorite character Captain Jack Harkness, another Law & Order/Law & Order UK crossover/reunion, the last we’ll see of some major characters, a new Prime Minister, a preview of a new companion, and one of the best Dalek episodes in the 57 years of the series. As the studio releases word that Jodie Whittaker will be soon leaving the series, Revolution of the Daleks reflects that both her performance as the 13th Doctor and Chris Chibnall’s running of the series has finally arrived. It’s a timeless story full of important, lovely emotional beats, fantastic new sci-fi special and visual effects, and a return to the classic framework and themes of the show’s past.
Let’s take a look at why this episode was superb and offer up some candidates for the 14th Doctor…
Phase IV of the Marvel Cinematic Universe took center stage with some big reveals at a Disney investor event this week. The biggest news is a preview of Loki, which takes fan-favorite actor Tom Hiddleston’s beloved villain into more strange places, continuing the comic villainy that keeps fans coming back for more. Along with Loki, Disney rolled out previews of the new Disney+ series The Falcon and the Winter Soldier, the What if…?animated series, the casting of the lead for Ms. Marvel, and details on new series from Secret Wars to Ant-Man 3 and She-Hulk. Plus new target release dates? Check those out and the trailers below.
Tom Hiddleston’s Loki is likely the most popular villain in all of the Marvel Cinematic Universe. So a Lokiseries–coming soon to pay streaming provider Disney+, makes a lot of sense. But why haven’t we seen more of what it will be about? A new trailer Disney released this weekend gives a glimpse at the next three TV series for Marvel after winding down all its popular series at Netflix. This one features WandaVision, The Falcon and the Winter Soldier, and Loki. Each series is slated to have six episodes, so basically audiences will get three feature-length movies released in six parts, to maximize Disney streaming revenues.
The Falcon and the Winter Soldier, to star Anthony Mackie and Sebastian Stan, gets some more screen time in this trailer than Loki, but not much. An odd team-up, it will be interesting to see if Disney can make this into something other than a bridge between the different phases of the Marvel movies.
Although we love seeing co-star Elizabeth Olsen in her traditional Scarlet Witch comic book outfit (above), we must ask: what audience is WandaVisionaimed at? This first real look at the show, still only a peek, makes it appear like a cross between I Dream of Jeanie and Bewitched. The character Vision (played by Paul Bettany) died in the movies. Black Widow died, too, and she’s getting a full-length film, but it’s already been explained hers an early story and she’s a major character (so it’s about time). But Wanda and Vision in a sitcom?
Take a look at this preview for all three shows and see what you think:
You may not know it, but you probably first met them in their record-breaking music video that they pulled together in only two weeks for Peter Gabriel’s song, Sledgehammer. It’s a story of two teenagers borrowing mom’s old kitchen table to use to film their Plasticine creations. Flash forward a few years and their multiple Oscar-winning company is negotiating for big-budget real estate for their movie studio. The company is Aardman Animations, named for the star character of their earliest film. And the founders are Peter Lord and David Sproxton, who have documented their journey in this year’s latest chronicle of the history of animation, A Grand Success! The Aardman Journey, One Frame at a Time, now available from Abrams Press.
It’s not just a biography of the two boys who would see their company bring home four Oscars and even more nominations and BAFTAs. A Grand Success! (the title a play on their first Oscar-nominated adventure, A Grand Day Out) is a time capsule of those key intersections of effort, skill, perseverance, and happenstance, that can make any endeavor a success. The efforts of the small British upstart found their footing in both the worlds of fantasy film and advertising. One put the food on the table until, like many creators, they could focus on their passions. And although they didn’t sever their ties with commercial work, they created what are now among the most recognized characters in England and the world outside the United States (and their U.S. following isn’t too bad, either). Before long their ideas had them sealing big deals with the likes of Jeffrey Katzenberg and Steven Spielberg, and having actors from Ralph Fiennes, Helena Bonham Carter, Hugh Grant, Eddie Redmayne, Maisie Williams, and Tom Hiddleston–the cream of Britain’s acting talent– providing the voices of their characters.
A crowning achievement in animation in The Wrong Trousers, from the studio lauded by Ray Harryhausen, Terry Gilliam, and Matt Groening.
