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Tag Archive: Jason Statham


Jason Statham has a way with selecting movies that get noticed and re-watched.  Or credit his agent.  Seventeen years in big movies and still fighting the good fight in roles once played by Stallone, Schwarzenegger, and Willis, he’s back this summer in what’s bound to be a big summer movie, battling a larger than life shark in The Meg.  The latest trailer shows this new big monster mash was actually made on a real production budget, unlike dozens of forgettable attempts to both impress and scare moviegoers for more than forty years since Steven Spielberg’s original Jaws (remember Piranha, Crocodile, Barracuda, and Alligator?).  Forget about the obviously goofy Sharknado series and see if this might bridge the gap between drama, humor, and jump-out-of-your-seat summer fun.  Take a look below and see if you agree The Meg has a chance at surpassing some of the better B-movie efforts at a sea monster movie, like Anaconda and Lake Placid.  

We first noticed Statham’s cool and cocky bravado under the direction of one of the all-time genre greats, John Carpenter, in Ghosts of Mars, playing opposite Pam Grier and Joanna Cassidy.  He quickly led the first of his three Transporter movies beginning in 2002.  Then he co-starred in one of the best heist movies of all time with an all-star cast in 2003’s The Italian Job, followed five years later in one of the best heist movies of all time without an all-star cast in The Bank Job.  And he’s co-starred in both The Fast and the Furious franchise and The Expendables, played Donald E. Westlake’s well-known crime lead in Parker, and starred in a dozen other single-word action flicks, including Collateral, Cellular, Revolver, Crank, Safe, and Redemption.  

Now it’s time to see Statham take on a giant squid and a not-so extinct megalodon aka “The Meg.”  The film is expected to score in the China market, also featuring major star Bingbing Li (Transformers: Age of Extinction, Resident Evil: Retribution).  The Meg also features a handful of familiar television actors, including The Heroes star Masi Oka.

Check out this fun trailer for The Meg:

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Review by C.J. Bunce

Yesterday the international press reported that Facebook shut down an artificial intelligence experiment when two robots named Alice and Bob started to communicate with each other in a non-human dialect of their own.  Intended to test the robots’ ability to negotiate with each other, the programmers did not include coding that required their discussions to be intelligible to humans.  A new novel takes the story further as its two lead characters Ray and Ada, also robots, work together to carry out missions to kill businessmen in Los Angeles for a secret client.  Adam Christopher’s new sci-fi novel Killing is My Business is a 1960s noir story, only it’s a different kind of noir.  Not steampunk noir–maybe call it robot noir, it features Ray the robot, not a futuristic android or cyborg, he’s the last of the robots after their use came and went years before the story begins.  Ray was formerly programmed as a private investigator–he has the skill and resourcefulness of Chinatown’s Jake Gittes–only he’s been reprogrammed as a hitman.  He does his business in the city like any P.I. would back in the ’60s, and despite his obvious robotic appearance he still blends in.  It’s still Los Angeles, albeit a parallel Los Angeles, with gorgeous cars, a pulp novel’s worth of detective work, and, of course, plenty of murder to go around.

We read the story through Ray’s eyes and his analytical voice carries some of the innocence of Data from Star Trek: The Next Generation, but mixed with the decisive actions of Robocop, only subtract the ethical subroutines.  He’s smart but a bit of a Pinocchio, somewhat naïve, and his handler Ada only gives him the information he needs to know to do the current job.  His limitation is a 24-hour recording memory, which is wiped when he returns to his alcove each night, but his morning briefings include relevant bits from his past jobs so he’s not completely a blank slate each day.  The stakes are raised if he doesn’t get home, and no, he doesn’t turn into a pumpkin, but he can fail like any machine.

When we meet Ray he thinks he’s embarked on another typical case, only a strange trend may be emerging:  Why are his targets turning up dead before he gets a chance to pull the trigger himself?  Killing is My Business is a mash-up of pulp noir and science fiction, but it’s also as much a robot’s horror tale.

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rocket

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2017 that have been disclosed.  The result is a whopping 58 movies, many you’ll probably want to see in the theater or catch on video (and some you may want to skip).  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2017 calendar!

Most coming out in the second half of 2017 don’t even have posters released yet.  We’ve included descriptions and key cast so you can start planning accordingly.

