Tag Archive: Paul Rudd


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The kids aren’t all right because they released something vile from this old well…

The most exciting trailer this year comes from a film Dan Aykroyd and Bill Murray have been interviewed about since Ghostbusters II.  Taking a cue from Halloween, Predator, and Terminator, the franchise did some skipping of reboots and made Ghostbusters: Afterlife a direct sequel to Ghostbusters II.  The lead role is for Mckenna Grace, who has appeared in lots of genre films and shows (Ready Player One, Independence Day: Resurgence, Captain Marvel, and horror franchises: Chilling Adventures of Sabrina, Annabelle, Amityville, and Hill House).  In a nice nod to the late, great comedy writer and Ghostbusters co-star and writer Harold Ramis, Grace and Stranger Things co-star Finn Wolfhard (who wore his own Ghostbusters suit in his series) will play the grandkids of Ramis’s Dr. Egon Spengler.  Shifting to a prairie setting from the city, the tone feels more like the creepy and cool Stranger ThingsAnnie Potts’s return is refreshing in this trailer, along with (at least) the voice of Dan Aykroyd.

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Paul Rudd (Ant-Man) plays the grade school teacher, and the kids’ mom is played by Carrie Coon, who played the creepy antagonist in the second season of Sinner as well as in Thanos’ army in Avengers: Infinity War.  Plus Bill Murray, Sigourney Weaver, Ernie Hudson, Gozer-everyone but Rick Moranis–have been confirmed for at least a cameo.  And there’s an El Camino and the return of the Ecto-1 with some extra features, and no doubt some animated series tie-ins and Easter eggs.  What more could you want?

Check out the new trailer for Ghostbusters: Afterlife:

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Jupiter's Legacy banner

April has seen several new trailers for forthcoming Hollywood projects we haven’t discussed yet at borg, all having in common a new look at a past genre property.  From Ghostbusters, it’s a new teaser for Ghostbusters: Afterlife featuring star Paul Rudd and a familiar face (and music) from the past.  From Mark Millar it’s a live-action version of his Jupiter’s Legacy comics coming to Netflix as a series.  From DC Comics it’s an animated adaptation of Jeph Loeb and Tim Sale’s popular Batman: The Long Halloween graphic novel.  And from Star Trek, it’s a new season of the animated Lower Decks, and a look at some new costumes in the trailer for the fourth season of Discovery.

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Enjoy these trailers:

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Review by C.J. Bunce

If first impressions are everything, the first four minutes of the new CW series Superman & Lois look like a great next series to add to your DVR.  But that’s not where the writers of the series take us, leaning more into the soap opera drama audiences saw in years of Smallville.  The typical Superman tale follows Clark Kent from rural America to the big city of Metropolis, when the typical Supes story takes off.  This series reverses that plan, moving Supes and his family back to Smallville when newspaper man Clark Kent loses his job in the big city.  What happens when you take a strong-willed city woman like Lois Lane and her and Clark’s two (newly created) citified (twin) sons to Smallville?  Fans loving to watch Superman soaring in the supersuit, righting wrongs and exploring the globe, will need to take a backseat for at least part of the new series.  Economic downturns, the scam of reverse mortgages, embedded conflicts between rural and urban America–things you probably don’t turn to for your next CW superhero series–is the direction of the new series.  But what about strong-willed Lois?  Although she gets to share the title, Lois doesn’t get much to do–yet.

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Happy holidays!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021!  But wait!  Next year’s list sure looks a lot like the the films we previewed last December.  The covid pandemic has delayed hundreds of film projects, but some made it through.  When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks.  Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.

Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar.  The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem.  Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob!  Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year.  After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out.  Other films, like Vast of Night, Extraction, The Old Guard, Rebecca, Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.

So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and MorbiusWonder Woman 1984 is expected to have a theatrical release by year end.  Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.

So what’s left and what’s new?

Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021.  Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list.  Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration.  Note:  Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max.  Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year.  Amazon Studios has fewer, most partnerships with Blumhouse Productions.

As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.

January

Mortal Kombat Based on the video game.  New!  Tentative release date: January 15, 2021.  HBO Max.

Wrath of Man Next Jason Statham action flick.  New!  Tentative release date: January 15, 2021.

The French Dispatch.  Wes Anderson and his familiar actors in new quirky film about journalists.  New!  January 28, 2021.

The DigA film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan.  January 29, 2021.  Netflix.

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Why do you wear a mask?

I think they are just terribly comfortable.  I think everyone will be wearing them in the future.

