Hayao Miyazaki’s Whisper of the Heart may be the anime master’s most heart-warming story. Based on the 1989 manga by artist Aoi Hiiragi, Whisper of the Heart is a 1995 romance and drama about a teenage girl who wants to be a writer, and with the determination and self-discipline necessary, she is successful at completing her first novel. The story within a story that she writes is about an ornamental cat in a store window that she names The Baron. In a fun twist, Hiiragi wrote the girl’s story into another manga, titled The Cat’s Repayment, and that story was adapted into Studio Ghibli’s 2002 anime film The Cat Returns. “The Cat” returns to theaters today (June 26) and tomorrow (June 27) as part of the Fathom Events series to launch Studio Ghibli Fest 2022, which wraps next April with the 25th anniversary screenings of Hayao Miyazaki’s sprawling fantasy Princess Mononoke.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2022. We’re changing up this year’s preview by adding several trailers. Unlike in previous years, we have trailers for most of these movies. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year. In all we pulled 60 movies from the hundreds of films that have been finalized or are in varying stages of final production and slated for next year’s movie calendar. Many of these will be more than familiar to you, as we’ve previewed some going back to 2019.
The biggest surprise is there aren’t a lot of surprises on the horizon, at least for big movies, like Doctor Strange and the Multiverse of Madness, Thor: Love and Thunder, Fantastic Beasts: The Secrets of Dumbledore, Black Adam, Lightyear, Spider-Man: Across the Spider-verse, Halloween Ends, Top Gun: Maverick,Jurassic World: Dominion, a new Predator movie called Prey, and The Batman.Compare the below list to our 2021 list, 2020 list, 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and you’ll see the studios continue moving genre content from the big screen to the small screen via streaming services. Hollywood hasn’t made its way back to full production mode yet since the pandemic risks aren’t over yet, and it’s beginning to look like TV will be the location most people watch their movies for the foreseeable future, if not permanently. What do the big movies have in common? They’re all sequels–and more remakes of movies, books, and TV shows are on the way.
First up, the top 15 movies expected in 2022 that don’t have an announced release date yet, followed by our annual month-by-month rundown of trailers. Grab your calendar and start making your plans–here are the movies you’ll want to see in 2022 (and some you might not!):
Havoc –Tom Hardy stars as a detective in a crime drama directed by Gareth Evans (Netflix)
Enola Holmes 2 –sequel, starring Millie Bobby Brown and Henry Cavill (Netflix)
Prey – the fifth movie in the Predator franchise will be a prequel, starring Amber Midthunder as a Comanche who must protect her tribe from the alien threat (Hulu)
Pinocchio– live-action version of the fairy tale stars Tom Hanks as Geppetto and Joseph Gordon-Levitt as Jiminy Cricket (Disney+)
The Amazing Maurice – animated young adult fantasy about a sentient cat, based on the 2001 book The Amazing Maurice and His Educated Rodents by Terry Pratchett, starring Emilia Clarke, Hugh Laurie, David Thewlis (theatrical release)
Blonde – a biopic about Marilyn Monroe starring Ana de Armas, with Adrien Brody and Bobby Cannavale (Netflix)
Wendell and Wild – comedy duo Key and Peele create a stop-motion dark horror comedy (Netflix)
The Gray Man –the Russo brothers direct a film about a an ex-CIA agent, starring Ryan Gosling, Chris Evans, and Ana de Armas (Netflix)
The Adam Project – sci-fi movie stars Ryan Reynolds as a man who goes back in time to get his younger self for help (Netflix)
Spaceman – sci-fi movie stars Adam Sandler and Carey Mulligan (Netflix)
The School for Good and Evil – long-delayed young adult fantasy with Charlize Theron (Netflix)
Slumberland – kids fantasy adventure starring Jason Momoa and Kyle Chandler (Netflix)
All Quiet on the Western Front – remake of novel adaptation, this time starring Daniel Bruhl (Netflix)
Blade of the 47 Ronin – sequel to 47 Ronin, starring Mark Dacascos (Netflix)
Deep Water– another Ben Affleck bad marriage “erotic psychological thriller,” with Ana de Armas (Hulu).