Lord and Sproxton pull in two other key players in their look at Aardman’s history, animators Nick Park and Richard “Golly” Goleszowski. Park grew up as a fan of Aardman’s films as a kid, and by 1989, when he was only 31, he was attending Oscar parties as the face of the studio. All four would create iconic characters from Wallace & Gromit, Shaun the Sheep, and the anthropomorphic “very British” animals of Creature Comforts.
Instead of what has been done at past panels at San Diego Comic-Con–having a panel for each or just a few major projects–Marvel Studios exec Kevin Feige was on-hand to get several announcements out the door and as many key cast members in and out of his single panel as possible. For the Marvel Cinematic Universe’s Phase IV, that means tying in Disney’s (pay) streaming service with the movies. The big takeaway? New logos are pretty much all there is so far to share, plus key casting and timing announcements. And although the last Phase had some changes along the way, it looks as if these ten projects will round out the entirety of Marvel over the next few years. The biggest frustration for fans of the X-Men and Fantastic Four is why nobody at Marvel has been getting a head start on these two massively popular teams of characters–money is definitely going to be left on the table for the duration of Phase IV by pushing out these projects. Why aren’t these Priority #1 with someone at Disney in light of the long lead-time the corporation had for the Fox acquisition?
The new time table is straightforward: Black Widow movie (May 1, 2020), The Falcon and the Winter Soldier TV series (Fall 2020), Eternals movie (November 6, 2020), Shang-Chi and the Legend of the Ten Rings movie (February 12, 2021), WandaVision TV series (Spring 2021), LokiTV series (Spring 2021), Doctor Strange in the Multiverse of Madnessmovie (May 7, 2021), What If…?animated series (Summer 2021), HawkeyeTV series (Fall 2021), and Thor: Love and Thundermovie (November 5, 2021). The most eagerly awaited film after this year’s Avengers: Endgame was the hinted-at Guardians of the Galaxy/Thor or Asgardians of the Galaxy team-up movie, but Marvel still has not confirmed that project, unless it’s tied into the 2021 film. Also relegated to “in development” status: Black Panther 2, Captain Marvel 2, Fantastic Four, X-Men, and the next Tom Holland Spider-Man movie (Spider-Man is Iron Man’s replacement, right?). Silence seems to confirm the death of the Marvel Netflix universe of Luke Cage,The Punisher, Daredevil, Jessica Jones, and Iron Fist, and maybe even Disney+ projects Runaways, Ghost Rider, and Helstrom. FX’s Legion was already announced as canceled, and we lost track of how many times The New Mutants movie has been pushed back. Even bigger unknowns are the next Ant-Man and The Wasp, which had Hank Pym actor Michael Douglas already discussing it as a prequel, and if anyone is thinking about Prince Namor the Submariner, nobody is talking. It begs the question: Does Disney have too much to handle now?
As a beginning Disney’s Marvel side seems to be taking a lead from its Star Wars division, with its offerings targeting a mix of fans old, new, and in-between. For the fans of the MCU so far you have plenty, a Black Widow (presumably prequel) and Thor movie as bookends for Phase IV, and TV series to keep alive Falcon, Winter Soldier, Scarlet Witch, Vision, Loki, Doctor Strange, and Hawkeye. For new audiences (and possibly much older comic book readers) there is Shang-Chi and the Eternals to get to know, along with the announcement that Luke Cage’s Mahershala Ali will be playing Blade in a reboot movie at the beginning of Phase V, the vampire hunter who, like Spider-Man, has already seen an entire series of movies outside of the MCU.
The details are an eclectic mix of things you might want, things you didn’t know you want, and things you won’t know what to make of:
Following up on its successful look behind the entire Star Wars saga in The Moviemaking Magic of Star Wars: Creatures and Aliens (reviewed earlier here at borg), Abrams Books is bringing home the characters of Avengers: Endgame and the Marvel Studios long journey to get there in its new release The Moviemaking Magic of Marvel Studios: Heroes and Villains. Incorporating its trademark interactive Cinemagic features, including booklets, interactive flaps, and accordion fold-out images of the concept art behind every major Marvel Studios superhero, Abrams has nicely timed this book for fans of the franchise who can’t get enough of the latest MCU film. Full of color photographs and interviews with the producers, directors, art designers, costume and prop makers, and special effects magic makers behind the 21 films leading up to Avengers: Endgame, writer Eleni Roussos(The Art of Black Panther, The Art of Thor: Ragnarok) has pulled together behind the scenes insights that offer something new for even the most diehard fan.
