Advertisements

Tag Archive: DC Comics


   

Review by C.J. Bunce

A new hardcover mini book joins Insight Editions‘ palm-sized book series (check out our review of the Harry Potter book here), this time reprinting 300 covers of the Wonder Woman comic book series, all in color.  So for a list price of $11.99, Wonder Woman fans can now flip through decades of the superheroine’s visual history.  You will be surprised at the volume of reptiles, undersea creatures, and dinosaurs she has wrestled over the decades from 1942 to 1983.

Wonder Woman: The Complete Covers Volume 1 finds Diana, the Amazon warrior-princess, in all sorts of situations–action and adventures featuring her ride, climb, lasso, grab, toss, wrestle, run, dive, fly, strut, sit, lasso some more, block, drive, fight, swing, soar, manhandled, swim, throw, jump, lift, spacewalk, clam surf, hoist trees, punch, sword fight, cry (but only twice), protect, shoot, drown, get tied up or handcuffed, fall, get eaten, kick, put a guy in a headlock, and lasso again, and deflect bullets and lightning, and die.

Who appeared the most with Wonder Woman on the covers of the first 300 issues of the Wonder Woman comic book?  Wonder Woman.  That’s right, DC must have figured if one image of the superheroine sold a 52-page comic, then the Amazon battling herself would bring in even more readers.  How many costume changes did she get in 300 issues?  For the first 177 issues she went from boots to sandal boots and back again, until 1968 when the comics featured a series of mod outfits, but she returned to her classic look with issue 204 (her boots would change yet again).

Check out our preview of Volume 1 and Volume 2 below.

Continue reading

Advertisements

Our borg Best of 2018 list continues today with the Best in Print.  If you missed them, check out our review of the Best Movies of 2018 here, the Kick-Ass Heroines of 2018 here, and the Best in Television 2018 here.

So let’s get going.  Here are our selections for this year’s Best in Print:

Best Read, Best Sci-fi Read – The Synapse Sequence by Daniel Godfrey (Titan Books).  The Synapse Sequence is one of those standout reads that reflects why we all flock to the latest new book in the first place.  The detective mystery, the future mind travel tech, the twists, and the successful use of multiple perspectives made this one of the most engaging sci-fi reads since Michael Crichton’s Jurassic Park.  Honorable mention: Solo: A Star Wars Story novelization by Mur Lafferty (Del Rey).

Best Retro Read – Killing Town by Mickey Spillane and Max Allan Collins (Hard Case Crime).  The lost, first Mike Hammer novel released for the 100th anniversary of Mickey Spillane’s birth was gold for noir crime fans.  This first Hammer story introduced an origin for a character that had never been released, in fact never finished, but Spillane’s late career partner on his work made a seamless read.  This was the event of the year for the genre, and a fun ride for his famous character.  Honorable mention: Help, I Am Being Held Prisoner, by Donald E. Westlake.

Best Tie-In Book – Solo: A Star Wars Story–Expanded Edition novelization by Mur Lafferty (Del Rey).  Not since Donald Glut’s novelization of The Empire Strikes Back had we encountered a Star Wars story as engaging as this one.  Lafferty took the final film version and Lawrence and Jon Kasdan’s script to weave together something fuller than the film on-screen.  Surprises and details moviegoers may have overlooked were revealed, and characters were introduced that didn’t make the final film cut.  Better yet, the writing itself was exciting.  We read more franchise tie-ins than ever before this year, and many were great reads, but this book had it all.  Honorable Mention: Big Damn Hero by James Lovegrove (Titan).

Best Genre Non-fiction – Hitchcock’s Heroines by Caroline Young (Insight Editions).  A compelling look at the director and his relationship with the leading women in his films, this new work on Hitchcock was filled with information diehard fans of Hitchcock will not have seen before.  Young incorporated behind-the-scenes images, costume sketches, and a detailed history of the circumstances behind key films of the master of suspense and his work with some of Hollywood’s finest performers.

