Tag Archive: Tatiana Maslany


Phase IV of the Marvel Cinematic Universe took center stage with some big reveals at a Disney investor event this week.  The biggest news is a preview of Loki, which takes fan-favorite actor Tom Hiddleston’s beloved villain into more strange places, continuing the comic villainy that keeps fans coming back for more.  Along with Loki, Disney rolled out previews of the new Disney+ series The Falcon and the Winter Soldier, the What if…? animated series, the casting of the lead for Ms. Marvel, and details on new series from Secret Wars to Ant-Man 3 and She-Hulk Plus new target release dates?  Check those out and the trailers below.

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Happy holidays!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021!  But wait!  Next year’s list sure looks a lot like the the films we previewed last December.  The covid pandemic has delayed hundreds of film projects, but some made it through.  When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks.  Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.

Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar.  The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem.  Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob!  Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year.  After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out.  Other films, like Vast of Night, Extraction, The Old Guard, Rebecca, Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.

So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and MorbiusWonder Woman 1984 is expected to have a theatrical release by year end.  Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.

So what’s left and what’s new?

Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021.  Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list.  Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration.  Note:  Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max.  Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year.  Amazon Studios has fewer, most partnerships with Blumhouse Productions.

As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.

January

Mortal Kombat Based on the video game.  New!  Tentative release date: January 15, 2021.  HBO Max.

Wrath of Man Next Jason Statham action flick.  New!  Tentative release date: January 15, 2021.

The French Dispatch.  Wes Anderson and his familiar actors in new quirky film about journalists.  New!  January 28, 2021.

The DigA film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan.  January 29, 2021.  Netflix.

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Two of television’s best genre actors are soon going to be donning superhero garb for the two major comic book movie franchises.  First, earlier this month Disney+ announced Emmy-winning Orphan Black lead actress Tatiana Maslany will be expanding the realm of the Marvel Universe as She-Hulk in her own series.  Then today Black Adam star Dwayne Johnson announced Leverage co-star Aldis Hodge will be joining him to fill bring into the fold one of the last members of the classic Justice League of America to have a major series or movie role.  Hodge will play Hawkman in the Black Adam movie.  Both will be live-action shows.

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The sestras are returning.  BBC America’s sci-fi drama Orphan Black ran five seasons, wrapping in 2017, but the key cast members and creators will be back Sunday, this time online for a table read of two episodes of the series.  Tatiana Maslany, who earned an Emmy for her role as several clones, is leading the effort, along with actors Maria Doyle Kennedy, Jordan Gavaris, Kristian Bruun, Kevin Hanchard, Dylan Bruce, Evelyne Brochu, and more.  Based on the episodes selected, expect some great scenes with fan-favorite couples Donnie and Alison and Delphine and Cosima.  And it’s all to raise money for charity.

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Perry Mason seriesThe next detective-mystery crime series from HBO is going to be a bit different for fans of the 1950s-60s television series and even the original novels by Erle Stanley Gardner.  Moodier, darker, and grimier, HBO’s Perry Mason is coming to the cable network with an eight-episode season in only 60 days from now.  The first trailer has arrived with the look of The Untouchables and LA Confidential, and the lead lawyer looking more like Columbo than Raymond Burr’s neat and pressed professional.

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  Ghostbusters: Afterlife Scarlett Johannson solo in Black WidowA new James Bond movie, No Time to DieVin Diesel in Bloodshot and a new Fast & FuriousThe original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black WidowCompare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.

Do you like sequels?  There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way.  In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned.  Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):

  • 7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
  • The Dig, a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
  • Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
  • Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
  • Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
  • The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
  • Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
  • Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
  • Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
  • The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
  • Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)

Some of these films will have revised release dates, or get pushed to 2021.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):

January

The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.

Underwater – Thriller, stars Kristin Stewart in underwater horror story – January 10.

Dolittle – Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.

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Our borg.com Best of 2017 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2017 here and the Kick-Ass Heroines of 2017 yesterday here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV BorgHumans (AMC). From the awakenings in the first episode of season 2, AMC’s Humans kicked in full throttle as the borg show to watch this year.  Continuing to explore what it means to be real and addressing the desire and need to overcome oppression, the show took ideas from Frankenstein and THX-1138 and everything in between to show us realities of life as a borg as it took the world from robotic cyborgs to sentience.  And this year’s best borg goes to all the Synths on the series, as each showed a different side to what a world full of cyborgs might be like.

