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Tag Archive: Wizards of the Coast


  

Wizards of the Coast has two new books available just in time for Christmas gameplay.  Guildmasters’ Guide to Ravnica is the first time Dungeons & Dragons has formally issued a crossover with the realms of Magic: The Gathering Ravnica, first introduced in 2005 in Magic: The Gathering’s Ravnica: City of Guilds and again in 2012 in Return to Ravnica, is a vast plane and a diverse cityscape, where ten guilds battle for power, wealth, and influence.

The sourcebook includes detailed chapters on the ten guilds:  Azorius Senate, Boros Legion, Cult of Rakdos, Golgari Swarm, Gruul Clans, House Dimir, Izzet League, Orzhov Syndicate, Selesnya Conclave, Simic Combine, and sections on Creating Adventures, Treasures, and Friends and Foes.  Guildmasters’ Guide to Ravnica includes a key focus on the Tenth District of the city, which includes adventure opportunities for all ten guilds.  It boasts six new playable species, plus a new cleric domain, a new druid circle, backgrounds, and an expansive bestiary.

The second year-end release, Waterdeep: Dungeon of the Mad Mage serves as part two of the Waterdeep: Dragon Heist adventure (reviewed here).  The Waterdeep saga continues where Dragon Heist ended, taking characters beyond the fifth level all the way to 20th level should they explore the entirety of Halaster’s home.  Players will find a tavern called the Yawning Portal in the city of Waterdeep, named after a pit in its common room.  Not explored in Tales from the Yawning Portal, at the bottom of the pit is a dungeon known as Undermountain, the domain of the mad wizard Halaster Blackcloak.  It is here where monsters, traps, and mysteries abound in 23 dungeons, along with the refuge of Skullport.  You’ll also find Stardock, the asteroid that orbits Toril, and new magical items like the Dodecahedron of Doom, plus Halaster and eleven other monsters not included in the Monster Manual.

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Review by C.J. Bunce

If you’re not a player of Dungeons & Dragons, a new journey through the hills and valleys of the roleplay game that started it all will get you up to speed quickly.  Dungeons & Dragons Art & Arcana: A Visual History is a comprehensive, authoritative, and licensed look back at nearly 50 years of gaming, storytelling, and artwork.  If you grew up with the game you are certain to find both nostalgia and page-after-page of new information in its more than 700 color images from the past, images of heroes and villains, monsters and other creatures, that brought in some 40 million players over the years.  Boasting some 10-15 million active players today, D&D now features the results of writers/D&D celebrity fans Michael Witwer (D&D historian), Kyle Newman (director of the movie Fanboys), Jon Peterson (game historian) and Sam Witwer (actor, Being Human, Smallville, Battlestar Galactica) pulling together published images and source art from each edition of D&D’s core books, supplements, and modules, magazines, advertisements, tie-in products, sketches, and draft rules.  Their sources include the archives at Wizards of the Coast, private collectors, and more than 40 designers and artists from every era of the game’s history.  Released in two editions, fans old and new can choose from the standard 448-page hardcover alone or a special edition Hydro74-designed boxed set with some intriguing extras.  You’ll find a 14-page preview below courtesy of publisher Ten Speed Press.

This… treatise… this behemoth of a book is smartly designed so readers can approach it for a quick burst of throwback fun or a detailed dive behind the creation and many changes of the game and the companies behind it.  You can find a side-by-side evolution and comparison of monsters and other characters, soak in old maps and character sheets, and compare the covers and key art across all editions.  Possibly the best contribution is comparative images showing specific pop culture sources for many of the designs that made it into the early books and supplements, everything from Frank Frazetta Conan the Barbarian paintings to panels of comic book art from Marvel Comics’ Strange Tales.

From Guidon GamesChainmail to TSR to Wizards of the Coast and Hasbro and the latest 5th Edition rule books, the D&D story is one of corporate takeovers, failures, successes and strategies, all to survive and ultimately consolidate with games including Magic: The Gathering, Pokémon, World of Warcraft, and the entire Milton Bradley tabletop game catalog, all under one umbrella.  It all started with creators Gary Gygax and David Arneson, and their efforts to build on miniature figure battle games from centuries past, and modern rules for gaming that had a historic source:  sci-fi/fantasy author H.G. Wells first penned a gaming rulebook for miniatures titled Little Wars: a game for boys from twelve years of age to one hundred and fifty and for that more intelligent sort of girl who likes boys’ games and books, an influential book inspiring gaming to this day.  The founders would pull in amateur artists and eventually professional artists, sprouting from a small headquarters in Lake Geneva, Wisconsin, ultimately the source of Gen Con, the gaming convention that has been tied to D&D since the beginning.