There’s much more of our selections for 2018’s Best in Print to go…

Continue reading

Review by C.J. Bunce

It’s not every day the creator of a character has the opportunity to return to re-write that character’s origin story.  Paul Dini has done that in a new novel co-written by Pat Cadigan called Harley Quinn: Mad Love, based on his one-shot graphic novel from 1994.  Those who know Harley Quinn from cosplay, the Suicide Squad, or her popular costumes as merely The Joker’s sidekick will find a much darker story of life inside a mental asylum–DC’s Arkham Asylum–which has all the elements of 1950s true-life horror stories.  Mad Love presents a young woman on her path to become more dangerously violent–this is Harley less humorous and quirky than the animated series version of the character.

Fans know this already, but for those who don’t:  Harley Quinn is a character created in 1992 by Dini and Bruce Timm, with a name that is a shortened version of the created names “Harleen” and “Quinzel” (derived from the word harlequin), to add a female character to Batman tales named consistently with the names of a long line of popular DC villains.  Mad Love is a character origin dissimilar to standard comic book origin fare, and something different from the goofy sidekick and romantic partner of The Joker readers will find in more recent stories.  As a child, Harleen likes her father, who works long hours, and resents her brothers and mother.  Her father turns to crime, distancing her from her family.  She picks up gymnastics along the way, and is successful enough to make the Olympics, but doesn’t.  Instead she takes to trying to use her knowledge of psychiatry from college to do some good.  Unfortunately she chooses Arkham Asylum as her starting point.  Her intelligent but distracted mentor trusts her, but once Quinzel starts breaking the rules of psychiatry, it’s a slippery slope, culminating in a career-ending decision.

Mad Love reveals a thinly crafted background for a popular character’s origin story.  Here she is shown as single-layered: weak, easily manipulated by everyone she encounters, and she can’t get past thinking like a child, despite going to college, despite getting a degree in psychiatry.  She shows the reader how little she learned when she tries too early in her career to take on The Joker as a patient.  As the ultimate villainous mastermind of this DC universe, The Joker finds it easy to twist her into a tool of his escape.  Yet all along she acts the part of doting girlfriend, never realizing she was never his girlfriend in the first place–she is defined by her poor choices.  The Joker even let’s her know, but she likes him anyway.

Continue reading

 

“Adult coloring books” are a fairly recent phenomenon.  Over the past few years the adult coloring book has even taken on its own form, like the BBC’s Sherlock coloring book, which is published at just less than ten inches by ten inches square, differentiating its style and contents from the vertical designed books of decades past.  But the new field of books often have design flaws, like publishing an image that spans the fold line (no one since they were little kids have liked that feature in a coloring book, right?) or images that appear to have been drawn quickly, with little attention toward realism, or, for subjects like movie tie-ins, outright failing to match licensed character actor likenesses.  Luckily DC Comics comic book superhero fans won’t find those failings in two coloring books in current release from Insight Editions.

Both DC Comics Coloring Book and DC Comics Wonder Woman Coloring Book rate among the best coloring books you will find for kids or adults, ideal as inexpensive gifts this holiday season.  Both include images of original comic book artwork, used in marketing, for posters or promotions, and both feature original comic book cover artwork.  As an appendix, many of the covers are featured in full glossy color, so anyone who wants to reference the original color work can easily do so.  The only detractor is that neither book references the artists responsible for either the cover artwork or the included page art.  For most, they won’t notice, and this just be a great excuse to color some of the best images of the pantheon of superheroes from DC Comics ever released.

The DC Comics Coloring Book includes 96 pages and the DC Comics Wonder Woman Coloring Book includes 80 pages (both include 15 pages of full-color reference prints).  In the DC Comics book you’ll find covers to classic comic book issues, like Green Lantern 76 and 87, Showcase #4, Flash Comics #1, The New Teen Titans #1, and several All Star Comics and Justice League of America covers.  The Wonder Woman book includes covers from Wonder Woman #1, Justice League of America #12, Comic Cavalcade covers, and several other covers from various Wonder Woman-titled series.