January
The 355 – Spy/thriller, starring Jessica Chastain, Lupita Nyong’o, Bingbing Fan, Diane Kruger, Penelope Cruz, Sebastian Stan – January 7.
The Tender Bar – Coming of age story starring Ben Affleck and Christopher Lloyd (Amazon) – January 7.
Hotel Transylvania: Transformania– Latest entry in the animated franchise (Amazon) – January 14.
Scream– Horror, the big reboot/sequel stars Neve Campbell, Courteney Cox, and David Arquette – January 17.
I think they are just terribly comfortable. I think everyone will be wearing them in the future.
Since–like everyone else–actors are unable to do their jobs until the risk of the COVID-19 pandemic has passed, many have offered up some of their time over the past 120 to 150 days to provide fans with extra interviews, table reads (like the Community table read we discussed here at borg), and comic-cons at home, creating some content for the fan base we wouldn’t have otherwise had access to without this strange new normal of sheltering at home, social distancing, and masks. If you don’t subscribe to or know what Quibi is, you may have missed the latest–an ensemble of actors from popular to more obscure re-enacting scenes from Rob Reiner’s fan-favorite fantasy, comedy, and romance, The Princess Bride.
The style is all intentionally low budget–think of the kind of backyard films you might have made as a kid, and in fact, the film is called Home Movie: The Princess Bride. But it’s great fun, all filmed with quarantine safety rules in place (those filming together were already living together), and the kind of thing any classic film fan base would be overjoyed to see created. The best part is learning who had actual historical costumes in their closet to work with (Mad Men man Jon Hamm had a Renaissance shirt in his closet, as did comedic actors Neil Patrick Harris and David Spade, and Rogue One’s Diego Luna), those who didn’t, and who might be better actors than you’ve given them credit for.
It’s not every location for a TV series that becomes the best part of the that series. For the third season of Stranger Things, which arrived on Netflix this Fourth of July weekend, the big win was Starcourt Mall. Maybe it’s the fact so many of us have vivid memories of their own mall for their first jobs, for birthday parties, or where they bought their favorite shoes, rendezvoused with friends, and watched their favorite movies–or just as likely, the fact that so many younger viewers weren’t around to witness malls of the 1980s and can only guess what they were like–whatever the reason, Stranger Things showrunners the Duffer Brothers (Ross and Matt) made a wise move setting a major part of this year’s eight episodes there. Initially Netflix kept its Starcourt Mall intact for a possible tourist attraction (actually a rebuilt section of Duluth, Georgia’s Gwinnett Place Mall, far away from Indiana), but early crowds and the inability to make a deal resulted in trashing the sets entirely (except Scoops Away, which went into storage). Now nothing remains of the rented space in the mall used for the series, but what a great idea gone to waste!
So what other than the mall makes for the good and bad this season on Stranger Things?
Six writers concocted interwoven storylines that matched the prior two seasons–the series is consistent, neither better nor worse than past seasons, but just as good and even great in places. That fandom phrase “I’d rather watch bad [insert: Star Trek, Star Wars, etc. here] than anything else” rings true for Stranger Things, although you’ll rarely find much that qualifies as completely “bad.” Each season has those early season episodes that make the story seem like the greatest thing since the 1980s, and yet other episodes stumble. That was true this season. The best thread tracked older teen Joe Keery′s Steve Harrington and one of the series’ main four kids, Gaten Matarazzo′s Dustin Henderson. Dustin has just returned from a science camp, to find the two series kid leads Finn Wolfhard′s Mike Wheeler and Millie Bobby Brown′s Eleven/El inseparable in their young romance. The best recurring question of the season is whether Dustin’s girlfriend Suzie is real or imaginary. Steve works at the mall now with a grumbly gal named Robin, played by Maya Hawke, who becomes another high point of the season, and integral to moving the story forward. What better way to launch the career of the daughter of popular and acclaimed actors Uma Thurman and Ethan Hawke than a fun season of Stranger Things? (Her work and quick development of a likeable character promises a huge career is in store for her). Growing out of the events of last season, Dustin and Steve, with co-worker Robin, embark on a mission to save their friends, Hawkins, and the world from a beast connected to El, Noah Schnapp′s Will Byers, and the Demogorgon of past seasons, and a new, perfectly timed 1980s nemesis: the Russians, led by Andrey Ivchenko as a thug mash-up of Arnold Schwarzenegger and Robert Patrick in their Terminator series roles.