Best Sci-fi TV Series, Best Soundtrack for TVThe Orville (Fox).   The Orville expanded on elements from across all sci-fi, like space battle sequences and planet flyovers using Star Wars-inspired camera angles (including real model ships, not just CGI), completely new and unique aliens (the only thing close to these can be found in Doctor Who), and a fantastic, triumphant musical score from Bruce Broughton.  A visually gorgeous show that took itself seriously more than trying to mock anything that came before it.  The science fiction series we’ve been waiting for since Star Trek Voyager ended.

Best Fantasy TV SeriesWynonna Earp (Syfy).  Wynonna Earp’s second season proved the first wasn’t a fluke.  The sharp-tongued, swaggering, tough-as-nails gunfighter, her sister, the sheriff, and the ghost of Doc Holliday added some new team members and some great supernatural villains, providing a series we couldn’t wait to get back to each week.  Wynonna’s handling of the Revenants and a transport back in time was even more fun while she managed her pregnancy.

Best Retro TV SeriesStranger Things (Netflix).  The only question after binge-watching the second season of Stranger Things was struggling to decide whether it was better than the first.   It had the same look and feel of its first season, but somehow the characterization was really amped up, the action more exciting, and the tension pretty much perfect.  Stranger Things really had it all–stars of our favorite 1980s movies, throwback references to video games, music, fashions, and the obscure like no other show–and with a second season that eclipsed the first, it proved it is the real deal.

After the cut, come back for more of our Best in Television 2017, including our pick for Best TV Series:

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It’s time for borg.com′s annual look at the year’s Best Kick-Ass Genre Heroines in film and television.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on.  Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons, and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

In 2017 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked had the characters been swapped for males.  We had a pregnant gunfighter, a mutant mental patient, a double agent, a space pilot, an alien security officer, a pregnant former psychopathic killing machine, a cyborg assassin, a mythic warrior, a maverick mercenary, a warrior, a commander of armies, an alien slave turned teacher, an angry young mutant, and a teenage high school reporter.

These are the Best Kick-Ass Genre Heroines of 2017:

Wynonna Earp (Wynonna Earp).  Melanie Scrofano not only played Wynonna Earp as pregnant in this year’s second season, she actually was.  And that didn’t slow her down, defeating all the evil Revenants in the town of Purgatory, and incorporating the discomfort of pregnancy made for great comic release all season long.  Who had the tougher task, Earp or Scrofano?  Either way, the series showed it’s a keeper and Earp the sharp-tongued, swaggering, tough-as-nails gunfighter we continue to love.

Valkyrie (Thor: Ragnarok).  As cool and powerful as Cate Blanchett’s Hela was in this year’s pinnacle of the Marvel Cinematic Universe, the real scene stealer in Thor: Ragnarok was Tessa Thompson’s surprising new tough heroine, Valkyrie.  Cocky?  Yep.  And she backed up that confidence with mad fighting skills and brains–enough of a combination to help Thor & Co. save the people of Asgard and get some revenge for the Valkyries who lost the original battle against Hela.  As much as any other character, we’re looking forward to more of Valkyrie in next year’s ultimate team-up Avengers: Infinity War.

Luv (Blade Runner 2049).  If Blade Runner 2049 is remembered for anything, it should be Sylvia Hoeks’ badass Replicant oddly (ironically?) named Luv.  First unassuming, polished, and pristine in her mannerisms, she later reveals she can be the next best thing since Sarah Connor and the Terminators.  Luv is a fierce, brutal borg whose villainy became the high point of the film.

Laureline (Valerian and the City of a Thousand Planets).  Cocky yet sympathetic, loyal and determined, the space pilot 50 years in the making made it to the screen this year and Cara Delevingne delivered a surprise performance as the co-lead and equal half of Luc Besson’s science fiction space duo.  Her confidence was second to none, she stood up for what she believed and took what she wanted, and still had time to care for a lost rare species while making sure she protected her partner’s back.  We’d like to think she dropped the creepy egotistical Valerian in her next adventure, but she did exactly what she wanted to, and seemed to have one of those modern romances that worked for her.  Quirky, snarky, funny, and tough, she took out a room full of men with weapons and made it look like she wasn’t even trying.  Laureline has it all.

