Review by C.J. Bunce
It’s no secret that Green Arrow is my favorite DCU character. As re-envisioned in the early 1970s by Denny O’Neil and Neal Adams, he became less of a Batman knockoff and more of a completely separate and identifiable voice. Even early on with O’Neil and Adams, Green Arrow and Green Lantern were a mirror image of Batman and Superman. Superman tending to be the holier than thou determiner of right and wrong, and Batman more subversive, critical of the powers that be, cutting through everything to solve real problems, in a practical way. Green Arrow was influential, even in his first meeting with Hal in Green Lantern 76. Over the years Green Lantern, watcher and guardian of Earth, became more like Green Arrow, critical of the status quo. Green Lantern/Hal Jordan learned from Green Arrow/Oliver Queen as their relationship grew. But lately, especially with the recent Green Lantern movie, it’s getting harder to tell Hal Jordan and Oliver Queen apart, with Hal becoming more critical and brooding.
The DC Comics New 52 Green Arrow #1 came out two weeks ago. I read issue #1 quickly. Then I put it aside because I hate when reviewers, instead of reviewing what is in front of them, review what they wish was in front of them. Hence the delay. So I re-read it. And I still find it baffling.
I also read the one-shot issue Flashpoint: Green Arrow Industries, which seemed to be a lead in to the new Green Arrow. Green Arrow Industries has Oliver Queen as the head of some military industrial complex. He is Tony Stark from Marvel Comics’s Iron Man, and nothing else. Other than in the first Iron Man movie, I have never cared for Tony Stark. He is arrogant. He lives a life of privilege. Oliver Queen is not that guy–his back story is that he was a millionaire that lost all of his money. He is not the owner of Halliburton or of Stark Industries or of Wayne Tech.
Queen learned what is important is watching out for the little guy. The Flashpoint: Green Arrow Industries one-shot may be the most unexplainable, out of left field one-shots I have read. Right up there with the bizarre Green Arrow: One Million book from a few years back, but at least that book had some context. As expected, the New 52 continues with Green Arrow as this new leader of what is called Queen Industries.
The new Green Arrow is gadget happy. Oliver Queen has never needed to rely on gadgets to be a superhero. Like Batman, Green Arrow has no super powers. He uses his brain. He solves mysteries. Gadgets? That’s for Bruce Wayne. We like Bruce Wayne and his toys. Again, that’s not Oliver Queen, except for one thing: trick arrows. That said, the best Green Arrow stories leave out the trick arrows. They are an amusing gimmick that even Oliver Queen jokes about when using them. Oliver Queen doesn’t need a trick arrow with bluetooth technology that can be shot onto a boat and allow someone far away to control the boat via satellite. A nice idea for someone else? Maybe. Put that story in the next Batman arc. And Green Arrow also doesn’t need a Geordi LaForge-like visor. Green Arrow just wears a mask for disguise. He doesn’t need X-ray vision.
Neither is Oliver Queen James Bond. We love James Bond. But the two guys just are not much alike. Part of the problem may be that even JT Krul has acknowledged Queen’s new “globe-trotting, James Bond, high adventures.” Writers and artists who are not familiar with Green Arrow’s decades of character study and growth might think they are the same. And I think the guys rebooting Green Arrow wish they were writing Tony Stark for Marvel Comics.
Recent issues of Green Arrow have shown Green Arrow as a hunter. That makes more sense. Oliver Queen was inspired by Robin Hood, specifically the classic film The Adventures of Robin Hood, starring Errol Flynn. Oliver Queen can survive in a forest, like Robin Hood in Sherwood. And all he needs are arrows and a bow. Nothing else. No iPads or iPhones (called not-so-creatively qPads and qPhones in this issue). No Oracle-type helper constantly feeding him the latest tech data. Queen also knows how to adapt his carefully honed skills to the life of the urban cliff dweller.