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Review by Art Schmidt

Dungeons & Dragons continues to enjoy an increased popularity among gamers and folks open to roleplaying experiences, and continuing the excellent line of campaign adventures is the latest offering, Waterdeep: Dragon Heist. This is an excellent 224-page book and contains a large fold-out map of the massive city of Waterdeep in the back.  The folks at Wizards of the Coast have listened to their community of players and dungeon masters, who have lamented past maps, which provided the DM with a numbered and heavily marked map–not that useful for players as it displayed all areas of interest.  The map in Dragon Heist is two-sided: one side marked and numbered for use by the person running the campaign, and the flip side unmarked and for use with the players.  Huzzah!

Waterdeep has always been the “City of Splendors,” once the most important and influential city in the Forgotten Realms, the imaginary world where the adventures of the 5th Edition Dungeons & Dragons all take place (but not for long!).  The adventure Dragon Heist takes players from 1st to 5th level during a heavily investigative and dynamic mystery involving a missing treasure and evil villains who want to beat the players (and everyone else) to the prize.  Unlike other adventures, Dragon Heist contains multiple paths to progress through the story, depending on the dungeon master’s choice of villain to pit the characters against.

This latest “season” adventure was announced during the live streaming weekend event The Stream of Many Eyes where several actors and D&D aficionados along with the Wizards of the Coast staff and some high-profile game streamers all played several games of D&D and discussed the new campaign book and associated gaming paraphernalia.  Joe Manganiello (Rampage, Magic Mike XXL, True Blood), Deborah Ann Woll (Daredevil, True Blood, The Punisher), Matthew Lillard (Scooby-Doo, Bosch, Twin Peaks (2017)), Ashley Johnson (Blindspot, Teen Titans Go!, Marvel’s The Avengers) and Matthew Mercer (Critical Role, Attack on Titan, Overwatch) were just some of the celebrities involved in the three-day extravaganza.

Dragon Heist is the first in a set of two hardcover adventures, the second being Waterdeep: Dungeon of the Mad Mage (available November 13, 2018).  It follows the adventurers as they perform a favor for famous explorer, raconteur, and part-time scoundrel Volothamp Geddarm.  The favor nets them a base of operations in the middle of Waterdeep, and from there things escalate as the characters are caught up in a grand mystery concerning the whereabouts of a lost treasure hoard of golden coins (called “dragons,” hence the name of the adventure).  The characters investigate some mysterious happenings and eventually can discover the whereabouts of the hoard and must battle other interested parties to try to claim it.


The adventure takes a cue from the previous hardcover campaign Storm King’s Thunder, offering dungeon masters four alternate ways to run the adventure for their groups.  This choice comes in the form of four different villains which the party is pitted against in their race to discover what is going on in Waterdeep and eventually recovering the hoard of gold dragons.  Each villain is assigned a season (winter, spring, summer or fall) and this choice dictates not only the time of year in which the adventure takes place, and the main villain, but the order in which various locations around the city are visited while in search of the clues. Continue reading


By Art Schmidt

Once upon a time, there was a book called The Cave of Time, which was the first Choose Your Own Adventure book written by Edward Packer in 1979.  In this book, the idea of a fictional story and a fast-paced action adventure game were married into an experience which placed the actions of the story, and therefore the outcome, into the reader’s hands.  Every couple of pages would present the reader with a situation and then a choice: if you turn right, go to Page 29, if you turn left, go to Page 32.  Once you turned to that page, the story continued based upon your choice.  The Cave of Time was the first of its kind, and quickly led to nearly two hundred books of its type being published by Bantam Books for almost twenty years.  Subsequently additional books (and reprints) have been issued and continue to come out every few years, including The Magic of the Unicorn published just last year.