Since–like everyone else–actors are unable to do their jobs until the risk of the COVID-19 pandemic has passed, many have offered up some of their time over the past 120 to 150 days to provide fans with extra interviews, table reads (like the Community table read we discussed here at borg), and comic-cons at home, creating some content for the fan base we wouldn’t have otherwise had access to without this strange new normal of sheltering at home, social distancing, and masks.  If you don’t subscribe to or know what Quibi is, you may have missed the latest–an ensemble of actors from popular to more obscure re-enacting scenes from Rob Reiner’s fan-favorite fantasy, comedy, and romance, The Princess Bride.

The style is all intentionally low budget–think of the kind of backyard films you might have made as a kid, and in fact, the film is called Home Movie: The Princess Bride But it’s great fun, all filmed with quarantine safety rules in place (those filming together were already living together), and the kind of thing any classic film fan base would be overjoyed to see created.  The best part is learning who had actual historical costumes in their closet to work with (Mad Men man Jon Hamm had a Renaissance shirt in his closet, as did comedic actors Neil Patrick Harris and David Spade, and Rogue One’s Diego Luna), those who didn’t, and who might be better actors than you’ve given them credit for.

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  Ghostbusters: Afterlife Scarlett Johannson solo in Black WidowA new James Bond movie, No Time to DieVin Diesel in Bloodshot and a new Fast & FuriousThe original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black WidowCompare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.

Do you like sequels?  There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way.  In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned.  Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):

  • 7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
  • The Dig, a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
  • Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
  • Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
  • Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
  • The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
  • Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
  • Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
  • Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
  • The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
  • Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)

Some of these films will have revised release dates, or get pushed to 2021.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):

January

The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.

Underwater – Thriller, stars Kristin Stewart in underwater horror story – January 10.

Dolittle – Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.

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If you want to see how much the 1980s-inspired Stranger Things has worked itself into the 21st century zeitgeist, you need only turn to the last three big studio trailers revealed over the past three days.  Make no mistake, if Stranger Things isn’t the greatest thing since sliced bread it’s pretty close, full of fun characters and great riffs on some of our favorite bits of nostalgia.  So why shouldn’t everything and everyone try to get on the bandwagon?

The most exciting trailer comes from a film Dan Aykroyd and Bill Murray have been interviewed about since Ghostbusters II.  Taking a cue from Halloween, Predator, and Terminator, the franchise is doing some skipping of reboots and making Ghostbusters: Afterlife a direct sequel to Ghostbusters II.  The lead role will be played by young (perfectly cast) Mckenna Grace, who has appeared in lots of genre films and shows (Ready Player One, Independence Day: Resurgence, Captain Marvel, and horror franchises: Chilling Adventures of Sabrina, Annabelle, Amityville, and Hill House).  In a nice nod to the late Ghostbusters co-star and writer Harold Ramis, she and Stranger Things co-star Finn Wolfhard (who wore his own Ghostbusters suit in his series) will play the grandkids of Ramis’s character, Dr. Egon Spengler.  Shifting to a prairie setting from the city, the tone feels more like the creepy and cool Netflix series in the first trailer, but it hints that slime-bearing apparitions we last saw in Manhattan will be showing their faces soon.  And a bonus: Paul Rudd (Ant-Man) plays the grade school teacher, and the kids’ mom is played by Carrie Coon (Avengers: Infinity War).  Plus Bill Murray, Dan Aykroyd, Sigourney Weaver, Ernie Hudson, Annie Potts–everyone but Rick Moranis–have been confirmed for at least a cameo.  And there’s an El Camino and the return of the Ecto-1.  What more could you want?

 

Along with Ghostbusters: Afterlife are new trailers for Wonder Woman 1984 and Free Guy.  As you’d guess from the title, Wonder Woman 1984 is also looking back to the 1980s, complete with a big shopping mall action scene like we saw this summer in Stranger Things.  It looks like it’s trying to be a Marvel movie, complete with a World War-era soldier named Steve (Chris Pine) making his return from the past to co-star and Gal Gadot back in her title role, making an Iron Man entrance.  The movie has a comedic actor starring as a kooky villain (Kristen Wiig), making it look like we’re going to get another Superman III–yet another 1980s thing.  The third movie in our Stranger Things vibe is Free Guy, starring Ryan Reynolds in a spin on the lead character of the LEGO movies–here he is a video game character as in the 1980s nostalgia-filled Ready Player One, a non-player character who decides he wants to be the hero.  The movie co-stars the guy who plays our favorite character in Stranger Things, Joe Keery.  It doesn’t look like Tron, but we’ll take it.

Check out these trailers with a Stranger Things vibe for Ghostbusters: Afterlife, Wonder Woman 1984, and Free Guy:

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Review by C.J. Bunce

Everyone likes Paul Rudd, right?  Rudd is the center of a new comedy-drama on Netflix that began this weekend, Living with Yourself And his fans won’t be disappointed.  The same struggling character reaching for success–but just missing it–in shows like Ant-Man, Anchorman, and Clueless is back, but this time his character is actually characters, plural, and, like Ant-Man, this show has a sci-fi twist.

