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Tag Archive: Sigourney Weaver


Review by C.J. Bunce

So many books that go behind the scenes of films take a similar approach, skimming the surface with interviews of only top production heads, providing diehard fans of the property who have read all the fanzines little that is new.  So when you get an immersive treatise like The Making of Alien, you must take a few weeks to digest every story, quote and anecdote found inside.  Maybe it’s because so much of the inception of the other classics J.W. Rinzler has written about is the stuff of sci-fi movie legend, but Rinzler’s research this time around is completely enthralling.  Writer Dan O’Bannon, writer and initial director Walter Hill, concept artist H.R. Giger, director and storyboard artist Ridley Scott, actors Sigourney Weaver, Yaphet Kotto, Veronica Cartwright, and Ian Holm–Rinzler’s chronology is framed by the entry of these people into the project and their key roles.  The account of their intersected careers and efforts resulting in the 1979 sci-fi/horror classic provide a detailed understanding of studio productions in the 1970s.  For fans of the film and the franchise, you couldn’t ask for more for this year’s 40th anniversary of Alien.

Rinzler, who has also created similar deep dives behind the scenes of Star Wars, The Empire Strikes Back, Return of the Jedi, the Indiana Jones films, and last year’s The Making of Planet of the Apes, has established the best format for giving sci-fi fans the ultimate immersive experience.  In many ways The Making of Alien is an account of the necessary vetting process behind any major creative endeavor.  The first draft of any story is never the best, and sometimes neither is the 100th draft.  But the best books and the best movies get reviewed by other people, usually producers, editors, studios, departments, some with prestige and money backing them, sometimes over and over, with changes made to every chapter, with creators and ideas that are tried on for size, dismissed, re-introduced, and sometimes brought back again.  By the end of many a film, the contributors are exhausted and disenchanted, some even devastated.  Only sometimes this is alleviated by a resulting success.  It was even more difficult working on a project like Alien–a mash-up of science fiction and horror pulled together in the 1970s, when drama was in, and science fiction meant either the cold drama of 2001: A Space Odyssey or the roller coaster spectacle of Star Wars.  Behind the scenes there would be overlaps in creative types, like famed set “graffiti artist” Roger Christian and sound expert Ben Burtt.  But ultimately Alien had to be something different to get noticed.

The stories of O’Bannon and Giger’s contributions and conflicts are the most intriguing of the bunch, and if you’ve read everything available on the film you’ll be surprised there is far more to their stories you haven’t read.  The influence of John Carpenter was paramount to getting the idea of the film past the first step, particularly his films Dark Star and The Thing.  Along the journey other creators would intersect with the project–people like Steven Spielberg, Alan Ladd, Jr., John Dykstra, Brian Johnson, Nick Allder, Ron Cobb, Jerry Goldsmith, and even Jean “Moebius” Giraud.

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Review by C.J. Bunce

The ginger tomcat named Jones, aka Jonesy.  He co-starred with human actor Sigourney Weaver in Ridley Scott’s science fiction classic Alien.  Now nearly 40 years later, Jonesy gets his own book.  Recounting from his perspective the events aboard the USCSS Nostromo on its fateful mission encountering xenomorphs, Jonesy: Nine Lives on the Nostromo is now available in bookstores.  It is much, much, better than you might think.  And it’s a contender for best gift idea for the holiday season, especially for anyone who likes cats.

Lots of books aim for humor and don’t quite get it right.  The balance between cutesy and adhering to the parameters of the source material is not an easy thing.  Writer-artist Rory Lucey has cats and he is a fan of Alien.  When he showed the movie Alien to his wife for the first time, her natural question was: Does Jonesy survive?  From there, Jonesy: Nine Lives on the Nostromo was born.  And like a really fabulous look at a day in the life of a dog, Matt Fraction and David Aja’s Hawkeye Issue #11 (2013’s single best comic book issue), readers will not encounter any actual words in this book.  And that’s as it should be.

That’s the original Jonesy in Alien (left), and Rosie the cat (right), who is just a little afraid of what Jonesy might encounter in this new book.

Lucey takes his knowledge of cat behavior and fills in the blanks of the film–those times when we didn’t see Jonesy hissing at the xenomorph behind you, what was he up to?  Scratching, taking a bath, sleeping, licking things he shouldn’t be–yes, all that, and much more.  And all of it fits into the story from the original film perfectly.  It’s even better than A Die Hard Christmas.  Here are some images from the book:

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That week is here–All the lead-in built up by Marvel’s host of television series created for Netflix finally comes together this weekend.  Marvel’s Daredevil, Jessica Jones, Luke Cage, and Iron Fist become The Defenders.  Netflix has released a final trailer leading up to the series premiere.