The folks who created the original Dungeons and Dragons product back in the 1970s, TSR Hobbies, Inc., quickly saw the potential of this creative type of book, and published their own choose-your-own-adventure books under the heading Endless Quest books starting in 1982.  Dungeon of Dread was a much longer and detailed novel than the original Choose Your Own Adventure books, twice as many pages and a more detailed story and background for the protagonist whose persona the reader undertook.  The books were popular, and TSR published three dozen over a five-year period.  The Endless Quest books were republished years later, and some more titles added, but with the surge of video games and other cheap, immersive entertainment, the books lost their charm for the fantasy gaming public and went out of print.  Other books were added in the 1990s but were largely out of print until this year.

   

Wizards of the Coast (who purchased the Dungeons and Dragons gaming brand in the 1990s) has revived the Endless Quest line of books and has licensed Candlewick Press to publish four new books based in the world of the Forgotten Realms, available today.  All four are written by Matt Forbeck, an award-winning and New York Times-bestselling author and game designer, whose credits include the Rogue One junior novel, the Magic: The Gathering comics, and Captain America: The Ultimate Guide to the First Avenger.  Unlike the previous books of the 1980s and 1990s, these books are each based on one of the four core character classes from the Dungeons and Dragons game: cleric, fighter, rogue and wizard.  Written in the second person, the novels focus on characters who are nameless but of specific race and gender.

In Escape the Underdark the reader plays a human fighter, and the story follows the Out of the Abyss hardcover adventure from the Rage of Demons storyline from the Dungeons and Dragons season three. The main character begins the story unarmed and enslaved by the evil drow elves of the dreaded underdark, the vast underground world which exists just below the surface of the Forgotten Realms world.  As the publisher describes the novel: “You awaken in an underground cell, stripped of your armor and your sword.  Your fellow prisoners inform you that you’re trapped in the Underdark, soon to be taken to the great drow city of Menzoberranzan and sold off as a slave.  But word is that demons are stirring in the underworld’s depth…”
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For fans of the classic monsters or younger players getting their first look at gameplay, a new coloring book is coming from Wizards of the Coast.  Dungeons & Dragons Adventures Outlined is arriving in game stores exclusively this weekend, and it’s arriving everywhere else later this month.

Look for 44 images to color in this 88-page book with artwork by subway graffiti artist-turned commercial and gallery artist Todd James.  The style of the artwork is very whimsical and feels like an exhibition of D&D as seen in street graffiti art.  Each image is accompanied by explanatory text about the creature featured by Magic: The Gathering card writer-turned D&D writer Adam Lee.  The cover image is a good representation of the pages found inside.

So get ready to revisit–or meet for the first time–characters like the beholder Grizzlax, blink dogs, dracoliches, the frost giant Blort, Saucy Jack, Mad Maud, a gibbering mouther, King Gluurbleblurb, mind flayers, owlbears, Mahadi Salimpurr, and Kronor the Brave.  Plus three images stretch over two pages.  Don’t expect a lot of detail, but for fans of Todd James’ art style this will be a must for pulling out the crayon or marker box.

Wizards of the Coast has plenty more coming for D&D players this year.  Here are some highlights:

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Review by Art Schmidt

This week the team over at Wizards of the Coast that produced the 5th Edition of Dungeons & Dragons is coming out with the newest addition to the line of hardcover books which make up the rules and playable content for the game.  Fifth Edition is by far the most popular and widely-played edition of the grandfather of all role-playing games for the last few decades and may be the most popular edition ever.  This newest book is titled Mordenkainen’s Tome of Foes, and its primary function is to provide nearly 150 new monsters for use in the game’s adventures, but the book itself is so much more than that.  Previous editions have focused their monster books on stuffing as many creatures into them as possible.  The more monsters, the more players will find the book useful, and (presumably) the more copies will sell.  What the current team has excelled at is deviating away from that “more stats are better” mentality, and instead focuses on the “why” of the monsters instead of the “how many”.  And Wizards of the Coast continues to pull this off beautifully in Tome of Foes.

Whereas previous D&D editions would have had the Monster Manual, and then Monster Manual II, followed by Monster Manual III, etc., 5th Edition has the requisite Monster Manual (reviewed here) but then wowed fans with Volo’s Guide to Monsters (reviewed here).  Essentially a book full of monsters, Volo’s deviated from previous norms and expectations in that it provided a wealth of information (re: text) about the monsters, their origins, histories, societies, clans and behaviors rather than just their hit points and ever-more-creative ways to wreck a party of characters.  And people bought in, big time.  The stories behind why mind flayers eat brains and how they manage to have a functioning society, or about the different kinds of giants and how drastically different their societies were and how they view their own roles amongst giants and their gods, were fascinating, and provided many a DM (and player) ideas for running their campaigns and players.