Here are some preview pages from each:

Continue reading

A new book is bringing classic projector and transparency technology to 21st century kids.  It’s Batman Flashlight Projections: Heroes and Villains, a new interactive activity book from publisher Insight Kids.  For generations boys and girls used flashlights for night-time fun.  Who hasn’t made animal silhouettes with their hands with lights and shadow, with sun through a window, or via the light from a campfire at night?

Years ago, Kenner’s Give-a-Show Projector was among the most sought after toys for kids, allowing you to place slides in a viewer, backed by a powerful (and sometimes not-so-powerful) light source.  Star Wars, Doctor Who, Yogi Bear, Tom & Jerry, Speed Racer, Fat Albert, Jonny Quest, Popeye, Disney movies, and yes, Batman, all were available in projectable slide form for kids.  Beginning in the 1970s virtually every TV and movie franchise was available for similar viewing via View-Master’s battery-powered projector.  The same effect can be found using the transparent images in Batman Flashlight Projections: Heroes and Villains.

 

Simply use a flashlight to read along and project Batman scenes from the book onto any wall or ceiling.  It works shone against nearly any surface.  If you don’t have a flashlight–and even if you do–you may be better off with your mobile phone flashlight, which probably packs more light power than a standard home flashlight.  With a strong light the images appear with even greater clarity than pictured above, even at 6-10 feet away.  And one page has a transparency that is blank, so kids can make their own scenes by using their own non-permanent, dry-erase marker.

Here is a preview of some of the images you’ll find in the book, courtesy of the publisher:

Continue reading

Review by C.J. Bunce

Fitting into the CW television series’ fourth season, the first book in Amulet Books’ series of novels based on the DC Comics famous speedster, The Flash: Hocus Pocus, takes readers through an all-new middle-grade adventure mystery.  Barry Allen works with Team Flash, Cisco Ramon, Caitlin Snow, and H.R. Wells fka Dr. Wells (aka Reverse-Flash, Eobard Thawne, H. Lothario Wells, H. Wells, Harrison H.P. Wells, Harrison Wells, Harrison Wolfgang Wells, etc.), plus Joe, Iris, Wally “Kid Flash” West, and Captain Singh to try to find the cause of a recent series of deaths in Central City.  But while Cisco and Caitlin try to take a break from work at S.T.A.R. Labs at an old amusement park, a new villain rises calling himself Hocus Pocus (Cisco hates it when villains name themselves).

This mad magician takes control of Barry as he tries to save his job, protect Wally, save the city and have more time for he and Iris to move on with their lives together.  But this magician has found a way to control and direct anyone’s movements, and once Hocus Pocus can control Barry he can control anything, even kill a stadium full of innocent baseball fans.  Along the way Barry finds himself in front of the storefront of a psychic reader, the strange Madame Xanadu, who seems to have foreseen cryptic steps ahead in Barry’s future.  But Barry isn’t a believer.  Can he use science to find his answers, or will he need to meld both science and magic to take down this murderous magician?

 

Author Barry Lyga, who also penned the two follow-on books in the series, The Flash: Johnny Quick, and The Flash: The Tornado Twins, knows his characters well, creating a good story full of pop culture references, quips, and science–enough real science to prompt middle-grade readers to investigate some of the concepts used to solve this mystery on their own.   Continue reading

   

Named for legendary comics creator Will Eisner, the Eisner Awards saw their 29th presentation this weekend.  2018 Will Eisner Hall of Fame inductees included Carol Kalish (pioneering direct sales manager for Marvel Comics), and Jackie Ormes (first black female newspaper cartoonist, for the strip Dixie in Harlem featuring the character Torchy Brown).  Sixteen others were considered for the honor this year, and Charles Addams, Karen Berger, Dave Gibbons, and Rumiko Takahashi were inducted.  Joye Murchison Kelly and Dorothy Roubicek Woolfolk were awarded the Bill Finger Award for Excellence in Comic Book Writing.