The other series cast members are divided into three teams, each slowly piecing together clues to solve the season’s riddles, with older teens Natalie Dyer′s Nancy Wheeler and Charlie Heaton′s Jonathan Byers still a couple, but now struggling against 1980s office politics, including a vile co-worker played in typical Busey fashion by Jake Busey. The other kids–El, Mike, Will, Caleb McLaughlin′s Lucas Sinclair and Sadie Sink′s Max Mayfield, also still a couple, reflect most of the “coming of age” story that dominated past seasons. The best of this is the visual nostalgia accompanying an El and Max outing to the aforementioned Starcourt Mall. The adults are back, with top-billed star Winona Ryder getting some better development this season as Joyce Byers, the first to realize something is again wrong in Hawkins. David Harbour is back as police chief Jim Hopper, but unfortunately his character is the low point of the season–he gets tossed around and becomes the butt of jokes as with last season, instead of carrying forward that decisive, strong, cool personality we met in Stranger Things′ first season.
Netflix released the first trailer for the third season ofStranger Things, on its way to the streaming platform this Fourth of July. The main cast is all back, with David Harbour‘s Sheriff Hopper trying to raise teenager Eleven (played by Millie Bobby Brown), who is now best buds with Max (Sadie Sink). Following up on last season, Gaten Matarazzo‘s Dustin is still pals with Joe Keery‘s Steve Harrington, and everyone else looks more than a bit older. With last season’s hero Bob Newby (Sean Astin) obviously not returning, backfilling the fan favorite actors from the 1980s means the introduction to the series of newcomers Cary Elwes(The Princess Bride, Psych) and Jake Busey(Starship Troopers, Contact) taking on more than guest roles this season, as revealed in the trailer.
It’s now the Summer of 1985, but we’re back in Hawkins, so that means more bad things are coming our way from the Upside Down. More music you remember that was played to death on the radio. More fashion, big hair, and 1980s designs. New villains, new beasties. And a big new addition: The Mall and the battle at Starcourt. But we hear the pretzels aren’t even that good, so…
Take a look at this great preview for Season 3 of the next best thing since the 1980s, Stranger Things:
Captain Kirk, The Fonz, Chewbacca, The Flash, Starbuck, the Weasleys, two Supermans, Tank Girl, and a slate of characters from The Princess Bride are heading to Kansas City
For twenty years Planet Comicon has been one of the Midwest’s biggest comic book and pop culture conventions and that was no less so in 2014 when it became the largest attended event in the history of the Kansas City Convention Center. And it’s only gotten bigger. Last year’s show featured guests including Jason Momoa, John Cusack, Michael Rooker, Danny Trejo, and Alan Tudyk, and this year Planet Comicon Kansas City is bringing in some of the most memorable names from TV and movies from the past and present for its 20th anniversary show. Leading things off, Captain (and Admiral) James T. Kirk, William Shatner is returning to Kansas City for the annual event, which takes place at Kansas City’s convention center at Bartle Hall, March 29-31, 2019.
The guy who invented cool, the first person to “jump the shark,” Arthur Fonzarelli “The Fonz” from Happy Days actor Henry Winkler is making his first comic-con appearance in Kansas City. Star of last year’s bigStar Wars event, Solo: A Star Wars Story,Chewbacca actor Joonas Suotamo is scheduled to attend. Star of one of the best sci-fi TV series of all time–the reboot of Battlestar Galactica–Starbuck actor Katee Sackhoff will be appearing at the show. Two co-stars of the CW’s The Flashwill be on-hand for autographs and photographs: Danielle Panabaker and the original 1990 Flash, John Wesley Shipp, both attending the event for the first time. And for more of your superhero retro fix, two Superman actors, Lois & Clark’s Dean Cain and Smallville star Tom Welling, will have autograph booths on the convention floor.