In fact you could spend the 3.5 hours of the eight episode, half-hour series spotting all the sci-fi tropes picked up in the script by Timothy Greenberg (The Daily Show).  It all begins with a twist on Orson Scott Card’s short story Fat Farm (found in Isaac Asimov, George R.R. Martin, and Martin Greenberg’s collection, The Science Fiction Weight Loss Book).  In that story, a person goes to a secret clinic to lose weight, not realizing he is actually being cloned, and the “real” him shuffled off to a work farm for the rest of his life, while “new him” returns to his life slim and trim not knowing the difference.  In Living with Yourself, it’s Rudd’s character Miles who is unhappy not with his weight but his underachievement and overall dissatisfaction with himself.  A co-worker puts him onto a pricey spa that can solve his problems, which turns out to be a third-rate, pop-up cloning shop, where, unknown to clients, they get replaced with like-new clones of themselves and their old selves get suffocated and buried in the woods.  The cloning tech isn’t quite so refined so Miles experiences something like Total Recall’s schizoid embolism–instead of killing Miles’ older self, he wakes up in a shallow grave and must confront his new, cloned self.

This all plays out like another Arnold Schwarzenegger film, Twins, with old Miles left to forge ahead with his stale, unrefined DNA and new Miles “cleaned” and ready to conquer the world.  But this is just in the first half hour.  If you stay around for all eight episodes (and Rudd is fun playing two characters, so why not?), expect to catch scenes straight out of Multiplicity, Gattaca, Rachel Rising, The Last Jedi, Harry Potter, even Star Trek VI: The Undiscovered Country, and more.  Rudd’s performance in dual roles is done so much in the actor’s laid back style that the double duty goes unnoticed, seamlessly, until the two halves confront each other in the season finale.  It’s not that kind of complex, award-winning visual effects work we saw from Tatiana Maslany as a dozen-plus characters in Orphan Black, but it doesn’t need to be.  The series hits on the classic internal struggle of man versus self, but this is first and foremost a comedy.

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Review by C.J. Bunce

After 21 movies and a decade of superheroics, the end arrived this weekend with Marvel StudiosAvengers: Endgame, already setting new box office records.  Nearly every seat at multiple screenings at my local theater was sold out this weekend, as was the case across the country.  Which means many have seen it, but even more haven’t. You can’t review a film without some details, so if you haven’t seen it yet, do yourself a favor: bookmark this and come back later.  The short version: If you’re a superhero fan and you’ve followed the previous entries in the Marvel Cinematic Universe, you won’t want to miss it.  But re-watch both Avengers: Infinity War and Captain Marvel first.  I’ve no idea how anyone will follow the events in the film without first seeing at least these two films.  Endgame is a good wrap-up to the first major story arc in the franchise and a fine segue into the future of the films.  But it’s not perfect (what ever is?) and I’m going to walk through some goods and bads from the film.

That means “there be spoilers ahead” so consider yourself forewarned if you continue.

Note to email subscribers: Clicking on the link will take you into the full review.

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If you don’t want to see anything about Avengers: Endgame you might want to skip the latest trailer, which reveals some trickery by Marvel Studios in its earlier trailers–although with time travel bringing anyone back into the fold it’s not just possible but a likely scheme to mess with Thanos, and anything can happen.  Take a look at the new trailer below, along with a new poster including the key cast at least one version of what we’ll see in the film.

If you don’t see Captain Marvel first (reviewed here at borg), one thing is clear: you’re not going understand what’s going on in Avengers: Endgame.  As Marvel fans will see in one of the codas for the current film in theaters, everything is coming together, and in today’s trailer the Avengers Assemble–that also means new uniforms.

 

It’s good seeing most of the Avengers back again, even if there’s still no sign of the last recruit, Tom Holland’s Spider-Man.  The only quirk: Danai Gurira’s Okoye is in the poster, but her name was the only actor not included in the first poster released today in the above-the-title list of actors (she is listed below the title, along with those not pictured: Benedict Wong, Jon Favreau, and Gwyneth Paltrow)–contractual deals tend to be specific about what actors get the top of the marquee listing and who doesn’t, but this decision tends to stand out.  But Marvel updated that a few hours later (shown updated to the right above).  And in the realm of trickiness, note that the original poster included 19 names, many of which were omitted this time–reflecting the characters who vanished in Avengers: Infinity War, like Benedict Cumberbatch.

Take a look at the next trailer–if you dare–for Avengers: Endgame:

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