Helena (Orphan Black).  Of all the characters played by Tatiana Maslany in the series’ five seasons, who knew the sestra that would write the book on them all would be Helena, the once ruthless, psychopathic killing machine who once befriended a scorpion in prison?  This year Maslany wrapped up what must be the best role for a performer in the history of television.  No one has ever played so many parts in a series, and played them beautifully.  Each character had her moment, but Helena would make our list if she was in any series.

Antiope (Wonder Woman).  The opening minutes to this year’s DC film Wonder Woman finally adapted to film what comic book readers have seen all along–that the Amazons were a creation that should have been on the screen long before 2017.  The envy of them all was the brave and strong Antiope, played by Robin Wright.  It was the character that launched a thousand memes, and what greater way to illustrate the mentoring of Wonder Woman than via Wright’s ultimate warrior.

Commander Lin Mae (The Great Wall).  Jing Tian’s Lin, commander of the Crane Corps who takes charge of the Nameless Order and staves off the Tao Tieh, may be the year’s most dynamic and talented superhero–not technically a superhero, she looked superhuman in all her battle scenes.  She was decisive and cut through the nonsensical parts of the story.  Her aerobatic skill in defending the Great Wall, leading the largest military force ever, and saving her people in the process makes Commander Lin an easy entry on this year’s kick-ass list.

Betty Cooper (Riverdale).  It took 77 years but fans of Archie Comics finally got what they always wanted: a television series true to the characters generations have grown up with.  CW’s Riverdale gave viewers 1.5 seasons to soak up Archie and his pals with a tremendously well-written story team led by Roberto Aguirre-Sacasa, but best of all was the casting of Lili Reinhart as Betty and Camila Mendes as Veronica.  Both were badass frenemies, but Betty’s story really allowed her to save the day time after time while taking the high road, even becoming a member of the Southside gang to help Jughead, and as intrepid school reporter, sleuthing out and taking down the town serial killer known as The Black Hood.

Trubel (Grimm).  When the Wesen become too much for Grimm’s Nick Burkhardt, the series’ other Grimm warrior Theresa “Trubel” Rubel came to the rescue.  Reserved and measured in her actions, she also never hesitated to take someone’s head off to protect her newly found family.  In the series finale this year she even took on Nick directly when she disagreed with his plan, only to help take down the Zerstörer after an ultimate confrontation team-up with the ghosts of Kelly and Marie, and Nick.  What we’d give for a Grimm spin-off with Jacqueline Toboni bringing her character into new adventures!

Syd Barrett (Legion).  Many viewers saw the twisted look at the X-Men in the new FX series Legion as the best of the superhero fare on television this year.  The highlight of the show was Rachel Keller’s Syd Barrett, who became girlfriend to series lead hero David Haller.  Revealing a brutal dark side to being a superhero mutant, Syd’s powers won’t allow her to physically make contact with anyone, yet she makes it work anyway.  She’s willing to use her powers to switch bodies with anyone she touches to save those she cares about, even at great pain and loss.  Syd fights through her own doubts, uncertainty of reality, and those that have lied to her to break through and take what she wants.  She’s a fighter and triumphant, with only more battles ahead as season two is just around the corner.

Martha Jumanji

Martha/Ruby Roundhouse (Jumanji: Welcome to the Jungle).  She was a shy kid who got detention for objecting to phys ed class.  But once she got sucked into the Jumanji video game, she became Ruby Roundhouse, “killer of men,” with the symbol of a karate fighter as her avatar.  A badass in every way, she is a commando and deadly dancefighter, with mad skills in all sorts of martial arts.  Just keep her away from venom–that is her single weakness.