Famous for her role as Tank Girl, and star of A League of Their Own and Netflix’s Orange is the New Black, actor/director Lori Petty will be in the house. Harry Potter fans can meet actors that portrayed three of their favorite Weasleys: Ginny Weasley’s Bonnie Wright, and brothers Fred and George, James Phelps and Oliver Phelps. Also in the fantasy movie realm, three stars of The Princess Bride are making their way to Planet Comicon 2019: Westley’s Cary Elwes will join Prince Humperdinck’s Chris Sarandon and the inconceivable Vizzini himself, actor Wallace Shawn.
–there’s something for every TV and movie fanboy and fangirl at this year’s show.
Hayao Miyazaki’s Whisper of the Heart may be the anime master’s most heart-warming story. Based on the 1989 manga by artist Aoi Hiiragi, Whisper of the Heart is a 1995 romance and drama about a teenage girl who wants to be a writer, and with the determination and self-discipline necessary, she is successful at completing her first novel. The story within a story that she writes is about an ornamental cat in a store window that she names The Baron. In a fun twist, Hiiragi wrote the girl’s story into another manga, titled The Cat’s Repayment, and that story was adapted into Studio Ghibli’s 2002 anime film The Cat Returns. “The Cat” returned to theaters this week as part of the Fathom Events series and Studio Ghibli Fest 2018, and has its final screening at theaters nationwide Wednesday evening, April 25, 2018, at 7 p.m. local time. Find theater information and order tickets here.
This month’s release of Wes Anderson’s Isle of Dogs was inspired by the anime films of Studio Ghibli, and you can see the influences from The Cat Returns in particular. The Cat Returns is a much lighter film with none of the violence of Isle of Dogs. It has rightly been referred to as “delightful,” “sweet,” and “cute.” Its appeal for cat fans is the sincerity and authenticity of director Hiroyuki Morita (Akira, Perfect Blue, My Neighbors the Yamadas), and his use of real cats for some of the cat dialogue. The story centers on a high school student named Haru. When Haru rescues a cat in the road from an oncoming truck, the cat stands upright and speaks to thank her, and she soon learns he is a cat prince whose father the Cat King grants her the blessing of total happiness. She finds she could always hear and communicate with cats, but lost that sense years ago. Cats from the kingdom pile on the gifts, not realizing people don’t like mice and catnip as much as cats, and when the gifts and rewards get too great and the Cat King goes overboard, she is helped by a well-dressed cat at the Cat Business Office–The Baron.
Haru meets a rather skeptical, rotund, white cat along the way named Muta, who is possibly the finest, most realistic cat ever translated to film. Soon the Cat King determines Haru should marry his son, and Haru, The Baron, and Muta embark on an escape from the palace through a labyrinthine maze. Studio Ghibli, with creators Miyazaki and Morita, have visually presented the most believable cats in their numerous productions over the decades. In The Cat Returns the characters are not so much photo-real as in Miyazaki’s directorial efforts (here he serves as executive producer), yet the charming story is truly everything any cat lover will love. It is also filled with good humor, an engaging fantasy story, and lots of silliness that both kids and adults will appreciate.
Following the success of last year’s Studio Ghibli Fest, animated film distributor GKIDS and Fathom Events are bringing back to U.S. theaters nine critically acclaimed films throughout the year for Studio Ghibli Fest 2018. Starting this weekend the series will feature both dubbed and subtitled versions of Studio Ghibli classics, beginning with a 10th anniversary screening of the fan-favorite family adventure Ponyo (2008) on March 25 (dubbed), 26 (subtitled), and 28 (dubbed), with original actors Tomoko Yamaguchi, Kazushige Nagashima, and Yuria Nara in the subtitled version and Cate Blanchett, Cloris Leachman, Liam Neeson, and Matt Damon in the dubbed version. In a spin-off of the Hayao Miyazaki story Whisper of the Heart, the character Baron re-emerges in The Cat Returns (2002), back in theaters April 22 (dubbed), 23 (subtitled), and 25 (dubbed), with stars Chizuru Ikewaki, Yoshihiko Hakamada, and Aki Maeda in the subtitled version, and Anne Hathaway, Cary Elwes, and Tim Curry in the dubbed version. Miyazaki directs his tale of a pigman pilot bounty hunter in Porco Rosso (1992), back in theaters May 20 (dubbed), 21 (subtitled), and 23 (dubbed), with original stars Shûichirô Moriyama, Tokiko Katô, and Bunshi Katsura Vi in the subtitled version, and Michael Keaton and David Ogden Stiers in the dubbed version.
