I Love the ’80s was a ten-hour VH-1 series that waxed nostalgic for all things pop culture in the decade, and a new five-hour documentary strives to do the same thing with the sci-fi genre movies of the decade as its focus. In Search of Tomorrow: A Journey Through ’80s Sci-Fi Cinema is the result of a crowd-sourced project, now available for pre-order exclusively at the project’s website here. It is one of several projects we’ve seen like it over the years, the best being Must-See Sci-Fi (reviewed here), Turner Classic Movies’ guide to 50 significant science fiction movies, and James Cameron’s Story of Science Fiction (reviewed here), a book and series which gives insight into the genre’s most significant creations via interviews with the directors that made them. In Search of Tomorrow features only a handful of A-listers in its interviews–the advertised top talent being Peter Weller, Billy Dee Williams, Dee Wallace, and Nicholas Meyer. It pulls together a group of the few remaining actors, visual effects artists, and other creators behind the scenes who fans of the genre probably haven’t seen in decades (yes, it’s been more than 30 years since the 1980s). Writer/director David Weiner focuses on a swath of 54 movies that reflects the best–and the worst–of the decade.
It’s no wonder Netflix got its hooks into Ryan Reynolds (and he into them). With great films like Free Guy and 6 Underground, not to mention his Deadpool series, he’s becoming reliable–still far to go to become the next Tom Cruise, but well on his way. In his new movie The Adam Project, which started this weekend on Netflix, you get a lot: an almost family friendly, coming of age, sci-fi movie (with lightsabers). It feels like director Shawn Levy, known for everything from Stranger Things to The Pink Panther to Night at the Museum to Free Guy and Lassie (and being Eugene’s brother) completely understands what it took to make a great 1980s Steven Spielberg sci-fi movie. It has spectacular special effects like you’d see in Guardians of the Galaxy, but they take a backseat to a story of relationships and second chances. It belongs alongside E.T. the Extra-Terrestrial, Explorers, The Last Starfighter, Starman, Flight of the Navigator, D.A.R.Y.L., and J.J. Abrams’ own 1980s tribute, Super 8.
Next week another of the onslaught of banked Ryan Reynolds movies (see Hitman’s Wife’s Bodyguard, Red Notice, Free Guy, and the forthcoming Spirited, Deadpool 3, Dragon’s Lair, and Clue) is coming to Netflix (which, since 6 Underground, feels like the Ryan Reynolds channel). His new movie is The Adam Project, a family, coming of age, sci-fi movie (with lightsabers) that looks in every way like an update to the Bruce Willis underrated coming of age-meets-midlife crisis classic from 2000, The Kid.
Yes, Ryan Reynolds’ character (Adam) meets a younger version of himself, and you can just hear the whisper from Peter Pan warning us all not to grow up. Or will it be more like Bruce Willis meeting young Bruce Willis in 12 Monkeys or Bruce Willis meeting young Bruce Willis in Looper? What’s the deal with Bruce Willis meeting himself in movies, anyway?
Check out the trailer below with Ryan Reynolds starring in The Adam Project:
Following up on The Toys That Made Us (previously reviewed here at borg), Netflix’s surprise hit documentary series leaning on viewers’ nostalgia with a look behind toys of the past, in 2019 the streaming service added a new series based on the same formula, The Movies That Made Us. The series took a new look at four movies in four hour-long episodes in its first season, including Die Hard, Ghostbusters,Home Alone, and Dirty Dancing, followed by two holiday episodes featuring Elf and A Nightmare Before Christmas. The Movies That Made Us isn’t really about the movies and their impact so much as what strange stories lie behind how the movies were created, from idea to release, including production foibles and hurdles. The show is trying to appeal to a broad spectrum of viewers, and it’s done it again with four new installments for its second season, featuring Back to the Future, Pretty Woman, Jurassic Park, and Forrest Gump. And new episodes are on their way featuring Aliens, Coming to America, and RoboCop, and October staples A Nightmare on Elm Street, Friday the 13th,and Halloween.
A DeLorean time machine Transformer? It’s like some kind of concept 35 years stuck out of time. And yet, the future is now–again. Back to the Future is back in the present, this time with Marty McFly stepping into another future, a future taken over by Transformers’ Decepticons. It’s a great mash-up idea and it actually works, as envisioned by IDW in its new mini-series, Transformers/Back to the Future. Issue #1 is now in comic book stores, and today we have a preview for borg readers.
Back in the 1990s when the dot-com revolution took off, it was difficult to find a telecom, Internet, or other tech start-up business that didn’t have a CEO at the helm who drove us all to accept Hawaiian shirt Fridays as the new norm. I still have a closet full of Hawaiian shirts (historically, “Aloha” shirts, a fashion that dates back to the 1920s, popularized in the 1930s). With this crazy 2020, why not resurrect the fad again? We spotted three online outlets ready to answer the call. One hails from the family of one of your all-time favorite comedians, another is a throwback to all things good and Hawaiian, and the third is where Magnum shops today. This will have you pulling out your Israel Kamakawiwoʻole or Don Ho albums and re-start your next Magnum, p.i. or Hawaii Five-O binge. Make no mistake, despite recent fringe elements trying to usurp this traditional Friday garb and 50th state trademark wear for their own political ends, Hawaiian shirts don’t go with guns or camouflage (see instead #HawaiianshirtsforPeace).