We’ve learned in the past few years that combining your A-league superheroes doesn’t guarantee a successful cinematic experience.  How much better than the theatrical Avengers and Justice Leaguers was the B-league team that comprised the Guardians of the Galaxy?  How about the strange success in Deadpool of partnering Colossus, Negasonic Teenage Warhead, and Deadpool?

So far we’ve loved most of what we’ve seen Marvel put together for Netflix.  Luke Cage earned several of our “Best of Television” categories last year here at borg.com.  The core of its new team-up of all the Netflix Marvel superhero stories is a classic Marvel comic book team-up:  Power Man and Iron Fist.  It’s amazing that this team-up has the potential to gain some real traction 40 years later.  And you can’t get much more nostalgic for 1970s comic books than the late, great Steve Gerber run on The Defenders.  So put together Luke “Power Man” Cage, Daredevil, Iron Fist, Jessica Jones, and add in Elodie Yung as Elektra, and give us a villain played by sci-fi queen Sigourney Weaver, and a supporting cast including the incomparable Scott Glenn, and a triple threat of actresses known for their badass roles: Rosario Dawson, Carrie-Anne Moss, and Simone Missick?  What’s not to like?  We asked it earlier with the first previews for the series: Can The Defenders be the best team-up on-screen yet?

Check out this final trailer for Marvel’s The Defenders:

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Everyone keeps trying to stage the best team-up.  And we’re all for it.  Who is the best?  That depends on what you like in a team-up.  Marvel’s Avengers?  Marvel’s X-Men?  DC’s Legends of Tomorrow?  DC’s Justice League?  DC’s Justice League Dark?  What about a smaller group, like, say, made of only two superheroes?  Think back to DC Comics’ The Brave and the Bold, bringing together monthly a duet of every A-league and B-league hero you can think of.

We’ve learned in the past few years that combining your A-league superheroes doesn’t guarantee a successful cinematic experience.  How much better than the theatrical Avengers and Justice Leaguers was the B-league team that comprised the Guardians of the Galaxy?  How about the strange success of partnering Colossus, Negasonic Teenage Warhead, and Deadpool?

So far we’ve loved most of what we’ve seen Marvel put together for Netflix.  Luke Cage earned several of our “Best of Television” categories last year here at borg.com.  The core of its new team-up of all the Netflix Marvel superhero stories, is a classic Marvel comic book team-up:  Power Man and Iron Fist.  It’s amazing that this team-up has the potential to gain some real traction 40 years later.  And you can’t get much more nostalgic for 1970s comic books than the late, great Steve Gerber run on The Defenders.  So put together Luke “Power Man” Cage, Daredevil, Iron Fist, Jessica Jones, and add in Elektra, and give us a villain played by Sigourney Weaver, and a supporting cast including Scott Glenn, Rosario Dawson, Carrie-Anne Moss, and Simone Missick?  What’s not to like?  Can The Defenders be the best team-up on the screen yet?

Check out this trailer for Marvel’s The Defenders:

Marvel’s The Defenders begins streaming on Netflix this summer.

C.J. Bunce
Editor
borg.com

When you think of the Alien franchise, what iconic images come to mind?  Sigourney Weaver’s Ellen Ripley in a giant power loader suit or going face-to-face with a Xenomorph?  The first facehugger?  Hicks, Hudson and Vasquez realizing they were facing something hopeless?  Queen of sci-fi Veronica Cartwright’s scream at the first terrifying chest burst?  Ridley holding Jonesy finally sighing with relief that they survived the alien onslaught?  Dozens of these and other iconic images are packed into a new adult coloring book, Alien: The Coloring Book, coming this May from Titan Books.

The adult coloring book business is gaining steam with publishers taking extra efforts to see that the artwork inside meets the standard of the franchise.  Alien: The Coloring Book has pulled together artwork that resembles the actors and key scenes from the movie, but also does so in a visually interesting manner and conforms to the whole point of these books: to give fans a chance to color their favorite scenes (in or outside the lines).

