It sums up every feature on the brilliant Amazon Studios series The Last Tycoon, a loose adaptation of F. Scott Fitzgerald’s incomplete final novel, The Love of the Last Tycoon. With a nine-episode first season only touching on the threads of Fitzgerald’s original ideas, just as the characters begin to fall apart in the season’s cliffhanger finale, Amazon Studios does what studios do–tightens it belt and cancels the series. It helps to know this before you watch this one-season-wonder (we’ll add it to the list), because you will get pulled into the world of 1936 Hollywood in a way you could only be reeled in by a genuine 1930s picture. Even if it was all filmed in Canada in an unthinkably short 65 day production.
The Last Tycoon does it all differently and gets it all right–it’s the series we hoped the film Mank would be. It’s not an exact adaptation of Fitzgerald’s work, but the bones are there, and creator/writer/executive producer/director Billy Ray (The Hunger Games, Terminator: Dark Fate) creates something perfect, probably better than any Fitzgerald adaptation you’ve ever seen, with some of your favorite genre actors.
Make no mistake, despite the title, this BBC adaptation really is notAgatha Christie’s Ordeal by Innocence. It is without doubt writer Sarah Phelps’s Ordeal by Innocence, and it stands out as the best of her recent adaptations of Christie’s works. In many ways, the 2018 television series is better than its source material. Phelps is known for adding prurient subtext and graphic imagery to her film versions, efforts that typically seem uncomfortably gratuitous (such as the gore and sado-masochism in The ABC Murders, reviewed here at borg). But in the case of Ordeal by Innocence, the delivery is more even-handed and her departures make the story better. I came into the three-part miniseries immediately after reading Christie’s novel. Published in 1958, Ordeal by Innocence centers around the classic mystery trope of the missing alibi witness, but with a tragic twist.
One lonesome night, scientist Arthur Calgary (played by Attack the Block’s Luke Treadaway) picks up a hitchhiker, and then is unavoidably detained, unaware that his testimony could make or break a murder trial. Jack Argyll (Jacko in the novel, played here by Derry Girls’ Anthony Boyle) has been convicted of the murder of his adopted mother, philanthropist Rachel Argyll, matriarch of a clan of adopted children and assorted other household members. Jack, with his contentious relationship with Rachel and a history of petty crime, seems the ideal suspect for the crime. When Dr. Calgary appears long after the fact to clear Jack’s name, his mission of mercy and justice is met with strange reactions from all involved. It’s almost as if they want brother and son Jack to be guilty.
The rich and powerful, they take what they want. We steal it back for you. Sometimes bad guys make the best good guys. We provide… Leverage.
And the best pilot and reboot of the year goes to… Chris Downey, John Rogers, Dean Devlin, and Marc Roskin’s triumphant return of most of the Leverage Consulting & Associates team to the screen in the IMDb TV original series Leverage: Redemption. In the intervening 8.5 years a lot has changed. Now the business has expanded into Leverage International. Beth Riesgraf’s Parker leads the way (but she has a psychologist to help now… a child psychologist). Aldis Hodge’s Hardison has even better tech than he had a decade ago. Christian Kane’s hitter supreme Eliot has expanded his business, too. But somehow Timothy Hutton’s mastermind Nathan Ford has died, and Gina Bellman’s Sophie Devereaux–who was about to tie the knot with Ford at the end of the five-season series in December 2012–hasn’t been able to move forward. That’s where the new series, which feels exactly like a new season, picks up.
Chris Pratt movies are a thing now just like Tom Cruise movies and Mark Wahlberg movies. The latest Chris Pratt movie is The Tomorrow War, which just arrived this past weekend on Amazon Prime. It’s every bit a vehicle for Pratt and could star nobody else. Like the Jurassic World movies, Passengers, and even The Magnificent Seven remake, Pratt is a unique casting decision but evidently studio execs keep going for his “aw, shucks” brand of characters. In The Tomorrow War, Pratt plays a biology teacher dad turned rescuer of mankind named Dan Forester. Forester is nearly impossible to distinguish from Pratt’s dinosaur confronting character in Jurassic World. Pratt plays that bit of a dope you can’t imagine actually doing any of the things his character encounters, so you may need to be a Pratt fan or simply be grateful it’s a free action movie and not mind you’re getting what you paid for. Either way, there are worse direct-to-TV movies out there, but as the alien invasion genre goes, don’t expect to count The Tomorrow War high on your list.