Limited edition, alternate-art cover by Vance Kelly.

At its core Tome of Foes still is a book full of monsters, but the background information it provides is just as deep and satisfying as that found in Volo’s.  The chapters on The Blood War and the Elves are especially valuable in providing players with more sparks for their imagination.  There are many new player options available in Tome of Foes in the form of playable races and sub-races.  Of particular note are the new options for tieflings (a playable race from the Player’s Handbook) and the gith (a D&D favorite dating all the way back to the 1st Edition Fiend Folio).  The gith are a race with two sub-races who roam the Astral plane with their silver swords, marauding and fighting each other in an endless conflict that sometimes spills over into the players’ world.  Tieflings currently have only one race option in the Player’s Handbook, as compared to other playable races such as elves, dwarves, and halflings, who each have two or more sub-race alternatives to customize their characters.  In the Player’s Handbook all tieflings are described as being infused with the essence of Asmodeus, the ruler of the Nine Hells in D&D lore, and they have one set of abilities for their race.  In Tome of Foes tieflings are provided with eight other alternatives, one for each of the rules of the eight layers of Hell that are ruled in Asmodeus’ name (he himself rules the bottom-most, or ninth layer of the Nine Hells).  These options provide a wide range of play for tiefling characters, specifically different stat modifiers and innate spellcasting abilities.

For the gith, the playable race is an interesting addition to the game, with two sub-races, the githzerai and the githyanki, the two original 1st Edition races of gith.  The gith are structured as other races, with a major and minor stat bonus (depending on sub-race chosen), additional abilities, alignment tendencies (though again, as with all previous 5th Edition publications, no restrictions or mandates), and of course, psionics.  As with previous psionic abilities, these are spellcasting abilities with a “psionics” attribute, which allows for casting without components.  In other words, a mental method of casting.  Although many players continue to clamor for a psionics mechanic in this edition, it seems as though the designers are sticking to their guns: psionics is just spellcasting without mumbling, hand-waving, and balls of bat guano.  And in the current version of the game, which nicely balances a wealth of meaningful character-building choices with rules mechanics that are easily accessible to the game-playing public at-large, this seems a wise choice.

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Review by C.J. Bunce

Axis & Allies is a classic wartime strategy board game that you’ve likely encountered either yourself or found a good friend playing over the years.  First released in 1981 by Nova Game Designs it has continued to be re-released from the likes of Milton Bradley, and it currently is a game produced by Wizards of the Coast and Avalon Hill under the Hasbro umbrella of companies.  Thirty-six years after its release it remains a fun and competitive game in various versions of play with a loyal following, continuing to be the focus of tournaments at Gen Con and other venues throughout the year.  This month Wizards of the Coast is releasing an updated edition of the game celebrating the 50th anniversary of Avalon Hill.  The company had tapped Axis & Allies original game designer and creator Larry Harris to take another look at the game and develop a special anniversary edition with updated features and gameplay.  The result is the Axis & Allies Anniversary Edition, a giant, beautifully designed edition featuring plenty of extras, including two completely different games in one box as compared to the classic standard edition–one with a scenario beginning in the Spring of 1941 (the Axis attack) and the other beginning in the Spring of 1942 (from the traditional version of the game).  The detail and complex strategy allow for an unlimited level of historicity depending on the desires of the players.  The out-of-the-box version will test players’ skill in planning, including short-term battle tactics and long-term strategy, and as with the original game there’s also room for luck to have a hand in the outcome.

The Anniversary Edition, originally released in limited quantities in 2008 and out of print since, includes more than 650 game pieces, including some updated sculpts of tokens compared to the standard edition.  It’s housed in a deluxe sturdy box that features a gorgeous painting when the eight game piece boxes are housed together.  The gameboard is a whopping 24 x 46 inches.  Recommended for players 12 and up, 2-6 can play, each representing one or more of the United States, the Soviet Union, and the United Kingdom for the Allies, or Germany, Japan, or Italy for the Axis.  As compared to the standard edition Italy is feature of the Anniversary Edition, which balances out the board 3 to 3 (allowing for more players than prior editions).  As with Italy during the real war, the prospects of a single player representing Italy winning the game in a six player game will be a real challenge, but we figured a cunning or lucky player may be able to make it work.  China also has a different configuration in this edition, allowing for further twists to the game depending on how it is used to manipulate the balance of power across the board.  The key update for 2017 is an updated rulebook correcting past errors.