Andrea/Andra’ath Quill (Class).  We only had eight episodes to get to know Miss Quill on the BBC’s Doctor Who spin-off series Class, but what we saw in Katherine Kelly’s alien slave turned teacher was the foundation for an incredible series that could have been.  Quill made the ultimate break from oppressor Charlie, the last surviving prince of an alien war.  That didn’t stop her from finding a way out, while taking care of the prince and the small class of would-be student heroes.  Quill could have taken the show in infinite directions had viewers supported the series more.  Regardless, Katherine Kelly’s Quill will always be remembered as a kick-ass heroine in a class by herself.

Lt. Alara Kitan (The Orville).  Who knew the next great science fiction series since Battlestar Galactica would be half comedy and produced by Seth MacFarlane?  Among the strife and misadventure, one crewmember had the greatest character arc in the series’ first season, and she was also the physically strongest person on the ship: Chief of Security Lt. Alara Kitan.  Halston Sage didn’t skip a beat in portraying a futuristic officer on a starship.  She didn’t begin the show as a leader, but learned the ropes and took us all along for the ride as she became that leader, revealing a sensitive and uncertain, very “human” side, who could still buddy around with the ship commander and save the day more than once.

Lorraine Broughton (Atomic Blonde).  Next year will see a shift where the British treasure Doctor Who sees its first woman Doctor.  Who knows if something like that will ever come of the other Brit icon, James Bond, but the closest anyone has ever come to that was Charlize Theron’s hardened and savvy spy Lorraine Broughton in the film adaptation of the graphic novel The Coldest City.  Has any woman action star ever given this many punches in a movie ever?  She took a pounding as well, but ultimately came out on top with some shrewd tactics.  Lorraine Broughton–nobody does it better!

X-23/Laura (Logan/Logan Noir).  The biggest surprise of the year was the great piece of filmmaking that was Logan, and more specifically the black and white version that arrived in theaters in limited release, Logan Noir, the swan song for both of the X-Men we got to know over the years as Hugh Jackman’s Logan aka Wolverine and Patrick Stewart’s Charles Xavier aka Professor X.  Incredible direction and cinematography created a film on par with any black and white classic.  But the young actress that the film could not have been successful without was the young Wolverine in training, Laura aka X-23.  What a fantastic actress was Dafne Keen as Laura that you almost forget it’s a little girl ripping all these bad guys’ heads off and digging her sharp claws into their skulls.  And in the next scene she’s nonchalantly eating a bowl of cereal, or acting angry because of something Logan said.  X-23/Laura was simply the best of the best of the list of kick-ass women characters revealed to movie fans this year.  Please, oh, please, Fox or Disney, let’s see Keen reprise the character again soon, huh?

And that’s it.  Keep coming back the rest of this month as we reveal the rest of our Best in Film, Best in TV and Best in Print, and our borg.com Hall of Fame inductees for 2017.

C.J. Bunce
Editor
borg.com

Review by C.J. Bunce

So many books chronicle seasons of hit television series, but a new release for BBC’s Orphan Black takes viewers beyond the norm.  Like the incredible behind the scenes access we saw in Firefly–A Celebration, Abbie Bernstein’s new book The DNA of Orphan Black shows how the unique science fiction series creates its magic.  In 2013 we first saw Sarah Manning watch her doppelganger step out in front of a train.  Who knew how many clones we’d meet in the series, and how many roles Tatiana Maslany, last year’s Best Actress Emmy winner, could play in a single scene?  It’s not so difficult to wrap your head around the characters of the series because Maslany plays them all so well.  But when you try to list your favorite characters on the series, you momentarily forget “they” are a single actress portraying so many incredible people, and none like anyone you’ve seen before.

In The DNA of Orphan Black fans get unprecedented access to the development process, as told by the show’s creators John Fawcett and Graeme Manson.  We learn how Maslany sees each character and created the nuances of each personality.  And we learn from the supporting cast, plus makeup designer Stephen Lynch, hair designer Sandy Sokolowski, costume designer Debra Hanson, art director Jody Clement, and production designer John Dondertman, and more.  Wrapping up its series finale in only four weeks, Orphan Black doesn’t have anything left to hide.  So we learn the tricks of the trade, and how the sleight of hand by the production team has created such complex scenes like Helena’s dream sequence and the clone dance party.  How do viewers know we’re not seeing Maslany’s Rachel, but her Krystal posing as Rachel?  Makeup designer Stephen Lynch explains how.  You’ll learn great tidbits about the show, like how the hair designer created only one “hero” wig for each of Maslany’s characters (each cost $5,000 to $8,000).