The rich and powerful, they take what they want. We steal it back for you. Sometimes bad guys make the best good guys. We provide… Leverage.
Leverage original series executive producer and director Dean Devlin has credited a loyal fan base to bringing the team at Leverage Consulting & Associates back after its five-season run from 2008 to 2012. The new series–call it a reboot, a continuation, a sequel, or just a new season–filmed as Leverage 2 and Leverage 2.0 and now titled Leverage: Redemption, will catch up with most of the original lead characters eight years after the series finale, “The Long Good-bye Job.” We previewed the new series last year here at borg, as the series tried to get underway in the face of a pandemic. The production made it, creating 13 episodes, and now we have the first trailer for the show.
In the 2017 movie Logan, three characters drawn together by circumstance form a family unit and for a brief moment over a dinner with strangers they get to experience bliss for the first, and possibly only, times of their lives. In the climactic sequence of Amazon Studio’s original 2021 film, Bliss, the two lead characters also get to have a moment where their lives are what they always dreamed of. Is it real or is this sci-fi or fantasy, or are we headed into some kind of twisted horror story? That’s the question viewers will be waiting for as they take a very strange trip with Owen Wilson as a down-on-his-luck estranged father whose life collides with Salma Hayek as a vagabond conjurer of magic who lives on the streets nearby. Fortunately the characters are endearing and sympathetic, the performances spot-on, and their story worth your two hours.
The rich and powerful, they take what they want. We steal it back for you. Sometimes bad guys make the best good guys. We provide… Leverage.
Leverage original series executive producer and director Dean Devlin has credited a loyal fan base to bringing the team at Leverage Consulting & Associates back after its five-season run from 2008 to 2012. The new series–call it a reboot, a continuation, a sequel, or just a new season–filmed as Leverage 2 and Leverage 2.0 and now titled Leverage: Redemption, will catch up with most of the original lead characters eight years after the series finale, “The Long Good-bye Job.” We previewed the new series last year here at borg, as the series tried to get underway in the face of a pandemic. The production made it, creating 13 episodes, and this weekend series co-star (and episode director) Beth Riesgraf confirmed on social media fans will get to see the series in 2021.
Today we move from the big screen to the small screen with the Best TV Series of 2020. If you missed it, check out our review of the Best Movies of 2020here and the best Kick-Ass Heroines of 2020 here. We watch a lot of television, and probably love a good series even more than a great movie. We preview hundreds of series, but outside big franchise content you want to know about, we only review what we recommend–the best genre content we’re watching. The theory? If we like it, we think you may like it. The best shows have a compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, and all kinds of well-executed genre elements that satisfy and leave viewers feeling inspired. Even better if we see richly detailed sets and costumes.
Without further ado, this year’s Best in Television:
Best Borg Series – Altered Carbon (Netflix). Showing life in a world well past the merger of the organic and inorganic via stacks placed in human individuals’ vertebrae in the back of the neck, the second season of the series further revealed the dark side of being able to live forever. What parts of life have the most value in a cybernetic world? What crimes emerge when body and mind can be separated and re-shuffled? Honorable mention: Star Trek: Picard (CBD All Access)–revisiting Star Trek’s old nemeses The Borg and introducing the cyborg-like nonbiological humanoids called Synths, the same term used in the BBC’s Humans.
Best TV Borg, Best TV Villain – Darth Maul (played by Sam Witwer and Ray Park), Star Wars: The Clone Wars (Disney+). The athletic performer Ray Park provided the best-ever lightsaber duel scenes in his co-starring performance in The Phantom Menace. Watching the animated series this year it was clear Darth Maul wasn’t just another animated character. Add another great duel to the books–Park’s motion capture abilities live on and continue to set the bar for Star Wars action sequences, and Witwer voices a character we never want to see go away again. Honorable mention for Best TV Villain: Grand Moff Gideon, Giancarlo Esposito, The Mandalorian (Disney+).