What do we think will be the biggest hits of the year?  How about Star Wars: Episode VIII or Wonder Woman?   Luc Besson’s Valerian and the City of 1,000 Planets?  Ghost in the Shell?  Or Beauty and the Beast? 

justice

You’ve heard endlessly about Logan and Justice League, but 2017 will also see numerous other sequels, like Alien: Covenant, Blade Runner 2049, Thor: Ragnarok, and sequels for Underworld, Resident Evil, Planet of the Apes, Pirates of the Caribbean, XXX, John Wick, King Kong, The Fast and the Furious, Cars, The Kingsman, Transformers, Despicable Me.   And The Six Billion Dollar Man is finally on its way.  Look for plenty of Dwayne Johnson, Tom Cruise, Vin Diesel, Ben Affleck, Samuel L. Jackson, Zoe Saldana, Hugh Jackman, John Goodman, Michael Peña, Ryan Reynolds, Sofia Boutella, and Elle Fanning in theaters this year.

So wait no further, here are your genre films for 2017:

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Statham Mechanic Resurrection

For fans of take-no-names action movies, a sequel to a Jason Statham movie is a pretty cool thing.  Statham has seen a fair number of sequels in movies like The Transporter, Fast & Furious, and The Expendables franchises.  This year Statham adds another sequel to his catalog of films with Mechanic: Resurrection.  Statham reprises the role of Arthur Bishop from The Mechanic, a 2011 movie co-starring Ben Foster and Donald Sutherland.

Bishop is an assassin, an assassin hired for his skill in making deaths look like accidents.  Statham packs his films full of great stunts, as seen in the first trailer just released by Lionsgate.

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Mechanic: Resurrection co-stars Tommy Lee Jones, Jessica Alba, and Michelle Yeoh.  Jessica Alba looks like she gets to be more than just eye candy this time around, kicking some butt in the preview.

Check out this first trailer for Mechanic: Resurrection:

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marauders willis 2016 poster

One thing Bruce Willis and Arnold Schwarzenegger have always had in common is that (except when Arnold was out being the Governator), both men were working actors.  They never seem to pick and choose the “right” movie for their careers, but instead seem from an audience standpoint to take every new role coming down the pike, resulting in inconsistency in audiences’ ability to count on getting a good movie for their dollar every time.  Lately you could add a more recent action star to this–Jason Statham.  In contrast, action stars like Tom Cruise and Sylvester Stallone seem more consistent, Cruise banking top performing movies with interesting and varying parts, and Stallone tending to pick to stuck in a rut with more than his share of duds.

For every Die Hard, Pulp Fiction, Twelve Monkeys, The Fifth Element, The Sixth Sense, RED, and Looper, there’s a The Last Boy Scout, The Color of Night, Death Becomes Her, and A Good Day to Die Hard.  For every Terminator, Predator, Total Recall, True Lies, and Twins, there’s a Last Action Hero, Junior, Jingle All the Way, and Batman & Robin.

Not that every “B” movie these guys churn out isn’t worth your time.  Just take a look at Striking Distance, The Jackal, The Kid, or Mercury Rising, or Eraser, The Last Stand, and Maggie.

Bruce Willis Marauders

Bruce Willis’s next release is Marauders, a heist movie with an interesting-garbed masked robber, co-starring TV’s Christopher Meloni and SPECTRE and Guardians of the Galaxy’s Dave Bautista (here Bautista isn’t hidden by make-up and gets to deliver more than one line!).  Where will this fall in Willis’s catalog of films?

Check out this trailer for the Bruce Willis heist movie, Marauders:

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Expendables team

Review by C.J. Bunce

What you want to see in a giant ensemble movie is probably different than what you’d expect to see in any other movie.  Above all, you’re probably after sheer entertainment—whatever that means to you—and you’d likely judge the movie using a different standard than what you’d expect to see in the next Academy Award nominee for Best Picture.  These ensemble movies are plentiful enough today that they deserve their own sub-genre in the “Action” tab on streaming Netflix or Amazon Prime (what used to be the “Action” aisle in Blockbuster or Movies To Go).

We’re talking about those movies that crammed in every star that could be found, showcases where studios would show off their current talent, but always big in scope and always a box office draw.  A comedy like It’s a Mad, Mad, Mad, Mad, Mad World!, disaster movies like Airport ’76, Earthquake, and The Towering Inferno, epic Western films like The Magnificent Seven and How the West Was Won, and biblical efforts like The Greatest Story Ever Told.  Each offered some of the best stars of the day, sometimes full of current stars, sometimes full of has-been stars.

Expendables Ford and Stallone

The Avengers franchise seems to have turned around the ensemble film with its many lead actors in leading roles, or at least reinvented the sub-genre, but they still don’t have the sheer volume as past ensemble cast films.  The Avengers suffers like many past efforts—with so many actors, how can you please every movie watcher with so little time to devote to each actor?  Ultimately it’s all about finding a good balance.  None of these films ever get a nod for filmmaking perfection, and many would hardly even rate a 5 on a 10 star scale, but that doesn’t mean they don’t often result in good, old fashioned entertainment.  Which brings us to The Expendables 3.