Studio Ghibli’s village of magical raccoon dogs fight back in Pom Poko (1994), in theaters June 17 (dubbed), 18 (subtitled), and 20 (dubbed), starring Shinchô Kokontei, Makoto Nonomura, and Yuriko Ishida in the subtitled version, and Clancy Brown and J.K. Simmons in the dubbed version. One of Miyazaki’s most thrilling films, the legendary Princess Mononoke (1997) is back July 22 (dubbed), 23 (subtitled), and 25 (dubbed), starring Yôji Matsuda, Yuriko Ishida, and Yûko Tanaka in the subtitled version, and Minnie Driver, Clare Danes, and Gillian Anderson in the dubbed version. Director Isao Takahata offers one of the finest World War II stories in all of cinema in his gut-wrenching Grave of the Fireflies (1988), back in theaters August 12 (dubbed), 13 (subtitled), and 15 (dubbed), starring Tsutomu Tatsumi, Ayano Shiraishi, and Akemi Yamaguchi in the subtitled version, and Adam Gibbs and Emily Neves in the dubbed version.
Everyone’s favorite gentle giant cat is back September 30 (dubbed), October 1 (subtitled), and October 3 (dubbed), when My Neighbor Totoro (1988) returns, starring Hitoshi Takagi, Noriko Hidaka, and Chika Sakamoto in the subtitled version, and Dakota Fanning, Elle Fanning, and Tim Daly in the dubbed version. Perhaps Miyazaki’s most acclaimed film, the fantastical, spiritual, riveting epic Spirited Away (2001) is in theaters October 28 (dubbed), 29 (subtitled), and 30 (dubbed), starring Rumi Hiiragi, Miyu Irino, and Mari Natsuki in the subtitled version, and Suzanne Pleshette, David Ogden Stiers, and James Marsden in the dubbed version. And finally, a boy and girl search for a floating castle in Miyazaki’s Castle in the Sky (1986), in theaters November 18 (dubbed), 29 (subtitled), and 20 (dubbed), starring Keiko Yokozawa, Mayumi Tanaka, and Kotoe Hatsui in the subtitled version, and Anna Paquin, Mark Hamill, James Van Der Beek, Cloris Leachman, and Mandy Patinkin in the dubbed version.
Here is a quick preview of Studio Ghibli Fest 2018:
Last week The Princess Bride turned 30 and it returned to theaters this week as part of the Fathom Events and Turner Classic Movies partnership (more classics are on their way to your local theater so keep an eye on the Fathom Events website for updates). We’re big fans of The Princess Bride here at borg.com–more than five years ago it made 3 of our 4 lists of all-time favorite fantasy films. This week’s screenings included Ben Mankiewicz interviewing director and producer Rob Reiner, and what shines through is Reiner’s enthusiasm for the film, three decades later. He’s had several hits, from This is Spinal Tap to A Few Good Men, When Harry Met Sally, Misery, and The American President, and more, and now in theaters is his latest–LBJ. But so few films are beloved like The Princess Bride.
Why does it work so well? Part of the film’s success is due to its sincerity. It’s true to its source material, William Goldman’s novel The Princess Bride–the favorite of the author’s works. Reiner tells a story of the difficulty in getting novelist William Goldman to sign over the film rights. After countless big names were denied, Reiner was successful by agreeing simply not to change the story. Goldman, who won Oscars for his screenplays to All the President’s Men and Butch Cassidy and the Sundance Kid, also penned the film adaptation, further ensuring his original vision. The story is bookended as only a fairy tale could be told (with a few interruptions) by Peter Falk’s Grandpa and Fred Savage’s Grandson, just having storytime. The Grandson’s 1980s room provides plenty of nostalgia for kids from the period–a “Refrigerator” Perry poster, a Cubs pennant, Burger King The Empire Strikes Back drinking glass, He-Man action figures–this Chicago kid had a fun room. But the family bonding is the thing–an old book keeping a story that bridges generations, inside the movie and out, told by an old man with glasses, gray hair, and a fedora. And the story is sweet and about love–nothing in the movie is embarrassing or gross or disturbing–it’s safe territory to kick back and have a good time–for everyone.