Best Sci-fi TV Series, Best TV Fantasy, Best Western TV Series – The Mandalorian (Disney+). Not a lot needs explaining with this series, which continues to be compared to the original Star Wars and The Empire Strikes Back more than anything with the Star Wars label on it since. The Western motif is still alive, not all that hidden here in space fantasy garb. And we won’t get started on the impact of The Child (aka Baby Yoda) now called Grogu, on the genre-loving world and beyond. Credit Dave Filoni and Jon Favreau’s visible enthusiasm and love for the original movies for a series that only gets better with each episode, despite their short lengths. Honorable mention for Best Sci-Fi TV Series: Star Trek: Picard (CBS All Access).
Once a year at borg we ask: What makes a great screen heroine? It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television. Despite delays in releases due to the covid pandemic, nothing kept Hollywood from including great female characters on the screen, even if that meant moving movies to the small screen for a while. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for. Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too. (Want to see previous years’ kickass genre heroines to see how 2020 compares? Here are 2019, 2018, 2017, 2016, and 2015). Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire. And they all showed what a tough, kick-ass, and often badass, character is about.
This year we add masked superheroines, a CDC epidemiologist, aliens, assassins, martial artists, warriors, cyborgs, a telephone operator, an engineer, a bounty hunter, and a frog and a pig–with a roster evenly split between television and movie characters. Credit goes to both the writers, costumers, and other creators of the characters and the actors and performers that brought them all to life.
These are the Best Kick-Ass Genre Heroines of 2020:
Bo-Katan Kryze(The Mandalorian, Star Wars: The Clone Wars). In the animated series she would let nothing stand in her way. In a galaxy with villains like Grand Admiral Thrawn and Grand Moff Gideon, we’re lucky to have Bo-Katan on our side. Leading a team to find the Darksaber and restore Mandalore, she’s also willing to enlist a lone straggler, and help him for his efforts. With Katee Sackhoff, the actress behind Starbuck, in the armor, the coolness factor goes up by a factor of 100. Great heroines are great leaders, and, like Bo-Katan, they wield an incredible arsenal of skills. (Disney/Lucasfilm)
Sheriff Nicole Haught (Wynonna Earp). Katherine Barrell’s tough, savvy, and friendly sheriff is one of the best reasons to watch Wynonna Earp, now four seasons running. She’s the girlfriend of Wynonna’s sister Waverly, she is plugged into the local supernatural happenings, and she’s always available to lend a hand, when she’s not carrying out her sheriff duties. She’s an investigator who is loyal, driven, and smart. She’s also fun and friendly, making her the heart of the series. In a show about supernatural people, she holds her own as law enforcer simply by her own human wits. (Syfy)
Seven of Nine (Star Trek Picard). More than forty years of Star Trek have revealed some exceptional women leaders. This year we were lucky to see the re-appearance of one of the best, a character who was captured as a child and trapped in what amounts to a technological cult. With the help of a strong captain, Seven was able to break free, and re-learn what it means to be human. This year that meant helping a legendary former admiral, avenge the death of her closest friend, and fight for good long after her call to duty. (CBS All Access)
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021! But wait! Next year’s list sure looks a lot like the the films we previewed last December. The covid pandemic has delayed hundreds of film projects, but some made it through. When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks. Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.
Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar. The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem. Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob! Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year. After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out. Other films, like Vast of Night, Extraction, The Old Guard, Rebecca,Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.
So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and Morbius. Wonder Woman 1984 is expected to have a theatrical release by year end. Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.
So what’s left and what’s new?
Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021. Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list. Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration. Note: Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max. Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year. Amazon Studios has fewer, most partnerships with Blumhouse Productions.
As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.
January
Mortal Kombat. Based on the video game. New! Tentative release date: January 15, 2021. HBO Max.
Wrath of Man. Next Jason Statham action flick. New! Tentative release date: January 15, 2021.
The French Dispatch. Wes Anderson and his familiar actors in new quirky film about journalists. New! January 28, 2021.
The Dig. A film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan. January 29, 2021. Netflix.
