We couldn’t have been more excited when we heard–way back in 2020– Disney+ tapped Emmy-winning Orphan Black lead actress Tatiana Maslany into the Marvel Universe as She-Hulk. Finally we have the first trailer. Now called She-Hulk: Attorney at Law, the series appears to lean into the humor instead of giving audiences another heavy dramatic effort. Instead of green paint and make-up, the show opts for CGI, which isn’t quite convincing in this first trailer. Look closely and it’s not so much the green tint as the CGI hair. But they have plenty of time to finish this better in post-production in time for the actual summer premiere.
Check out the first trailer for She-Hulk: Attorney at Law:
Of all the new characters created since Scott Bakula’s Enterprise went off the air and J.J. Abrams and Alex Kurtzman took the reins of the Star Trek franchise, one of the best contributions is Santiago Cabrera’s Cristóbal Rios, captain of the vessel La Sirena, a ship staffed by a motley myriad of holograms that mirror Rios’s image. In John Jackson Miller’s new Star Trek: Picardtie-in novel Rogue Elements, readers will learn the back story of Rios, how he got his ship, and how he was destined to have a run-in with Jean-Luc Picard, sooner or later. A familiar brand of space pilot, call him rogue or scoundrel or buckaroo, Rios had encounters before the days of Star Trek: Picard–the series–with several characters you’ll know well from Star Trek: The Next Generation and beyond, including the most ruthless villain the Enterprise-D may have ever faced. Star Trek: Picard–Rogue Elements is just out, available now here at Amazon and bookstores everywhere.
Nausicaans, dead Ferengi, and dead Klingons? Oh, my!
Ten years! That’s ten years reviewing TV series in the decade that streaming services began to dominate TV viewing– and binge-watching was born as Netflix began releasing entire seasons at once in 2013. How do you pick the best series? As with yesterday’s list of movie recommendations, our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too. What makes a great TV series? Great writing—great storytelling. Also we looked to difficulty level and technology innovation—TV productions tend to get a fraction of the budget of big-screen features, so what they do with their time and money is critical, and some television series in the past decade were all-out feats. The third factor we looked to is re-watchability—we’ll be watching the best series for years to come. The big difference between ranking movies and TV is the change between seasons, that force that inevitably causes most shows to decline with each season. So consistency is a factor. Finally, as with movies the most important factor is the fun—why would you devote so many hours of your valuable time if you’re not going to have a great time?
One more thing: Ten years is a long time so we narrowed the series we’re including to those recommendations that fall primarily within the ten-year window. We covered several fantastic, re-watchable series that cemented their status in reruns or syndication, many beginning before borg began publishing and finishing in the years after, including Burn Notice, White Collar, Warehouse 13, Leverage, House, MD, In Plain Sight, and three landmarks among the best pop culture-packed series of all time, Chuck, Psych, and Community. We were disappointed that some of the best series were canceled and left to only a single season, otherwise they may have gone on to fare better against our top recommendations, shows like Jason Isaacs’ psychological police procedural Awake, Sarah Shahi’s all-for-fun Fairly Legal, Lauren Cohan’s action/spy series Whiskey Cavalier, the Doctor Who spin-off Class, the adaptation of Max Allan Collins’ popular noir novel series Quarry, the slick animated series Tron: Uprising, and the cyborg future-world Almost Human starring Karl Urban, to name a few.
So here are the Top 40 series we recommend, spanning 2011 to 2021. These are our favorites. How should you use lists like this? If you like what we talk about at borg, you’re probably going to like these shows. If you’ve missed any, odds are you have some new series to take a look at. Let’s start at #40 and move our way to #1. As with everything borg, we’re stressing genre series. Title links are to one of our previous borg reviews.
Two of television’s best genre actors are soon going to be donning superhero garb for the two major comic book movie franchises. First, earlier this month Disney+ announced Emmy-winning Orphan Black lead actress Tatiana Maslany will be expanding the realm of the Marvel Universe as She-Hulk in her own series. Then today Black Adam star Dwayne Johnson announced Leverage co-star Aldis Hodge will be joining him to fill bring into the fold one of the last members of the classic Justice League of America to have a major series or movie role. Hodge will play Hawkman in the Black Adam movie. Both will be live-action shows.