Which characters wore practical, real-life costumes and armor, and which required motion capture and/or CGI effects? What was the key element included in Marvel’s Avengers that Joss Whedon required to be added before he agreed to direct the film? What do the contributors agree was the smartest strategic decision made for the Marvel films? How did each artist convert the character from the comic book page to the finally constructed costume that appeared on the big screen? What effects were the most challenging for each film?
Altogether The Moviemaking Magic of Marvel Studios: Heroes and Villains spotlights more than 100 individual superheroes, on-screen support crew, and the most colorful and memorable villains from the series, with significant creative and visionary contributions from Marvel Studios president Kevin Feige, directors Anthony Russo, Joss Whedon, and Peyton Reed, visual development executive Ryan Meinerding and artist Andy Park, and costume designers Rebecca Gregg, Laura Jean Shannon, Mayes Rubeo, Alexandra Byrne, Anna B. Sheppard, Judianna Makovsky, Sheldon Differ, Louise Frogley, and Ruth Carter.
After 21 movies and a decade of superheroics, the end arrived this weekend with Marvel Studios′ Avengers: Endgame, already setting new box office records. Nearly every seat at multiple screenings at my local theater was sold out this weekend, as was the case across the country. Which means many have seen it, but even more haven’t. You can’t review a film without some details, so if you haven’t seen it yet, do yourself a favor: bookmark this and come back later. The short version: If you’re a superhero fan and you’ve followed the previous entries in the Marvel Cinematic Universe, you won’t want to miss it. But re-watch bothAvengers: Infinity War and Captain Marvel first. I’ve no idea how anyone will follow the events in the film without first seeing at least these two films. Endgame is a good wrap-up to the first major story arc in the franchise and a fine segue into the future of the films. But it’s not perfect (what ever is?) and I’m going to walk through some goods and bads from the film.
That means “there be spoilers ahead” so consider yourself forewarned if you continue.
Note to email subscribers: Clicking on the link will take you into the full review.
Ten years in the making. Eighteen movies leading up to this weekend in the gigantic new blockbuster, Avengers: Infinity War. Never before have superhero fans seen so many superheroes on-screen at once: Iron Man (Robert Downey, Jr.), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Captain America (Chris Evans), Black Widow (Scarlett Johansson), Doctor Strange (Benedict Cumberbatch), War Machine (Don Cheadle), Spider-man (Tom Holland), Black Panther (Chadwick Boseman), Vision (Paul Bettany), Scarlet Witch (Elizabeth Olsen), Falcon (Anthony Mackey), Heimdall (Idris Elba), Nebula (Karen Gillan), Winter Soldier/Bucky Barnes (Sebastian Stan), Loki (Tom Hiddleston), Okoye (Danai Gurira), Wong (Benedict Wong), Shuri (Letitia Wright), Drax (Dave Bautista), Gamora (Zoe Saldana), Rocket (Bradley Cooper) and Groot (Vin Diesel), Mantis (Pom Klementieff), and Star-Lord (Chris Pratt).
So many movies, especially superhero movies, depend greatly on the success of the villains. Spider-man: Homecoming is great in part because of Michael Keaton’s Vulture. Black Panther is great in part because of Michael B. Jordan’s Killmonger. And Thor: Ragnarok was great in part because of a load of solid villains: the CGI-created Surtur, Cate Blanchett’s Hela, and Jeff Goldblum’s Grandmaster (and even a great supporting tier of antagonists including Tessa Thompson’s Valkyrie, Tom Hiddleston’s Loki, and Karl Urban’s Skurge). So now, at last, Josh Brolin moves past his cameos in Guardians of the Galaxy and Avengers: Age of Ultron to give us a big dose of one of comic books’ best-known villains, Thanos.
Marvel Studios promised to tie everything together, including every magical talisman holding the six Infinity Stones, of which filmgoers have encountered five so far: The blue Space Stone (seen held in the Tesseract in Captain America: The First Avenger), the yellow Mind Stone (seen in the Scepter in The Avengers), the red Reality Stone (seen held in the Aether in Thor: The Dark World), the purple Power Stone (seen in the Orb in Guardians of the Galaxy), and the green Time Stone (seen in the Eye of Agamotto in Doctor Strange).
So did directors Anthony and Joe Russo deliver as promised? Continue reading →