You really get your money’s worth with the giant board, extra features, and 650+ playing pieces in the Axis & Allies Anniversary Edition.

We set aside an afternoon to try it: my friend (who is a regular gamer, but hasn’t played Axis & Allies in years) and I (new to wargame/combat board games) made it through two complete rounds in 6.5 hours, but that time included initial board set-up (punching out pieces, etc.) and reading instructions.  Those familiar with the standard game will have no problem completing 4-6 rounds in this time, which appears to be the norm for a complete game.  The winner of the game is the first to capture a set number of major city capitals.  Each side starts with a designated number of cities (based on which scenario you play) and players decide in advance whether 13, 15, or all 18 capitals is the goal, which may shorten or extend the time of gameplay.  Paper money is used as IPCs or “industrial production certificates” and each of the six major countries is paid each round to represent a rough correlation of the actual military spending during the war.  We played the Spring of 1941 scenario and this meant Germany was powerful with Japan in a good position to strike, but the United Kingdom is entrenched upfront by design as a military stronghold with resources that, along with the resources of the United States, kept the balance in favor of the Allies for the first round.

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volos-guide-to-monsters

Available this month from Wizards of the Coast, the second non-adventure supplement for the 5th Edition, Volo’s Guide to Monsters, adds new lore, art, and maps for more than 120 monsters–some new and some familiar–to flesh out your Dungeons & Dragons gaming.  Different from the D&D Monster Manual, reviewed previously here at borg.com, Volo’s Guide to Monsters will appeal to players wanting to read expanded narratives about their favorite monsters and spark their imaginations for future gameplay.

Stranger Things fans, if you’re looking for stats on the Demogorgon, you’ll need to look back to the Out of the Abyss adventure volume released last year.  But you’ll learn more about the culture, characteristics and lairs of Beholders, Giants, Gnolls, Goblinoids, Hags, Kobolds, Mind Flayers, Orcs, and Yuan-ti, guidelines for the heroic races Aasimar, Firbolg, Goliath, Kenku, Lizardfolk, Tabaxi, and Tritons, and the monstrous races Bugbear, Goblin, Hobgolbin, Kobold, Orc, and Yuan-ti.

screen-shot-2016-10-14-at-11-26-03    orc-page-186-thumb-688x902-519519

You’ll also find plenty of great artwork and maps accompanying all-new entries for Demons, Beholders, Dinosaurs, Giants, Kobolds, and Mindflayers.  An appendix includes descriptions of beast characters and another appendix includes nonplayer characters including Archdruid, Archer, Bard, Blackguard, Martial Arts Adept, Master Thief, and War Priest, Wizards and Warlocks, and a third appendix includes lists of monster stats by type, environment, and challenge rating.  Continue reading

curse-of-strahd

Review by Art Schmidt

Count Strahd von Zarovich is having guests for dinner – and you are invited.

The latest storyline in Dungeon & Dragons 5th Edition debuts this Tuesday, March 15, 2016, and much like the three previous storylines (Tyranny of Dragons, Elemental Evil and Rage of Demons), it takes a tried-and-true theme from the original edition of the “world’s greatest roleplaying game” and re-vamps it, adding in more flavor, updating the theme, and expanding it with many more areas to explore.  Curse of Strahd takes one of the most beloved adventures from 1st Edition D&D’s Castle Ravenloft and presents a large, in-depth and exciting reincarnation of the classic adventure for players and game masters of all levels of expertise.

The campaign book for the Rage of Demons storyline, entitled Out of the Abyss, was an excellent adventure, but that manual is thick with rules and can be difficult to run in several places, lending itself to a more experienced game master and players.  Curse of Strahd is just as well thought-out and immersive an experience, but can be handled by those with less experience and even, dare I say, newbie game masters looking to cut their teeth on a meaty adventure.  And CoS has the meats!

Waaaay back in the first iteration of Dungeons & Dragons (before anyone thought to call it “First Edition” because, hey, that’s all there was!), adventures were typically narrow of scope and limited to a couple of locations.  They were meant to be played in a single or handful of sessions, and then the game master would have to look elsewhere for another challenge for their players.  And most of these adventures were the stuff of pulp fiction; simple goals, thin plots and lots of monsters to hack your way through in order to gain the treasure and gold.  And everyone loved that.