Creating scenes from all of the Alien movies featuring heroine Ellen Ripley are artists Leandro Casco, Wellington Diaz, Vinz El Tabanas, Salvador Navarro, Guilherme Raffide, Rubine, Vincenzo Zerov Salvo, Adriano Vicente, and Daniel Wichinson.  Eighty pages provide Xenomorphs, chestbursters, Xenomorph eggs, your favorite characters, spacesuits, ships, Ridley Scott’s futuristic sets and H.R. Giger-inspired designs.  One of the fun illustrations features Lance Henriksen’s cyborg Bishop playing mumbletypeg with the hand of Private Hudson (played by the late Bill Paxton).

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A Monster Calls explores the death of a parent by a young child, how a child might deal with death, and the death of daughter from the perspective of a mother.  It is a film with a complicated past.  The story originated with author Siobhan Dowd, who died before the idea for the book was very far along.  Writer Patrick Ness was given her notes and created the novel in 2011, illustrated by Jim Kay, that would go on to win the Carnegie Medal.  For the movie adaptation the story was further revised by Ness as screenwriter, and again by director Juan Antonio Bayona who added an art focus for the film’s little boy, an element reflecting the director’s own youth.

In A Monster Calls: The Art and Vision Behind the Film, approximately a third of the book is devoted to interviews with the cast and crew, a review of the film’s heartbreaking story of loss and an Ent-like monster accompanying a boy on a difficult journey.  The interviews reflect a vast array of views and approaches to the story–everyone involved with the film has a surprisingly different twist on the story and its meaning.  We hear from director J.A. Bayona, author/screenwriter Patrick Ness, actors Liam Neeson, Felicity Jones, Sigourney Weaver, Toby Kebbell, and the young star Lewis MacDougall, as well as director of photography Oscar Faura, producer Belén Atienza, line producer Sandra Hermida, editors Bernat Vilapalana and Jaume Martí, sound designer Oriol Tarragó, and composer Fernando Velázquez.

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Along with its serious topic, the book and movie have fantastical elements, and A Monster Calls: The Art and Vision Behind the Film accordingly provides insight into the creation of the titular monster, Liam Neeson’s first foray into motion capture acting as the monster, concept art, site location selections, animated sequences, model work, make-up, costume renderings, and CGI.  We learn how the miniature work came together, and how the visual and sound effects were created for key scenes, including trial work for effects that did not make it into the film.

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murray

Tomorrow night Public Television stations will broadcast Sunday’s Kennedy Center ceremony honoring Bill Murray for his unique blend of comedy and social commentary.  The Mark Twain Prize, first given to Richard Pryor in 1998, is the nation’s top honor for comedians.  Everything’s coming up roses for Murray this week as his favorite team the Chicago Cubs gained their first win of this year’s World Series, and Murray was a trending topic for a photo he took in Scotland in 2012 wailing with a toddler–a photo mistaken for Tom Hanks by many.

The 2016 awards event features Steve Martin, Sigourney Weaver, and David Letterman, among several other celebrities mildly roasting the actor/comedian/golfer/celebrity and saluting his work.  In the show Murray gives his own salute to one of his five brothers, the well-known character actor Brian Doyle-Murray.  Two other brothers, Joel and John, are also actors.

So what’s Murray’s best work?  Is it his classic comedy skits or Weekend Update work on Saturday Night Live?  Or his assistant groundskeeper from Caddyshack?  What about his Dr. Peter Venkman from Ghostbusters?  You can’t forget his Army soldier John Winger in Stripes.  Or how about his weatherman in Groundhog Day?

caddyshack

Murray is known for continuing to surprise us.  Like when he earned an Academy Award nomination for his drama Lost in Translation, when he played Dustin Hoffman’s friend in the Oscar winning Tootsie, and when he gave us his own take on Charles Dickens’ A Christmas Carol in Scrooged, portraying FDR in Hyde Park on Hudson, and a war hero in Monuments Men.

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One of the best in-universe, sci-fi, tie-in books that we have come across is part of this year’s celebration of the 30th anniversary of James Cameron’s Aliens.  Insight Editions’ Alien: The Weyland-Yutani Report is not only a great idea–a book that could have been a movie prop used by the likes of Paul Reiser’s junior executive Carter Burke–its execution is superb.  Remove the title wrap and you have a mock leather-bound, heavy duty field guide that you might see passed around by the corporate types in the next Alien movie.