Tom King (Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle) and Marjorie Liu (Monstress) tied for Best Writer, with Liu the first woman awarded in the category.  “Monsters” was the dominant theme of this year’s awards with Monstress (Image) and My Favorite Thing is Monsters (Fantagraphics) taking the most wins.

We congratulate all the winners and nominees.

Here are the winners awarded at the ceremony, in bold, along with the nominees by category:

Best Short Story

  • ”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017)
  • “Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix)
  • “Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!)
  • “Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant)
  • “Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

Best Single Issue/One Shot

  • Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)
  • Barbara, by Nicole Miles (ShortBox)
  • Pope Hats #5, by Ethan Rilly (AdHouse Books)
  • The Spotted Stone, by Rick Veitch (Sun Comics)
  • What Is Left, by Rosemary Valero-O’Connell (ShortBox)

Continue reading

    

Review by C.J. Bunce

If you’ve been looking for your next retro fix, this may be it.  Archie Comics and DC Comics is bringing nostalgia into a new crossover arriving in comic book stores today with Archie Meets Batman ’66.  Two characters first seen in 1939–and never before have they appeared together!  A battle in Gotham City extends its reach into Riverdale—with Mr. Lodge becoming Public Enemy #1 of the dynamic duo.  And it’s up to Veronica to recruit some help and place a call… to the Batcave.  Written by Jeff Parker and Michael Moreci with art by Dan Parent, J. Bone, Kelly Fitzpatrick, and Jack Morelli.

This new story is in the style of the opening title credits of the pop culture favorite 1960s live-action Batman series and the animated series Superfriends.  And it’s an even bigger series than you might think, with its first issue full of not only the Archie gang and Batman and Robin.  You’re going to find several of your favorite characters from the 1966 TV series make appearances.  The artists have all emulated that over-the-top BAM! POW! variety of comic book goodness.  Yes, we’re talking the return of the Batusi.  Check out a preview to Issue #1 below courtesy of Archie Comics.  Keep an eye out for a host of covers for this issue from Michael and Laura Allred, Derek Charm, Francesco Francavilla, Sandy Jarrell and Kelly Fitzpatrick, Dan Parent, J. Bone, and Rosario “Tito” Peña, and Ty Templeton.

    

Archie Comics plans to have a big presence at San Diego Comic-Con this week, focused on the hit CW television series Riverdale.  Fourteen cast members from the series will be pictured on hotel keycards across town.  With more than 40,000 keys created for the week, visitors will find these unique collectibles at nearly 40 San Diego hotels.  Check your keycards for Archie Andrews (K.J. Apa), Jughead Jones (Cole Sprouse), Betty Cooper (Lili Reinhart), Veronica Lodge (Camila Mendes), Alice Cooper (Mädchen Amick), Fred Andrews (Luke Perry), Hermione Lodge (Marisol Nichols), Hiram Lodge (Mark Consuelos), Cheryl Blossom (Madelaine Petsch), Josie McCoy (Ashleigh Murray), Kevin Keller (Casey Cott), F.P. Jones (Skeet Ulrich), Reggie Mantle (Charles Melton), and Toni Topaz (Vanessa Morgan).

As promised, here’s your preview of Archie Meets Batman ’66, Issue #1:

Continue reading

Less than one month away, San Diego Comic-Con returns to the San Diego Convention Center full of writers, artists, publishers, TV and movie studios, and vendors with representation from every major property and franchise.   Legos, Sideshow, Super 7, Mattel, Funko, Mondo, and more.  Already distributors have begun previewing convention exclusives–those sought-after rare collectibles usually available only at the show, but sometimes available afterward in small quantities if all of the inventory from the show isn’t pre-ordered or purchased on-site.