The DNA of Orphan Black is not just another TV show souvenir book.  It’s full of behind the scenes images, but it also includes surprisingly detailed interviews, thanks to author Abbie Bernstein (whose last book, The Great Wall–The Art of the Film, was one of the best film art books we’ve reviewed at borg.com).  You’ll see from the table of contents (below) that not only does Maslany provide a few pages of content as lead actor, as found in many TV books, each of her characters gets separate discussion as they would if they’d been played by different actors on any other series.  So as a fan you can get right to your favorite performance by Maslany.  Equal to Bernstein’s handling of the sestra clones is her attention to the key secondary characters: Felix (Jordan Gavaris), Art (Kevin Hanchard), Donnie (Kristian Bruun), Siobhan (Maria Doyle Kennedy), Delphine (Evelyne Brochu), the Castor clones (Ari Millen), and probably most significantly, Maslany’s acting double, Kathryn Alexandre.

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All good things come to and end, but endings to good things are rarely good.

That’s not always so as it comes to television, as is being proved out in this fifth and final season of Orphan Black.  Three episodes in and Tatiana Maslany, Kristian Bruun, Jordan Gavaris, and Kevin Hanchard continue to deliver the best science fiction series in years, a sci-fi series cloaked as thriller, drama, and dark comedy.

You can’t say enough about Tatiana Maslany, last year’s Emmy winner for Outstanding Lead Actress in a Drama, and poised to be this year’s chief contender for the Best Actress Golden Globe award.  Her series promotes female empowerment more than any show.  The double, triple, quadruple, etc. message of a story about the bond among a small army of clone sisters is found in the singularity of a lead actress performing in every scene while also playing multiple parts in every other scene.  Viewers can’t help but attach emotionally to each of her characters.  Even last week’s exit of a minor character viewers barely got to know drove the show to a shocking halt.

As the series’s long-time protagonist, Maslany’s Sarah Manning, continues her battle to protect her daughter, the other sisters have broken out to reveal a key message of the show: In a future world of manipulated genetics, we’ll see many individuals with common traits but who are very much individuals.  It’s still the environment that determines who the individual becomes.

If you had to pick one standout to represent the best of the series it is Maslany’s take on Alison, a character who would have lived out a normal existence in Bailey Downs had Maslany’s Beth Childs not have driven her into the sestra, turning Alison chemical dependent, then leading her to become a drug dealer, a killer, burying all the bodies in her garage, and who knows what next.  But this weekend’s episode showed just how far Alison has come, with flashbacks to scenes that filled in the blanks of her past and told us ultimately you can’t take the quiet ones for granted as she positions herself as the best manipulator of them all.

But behind Alison was always the giant bundle of energy and over-the-top antics of Kristian Bruun’s Donnie.  Alison’s husband, despite his initial collusion with Dr. Leakey’s people, tried to prove his loyalty to Alison in every appearance.  And Bruun must be the ultimate good sport as the writers put him into bizarre situations again and again.

Will we see Alison again this season, and if she returns, will she return as a warrior, a ninja, something else?  We’re thinking the writers can’t keep a great character away for long.

On a personal note, and speaking of sestra, our own four-legged support team member Jade, who you may have met on her 16th birthday two months ago here, passed away this weekend after a stoic battle with several old age issues.  Jade was one of six sisters and three brothers, and their genetics as coonhound and German Shepherd came through to reflect many similarities especially in their youth.  But each also showed a profound individuality as they grew into their own personalities–as varied as the differences between any people you know, and as varied as the sestra of Orphan Black, a show Jade watched along with us for the past four years (Jade’s favorite character was Helena).  Jade’s family and friends will miss her love and fierce loyalty.

If you haven’t climbed aboard the Orphan Black train now’s the time to binge watch the first four seasons and be part of what is turning out to be a banner, final, season for the series.  New Orphan Black episodes air Saturday nights at 10 p.m. Central following Doctor Who on BBC America.

C.J. Bunce

Editor
borg.com