Recent storylines had Green Arrow losing control because the baddies hurt his friend Roy Harper, formerly his sidekick Speedy, and killed one of Harper’s kids. Oliver Queen murders the evil Prometheus in revenge, and the Justice League gets on his case for not properly bringing Prometheus to justice. Like Batman over the years, Green Arrow issued some vigilante justice. That storyline was interesting and going someplace. The new Green Arrow is preachy and sounds like the old Silver Age Hal Jordan or Superman.
The new Green Arrow has no similarities to the O’Neil/Adams creation. It has no similarity to 100 issues of the Green Arrow as further refined by Mike Grell. It has no familiarity to the faithful ongoing adventures re-envisioned by Kevin Smith, Phil Hester, Ande Parks, Brad Meltzer, Judd Winick, or even the artist Jock. Fans of Green Arrow as interpreted by Cliff Chiang and Mauro Cascioli will not recognize the new Green Arrow.
So what is the audience for the new Green Arrow? I think I figured it out: (1) Readers who do not like Oliver Queen, or (2) readers who really liked his son Connor Hawke as Green Arrow. Or readers who like a stubbly looking hero like Wolverine.
After Queen supposedly died (in the last 30+ issues of the first ongoing Green Arrow series that started with the Green Arrow: Longbow Hunters mini-series), Hawke took over as Green Arrow, sometimes referred to as Green Arrow II. Hawke was purportedly written for a newer audience. I would understand the new Green Arrow series if only they referred to the new Green Arrow as Connor Hawke. The similarities are all there: Hawke has no Van Dyke beard or goatee like Queen had. Hawke had this more vinyl/leather looking suit, like the Green Arrow on Smallville wore, and like the new Green Arrow is wearing. Hawke had this ongoing grudge against one thing or the other. If this is where DC’s editors want to go, why not take Hawke along for the ride and give fans of Green Arrow our goateed hunter and partner to Dinah Lance and pal to Hal Jordan back?
Here is the new Green Arrow:
…and here is the more similarly drawn Connor Hawke:
If you take on a beloved character that has a 70+ year back story, you should be passionate about that character. DC Comics announced this month that JT Krul is no longer writing Green Arrow with issue #4. Good choice, JT. JT Krul has written solid Green Arrow stories before. His non-Green Arrow stories are also awesome, including his work on the new Captain Atom. So what happened? Was Green Arrow just an unfortunate casuality of mismatched post-its on the wall of the DC editors when re-assigning characters in the new DCU? Does anyone love this new Green Arrow? Will replacement writer Keith Giffen be given any latitude to fix the direction of the new Ollie? We can only hope. My guess is Krul was just hamstrung by new decisions of the editorial team. So far I have enjoyed the rest of the New 52 for the most part. “You can’t please everyone on everything” probably applies here.
Even if this series was not about Green Arrow–about some other new character with this plot–I think storylines that have used the reality TV storyline, as Green Arrow #1 does, televising anything and everything, are just tired. The Running Man did it and The Hunger Games did it again. Enough already.
And not to throw too many darts at the new Green Arrow series, but what’s with these new villain names: Dynamix? Doppelganger? Supercharge? About the only thing right about the new Oliver Queen is he is back in Seattle where he belongs.
Had DC changed Batman or Superman as they did Green Arrow, they would have lost a ton of readers. You can’t remove Batman’s cowl and his detective work or Superman’s cape and kryptonite and still call them Batman and Superman. Same goes for Green Arrow’s goatee and the essential elements of his character. You strip away the basics and it’s no longer the same guy.
THANK YOU! I’m so glad that i’m not alone on this one.. I was.. needless to say..Heartbroken .. when I read this issue.. I feel like we lost Ollie forever… I really hope this story arc is just a prank..
I think this sort of explains why I can’t find anything Green-Arrow related. At least in the DCnU verse’. I’m a new fan, so I don’t really spot the differences. I like the the character shown in the first two issues (#3 is still pending my reading). This makes me want to go back and read old Green Arrow issues, just to see the differences.
(Not so) fatal flaw: golden age hal jordan? Hal jordan was created at the very start of the silver age. Checkmate, nerd out.
Thanks, OvalNerd, I corrected the typo. I intended to type “old Silver Age Hal, ” meaning the high-and-mighty fellow Ollie first met in Green Lantern #76.