With a new Ghostbusterssequel coming to theaters this summer, expect the original Ghostbusters characters to get the spotlight from several different toy lines. Plus, following up on individual figures released last year, Playmobil is finally rolling out the DeLorean time machine (including Marty, Doc, and Einstein the dog) from Back to the Future, coming this spring (pictured above). Online toy store Entertainment Earth is the first out of the gates taking pre-orders for the time machine (check it out here), and it is also offering a special 1955 edition of the figures of Marty McFly and Doc Brown (check ’em out here). As New York Toy Fair 2020 draws closer, expect to start hearing more about new releases from these two 1980s sci-fi properties.
Ghostbustershas already licensed several products to major toy brands, featuring their Ecto-1 Ectomobile, and characters Venkman, Spengler, Stantz, and Zeddemore, all expected to pop up in Ghostbusters: Afterlife in theaters in July. We found several sets available on Amazon to get kids (young and old) psyched up to revisit these characters, like the Playmobil Ectomobile, including Janine and Zeddemore (here), a set of all four Playmobil Ghostbusters (here), the Gargoyle Dogs with Venkman and Dana (here), and the Stay Puft marshmallow man with Stantz (here). The best has also been released before but is coming back next month: the big Ghostbusters NYC Firehouse, which has lots of detail, includes five figures, the firepole, the ghost depository, and it has a garage for the Ectomobile (check it out here).
In art director and designer Roger Christian’s book Cinema Alchemist (reviewed here at borg) readers learn how the Oscar-winning set designer changed the way audiences see the future through intentionally distressed sets and props and the clever incorporation of real-world components. In books like Dressing a Galaxy, Star Wars Costumes, andStar Trek Costumes, readers can see how costume designers create what we think of as the future. Now writer Dave Addey takes science fiction fans back to visit how visionary filmmakers of classic science fiction used futuristic and sometimes even classic fonts and type styles to convey what lies ahead and in his book Typeset in the Future: Typography and Design in Science Fiction Movies, available now from Abrams Books.
At first focusing on what he believes to be the most pervasive font of the future, Eurostile Bold Extended–used in Back to the Future, Apollo 13, Battlestar Galactica, Independence Day, and hundreds of other films–Dave Addey highlights seven key science fiction films and how they used a wide variety of typeface designs to make us see the future. 2001: A Space Odyssey, Alien, Star Trek: The Motion Picture, Blade Runner, Total Recall, Wall·E, and Moon (alas, no Star Wars, possibly because it is not technically science fiction per se) each get taken apart and dissected. With numerous screencaps, and identification of several dozen font designs inside the films and used in marketing via posters and other advertisements, readers will be surprised what set designers came up with over the past 50 years.
Addey finds some of the fonts made famous in film have filtered into our daily lives as real-world corporate logos–Gill Sans Light, City Bold, Univers 59 Ultra Bold Condensed, Manifold, Futura Bold, Kabel Book, Computer, Micr, Data 70, Stop, Handel Gothic, Pump Demi, Swiss 911 Ultra Compressed, Gunship–these will all be familiar to you even if you don’t know them by name. With his own pop culture knowledge and sense of humor, he has also built his own framework to analyze the success of these fonts, using manipulation via italic slant, curved lettering, straightening others, adding sharp points, adjusting kern or spacing, creating slices through letters, adding texture, adding a bevel or extrusion, and/or a star field background, although he says no title font has yet used them all to become the most futuristic of all.
For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more. Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month. Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.
The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items. You’ll find the following movies and TV shows represented and more: 3:10 to Yuma (2007), 300,Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers,Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.
You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.
Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
Sark (David Warner) Grid costume from the original Tron (1982)
Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity(sold as individual costume lots)
Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
Star-lord helmet from Guardians of the Galaxy
Thor (Chris Hemsworth) Mjolnir hammer from Thor
Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
Val Kilmer Batman suit and cowl from Batman Forever
Maverick (Tom Cruise) flight suit from Top Gun
Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl
What artist wouldn’t want to take over an entire month of comic book covers? We’ve seen it before, as with Ant Lucia and his gorgeous DC Bombshells cover gallery back in June 2014 (if you missed out, check them out here). Next month illustrator Tom Whalen, known best for his retro Mondo posters, will take over IDW Publishing’s cover art with twelve variant covers created in his unique, Art Deco-inspired style.
Not only does the collection include a cover featuring Flukeman–the most popular Monster of the Week from The X-Files–for Issue #16 of The X-Files monthly, there’s a great image of Mr. Spock featured in Issue #16 of the Star Trek Waypoint series. The rest would make a great wall collage display for a pop culture kid from the 1980s.
There’s Shredder on the cover of Teenage Mutant Ninja Turtles: Universe, Issue #12, Raphael on the cover of Teenage Mutant Ninja Turtles, Issue #72, Optimus Prime on the cover of Issue #9 of Optimus Prime,Megatron on the cover of Transformers: Lost Light, Issue #6, Baron Karza on the cover of Micronauts: Wrath of Karza, Issue #4, ROM on the cover of ROM, Issue #13, Matt Trakker on the cover of M.A.S.K., Issue #9, Snake Eyes on the cover of G.I. Joe, Issue #6, Judge Dredd on the cover of Judge Dredd: The Blessed Earth Issue #4, and Doc Brown on the cover of Back to the Future, Issue #22.