The sestras are returning. BBC America’s sci-fi drama Orphan Black ran five seasons, wrapping in 2017, but the key cast members and creators will be back Sunday, this time online for a table read of two episodes of the series. Tatiana Maslany, who earned an Emmy for her role as several clones, is leading the effort, along with actors Maria Doyle Kennedy, Jordan Gavaris, Kristian Bruun, Kevin Hanchard, Dylan Bruce, Evelyne Brochu, and more. Based on the episodes selected, expect some great scenes with fan-favorite couples Donnie and Alison and Delphine and Cosima. And it’s all to raise money for charity.
Now that everyone has seen it who likely was going to watch CBS All Access’s next Star Trek incarnation, Star Trek: Picard, it’s time to delve into the series. If you haven’t yet, take advantage of the free CBS All Access offer while you can. Series star Patrick Stewart has said he decided to bring his character back to the screen because of the role he performed for even more years than Picard–Charles Xavier in the X-Men series–specifically because of the strong finish he was able to give the character in James Mangold’s Oscar-nominated finale Logan, possibly Stewart’s strongest performance in his film and TV career opposite Old Man Logan as Old Man Charles. Stewart succeeded, as Star Trek: Picard, already expecting at least another season, showcases the beloved character as Old Man Picard and wraps far better fans’ last meeting with not only Picard, but Data, Riker, and Troi, too. And surprisingly it does that for Star Trek Voyager, specifically for Jeri Ryan′s Seven of Nine, who also had a rather anticlimactic finale in the last episode of that series. Her new take is very different from before, but still lots of fun.
Everyone likes Paul Rudd, right? Rudd is the center of a new comedy-drama on Netflix that began this weekend, Living with Yourself. And his fans won’t be disappointed. The same struggling character reaching for success–but just missing it–in shows like Ant-Man, Anchorman, and Clueless is back, but this time his character is actually characters, plural, and, like Ant-Man, this show has a sci-fi twist.
In fact you could spend the 3.5 hours of the eight episode, half-hour series spotting all the sci-fi tropes picked up in the script by Timothy Greenberg (The Daily Show). It all begins with a twist on Orson Scott Card’s short story Fat Farm (found in Isaac Asimov, George R.R. Martin, and Martin Greenberg’s collection,The Science Fiction Weight Loss Book). In that story, a person goes to a secret clinic to lose weight, not realizing he is actually being cloned, and the “real” him shuffled off to a work farm for the rest of his life, while “new him” returns to his life slim and trim not knowing the difference. In Living with Yourself, it’s Rudd’s character Miles who is unhappy not with his weight but his underachievement and overall dissatisfaction with himself. A co-worker puts him onto a pricey spa that can solve his problems, which turns out to be a third-rate, pop-up cloning shop, where, unknown to clients, they get replaced with like-new clones of themselves and their old selves get suffocated and buried in the woods. The cloning tech isn’t quite so refined so Miles experiences something like Total Recall’s schizoid embolism–instead of killing Miles’ older self, he wakes up in a shallow grave and must confront his new, cloned self.
This all plays out like another Arnold Schwarzenegger film, Twins, with old Miles left to forge ahead with his stale, unrefined DNA and new Miles “cleaned” and ready to conquer the world. But this is just in the first half hour. If you stay around for all eight episodes (and Rudd is fun playing two characters, so why not?), expect to catch scenes straight out of Multiplicity, Gattaca,Rachel Rising, The Last Jedi, Harry Potter, even Star Trek VI: The Undiscovered Country, and more. Rudd’s performance in dual roles is done so much in the actor’s laid back style that the double duty goes unnoticed, seamlessly, until the two halves confront each other in the season finale. It’s not that kind of complex, award-winning visual effects work we saw from Tatiana Maslany as a dozen-plus characters in Orphan Black, but it doesn’t need to be. The series hits on the classic internal struggle of man versus self, but this is first and foremost a comedy.
After a painfully long wait for fans of the series, the CW Network renewed the hit horror comedy/drama iZombie for a fifth season late Friday. Even the folks at TV Guide had their fingers crossed for this renewal, stating, “At last, our long national nightmare is over,” in response to the news. What began as a successful comic book series by writer Chris Roberson and artist Michael Allred for DC Comics’ Vertigo imprint about a gravedigger zombie gal who eats brains to survive, took on its own life under the deft management of showrunner Rob Thomas, who had already dazzled his target audience with Veronica Mars. Powerhouse star Rose McIver’s Liv Moore has become every bit the ace detective that Veronica was, but she also bridged the audience back to the pop culture references and off-the-wall fun Joss Whedon brought the TV audience with the original badass heroine with his Buffy the Vampire Slayer. And McIver had the added bonus of playing a character that had to change up her performance every single episode while also appearing in nearly every scene, like Quantum Leap’s Sam Beckett and more recently Tatiana Maslany’s several sisters in Orphan Black. And she has met the challenge with high energy along the way. Everyone should be taking a good look at McIver’s performance this year come award season.
That isn’t to say the series hasn’t had a few ups and downs as it found its footing each season, upping the ante for its characters faster than anyone could have predicted… Liv and Major (Robert Buckley) are off, then on again… Ravi (Rahul Kohli) and Peyton (Aly Michalka) are off, then on again… Major and Blaine (David Anders) were zombies, then they weren’t and now they are, etc. The experimentation worked, as the change-ups kept the show fresh and interesting, and as other shows get tired after the first or second season iZombie has taken the road traveled by NBC’s Grimm, a show that kept up the momentum taking major risks and changes only to get better with every new episode.
This week’s Episode 10 of the fourth season, “Yipee Ki Brain, Motherscratcher!” was the kind of crazy fun you might find on an early episode of South Park or Buffy. Mocking shows that run out of funds that then are left to have their action scenes off-screen to be summarized on-screen by a character afterward, in an audaciously hilarious move by the writers, co-star Malcolm Goodwin (last year’s borg.com pick for Best TV Actor) was left to pantomime a recap of his off-screen heroics for the episode. That was coupled with the kind of genre trope episode the series’ fans love: a bombardment of movie references and Easter eggs tied to 1980s action flicks. And Blaine and Bryce Hogson’s Don E continue to surprise us, but never more than in this week’s episode. The excellent villainy of the past four seasons (iZombie has three episodes left in Season 4) has smartly balanced out the heroes’ story: first with the brilliant Steven Weber’s Vaughn Du Clark and his daughter Gilda (Leanne Lapp), then with Eddie Jemison’s mobster Stacey Boss, followed by the return of Veronica Mars lead Jason Dohring as the questionable zombie law enforcer Chase Graves, and meanwhile the writers were furtively building the character arc of Robert Knepper’s Angus/Brother Love into compelling new territory as we prepare for what’s coming next season.
Our borg.comBest of 2017 list continues today with the best in television. If you missed it, check out our review of the Best Movies of 2017 here and the Kick-Ass Heroines of 2017 yesterday here.
Without further ado, this year’s Best in Television:
Best Borg TV Series, Best TV Borg – Humans (AMC). From the awakenings in the first episode of season 2, AMC’s Humans kicked in full throttle as the borg show to watch this year. Continuing to explore what it means to be real and addressing the desire and need to overcome oppression, the show took ideas from Frankenstein and THX-1138 and everything in between to show us realities of life as a borg as it took the world from robotic cyborgs to sentience. And this year’s best borg goes to all the Synths on the series, as each showed a different side to what a world full of cyborgs might be like.
Best Sci-fi TV Series, Best Soundtrack for TV – The Orville(Fox). The Orville expanded on elements from across all sci-fi, like space battle sequences and planet flyovers using Star Wars-inspired camera angles (including real model ships, not just CGI), completely new and unique aliens (the only thing close to these can be found in Doctor Who), and a fantastic, triumphant musical score from Bruce Broughton. A visually gorgeous show that took itself seriously more than trying to mock anything that came before it. The science fiction series we’ve been waiting for since Star Trek Voyager ended.
Best Fantasy TV Series – Wynonna Earp (Syfy). Wynonna Earp’s second season proved the first wasn’t a fluke. The sharp-tongued, swaggering, tough-as-nails gunfighter, her sister, the sheriff, and the ghost of Doc Holliday added some new team members and some great supernatural villains, providing a series we couldn’t wait to get back to each week. Wynonna’s handling of the Revenants and a transport back in time was even more fun while she managed her pregnancy.
Best Retro TV Series – Stranger Things (Netflix). The only question after binge-watching the second season of Stranger Things was struggling to decide whether it was better than the first. It had the same look and feel of its first season, but somehow the characterization was really amped up, the action more exciting, and the tension pretty much perfect. Stranger Things really had it all–stars of our favorite 1980s movies, throwback references to video games, music, fashions, and the obscure like no other show–and with a second season that eclipsed the first, it proved it is the real deal.
After the cut, come back for more of our Best in Television 2017, including our pick for Best TV Series:
It’s time for borg.com′s annual look at the year’s Best Kick-Ass Genre Heroines in film and television. Again the studios gave us more to cheer about than ever. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on. Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons, and some against gun and laser fire. And they all showed what a tough, kick-ass character is about.
In 2017 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked had the characters been swapped for males. We had a pregnant gunfighter, a mutant mental patient, a double agent, a space pilot, an alien security officer, a pregnant former psychopathic killing machine, a cyborg assassin, a mythic warrior, a maverick mercenary, a warrior, a commander of armies, an alien slave turned teacher, an angry young mutant, and a teenage high school reporter.
These are the Best Kick-Ass Genre Heroines of 2017:
Wynonna Earp(Wynonna Earp). Melanie Scrofano not only played Wynonna Earp as pregnant in this year’s second season, she actually was. And that didn’t slow her down, defeating all the evil Revenants in the town of Purgatory, and incorporating the discomfort of pregnancy made for great comic release all season long. Who had the tougher task, Earp or Scrofano? Either way, the series showed it’s a keeper and Earp the sharp-tongued, swaggering, tough-as-nails gunfighter we continue to love.
Valkyrie(Thor: Ragnarok). As cool and powerful as Cate Blanchett’s Hela was in this year’s pinnacle of the Marvel Cinematic Universe, the real scene stealer in Thor: Ragnarok was Tessa Thompson’s surprising new tough heroine, Valkyrie. Cocky? Yep. And she backed up that confidence with mad fighting skills and brains–enough of a combination to help Thor & Co. save the people of Asgard and get some revenge for the Valkyries who lost the original battle against Hela. As much as any other character, we’re looking forward to more of Valkyrie in next year’s ultimate team-up Avengers: Infinity War.
Luv(Blade Runner 2049). If Blade Runner 2049 is remembered for anything, it should be Sylvia Hoeks’ badass Replicant oddly (ironically?) named Luv. First unassuming, polished, and pristine in her mannerisms, she later reveals she can be the next best thing since Sarah Connor and the Terminators. Luv is a fierce, brutal borg whose villainy became the high point of the film.
Laureline (Valerian and the City of a Thousand Planets). Cocky yet sympathetic, loyal and determined, the space pilot 50 years in the making made it to the screen this year and Cara Delevingne delivered a surprise performance as the co-lead and equal half of Luc Besson’s science fiction space duo. Her confidence was second to none, she stood up for what she believed and took what she wanted, and still had time to care for a lost rare species while making sure she protected her partner’s back. We’d like to think she dropped the creepy egotistical Valerian in her next adventure, but she did exactly what she wanted to, and seemed to have one of those modern romances that worked for her. Quirky, snarky, funny, and tough, she took out a room full of men with weapons and made it look like she wasn’t even trying. Laureline has it all.
Helena(Orphan Black). Of all the characters played by Tatiana Maslany in the series’ five seasons, who knew the sestra that would write the book on them all would be Helena, the once ruthless, psychopathic killing machine who once befriended a scorpion in prison? This year Maslany wrapped up what must be the best role for a performer in the history of television. No one has ever played so many parts in a series, and played them beautifully. Each character had her moment, but Helena would make our list if she was in any series.
Antiope (Wonder Woman). The opening minutes to this year’s DC film Wonder Woman finally adapted to film what comic book readers have seen all along–that the Amazons were a creation that should have been on the screen long before 2017. The envy of them all was the brave and strong Antiope, played by Robin Wright. It was the character that launched a thousand memes, and what greater way to illustrate the mentoring of Wonder Woman than via Wright’s ultimate warrior.
Commander Lin Mae (The Great Wall). Jing Tian’s Lin, commander of the Crane Corps who takes charge of the Nameless Order and staves off the Tao Tieh, may be the year’s most dynamic and talented superhero–not technically a superhero, she looked superhuman in all her battle scenes. She was decisive and cut through the nonsensical parts of the story. Her aerobatic skill in defending the Great Wall, leading the largest military force ever, and saving her people in the process makes Commander Lin an easy entry on this year’s kick-ass list.
Betty Cooper (Riverdale). It took 77 years but fans of Archie Comics finally got what they always wanted: a television series true to the characters generations have grown up with. CW’s Riverdale gave viewers 1.5 seasons to soak up Archie and his pals with a tremendously well-written story team led by Roberto Aguirre-Sacasa, but best of all was the casting of Lili Reinhart as Betty and Camila Mendes as Veronica. Both were badass frenemies, but Betty’s story really allowed her to save the day time after time while taking the high road, even becoming a member of the Southside gang to help Jughead, and as intrepid school reporter, sleuthing out and taking down the town serial killer known as The Black Hood.