RAVENLOFT

Then along came Tracy Hickman (of Dragonlance, Darksword Trilogy and Death Gate Cycle fame) and he had the audacity to think “Why are these monsters here?  Why are they trying to defeat us?  What’s their story?”  Tracy and his wife Laura came up with Count Strahd von Zarovich, a tragic but thoroughly evil and menacing figure modeled after the original vampires of Bram Stoker’s Dracula novel and Nosferatu of early cinema.  Then they wrapped an immersive story around this figure, with NPCs (non-player characters, for the uninitiated), locations and lesser foes who made sense, who thoroughly belonged in the adventure and had more depth than a set of statistics to be overcome by the power-hungry party of adventurers.  To top it off, they added a groundbreaking 3D map (shown below) and guidelines for adding an ambience to the story that no other adventure had ever provided before.

Thus was born Ravenloft, one of the most popular and loved adventures (and then series) in all of tabletop role-playing game history.  It has been re-created and expanded in almost every edition of Dungeons & Dragons ever since, for better or worse (as these things always go, more worse than better).

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DM Guide

Review by Art Schmidt

Every gaming nerd in the world has stories about their first D&D game, their first (and usually favorite) edition played, their first character, first group, etc.  I won’t bore you with any of mine (I’ve got some pretty awesome ones, though!) but suffice to say I have been playing D&D since before the hardbound books, so it’s been a long time.  My first Dungeon Master’s Guide was the 1st Edition book, all two hundred and thirty-two glorious, black and white, densely packed pages of it.  It opened up worlds of possibility for my friends and me.  We spent endless hours exploring magical realms of perilous danger and heroic adventure.

I ran most of the games, as I had the Dungeon Master’s Guide (or “DMG” in gamer parlance) and a burning desire to create my own worlds.  We played the printed adventures, or modules, and then I created my own.  The DMG was a great help in this, chock full of tables, charts, and endless descriptions of magical items, weapons, ancient relics and fearsome villains.  I do not know how many tablets of graph paper I went through in my teenage years, but I always had some pages tucked in my text books, my folders, or folded up in my pockets, covered in lines and boxes representing mines dark and deep, full of orcs and dragons and swords of flame.

First Ed DMG

Remember 1979? We didn’t even have Atari back then. This was the BOMB!!!

Having spent the majority of my gaming years running games, versus playing characters, I have owned and used every edition of the Player’s Handbook, Monster Manual, and Dungeon Master’s Guide (except for 4th Edition, and to be honest that’s not out of any dislike for that system but due to a lack of desire of any of my gaming group at the time to make the move from 3.5).  And I’ve loved them all, though at varying levels of love.  The original Advanced Dungeons and Dragons (AD&D) Dungeon Masters Guide (note the lack of the possessive apostrophe; this was 1981 for sure) was a genuine first love, wide-eyed and unjudging and incapable of believing we’d even been blessed with such a magnificent gift.  It literally opened up worlds of imagination for millions of gamers world-wide.  Never mind that the book itself was a jumbled mess of disparate information, random thoughts shoveled into a solid form so quickly that no thought was given to organization or flow.  It didn’t even have chapters, but did we notice or really care?  Heck no!

2nd Edition was more like Puppy Love; it all looked good on the outside and added in a lot of things we thought we wanted, and we knew we were supposed to love it because we loved the game.  But the mechanics weren’t completely sewn together and there were some issues with over-powered spell casting classes.

DMG version 3 dot 5

If they made a Guide to all of the 3.5 Edition rule books, it would be thicker than the DMG.

3rd Edition was a nostalgic love; it was a brave new departure from the old standard but the system was broken from the get-go.  The wildly popular Edition 3.5 was a rebound love;  3rd Edition was dysfunctional and a rough break-up, and 3.5 was a welcome bowl of ice cream and a warm blanket.  And it worked very well.  But after years of fluff and bloat, the system became unwieldy and overly complicated.  Especially so for players and DMs who wanted to focus on story, but had to acquiesce to players who wanted to min-max their way to a War Hulk or Shadowcraft Mage build which everyone knew would eventually break the campaign (and the story!).

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