Written by Aliens, Star Trek, and Resident Evil tie-in novelist S.D. Perry with lavish artwork and designs by Markus Pansegrau and John R. Mullaney, The Weyland-Yutani Report pulls out all the stops to deliver a comprehensive Board of Directors summary guide to the findings and technology uncovered with the Alien movies beginning with Ridley Scott’s prequel Prometheus in 2012 to 1979’s Alien, to Aliens (1986), Alien 3 (1986), and through to Alien: Resurrection (1997).  (The Predator crossovers are not covered in The Report). 

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The most eye-opening data ties together–in a manner more clearly than portrayed in the films–Weyland-Yutani corporation and its founder Sir Peter Weyland, from details available in the films and information that was only character background that didn’t make it into the films.  The goals of the corporation that were the fabric that connected all the films is investigated with some top secret findings (and some redacted), including the hierarchy and gross (as in chestburster) anatomy of the Xenomorphs, groundbreaking (future) scientific achievements of “The Company,” as well as weapons, ships, tools, and theories of alien beings and their connections to early Earthlings.  (Learn even more about “The Company” at the corporate website here).

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Review by C.J. Bunce

Aliens is a film like no other, a rare sequel that is arguably as good or better than the original.  It’s horror, but even more so than the original Alien, it is a science fiction classic in its own right.  Aliens was ahead of its time, a successful blockbuster from James Cameron, who quickly put together a story treatment and sold the studio on his vision of the follow-on to Ridley Scott’s unique and acclaimed original.  Last month here at borg.com we reviewed Aliens–The Set Photography, a new book chronicling the creative work behind Aliens released for the film’s 30th anniversary.  Action-packed with top-notch acting from Sigourney Weaver and a great supporting cast, plus some of Stan Winston’s best creature work, Aliens rightfully is getting the 30th anniversary treatment this month in Blu-ray.

Aliens is one of about a dozen science fiction or horror films to earn Academy Awards.  It won two, for visual effects and sound editing.  It was also nominated for art direction, sound, film editing and original score.  Better yet, Sigourney Weaver earned her much deserved first nomination for best actress.  Weaver’s Ellen Ripley is among science fiction’s best performances, and Weaver the core of what made the franchise and this film successful.  The anniversary release includes two previously released versions, the 1986 original theatrical version and the 1991 extended edition.  If you missed the extended edition, it’s well worth your time.  Ripley gets more screen-time, and more character development, including the dichotomy between the death of Ripley’s daughter mirroring the Alien queen’s protection of her offspring–it’s great fun to see a character you think you know in scenes not included in the original version you saw in the theater.

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The extended edition commentary track is as good as you’ll find on any disc.  Where most releases these days include the director or producer and one or two cast members, the commentary accompanying the extended edition includes far more–a treasure trove of content and insights into the film.  You’ll hear details on movie making from director James Cameron, producer Gale Anne Hurd, the late, great, alien effects creator Stan Winston, visual effects supervisors Robert Skotak and Dennis Skotak, miniature effects supervisor Pat McClung, and actors Michael Biehn, Bill Paxton, Lance Henriksen, Jenette Goldstein, Carrie Henn, and Christopher Henn.

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Aliens Set Photography book Titan

Review by C.J. Bunce

To commemorate the 30th anniversary of James Cameron’s sci-fi film classic Aliens, writer Simon Ward has assembled a photograph-dense book full of never before released images from the movie stage.  Aliens: The Set Photography fills each of 144 pages with views of cast members, camera crews, and special effects artists as they created the follow-on to Ridley Scott’s horror classic, 1979’s Alien.  Less of a space drama and more of an action-packed rollercoaster ride than the original, Aliens won two special effects Oscars and earned Weaver a nomination for Best Actress as well as nods for set and art decoration, sound, film editing, and James Horner’s musical score.

Simon Ward also authored the behind the scenes look at the Independence Day films reviewed here at borg.com last month.  We discussed the creation of this book at Kansas City Comic Con this weekend with film co-star Carrie Henn, who played Newt, the only survivor discovered by Ripley (Sigourney Weaver) and the marines.

Paxton Aliens

Henn told us that this book had been in the works for a few years.  She provided the foreword and much of the commentary for what amounts to a photo scrapbook of behind-the-scenes stills.  She also provides some surprisingly thorough recollections of stage direction from director Cameron and mentoring from Sigourney Weaver, who appeared as a larger-than-life heroine to the nine-year-old actress.  Her comments are also full of humorous anecdotes and reflect the care taken by the filmmakers to make certain the little girl wasn’t terrified by Stan Winston’s alien creations.

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