Remember the joke about Rambo, The Terminator, The Transporter, Zorro, Jack Ryan, and Mad Max walking into a bar?  Probably not.  It would probably not be that funny.  But it would be fun to see.  It’s that visual that is enough to make The Expendables 3 work.

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Star Wars Episode VII photo

We’ve just wound down another year of big movies–from Captain America: The Winter Soldier to X-Men: Days of Future Past to Guardians of the Galaxy to The Hobbit: The Battle of the Five Armies. So what’s on the radar at borg.com for 2015? We think you’ll want to see several of these big sci-fi, fantasy, superhero, and action flicks coming to a screen near you next year.

Vice movie poster Bruce Willis

Vice – Jan. 16 – The next in a long line of Bruce Willis action flicks.  This time it’s a sci-fi story about a future resort where humans freely pursue their vices–with artificial humans.

Wild Card movie poster

Wild Card – Jan. 30 – A story based on a novel by Academy Award winning writer William Goldman, starring Jason Statham as a gambler.

Kingsman movie poster

Kingsman: The Secret Service – Feb. 13 – This Colin Firth as spy action flick will tell us once and for all whether Firth would be a good choice to play James Bond.  With an all-star cast including Mark Hamill, Michael Caine, Mark Strong, and Samuel L. Jackson.

Chappie movie poster A

Chappie – March 6 – Neill Blomkamp’s latest science fiction entry.  A Pinocchio story where a robot learns to live among humans.

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The Expendables 3

The all-star cast ensemble movie is alive and well (well maybe not “well”) thanks to The Expendables franchise.  It’s a forum for action film stars of the past to tell everyone they think they still have what it takes, whether they really do or not.  You can whistle along to the Colonel Bogey March as you check out the teaser for the third installment due out this summer, The Expendables 3.  We included it as one of our entries on our 2014 “movies to watch” list, with Sylvester Stallone, Arnold Schwarzenegger, Jason Statham, Jet Li, and Dolph Lundgren back, along with Antonio Banderas, Wesley Snipes, and Kelsey Grammer–and Mel Gibson as the show’s villain.  Wait a second… once of these guys doesn’t fit the action hero mold so much. Then there is The Expendables newbie Harrison Ford. What? Is Ford taking every gig that comes along these days?

Along with plenty of extra-long action sequences you can usually find a few fun scenes between these personalities in these films.

With Bruce Willis, Jean-Claude van Damme, Mickey Rourke, and Chuck Norris in the prior outings, we’re still left wondering one question: Where the heck is Steven Seagal?

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Parker as priest

Review by C.J. Bunce

It was one of our 24 films to look for in 2013 that we previewed here at borg.com at the end of last year.  With Parker you have Jason Statham’s umpteenth role as a thief who knows how to fight.  Really, how can you go wrong?

Parker (Jason Statham) is a professional thief, whose old friend and mentor Hurley (Nick Nolte) asks him to do a job with a five-man crew he hasn’t worked with before, made up of Melander (The Fantastic Four I and II and The Shield’s Michael Chiklis), Carlson (Wendell Pierce), Ross (Star Trek 2009’s #2 Romulan Clifton Collins Jr.).  The result is a successful crime, but the men betray him, shoot him, and leave him for dead, and the bulk of the movie is Parker’s efforts after recovery to locate and plan the ultimate revenge for the crew.

Parker_2013_Movie_Poster

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beware the batman batmobile

If you find typical animated series on Cartoon Network visually boring, this new series is for you.  DC Comics’ DC Nation on Cartoon Network has finally achieved a satisfying blend of eye-grabbing visuals and smart storytelling in its newest animated series, Beware the Batman.   A follow-on to Batman: The Brave and the Bold, Beware the Batman is a fresh take on Batman that opens up possibilities for a long-term animated series with interesting villains of the week similar to those we enjoyed with the 1960s live action Batman series, but skip the camp and humor for some gritty situations and snappy dialogue.

What first will draw viewers to Beware the Batman is the high-resolution, three-dimensional effect of the cutting edge CGI animation itself, similar to the realism we’ve seen in Tron: Uprising, but even more so like the stylish visuals in The Incredibles.  Although the Batman himself may be the least eye-catching of the hundreds of Batman incarnations out there, he has his own style here that may grow on viewers.  But Alfred, the villains, Tatsu Yamashiro, all look incredible.  Wayne Manor is a beautiful mansion on the edge of a cliff, something you’d expect to see from Richard Branson.  Gotham looks like the moody covers to The Dark Knight Returns.  The action sequences are full of explosions and chases offered up in ways you haven’t seen before, too, with realistic and futuristic 3D technology effects like those in Steven Spielberg’s Minority Report.

Alfred and Batman

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