I Love the ’80s was a ten-hour VH-1 series that waxed nostalgic for all things pop culture in the decade, and a new five-hour documentary strives to do the same thing with the sci-fi genre movies of the decade as its focus. In Search of Tomorrow: A Journey Through ’80s Sci-Fi Cinema is the result of a crowd-sourced project, now available for pre-order exclusively at the project’s website here. It is one of several projects we’ve seen like it over the years, the best being Must-See Sci-Fi (reviewed here), Turner Classic Movies’ guide to 50 significant science fiction movies, and James Cameron’s Story of Science Fiction (reviewed here), a book and series which gives insight into the genre’s most significant creations via interviews with the directors that made them. In Search of Tomorrow features only a handful of A-listers in its interviews–the advertised top talent being Peter Weller, Billy Dee Williams, Dee Wallace, and Nicholas Meyer. It pulls together a group of the few remaining actors, visual effects artists, and other creators behind the scenes who fans of the genre probably haven’t seen in decades (yes, it’s been more than 30 years since the 1980s). Writer/director David Weiner focuses on a swath of 54 movies that reflects the best–and the worst–of the decade.
In a pre-pandemic world we all would have seen Free Guy in the theater by now and everyone would have been raving about it since August. Now it’s arrived for a wider audience on streaming platform Disney Plus. Is it worth your time? Absolutely. It’s so much better than advertised, you’re certain to be surprised at the layers of storytelling found in this mix of Ready Player One (but 50 times better) Tron: Legacy, Mr. ROBOT, The Truman Show, The LEGO Movie, Elf, Sleeping Beauty, and lots of other great shows. Yes, it’s another video game movie, but it’s bigger. It’s another Ryan Reynolds action movie. But lots more fun.
Words are power in Scotto Moore’s expansive, mind-bending first novel, Battle of the Linguist Mages. “Power morphemes” are power itself, punctuation marks are aliens, and nothing is as it seems in an almost drug-induced frenzy about a young woman immersed in the real-life politics behind her favorite MMPORG virtual reality universe, Sparkle Dungeon 4. Follow as the Queen of Sparkle Dungeon infiltrates the corporation behind the game in this new Tor release, arriving at bookstores this month, and available for pre-order here at Amazon. How to break reality in three easy steps. Mr. Robot meets Ready Player One and The Fifth Element? Maybe, but the world building is more imaginative and detailed than in Ready Player One, and this story isn’t about nostalgia. The granular level of the world building would feel like something concocted over decades if the subject matter wasn’t so modern. Someone reading it in 1995 wouldn’t have a clue what it’s even about. But it’s an extension of sci-fi storytelling dating back to The Last Starfighter and Ender’s Game. A bit of Avatar--the James Cameron one–but more interesting. It’s ambitious, but mostly a fun ride.
Ancient philosophers have discussed the concept for millenia: What is the nature of life? Are we part of the plan of an architect of all things or do we have a say in our future? The latest exploration of this subject uses science fiction stories as analogies to these unanswered questions in The Simulated Multiverse, by Rizwan Virk. Virk skips over the scientific method to dabble in ideas of pseudoscience like Erich von Däniken or an episode of In Search Of…, blending bits of the history of science with the “what ifs” of a Dan Brown novel, James Rollins’ The Last Odyssey, or the Wachowskis’ The Matrix. It’s an interesting trip full of elements that are integral to understanding much of pop culture fiction. The book’s impetus is an obscure postulate by science fiction’s own Philip K. Dick, and the conversation interconnects everything from Sliders to Star Trek.
Sony Pictures Animation, the studio that made Spider-Man: Into the Spider-verse and the LEGO movies brought its latest and greatest animated film to Netflix earlier this month with The Mitchells vs. The Machines–a sci-fi, apocalypse, coming of age story (reviewed here) about a normal but weird family that tries to dodge a planet-wide extermination resulting from the very technologies humans are so addicted to. Much of the action takes place during a cross-country trip, and it’s that imagery that is underplayed on the big screen, but really comes to life as incredible art in The Art of The Mitchells vs. The Machines, a behind the scenes book of exploration coming to Amazon here and a bookstore near you next week. Gravity Falls creators Michael Rianda and Jeff Rowe wrote and directed the film, a visually stunning spectacle, with contributions by the Academy Award winning duo of Phil Lord and Christopher Miller (both known for the LEGO movies and Into the Spider-verse). Author Ramin Zahed interviews those creators and more and shares hundreds of concept art images for this next look into the development of cutting edge animation.