We think it’s time to share some of the best exclusives scheduled to be available at San Diego Comic-Con this year for those of you who are attending or have friends attending that can pick up items for you.  Just can’t decide what to spend your money on?  Check out the SDCC 2018 website for even more information from the vendors and more collectibles.  There’s too much for anyone to be able to see everything at the big Con, so we’ve listed booth numbers so you can make sure you don’t miss out on those toys, posters, and comic books that you simply must have.

These aren’t all the exclusives you’ll find at SDCC 2018–we’ve selected a sampling of some of the best items from popular vendors who have previewed their items with still three weeks until the convention.

Now on to the exclusives.

Gentle Giant is releasing a variety of exclusive mini-busts, plus this large-scale version of the classic Kenner Star Wars action figure.  You’ve seen Boba Fett from Gentle Giant here before–the original was borg.com‘s favorite toy of 2012 and one of the best action figure re-creations we’ve seen.

This exclusive provides one more chance to get this figure, this time reflecting original packaging from Return of the Jedi (sorry, no firing backpack).

From Alex Ross Art (Booth #2415) pick up limited prints and comics, including these new variant covers for Amazing Spider-man, Issue #1:

Continue reading

The ultimate shark sighting?  A make-ready skit when Jason Momoa finally gets to host Saturday Night Live?

We have seen some great team-ups that also served as great mash-ups.  One of the best came last year when DC Comics took a side trip with Warner Bros.’ Looney Tunes characters, especially in the Batman/Elmer Fudd crime-noir, one-shot story “Pway for Me,” by Tom King, Lee Weeks, and Lovern Kindzierski.  It was our pick for last year’s best team-up/mash-up.  This year DC Comics is back, but this time they paired off again with characters from Hanna-Barbera.  Last year for DC Meets Hanna-Barbera, Volume 1, that meant pairing Jonny Quest and Adam Strange, Space Ghost and Green Lantern, Flintstones and Booster Gold, and Suicide Squad and Banana Splits.  In comic book stores and coming soon in a compilation edition, DC Meets Hanna-Barbera, Volume 2 features even more great team-up/mash-ups:  Who wins when you pair The Flash and Speed Buggy?  How serious can cartoon characters get when you’ve teamed Black Lightning and Hong Kong Phooey?  Or “Super Sons” Robin and Superboy taking on Dynomutt?  But the winner is clear… How could you possibly lose with a team-up of Aquaman and Jabberjaw?

With the right amount of seriousness (mainly from Aquaman) and the right amount of nostalgic humor (mainly from fun-loving land shark Jabberjaw), Dan Abnett strikes throwback gold with a story full of seaside quips and Jaws references, pulling ideas even from the classic favorite Superfriends show.  The result is one of the best Aquaman stories we’ve read.  And Abnett completely tapped into the pulse of the classic Jabberjaw cartoon, tying in his band of friends The Neptunes.  Artists Paul Pelletier, Andrew Hennessy, and Rain Beredo created a unique, incredible look, something out of Syfy’s Haven town and Luc Besson’s future world in Valerian and Laureline.  THIS is the ongoing series that needs to continue, although, understandably the pairing is a big stretch even for comic books and animated series, bridging time and space to get these two worlds together.  But it works.  From the setting, a seaside tourist town called Amnesty Bay (playing on the Jaws town of Amity), to the return of the world’s best drumming shark, to the sound of fingers on a chalkboard, to those Rodney Dangerfield meets Curly Howard catch-phrases, to the final entanglement with shark hunters, this one has it all.

DC has already featured Hanna-Barbera together in ongoing comic book series from the favorite characters of 1970s Saturday morning cartoons in the series Future Quest, Scooby Apocalypse, The Flintstones, Wacky Raceland, Dastardly and Muttley, The Ruff and Reddy Show, The Jetsons, and Exit, Stage Left!: the Snagglepuss Chronicles.  A great writer should be able to find unlimited potential for Jabberjaw and his friends.  Check out these preview pages from the publisher for the story “A Bigger Beat”–

Continue reading

%d bloggers like this: