Everyone likes Paul Rudd, right? Rudd is the center of a new comedy-drama on Netflix that began this weekend, Living with Yourself. And his fans won’t be disappointed. The same struggling character reaching for success–but just missing it–in shows like Ant-Man, Anchorman, and Clueless is back, but this time his character is actually characters, plural, and, like Ant-Man, this show has a sci-fi twist.
In fact you could spend the 3.5 hours of the eight episode, half-hour series spotting all the sci-fi tropes picked up in the script by Timothy Greenberg (The Daily Show). It all begins with a twist on Orson Scott Card’s short story Fat Farm (found in Isaac Asimov, George R.R. Martin, and Martin Greenberg’s collection,The Science Fiction Weight Loss Book). In that story, a person goes to a secret clinic to lose weight, not realizing he is actually being cloned, and the “real” him shuffled off to a work farm for the rest of his life, while “new him” returns to his life slim and trim not knowing the difference. In Living with Yourself, it’s Rudd’s character Miles who is unhappy not with his weight but his underachievement and overall dissatisfaction with himself. A co-worker puts him onto a pricey spa that can solve his problems, which turns out to be a third-rate, pop-up cloning shop, where, unknown to clients, they get replaced with like-new clones of themselves and their old selves get suffocated and buried in the woods. The cloning tech isn’t quite so refined so Miles experiences something like Total Recall’s schizoid embolism–instead of killing Miles’ older self, he wakes up in a shallow grave and must confront his new, cloned self.
This all plays out like another Arnold Schwarzenegger film, Twins, with old Miles left to forge ahead with his stale, unrefined DNA and new Miles “cleaned” and ready to conquer the world. But this is just in the first half hour. If you stay around for all eight episodes (and Rudd is fun playing two characters, so why not?), expect to catch scenes straight out of Multiplicity, Gattaca,Rachel Rising, The Last Jedi, Harry Potter, even Star Trek VI: The Undiscovered Country, and more. Rudd’s performance in dual roles is done so much in the actor’s laid back style that the double duty goes unnoticed, seamlessly, until the two halves confront each other in the season finale. It’s not that kind of complex, award-winning visual effects work we saw from Tatiana Maslany as a dozen-plus characters in Orphan Black, but it doesn’t need to be. The series hits on the classic internal struggle of man versus self, but this is first and foremost a comedy.
After a painfully long wait for fans of the series, the CW Network renewed the hit horror comedy/drama iZombie for a fifth season late Friday. Even the folks at TV Guide had their fingers crossed for this renewal, stating, “At last, our long national nightmare is over,” in response to the news. What began as a successful comic book series by writer Chris Roberson and artist Michael Allred for DC Comics’ Vertigo imprint about a gravedigger zombie gal who eats brains to survive, took on its own life under the deft management of showrunner Rob Thomas, who had already dazzled his target audience with Veronica Mars. Powerhouse star Rose McIver’s Liv Moore has become every bit the ace detective that Veronica was, but she also bridged the audience back to the pop culture references and off-the-wall fun Joss Whedon brought the TV audience with the original badass heroine with his Buffy the Vampire Slayer. And McIver had the added bonus of playing a character that had to change up her performance every single episode while also appearing in nearly every scene, like Quantum Leap’s Sam Beckett and more recently Tatiana Maslany’s several sisters in Orphan Black. And she has met the challenge with high energy along the way. Everyone should be taking a good look at McIver’s performance this year come award season.
That isn’t to say the series hasn’t had a few ups and downs as it found its footing each season, upping the ante for its characters faster than anyone could have predicted… Liv and Major (Robert Buckley) are off, then on again… Ravi (Rahul Kohli) and Peyton (Aly Michalka) are off, then on again… Major and Blaine (David Anders) were zombies, then they weren’t and now they are, etc. The experimentation worked, as the change-ups kept the show fresh and interesting, and as other shows get tired after the first or second season iZombie has taken the road traveled by NBC’s Grimm, a show that kept up the momentum taking major risks and changes only to get better with every new episode.
This week’s Episode 10 of the fourth season, “Yipee Ki Brain, Motherscratcher!” was the kind of crazy fun you might find on an early episode of South Park or Buffy. Mocking shows that run out of funds that then are left to have their action scenes off-screen to be summarized on-screen by a character afterward, in an audaciously hilarious move by the writers, co-star Malcolm Goodwin (last year’s borg.com pick for Best TV Actor) was left to pantomime a recap of his off-screen heroics for the episode. That was coupled with the kind of genre trope episode the series’ fans love: a bombardment of movie references and Easter eggs tied to 1980s action flicks. And Blaine and Bryce Hogson’s Don E continue to surprise us, but never more than in this week’s episode. The excellent villainy of the past four seasons (iZombie has three episodes left in Season 4) has smartly balanced out the heroes’ story: first with the brilliant Steven Weber’s Vaughn Du Clark and his daughter Gilda (Leanne Lapp), then with Eddie Jemison’s mobster Stacey Boss, followed by the return of Veronica Mars lead Jason Dohring as the questionable zombie law enforcer Chase Graves, and meanwhile the writers were furtively building the character arc of Robert Knepper’s Angus/Brother Love into compelling new territory as we prepare for what’s coming next season.
Our borg.comBest of 2017 list continues today with the best in television. If you missed it, check out our review of the Best Movies of 2017 here and the Kick-Ass Heroines of 2017 yesterday here.
Without further ado, this year’s Best in Television:
Best Borg TV Series, Best TV Borg – Humans (AMC). From the awakenings in the first episode of season 2, AMC’s Humans kicked in full throttle as the borg show to watch this year. Continuing to explore what it means to be real and addressing the desire and need to overcome oppression, the show took ideas from Frankenstein and THX-1138 and everything in between to show us realities of life as a borg as it took the world from robotic cyborgs to sentience. And this year’s best borg goes to all the Synths on the series, as each showed a different side to what a world full of cyborgs might be like.
Best Sci-fi TV Series, Best Soundtrack for TV – The Orville(Fox). The Orville expanded on elements from across all sci-fi, like space battle sequences and planet flyovers using Star Wars-inspired camera angles (including real model ships, not just CGI), completely new and unique aliens (the only thing close to these can be found in Doctor Who), and a fantastic, triumphant musical score from Bruce Broughton. A visually gorgeous show that took itself seriously more than trying to mock anything that came before it. The science fiction series we’ve been waiting for since Star Trek Voyager ended.
Best Fantasy TV Series – Wynonna Earp (Syfy). Wynonna Earp’s second season proved the first wasn’t a fluke. The sharp-tongued, swaggering, tough-as-nails gunfighter, her sister, the sheriff, and the ghost of Doc Holliday added some new team members and some great supernatural villains, providing a series we couldn’t wait to get back to each week. Wynonna’s handling of the Revenants and a transport back in time was even more fun while she managed her pregnancy.
Best Retro TV Series – Stranger Things (Netflix). The only question after binge-watching the second season of Stranger Things was struggling to decide whether it was better than the first. It had the same look and feel of its first season, but somehow the characterization was really amped up, the action more exciting, and the tension pretty much perfect. Stranger Things really had it all–stars of our favorite 1980s movies, throwback references to video games, music, fashions, and the obscure like no other show–and with a second season that eclipsed the first, it proved it is the real deal.
After the cut, come back for more of our Best in Television 2017, including our pick for Best TV Series:
It’s time for borg.com‘s annual look at the year’s Best Kick-Ass Genre Heroines in film and television. Again the studios gave us more to cheer about than ever. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on. Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons, and some against gun and laser fire. And they all showed what a tough, kick-ass character is about.
In 2017 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked had the characters been swapped for males. We had a pregnant gunfighter, a mutant mental patient, a double agent, a space pilot, an alien security officer, a pregnant former psychopathic killing machine, a cyborg assassin, a mythic warrior, a maverick mercenary, a warrior, a commander of armies, an alien slave turned teacher, an angry young mutant, and a teenage high school reporter.
These are the Best Kick-Ass Genre Heroines of 2017:
Wynonna Earp(Wynonna Earp). Melanie Scrofano not only played Wynonna Earp as pregnant in this year’s second season, she actually was. And that didn’t slow her down, defeating all the evil Revenants in the town of Purgatory, and incorporating the discomfort of pregnancy made for great comic release all season long. Who had the tougher task, Earp or Scrofano? Either way, the series showed it’s a keeper and Earp the sharp-tongued, swaggering, tough-as-nails gunfighter we continue to love.
Valkyrie(Thor: Ragnarok). As cool and powerful as Cate Blanchett’s Hela was in this year’s pinnacle of the Marvel Cinematic Universe, the real scene stealer in Thor: Ragnarok was Tessa Thompson’s surprising new tough heroine, Valkyrie. Cocky? Yep. And she backed up that confidence with mad fighting skills and brains–enough of a combination to help Thor & Co. save the people of Asgard and get some revenge for the Valkyries who lost the original battle against Hela. As much as any other character, we’re looking forward to more of Valkyrie in next year’s ultimate team-up Avengers: Infinity War.
Luv(Blade Runner 2049). If Blade Runner 2049 is remembered for anything, it should be Sylvia Hoeks’ badass Replicant oddly (ironically?) named Luv. First unassuming, polished, and pristine in her mannerisms, she later reveals she can be the next best thing since Sarah Connor and the Terminators. Luv is a fierce, brutal borg whose villainy became the high point of the film.
Laureline (Valerian and the City of a Thousand Planets). Cocky yet sympathetic, loyal and determined, the space pilot 50 years in the making made it to the screen this year and Cara Delevingne delivered a surprise performance as the co-lead and equal half of Luc Besson’s science fiction space duo. Her confidence was second to none, she stood up for what she believed and took what she wanted, and still had time to care for a lost rare species while making sure she protected her partner’s back. We’d like to think she dropped the creepy egotistical Valerian in her next adventure, but she did exactly what she wanted to, and seemed to have one of those modern romances that worked for her. Quirky, snarky, funny, and tough, she took out a room full of men with weapons and made it look like she wasn’t even trying. Laureline has it all.
Helena(Orphan Black). Of all the characters played by Tatiana Maslany in the series’ five seasons, who knew the sestra that would write the book on them all would be Helena, the once ruthless, psychopathic killing machine who once befriended a scorpion in prison? This year Maslany wrapped up what must be the best role for a performer in the history of television. No one has ever played so many parts in a series, and played them beautifully. Each character had her moment, but Helena would make our list if she was in any series.
Antiope (Wonder Woman). The opening minutes to this year’s DC film Wonder Woman finally adapted to film what comic book readers have seen all along–that the Amazons were a creation that should have been on the screen long before 2017. The envy of them all was the brave and strong Antiope, played by Robin Wright. It was the character that launched a thousand memes, and what greater way to illustrate the mentoring of Wonder Woman than via Wright’s ultimate warrior.
Commander Lin Mae (The Great Wall). Jing Tian’s Lin, commander of the Crane Corps who takes charge of the Nameless Order and staves off the Tao Tieh, may be the year’s most dynamic and talented superhero–not technically a superhero, she looked superhuman in all her battle scenes. She was decisive and cut through the nonsensical parts of the story. Her aerobatic skill in defending the Great Wall, leading the largest military force ever, and saving her people in the process makes Commander Lin an easy entry on this year’s kick-ass list.
Betty Cooper (Riverdale). It took 77 years but fans of Archie Comics finally got what they always wanted: a television series true to the characters generations have grown up with. CW’s Riverdale gave viewers 1.5 seasons to soak up Archie and his pals with a tremendously well-written story team led by Roberto Aguirre-Sacasa, but best of all was the casting of Lili Reinhart as Betty and Camila Mendes as Veronica. Both were badass frenemies, but Betty’s story really allowed her to save the day time after time while taking the high road, even becoming a member of the Southside gang to help Jughead, and as intrepid school reporter, sleuthing out and taking down the town serial killer known as The Black Hood.
Trubel(Grimm). When the Wesen become too much for Grimm’s Nick Burkhardt, the series’ other Grimm warrior Theresa “Trubel” Rubel came to the rescue. Reserved and measured in her actions, she also never hesitated to take someone’s head off to protect her newly found family. In the series finale this year she even took on Nick directly when she disagreed with his plan, only to help take down the Zerstörer after an ultimate confrontation team-up with the ghosts of Kelly and Marie, and Nick. What we’d give for a Grimm spin-off with Jacqueline Toboni bringing her character into new adventures!
Syd Barrett (Legion). Many viewers saw the twisted look at the X-Men in the new FX series Legion as the best of the superhero fare on television this year. The highlight of the show was Rachel Keller’s Syd Barrett, who became girlfriend to series lead hero David Haller. Revealing a brutal dark side to being a superhero mutant, Syd’s powers won’t allow her to physically make contact with anyone, yet she makes it work anyway. She’s willing to use her powers to switch bodies with anyone she touches to save those she cares about, even at great pain and loss. Syd fights through her own doubts, uncertainty of reality, and those that have lied to her to break through and take what she wants. She’s a fighter and triumphant, with only more battles ahead as season two is just around the corner.
Andrea/Andra’ath Quill (Class). We only had eight episodes to get to know Miss Quill on the BBC’s Doctor Who spin-off series Class, but what we saw in Katherine Kelly’s alien slave turned teacher was the foundation for an incredible series that could have been. Quill made the ultimate break from oppressor Charlie, the last surviving prince of an alien war. That didn’t stop her from finding a way out, while taking care of the prince and the small class of would-be student heroes. Quill could have taken the show in infinite directions had viewers supported the series more. Regardless, Katherine Kelly’s Quill will always be remembered as a kick-ass heroine in a class by herself.
Lt. Alara Kitan(The Orville). Who knew the next great science fiction series since Battlestar Galactica would be half comedy and produced by Seth MacFarlane? Among the strife and misadventure, one crewmember had the greatest character arc in the series’ first season, and she was also the physically strongest person on the ship: Chief of Security Lt. Alara Kitan. Halston Sage didn’t skip a beat in portraying a futuristic officer on a starship. She didn’t begin the show as a leader, but learned the ropes and took us all along for the ride as she became that leader, revealing a sensitive and uncertain, very “human” side, who could still buddy around with the ship commander and save the day more than once.
Lorraine Broughton(Atomic Blonde). Next year will see a shift where the British treasure Doctor Who sees its first woman Doctor. Who knows if something like that will ever come of the other Brit icon, James Bond, but the closest anyone has ever come to that was Charlize Theron’s hardened and savvy spy Lorraine Broughton in the film adaptation of the graphic novel The Coldest City. Has any woman action star ever given this many punches in a movie ever? She took a pounding as well, but ultimately came out on top with some shrewd tactics. Lorraine Broughton–nobody does it better!
X-23/Laura(Logan/Logan Noir). The biggest surprise of the year was the great piece of filmmaking that was Logan, and more specifically the black and white version that arrived in theaters in limited release, Logan Noir, the swan song for both of the X-Men we got to know over the years as Hugh Jackman’s Logan aka Wolverine and Patrick Stewart’s Charles Xavier aka Professor X. Incredible direction and cinematography created a film on par with any black and white classic. But the young actress that the film could not have been successful without was the young Wolverine in training, Laura aka X-23. What a fantastic actress was Dafne Keen as Laura that you almost forget it’s a little girl ripping all these bad guys’ heads off and digging her sharp claws into their skulls. And in the next scene she’s nonchalantly eating a bowl of cereal, or acting angry because of something Logan said. X-23/Laura was simply the best of the best of the list of kick-ass women characters revealed to movie fans this year. Please, oh, please, Fox or Disney, let’s see Keen reprise the character again soon, huh?
And that’s it. Keep coming back the rest of this month as we reveal the rest of our Best in Film, Best in TV and Best in Print, and our borg.comHall of Fame inductees for 2017.
The next effort at creating a complex and challenging role for a lead actress Orphan Black-style is coming in August from Netflix. It’s the dystopian sci-fi thriller What Happened to Monday, formerly titled Seven Sisters, written by Max Botkin and Kerry Williamson, and directed by Tommy Wirkola (Hansel & Gretel: Witch Hunters). What Happened to Monday is sci-fi’s next new look at a bleak future world in the vein of Children of Men (hope in the face of global infertility), Logan’s Run (to battle population explosion a shortened life clock of 30 years is enforced for all), Never Let Me Go (clones are created for parts for the ruling class), The Handmaid’s Tale (remaining fertile women are forced to reproduce for those in power), Kurt Vonnegut, Jr.’s Harrison Bergeron (a twisted equality is enforced on the world), and Gattaca (only the genetically superior are allowed to succeed). It stars Noomi Rapace (Prometheus, Sherlock Holmes: A Game of Shadows) in seven roles as the seven sisters–seven identical septuplets to be exact–in a society where only one child is allowed per family. Willem Dafoe (Platoon, Clear and Present Danger, Spider-man) stars as their grandfather who raised them, Robert Wagner (The Pink Panther, Hart to Hart, Stars and Stripes Forever, The Towering Inferno) in an undisclosed role, and Glenn Close (Fatal Attraction, Reversal of Fortune, Guardians of the Galaxy) is a leader in the repressive future world.
The first trailer was released this week for What Happened to Monday, and it looks compelling, providing a peek at the plot. The septuplets’ father hides the sisters’ existence from everyone, allowing only one girl outside one day per week, corresponding with their names, each a day of the week. When Monday does not come home one day, the sisters must go about discovering what happened to her without revealing their secret. It’s a role that will certainly be compared, for good or bad, to Tatiana Maslany’s role as multiple clones on Orphan Black.
What Happened to Monday is the latest in Netflix purchasing first run otherwise theatrical releases exclusively for Netflix subscribers.
Check out this first trailer for What Happened to Monday:
So many books chronicle seasons of hit television series, but a new release for BBC’s Orphan Black takes viewers beyond the norm. Like the incredible behind the scenes access we saw in Firefly–A Celebration, Abbie Bernstein’s new book The DNA of Orphan Black shows how the unique science fiction series creates its magic. In 2013 we first saw Sarah Manning watch her doppelganger step out in front of a train. Who knew how many clones we’d meet in the series, and how many roles Tatiana Maslany, last year’s Best Actress Emmy winner, could play in a single scene? It’s not so difficult to wrap your head around the characters of the series because Maslany plays them all so well. But when you try to list your favorite characters on the series, you momentarily forget “they” are a single actress portraying so many incredible people, and none like anyone you’ve seen before.
In The DNA of Orphan Black fans get unprecedented access to the development process, as told by the show’s creators John Fawcett and Graeme Manson. We learn how Maslany sees each character and created the nuances of each personality. And we learn from the supporting cast, plus makeup designer Stephen Lynch, hair designer Sandy Sokolowski, costume designer Debra Hanson, art director Jody Clement, and production designer John Dondertman, and more. Wrapping up its series finale in only four weeks, Orphan Black doesn’t have anything left to hide. So we learn the tricks of the trade, and how the sleight of hand by the production team has created such complex scenes like Helena’s dream sequence and the clone dance party. How do viewers know we’re not seeing Maslany’s Rachel, but her Krystal posing as Rachel? Makeup designer Stephen Lynch explains how. You’ll learn great tidbits about the show, like how the hair designer created only one “hero” wig for each of Maslany’s characters (each cost $5,000 to $8,000).
The DNA of Orphan Black is not just another TV show souvenir book. It’s full of behind the scenes images, but it also includes surprisingly detailed interviews, thanks to author Abbie Bernstein (whose last book, The Great Wall–The Art of the Film, was one of the best film art books we’ve reviewed at borg.com). You’ll see from the table of contents (below) that not only does Maslany provide a few pages of content as lead actor, as found in many TV books, each of her characters gets separate discussion as they would if they’d been played by different actors on any other series. So as a fan you can get right to your favorite performance by Maslany. Equal to Bernstein’s handling of the sestra clones is her attention to the key secondary characters: Felix (Jordan Gavaris), Art (Kevin Hanchard), Donnie (Kristian Bruun), Siobhan (Maria Doyle Kennedy), Delphine (Evelyne Brochu), the Castor clones (Ari Millen), and probably most significantly, Maslany’s acting double, Kathryn Alexandre.
All good things come to and end, but endings to good things are rarely good.
That’s not always so as it comes to television, as is being proved out in this fifth and final season of Orphan Black. Three episodes in and Tatiana Maslany, Kristian Bruun, Jordan Gavaris, and Kevin Hanchard continue to deliver the best science fiction series in years, a sci-fi series cloaked as thriller, drama, and dark comedy.
You can’t say enough about Tatiana Maslany, last year’s Emmy winner for Outstanding Lead Actress in a Drama, and poised to be this year’s chief contender for the Best Actress Golden Globe award. Her series promotes female empowerment more than any show. The double, triple, quadruple, etc. message of a story about the bond among a small army of clone sisters is found in the singularity of a lead actress performing in every scene while also playing multiple parts in every other scene. Viewers can’t help but attach emotionally to each of her characters. Even last week’s exit of a minor character viewers barely got to know drove the show to a shocking halt.
As the series’s long-time protagonist, Maslany’s Sarah Manning, continues her battle to protect her daughter, the other sisters have broken out to reveal a key message of the show: In a future world of manipulated genetics, we’ll see many individuals with common traits but who are very much individuals. It’s still the environment that determines who the individual becomes.
If you had to pick one standout to represent the best of the series it is Maslany’s take on Alison, a character who would have lived out a normal existence in Bailey Downs had Maslany’s Beth Childs not have driven her into the sestra, turning Alison chemical dependent, then leading her to become a drug dealer, a killer, burying all the bodies in her garage, and who knows what next. But this weekend’s episode showed just how far Alison has come, with flashbacks to scenes that filled in the blanks of her past and told us ultimately you can’t take the quiet ones for granted as she positions herself as the best manipulator of them all.
But behind Alison was always the giant bundle of energy and over-the-top antics of Kristian Bruun’s Donnie. Alison’s husband, despite his initial collusion with Dr. Leakey’s people, tried to prove his loyalty to Alison in every appearance. And Bruun must be the ultimate good sport as the writers put him into bizarre situations again and again.
Will we see Alison again this season, and if she returns, will she return as a warrior, a ninja, something else? We’re thinking the writers can’t keep a great character away for long.
On a personal note, and speaking of sestra, our own four-legged support team member Jade, who you may have met on her 16th birthday two months ago here, passed away this weekend after a stoic battle with several old age issues. Jade was one of six sisters and three brothers, and their genetics as coonhound and German Shepherd came through to reflect many similarities especially in their youth. But each also showed a profound individuality as they grew into their own personalities–as varied as the differences between any people you know, and as varied as the sestra of Orphan Black, a show Jade watched along with us for the past four years (Jade’s favorite character was Helena). Jade’s family and friends will miss her love and fierce loyalty.
If you haven’t climbed aboard the Orphan Black train now’s the time to binge watch the first four seasons and be part of what is turning out to be a banner, final, season for the series. New Orphan Black episodes air Saturday nights at 10 p.m. Central following Doctor Who on BBC America.
C.J. Bunce
Editor borg.com
Our borg.comBest of 2016 list continues today with the best in television. If you missed it, check out our review of the Top Picks and Best Movies of 2016 here and the Kick-Ass Heroines of 2016 yesterday here.
Without further ado, this year’s Best in Television:
Best Borg TV Series, Best TV Borg — Ash vs Evil Dead (Starz), Bruce Campbell. We searched high and low for the year’s best TV series featuring one or more borg characters, but didn’t really need to go that far. The brilliantly funny pop culture ace actor Bruce Campbell’s reboot of the borg.com Hall of Famer Ash could have gotten overlooked had it been just another horror series. Yet underneath this over-the-top, blood and gore-filled demon hunt is a whole lot of silly fun. And the actors could have been better, with the likes of Lee Majors (pictured above), Lucy Lawless, and Ted Raimi all making appearances. We couldn’t ask for a better actor than Campbell to take our borg.com TV title this year.
Best TV Series, Best TV Horror Series – Grimm (NBC). The fifth season of Grimm was simply fantastic, full of gripping writing and a change-up of character roles in a way we’ve never seen before. This season we saw the best action, twists and turns, and flat-out excitement, above every other series on television. Pulling bits and pieces of folklore from Western and Eastern mythologies and everything in between, the writers delivered all season long. The writing team’s best work was what they have done all along, taking the story in a direction no one could have predicted.
Best TV Retro Series – Stranger Things (Netflix). It’s nearly impossible to list all the influences that came together to form our pick for this year’s Best Retro Fix. Stand By Me, Firestarter, Silver Bullet—Stranger Things could be another coming of age Stephen King tale, but with nicely creepy John Carpenter undertones and the wonder and sci-fi of a Steven Spielberg movie. Think Close Encounters of the Third Kind, E.T., the Extra-Terrestrial, and Super 8. Whatever it is, great performances by a lead group of kid actors, teen actors, and a few adults from filmdom’s past made for a fun season one.
Best New TV Series, Best Re-Imagining on TV – Wynonna Earp(Syfy). We knew Syfy had a winner in the first episode of this year’s best new TV series, Wynonna Earp. A great mash-up of Western, paranormal, and horror, Wynonna Earp took an American legend and made it interesting for today’s viewers. Melanie Scrofano’s Wynonna is a classic heroine in a supernatural setting. And her interactions with Tim Rozon’s Doc Holliday include some of the best humor on TV. Did we mention the villains are basically zombies? Wynonna’s got a gun–a Peacemaker–and she knows how to use it, giving us a fun, over-the-top shoot ’em up each week to look forward to.
Best Sci-Fi Series – The Man in the High Castle (Amazon). With the slow start of the first season of the series we had doubts where the show would take us for the second season this year. But the last half of the season cinched it. A rare look at science fiction on television that showed what could all be attained with an alternate history story, and a great adaptation of Philip K. Dick’s novel to boot.
Best Animated TV Series – Star Wars Rebels (DisneyXD). For the second year in a row, Star Wars Rebels proves that animated shows are just as compelling as big budget theatrical blockbusters. This season we met the great villain Grand Admiral Thrawn, finally introduced to Star Wars canon. Every episode gave fans something to be excited about, as in the episode “The Antilles Extraction,” where Sabine goes undercover as a cadet in the Empire’s elite flight academy to bring Imperial pilots over to fight for the Rebellion. Darth Maul and Captain Rex are also standout characters. Original trilogy voice actors, compelling visuals, and rousing music, make this one of the best series on TV.
Best TV Superhero Series – Luke Cage (Netflix). Although Marvel Studios adaptations have done well at the movies, its television shows haven’t measured up so well. Until now. The Netflix series Marvel’s Luke Cage is full of so many elements that make it a quality series you can expect it to be a contender at next year’s Emmy Awards. Luke Cage is completely loyal to its 1970s origin. Carl Lucas, played by Mike Colter (reprising the role he began in Marvel’s Jessica Jones), is a man from Harlem, imprisoned for a crime he didn’t commit. The writers successfully updated the story to today, for today’s viewers, and to make the story timely. Set in a New York City neighborhood with a gritty tale like Spike Lee’s Do the Right Thing (with Harlem swapped for Bedford Stuyvesant), the rough-and-tumble Harlem of the series encounters the same class warfare, the same friction between police and minorities, and the same political corruption that is, as once professed by the original Law and Order series, “ripped from the headlines.” It is at once a mix of the M. Night Shyamalan hooded superhero played by Bruce Willis in Unbreakable, and an updated mobster town story.
Best TV Fantasy Series – The Librarians (TNT). The Librarians continued its great mix of fantasy and comedy this year with its excellent ensemble cast. The chemistry of the show’s characters continue to gel, resulting in a fully realized series in the vein of past hits Warehouse 13 and Leverage. We were excited to see great guest appearances with Sean Astin, Noah Wyle and Jane Curtin. And we can’t get enough of Rebecca Romijn, John Larroquette, and the rest of the crew.
Best TV Comedy – Angie Tribeca(TBS). Angie Tribeca has the perfect setting and ensemble cast for a gritty police procedural. But it was actually the comedy we all need. Nothing was written for the screen in any genre this year that made us laugh like this new series. Every now and then we need someone to try to remake Police Squad! and the sight gags here rivaled that classic. We just hope the writers can keep the great comedic scripts coming.
Best TV Writing – Baskets (FX). At first you might not know what to make of Zach Galifianakis, Louis C.K., and Jonathan Krisel’s surreal, black comedy drama Baskets. How down in the dumps can a rodeo clown possibly get? And was that really comedian Louie Anderson playing his mother? Galifianakis was able to play two competing roles as the twin brothers, and Martha Kelly added yet another odd wanderer into the mix to somehow result in a crazy, funny, and strangely poignant series we couldn’t help getting addicted to.
Best TV Episode – Grimm Season 5 finale “Beginning of the End” (NBC). Season 5’s finale of Grimm barreled ahead as if the producers believed the show wasn’t going to get renewed, prompting many story threads to be tied-up and a satisfying wrap-up that leaves viewers excited for Season 6. It’s Black Claw, who caused Sean Renard to rise to become mayor of the city, against Nick and his friends as they work with Eve, Trubel, and Hadrian’s Wall to try to prevent the coming evil that risks the destruction of the barrier between the supernatural and the rest of the world. Incredibly after all the back and forth over five seasons the original villains are villains again and the good guys back together again. The season finale left us wondering how this will all play out as the series ends next season.
Best TV Soundtrack – Stranger Things, Michael Stein and Kyle Dixon. Using 1980s analog synthesizers, the musicians created the perfect sound for a B-movie horror flick that would have fit right in back in the 1980s. Half the credit for the series success with retro aficionados probably should go to the duo, who helped to fully immerse viewers in this familiar, but strange, look into our own childhoods.
Best TV Actress – Tatiana Maslany in multiple roles, Orphan Black (BBC America). In any other year Rose McIver’s weekly new character update on iZombie would have given her the win, but Orphan Black’s Tatiana Maslany came back this year after last season’s so-so stories to prove she has the best dramatic role on television and is well up to the task, further separating and redefining the differences between the ever-increasing number of clone sisters she portrays. Runner-up Rose McIver as Liv Moore, iZombie(CW).
Best TV Supporting Actress – Simone Missick as Misty Knight in Luke Cage (Netflix). With big name actresses like Alfre Woodard and Rosario Dawson co-starring in this year’s new superhero series Luke Cage, it was Simone Missick who broke through to create one of the more interesting characters this year with police officer Misty Knight. She believes in the justice system and is assigned to go after Luke Cage–too bad she has a past with him. Missick plays Misty as a modern version of a Pam Grier character–she’s flawed but she’s tough and smart and we know she’ll cut through all the mess and come up on top. Runner-up: Leanna Lapp as Gilda (iZombie).
Best TV Actor (TIE) – Mike Colter as Carl Lucas/Luke Cage in Luke Cage(Netflix). Luke Cage is as mild-mannered as they come. We first met him in season one of Marvel’s Jessica Jones, but in his own series Mike Colter showed how great this comic book character from the 1970s could be, and how relevant he is today. The problem with networks dropping an entire series on us at once is that with a day long binge session we don’t get the sense of the work that goes into building a character like Cage over a full season like we’re accustomed to. Hopefully the studio will realize how great the series is and how its lead actor can provide us with a real, gritty hero that the world needs. We just can’t wait to see more of what Colter has in store for us next season.
Best TV Actor (TIE) – Cary-Hiroyuki Tagawa as Ambassador Tagomi in The Man in the High Castle (Amazon). Tagawa has played in countless TV series and films but his role as a trade ambassador of an alternate world where Japan controls the western United States may be the most stunning work of his career. His expressions are understated and yet the audience can read so much in his simple looks. His character’s surprise as he maneuvered a parallel world to his own–our real world–was some of the best acting of the genre and among the best performances of the year.
Best TV Supporting Actor (TIE) – Louie Anderson as Mrs. Baskets in Baskets(FX). Louie Anderson has been priming us for this role for decades now. His impersonations of relatives helped make him one of the greatest stand-up comedians of all time. Bringing him in to play to mom to Zack Galifianakis’s Chip Baskets was one of those inspired moves that doesn’t happen very often. And the result was TV gold.
Best TV Supporting Actor (TIE) – Tim Rozon as Doc Holliday in Wynonna Earp (Syfy). Rozon brilliantly played the ghost of Doc Holliday this year in the new series Wynonna Earp, sporting a lazy drawl and unclear motives that make him absolutely captivating. He was mysterious as Wynonna’s questionable love interest, an intermediary between Wynonna and the vile Revenants. He’s a man out of his time, an anti-hero we hope to see more of next season.
Best TV Villain – Vaughn Du Clark (Steven Weber, iZombie(CW)). What kind of sick bastard throws his daughter to the wolves to become a zombie, and then laughs about it? That’s Vaughn Du Clark, whose barbs with daughter Gilda (Leanne Lapp) provided some of the best quick-witted writing we’ve seen since Veronica Mars and Buffy the Vampire Slayer. Du Clark was the ultimate corporate villain, and we watched his rise with great interest all season long. Runners-up: Mariah Dillard (Alfre Woodard, Luke Cage), The Demogorgon (Stranger Things), Grand Admiral Thrawn (Lars Mikkelsen, Star Wars Rebels).
Best YouTube Video – “Seagulls (Stop it Now),” A Bad Lip Reading of The Empire Strikes Back. You know you haven’t seen this Fall’s funniest Star Wars fan video enough, with that catchy, goofy tune. Go ahead, watch it one more time.
Come back tomorrow as we reveal more of the borg.com Best of 2016!
What better way to celebrate the strong, determined leader Leia Organa made famous by actress Carrie Fisher than to celebrate her legacy in the genre heroines of today? What do most of the characters on this year’s list of Best Kick-Ass Genre Heroines have in common? Most have roles that could easily be swapped with a male. Sure, you can have heroine characters who are written to largely rely on traditional female qualities, but women characters bending gender roles are breaking new grounds. We met characters this year who were held back in their place in time by their status as women, and it is often that role that prompts them to gain the fire and passion necessary to become the heroine of their stories. So we have both a dress-wearing, well-read 19th century Jane Austen character on our list, but also a space-faring criminal in combat boots, a sea captain, an alien survivor, an alien visitor, a warrior, a sorcerer, a group of clones, a gunslinger, two cops, a zombie, and a supernatural assassin.
In past years we were able to select our Best Kick-Ass Genre Movie Heroine and Best Kick-Ass Genre TV Heroine, but this year the studios gave us more to cheer about than ever, and instead of ranking them we’re highlighting the very best from an unprecedented slate of heroines, with characteristics to learn from and emulate. Determined, decisive, loyal, brave, smart, fierce, strong. You’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Some may be frazzled, put-upon, war-weary, very human, resulting from trying circumstances, personal losses, and even death of friends and family. But they all mustered up the strength to rise above it all. These are the Best Kick-Ass Genre Heroines of 2016:
Sara (The Huntsman: Winter’s War). Heroines can be medieval or fairy tale warriors, a trained Huntsman quick with a bow and arrow or two-handed swordplay. Jessica Chastain’s Sara was never seen in Snow White and the Huntsman, but we quickly learned why Chris Hemsworth’s Eric was filled with despair when learning of her supposed death. A loyal warrior to her queen, she must decide whether to join her excommunicated secret husband against the forces of evil or stand with Queen Freya and her manipulative sister. A powerhouse trio of actresses, Chastain’s Sara rises above them all opposite Emily Blunt and Charlize Theron in this great fantasy film.
Elizabeth Bennet(Pride and Prejudice and Zombies). You already know Elizabeth Bennet as the eldest sister in the classic Jane Austen novel Pride and Prejudice. An obnoxious mother harassing her, unlikely prospects for marriage, and an oppressive society with little opportunity to make her own choices. Readers finally get to witness how the classic character might react when given opportunity–opportunity to learn Eastern mysticism and Japanese martial arts, and a role where she and her sisters and friends can fully defend their family and home from a zombie onslaught. Lily James couples lacy dresses, Regency manners, and in-your-face, Quentin Tarentino-inspired kicks, with classic swordplay–and bloody beheadings. If a war is coming, you want the likes of Elizabeth Bennet on your side of the battle lines.
So are you a big fan of the BBC America’s sci-fi series Orphan Black? Do you consider yourself a card-carrying member of the Clone Club? Have you ever wanted to see how they film Tatiana Maslany playing several characters in the same scene? Now BBC America is giving Orphan Black fans a chance to win a walk-on role in next year’s Season 5–the final season of the series.
All you need to do is film yourself conveying how much you love the series in 30 seconds or less. The Grand Prize winner will be randomly chosen–so don’t worry too much about the video quality. The winner will receive a four day-three night trip for two to the set of Orphan Black in Toronto, Canada, including airfare, hotel, ground transportation, and $500 spending money.
But you must act quickly to be considered–you must submit your video by November 29, 2016, at 11:59:59 a.m. Eastern.