Trubel(Grimm). When the Wesen become too much for Grimm’s Nick Burkhardt, the series’ other Grimm warrior Theresa “Trubel” Rubel came to the rescue. Reserved and measured in her actions, she also never hesitated to take someone’s head off to protect her newly found family. In the series finale this year she even took on Nick directly when she disagreed with his plan, only to help take down the Zerstörer after an ultimate confrontation team-up with the ghosts of Kelly and Marie, and Nick. What we’d give for a Grimm spin-off with Jacqueline Toboni bringing her character into new adventures!
Syd Barrett (Legion). Many viewers saw the twisted look at the X-Men in the new FX series Legion as the best of the superhero fare on television this year. The highlight of the show was Rachel Keller’s Syd Barrett, who became girlfriend to series lead hero David Haller. Revealing a brutal dark side to being a superhero mutant, Syd’s powers won’t allow her to physically make contact with anyone, yet she makes it work anyway. She’s willing to use her powers to switch bodies with anyone she touches to save those she cares about, even at great pain and loss. Syd fights through her own doubts, uncertainty of reality, and those that have lied to her to break through and take what she wants. She’s a fighter and triumphant, with only more battles ahead as season two is just around the corner.
Martha/Ruby Roundhouse (Jumanji: Welcome to the Jungle). She was a shy kid who got detention for objecting to phys ed class. But once she got sucked into the Jumanji video game, she became Ruby Roundhouse, “killer of men,” with the symbol of a karate fighter as her avatar. A badass in every way, she is a commando and deadly dancefighter, with mad skills in all sorts of martial arts. Just keep her away from venom–that is her single weakness.
Andrea/Andra’ath Quill (Class). We only had eight episodes to get to know Miss Quill on the BBC’s Doctor Who spin-off series Class, but what we saw in Katherine Kelly’s alien slave turned teacher was the foundation for an incredible series that could have been. Quill made the ultimate break from oppressor Charlie, the last surviving prince of an alien war. That didn’t stop her from finding a way out, while taking care of the prince and the small class of would-be student heroes. Quill could have taken the show in infinite directions had viewers supported the series more. Regardless, Katherine Kelly’s Quill will always be remembered as a kick-ass heroine in a class by herself.
Lt. Alara Kitan(The Orville). Who knew the next great science fiction series since Battlestar Galactica would be half comedy and produced by Seth MacFarlane? Among the strife and misadventure, one crewmember had the greatest character arc in the series’ first season, and she was also the physically strongest person on the ship: Chief of Security Lt. Alara Kitan. Halston Sage didn’t skip a beat in portraying a futuristic officer on a starship. She didn’t begin the show as a leader, but learned the ropes and took us all along for the ride as she became that leader, revealing a sensitive and uncertain, very “human” side, who could still buddy around with the ship commander and save the day more than once.
Lorraine Broughton(Atomic Blonde). Next year will see a shift where the British treasure Doctor Who sees its first woman Doctor. Who knows if something like that will ever come of the other Brit icon, James Bond, but the closest anyone has ever come to that was Charlize Theron’s hardened and savvy spy Lorraine Broughton in the film adaptation of the graphic novel The Coldest City. Has any woman action star ever given this many punches in a movie ever? She took a pounding as well, but ultimately came out on top with some shrewd tactics. Lorraine Broughton–nobody does it better!
X-23/Laura(Logan/Logan Noir). The biggest surprise of the year was the great piece of filmmaking that was Logan, and more specifically the black and white version that arrived in theaters in limited release, Logan Noir, the swan song for both of the X-Men we got to know over the years as Hugh Jackman’s Logan aka Wolverine and Patrick Stewart’s Charles Xavier aka Professor X. Incredible direction and cinematography created a film on par with any black and white classic. But the young actress that the film could not have been successful without was the young Wolverine in training, Laura aka X-23. What a fantastic actress was Dafne Keen as Laura that you almost forget it’s a little girl ripping all these bad guys’ heads off and digging her sharp claws into their skulls. And in the next scene she’s nonchalantly eating a bowl of cereal, or acting angry because of something Logan said. X-23/Laura was simply the best of the best of the list of kick-ass women characters revealed to movie fans this year. Please, oh, please, Fox or Disney, let’s see Keen reprise the character again soon, huh?
And that’s it. Keep coming back the rest of this month as we reveal the rest of our Best in Film, Best in TV and Best in Print, and our borg.comHall of Fame inductees for 2017.