I agree. I miss the old green arrow. It really seems like they took the Smallville Green Arrow (the batman/Green Arrow hybrid), and brought him to print. While I understand that move on a basic level,(GA isn’t the most popular character, and many didn’t know about the character till smallville) I feel betrayed as a long time fan. With the new 52 reset, I had high hopes for a few characters and so far, GA has been my biggest disappointment. I’ll still buy it with hopes for improvement, but every issue sans #4 has been heartbreak…..
I agree that the New 52 version of Green Arrow destroyed the character. His distinguishing mark was his maturity: now he’s just a young hero like (almost) everyone else, from Spider Man to Superboy. I understand they had to link the comic book to the upcoming tv series, but they could have done that in a far smarter way: for example, they could have created a comic series narrating his early days as Green Arrow, as Marvel did with “X – Men: First Class.”
Another thing that made Green Arrow great was his group of very interesting and well defined supporting characters: this implies that removing them from the series is another huge mistake DC made. Batman would be great even without Alfred, Robin, Commissioner Gordon and so on: Green Arrow needs “a little help from his friends” to be great.
When you reboot a character, you can change everything but his spirit: DC didn’t follow this simple but essential rule, so they haven’t been faithful both to their tradition and to their public.
I loved miss Nocenti’s run on Daredevil, so I was very excited when I heard she was going to write Green Arrow. I thought “She’s one of the very few writers who can fix up this mess.” I bought the 1st issue she wrote, and I think she did an incredibly bad job. The story is: 3 femmes fatales meet Oliver Queen and invite him at their home. Even the silliest superhero could easily understand it was a trap, but not Green Arrow: he shrugs his shoulders and flies with them. Guess what? Oliver ends up in chains! And the so-called cliffhanger is: will our hero get rid of the 3 femmes fatales? When I finished it, I thought that any high school student could have written a better story. Of course I didn’t buy the following issues: it was too painful to see how deep Oliver and miss Nocenti sank..
Lemire will write Green Arrow from the 17th issue on, and I will start reading the series again from that point. He promised a return to classic GA believing that this would help bring back disillusioned fans back to the character. This is exactly what the character needed: a good writer recreating him from head to toe, and giving us back the old Oliver we used to love.
I complained about the New 52 version of Green Arrow on every blog I could find, and all the other fans of the character were unsatisfied as well, so I knew that DC couldn’t ignore us forever, and was going to making him mature once again.
Also, notice that Lemire will go on working with a penciller having a creepy style: after Foreman and Pugh, we’ll see him teaming up with Sorrentino. This is a good thing, because creepy art perfectly ties with his delightfully weird style of writing.
I hope Lemire won’t leave Animal Man, because no one could write it as well as him. The relationship between Animal Man and Lemire is like the one between Johns and Aquaman: when the writer leaves the series, it will never be the same.
I was a also big fan of Green Arrow too and I can only agree with you: the New 52 destroyed everything that made him who he was… The character of Oliver Queen used to be one of the most interesting and subversive in DC Comics, he was not perfect but it was exactly what made him so great: his faults and mistakes and how he was still able to be a hero despite them. He was also funny and absolutely not self-righteous. The new version just has nothing to do with this Oliver Queen, he has lost all his originality and I honestly find him boring. One of the things that I hate most about the New 52 Ollie is the change in his relationship with Roy and Dinah. The Team-Arrow doesn’t exist anymore: Roy and him are estranged and they don’t seem to ever have had a father-son relationship like they used to, Ollie and Dinah don’t know each other and Mia and Connor have disappeared from the radar… Considering that Dinah and Ollie was my favorite coople in the DCU, in first position before Selina/Bruce and Clark/Lois, I can say that the New 52 has been hard to swallow even though it’s not all bad, far from it. For example I do like the new Roy and his team-up with Jason and Kori though, but I still regret the complete absence of communication between Ollie and him. I can only hope it will get better with the new issues but I don’t really see it happening…
I hope so too. Thank you for your reply! : )