Surprisingly great, surprisingly real, and surprisingly… current? Sony Pictures Animation, the studio that brought you Spider-Man: Into the Spider-verse brings its latest and greatest animated film to Netflix this weekend. It’s The Mitchells vs. The Machines–a sci-fi, apocalypse, coming of age, story about a weird family that ends up being the last family on the planet to be exterminated from the planet by the very technologies humans are so addicted to. Gravity Falls creators Michael Rianda and Jeff Rowe wrote and directed this story, a visually stunning spectacle reflecting life as we knew it in 2020… and may know it again, with contributions by Phil Lord and Christopher Miller (both known for the LEGO movies and Into the Spider-verse). The themes are influenced by Tron and Tron: Legacy,National Lampoon’s Vacation, and the Terminator movies, leaning hard on the plot of Terminator: Genisys. It’s loud, colorful, crazy, and it gets family relationships just right, at least of the 21st century variety. It’s also the movie I was hoping for with The Incredibles 2.
Two episodes in, and you’ll probably get drawn into at least three of the characters in the story. Four episodes in, you’re thinking about who is going to to make it to the second season and how quick they can get that filmed and released. Directed by Shinsuke Sato, Haro Aso’s popular manga series comes alive in Alice in Borderland, the live-action dystopian, Japanese noir-meets-steampunk thrill ride streaming now on Netflix. Doomsday, Tokyo-style, is surprisingly violent, surprisingly thought-provoking, as a city finds itself mostly vacated (as in The Quiet Earth and 28 Days Later) and the remaining citizens must fight for their lives The Running Man-style or they’ll get zapped and killed The War of the Worlds-style. Clever casting of characters introduces looks of action heroes from all sorts of Japanese video games, manga, and anime, all living (many briefly) in a world loosely pulled from Lewis Carroll’s classic Alice in Wonderland. A gamer-themed series on the heels of the popular Netflix series The Queen’s Gambit, the result is a very different story allowing the audience to try to solve clues along with the players on the screen–what I was hoping for when I first heard about the book Ready Player One.
It’s already been adapted into a video animation in 2014, and now the popular serialized Japanese manga is making its way to a live-action series coming to Netflix next month. Haro Aso’s manga Alice in Borderland is directed by Shinsuke Sato, and follows three friends who get sucked into a video game, Jumanji-style more than Tron or Ready Player One. Spinning out of Lewis Carroll’s classic Alice in Wonderland, look for new takes including “Hatter” and “Cheshire,” in a strange wasteland parallel universe Tokyo and a journey of survival.
Just because San Diego Comic-Con 2020 was cancelled this year due to the COVID-19 pandemic doesn’t mean some of the convention exclusives won’t still be available, for those who know where to look. One of the best ideas we’ve seen from exclusives previewed so far is from Diamond Select and Entertainment Earth, and it hails from one of our favorite retro fixes: the groundbreaking 1982 sci-fi classic Tron. What says 1982 and Tron more than a VHS clamshell? Wait, it’s not just a clamshell…
In brief, it’s the best adventure, fantasy, and comedy in theaters in 2019 and a great way to begin your new year. Jumanji: The Next Level is still packing-in theaters a little more than two weeks into its run–an alternative to the other holiday releases and guaranteed to leave you smiling at the end. The four stars didn’t miss a beat in their return, swapping roles and adding new laughs, and the new characters inside and outside the game are perfectly matched to tell a new tale. Two films down and Jumanji: The Next Level is now the new major adventure fantasy franchise, up there with Tarzan, The Jungle Book, Conan the Barbarian, John Carter of Mars, Pirates of the Caribbean,The Mummy, and Indiana Jones. Put this sequel at the top of the best of those franchises.
The studio didn’t hold back on new action sequences–inside the movie again Jumanji is the same video game of curious origin. The new levels introduced this time increase the stakes in bigger and better ways. A bridge-crossing scene with swarming apes and a geometric, Mario Brothers/Donkey Kong-like element is now going to be the adventure film standard to try to beat. Sure, there are throwbacks to jungle adventures of the past, but it’s not derivative, all presented in fresh ways. As another tour inside a video game (like Tron and Ready Player One), you’ll have the added fun of spotting video game influences (like Pitfall and Q-Bert), including a new, more difficult gauntlet.
The movie does double duty as an epic quest and rollicking comedy. Comedians turned comedic actors Jack Black as Dr. Shelly Oberon and Kevin Hart as Mouse Finbar again are comedy gold. Even the small bits are a scream–Hart riding and getting off a camel is a lesson in physical comedy. They make the movie loads of fun, but straight man roles performed by Dwayne Johnson and Karen Gillan as in-game characters Dr. Smolder Bravestone and Ruby Roundhouse share the credit for the laughs, too. If you’ve seen Jumanji: Welcome to the Jungle, you’d expect big comedy from the sequel. And that’s where the writing genius comes into play, thanks to a script by writer/director Jake Kasdan and writers Jeff Pinkner, and Scott Rosenberg. How do you bring back the hour movie stars, the four young actors who played the original players (Madison Iseman, Morgan Turner, Alex Wolff, and Ser’Darius Blain), the rescued Alex played by Colin Hanks, and in-game characters played by Nick Jonas, and Rhys Darby without re-hashing the first movie? You’ll have to see it to find out. Just be prepared for some great twists and surprises.