Rob Reiner’s humor must also be a big component of the film’s success and appeal. His choices, his casting, his own humor comes through, no doubt influenced by a lifetime in film thanks to his comedy dad Carl Reiner. Carl belonged to that classic comedy school that also includes Mel Brooks. It’s Brooks’ Young Frankenstein that The Princess Bride reminded me of the most in the theater. What Young Frankenstein was to classic monster movies, The Princess Bride was for the fantasy film genre. Is The Princess Bride a parody? It doesn’t have those obvious, direct ties to specific classic scenes like Young Frankenstein, but it’s an homage to several–from Errol Flynn’s The Adventures of Robin Hood to Zorro and from Ivanhoe to Captain Blood and Sleeping Beauty. The Pit of Despair, where Cary Elwes’s Dread Pirate Roberts is tortured, looks as if it could have been designed by the same crew as the laboratory set in Young Frankenstein (it didn’t but it did share its set designer–Richard Holland–with fantasy classics Labyrinth and The Dark Crystal). But Rob Reiner’s humor is his own. He never sits on a joke like the old masters of Hollywood comedy. He leaves a laugh and keeps moving, which keeps in step with classic fantasyland storytelling. You can laugh but the goal is the goal: Rescue the Princess!
The classic archetypes are there: the Princess (Robin Wright), the Farmboy Hero (Elwes), the Three Woodsmen (Mandy Patinkin, Wallace Shawn, Andre the Giant), a Wizard (Billy Crystal), a Crone (Carol Kane), an Albino (Mel Smith), and plenty of Villains including the Evil King (Chris Sarandon)–with a classic “rescue the Princess” plot. But the movie is also unique. What else has Rodents of Unusual Size? The accents of Wallace Shawn as Vizzini and Peter Cook as the Impressive Clergyman? An ad-libbing Billy Crystal partnered with a wonderfully badgering Carol Kane (Humperdinck! Humperdinck!)? A real giant? Two brave, swashbuckling heroes and two key villains (don’t forget Christopher Guest’s Count Rugen). And the quotable lines! It surely has as many big lines as Caddyshack: As you wish… My name is Inigo Montoya. You killed my Father. Prepare to die… Never get involved in a land war in Asia!… Inconceivable!… I do not think that word means what you think it means… Mawwiage! … And an endless litany of “boo”s. The Pit of Despair! The Cliffs of Insanity!
Moviegoers will hear a different kind of “BOOooo! BOOOooo!!!” in theaters this coming week. The Princess Bride turned 30 this past week and TCM Big Screen Classics is back again partnering with Fathom Events to round out a major year of retrospective screenings. You’ll have two days only to see Buttercup, Westley, Inigo Montoya, Fezzig, Miracle Max & Valerie, Prince Humperdinck, Vissini, and Grandpa back in theaters, tomorrow, October 15, and Wednesday, October 18.
The Princess Bride? Back on the big screen? Inconceivable!
You can also get in on a “twivia” contest for great prizes. Check out the contest here. Accompanying this return to theaters is a 30th anniversary home release of the film (which does not appear to offer any updates to prior versions), available in a Blu-ray and Digital HD combo and on DVD. Fans of the film should take a look at one of the better behind the scenes looks at any movie in The Princess Bride–A Celebration, previously reviewed here at borg.com. It has some great Polaroid photographs from director Rob Reiner. And if you haven’t read the original story to your kids or grandkids, get William Goldman’s classic novel, still in print and available here. Goldman won Oscars for two other all-time greats: All the President’s Men and Butch Cassidy and the Sundance Kid.
You can’t beat this cast and the actors who were all at great places in each of their careers–Robin Wright, Cary Elwes, Mandy Patinkin, Chris Sarandon, André the Giant, Christopher Guest, Wallace Shawn, Billy Crystal, Carol Kane, Peter Falk, and Fred Savage. For the younger generation: yes–that is the same Robin Wright who starred in Wonder Woman earlier this year and Blade Runner 2049, in theaters now. A true classic, last year The Princess Bride was added to the National Film Registry, which identifies and preserves select films typifying the American film heritage.
