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Tag Archive: Green Arrow


Next week Quirk Books is releasing its follow-up look at the obscure side of comic books with The Legion of Regrettable Supervillains, a companion book to its 2015 release The League of Regrettable Superheroes (reviewed previously here at borg.com).  Cartoonist and graphic designer Jon Morris has again researched the archives of Digital Comic Museum and Comic Book Plus to locate oddities from the Golden Age of comics to more recent series.

Morris collected more than 100 of these antagonists of the comic page, many only serving their plot in a single issue of a long forgotten publication.  These are villains that today seem laughable as bad guys, like Animal-Vegetable-Mineral Man, Bloor (The Dictator of Uranus), The Horrible Hand (a giant hand), and The Human Flying Fish.  The Legion of Regrettable Supervillains is a great excuse to look back to the roots of comicdom, its creators, and the publications that have come and gone.  Morris’s overview of the far recesses of the Golden Age of comics may remind readers of the changing times–the changing audiences–for comic books, and how the industry has grown.  Creators of the obscure are mentioned in the book when known, and sidebars list plenty of humorous weaknesses of these vile fellows.  The Balloon Maker is particularly nefarious, and a baddie before his time–he’s something out of House of Wax or Silence of the Lambs.  As much as some entries are obscure, others, like MODOK, are better known–but still strange.

   

You’ll see plenty of examples of full color covers and interior art from the characters represented, as well as characters created by legends in comics like Dick Sprang, Frank Frazetta, Gill Fox, Jack Cole, Otto Binder, Stan Lee, Jack Kirby, Jerry Siegel, Joe Simon, Neal Adams, and John Romita.

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schmidt-green-arrow

With DC Comics’ summer Rebirth reboot, many monthly series turned bi-weekly, and we’ve now already seen the first eleven issues published of many series.  Like the many reboots before it, DC Comics introduced the Rebirth continuity to re-ignite its fan base after the success of the prior reboot–the New 52–dissipated.  So many shake-ups and change-ups occurred in the New 52 that you’d pretty much need to read the entire DC Comics line to keep up with what has happened to even the key Justice League superheroes.  With two issues per month that’s difficult for any reader to keep up with.

One of the better sellers in this year’s Rebirth line is the Green Arrow title.  Under the New 52 Oliver Queen encountered as many changes to his character as anyone.  In fact fans of Green Arrow were probably better served subscribing to the Arrow tie-in comic book to the television series to get a dose of the classic crusader.  As likely as not the success of the CW Network series coupled perhaps with fans’ hopes for big changes from the New 52, and a restoration of the essential Oliver Queen, could account for the sales success of Green Arrow in DC’s Rebirth universe.

Otto Schmidt served as artist and colorist on the series in the introductory chapters.  Bringing Oliver’s older look back to the character, complete with the goatee, was a move in the right direction.  Schmidt used the supersuit of the modern update yet his style conjures up both Neal Adams and Mike Grell’s key design elements that defined Green Arrow’s look for decades.  Writer Benjamin Percy, who was the writer on the series before the Rebirth kicked in, re-introduced the second key element that defines Oliver: his partnership with Black Canary.  The lack of the Arrow-Canary partnership contributed to the wane of Oliver’s story in the New 52–as a solo character Queen was just too much like everyone else.  Percy’s other shift is reminding everyone that Queen is first and foremost a fighter for social justice.  In contrast to the billion dollar company he sometimes owns and sometimes loses, Queen is the ultimate anti-corporate superhero.  So these three elements: his look, his partnership with Black Canary, and his brand of justice, form the framework for what could be a solid Green Arrow series going forward.

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Plenty is left to be done.  Queen’s social justice efforts have only scratched the surface with eleven issues already in the can.  Instead, Percy has opted for some frivolous, but fun, nostalgia: several scenes are spent restarting a romance between Oliver and Dinah, and he’s brought back classic secondary characters like Shado and Eddie Fyers, both from Mike Grell’s definitive Green Arrow series The Longbow Hunters.  With the story now firmly set in Seattle, also as Grell had done with the setting–and not Star City–we can see some good attempts are being made to rediscover what made the 1980s and 1990s Green Arrow worth reading about.

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dc-invasion-crossover

Is a Crisis on Infinite Earths adaptation on its way at last?  Never before have all the pieces been laid out so well to adapt such a major comic book storyline.  We have key player Barry Allen from The Flash, which spun-out of the Arrow series, DC’s Legends of Tomorrow have enough timey-wimey time travel to be able to see, view, and undo anything, and then the CW pulled over Supergirl from ABC this year and brought Superman with her.  So the building blocks are ready.  Is CW and DC Entertainment willing and able?  Next week we’re going to see a step in the right direction with a mega-superhero week.

Monday, the CW begins a four-night crossover event with its four DC Comics-inspired series–and nothing screams comic books louder than a good crossover and major league team-up.  The villains are a bit obscure–the Dominators–aliens Supergirl will encounter Monday night.  The Dominators first appeared in the 1960s in Adventure Comics with a brief reprise in a mini-series called Invasion in 1989, and that’s the take-off point for the villains in next week’s event.

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So it’s “Heroes vs. Aliens,” comic books coming to life in perhaps the biggest character showdown ever, actors donning Academy Award-winning costumer Colleen Atwood’s pantheon of more than 17 hero supersuits (Green Arrow, The Flash, Diggle/Green Arrow 2, Supergirl, Superman, Black Canary, Vixen, The Atom, White Canary, Steel, Wally West, two Firestorms, Speedy, Death Stroke, Martian Manhunter, Heat Wave, and more).  We haven’t seen this many superheroes on TV since the animated Super Friends.

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In the middle of the week, Arrow will see its landmark 100th episode Wednesday night.  Who would have thought any superhero series would survive this long?  Take a look at these previews for crossover week:

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oliver-queen-dossier-arrow

It’s arrival brought us a new age in superhero television series–arguably the best comic book TV adaptation since the original 1980s series The Flash that starred John Wesley Shipp.  It’s Arrow, the CW Network’s groundbreaking story of Oliver Queen starring Stephen Amell.  Unlike the successful Marvel Comics movie series, Arrow looked outside the comic book’s core stories and expanded the source material to allow the inclusion of B, C, and D level villains plus many superheroes, ultimately including most of the second tier Justice League members.  Surpassing the DC’s movie efforts and Marvel’s attempts at small-screen serials, Arrow has continued to make comic books come alive for four years since we first reviewed the world premiere viewing of the pilot at San Diego Comic-Con here at borg.com back in July 2012.

The stories have been different but loyal to its origins.  Instead of Star City or Seattle the stories were based in Starling City.  Sidekicks nicknamed Speedy became split into his sister Thea and Roy Harper.  Two Black Canary characters were formed from two sisters instead of the mother and daughter split in the classic stories.  And Green Lantern is not in the picture at all.  Along the way the series split off Barry Allen’s Flash into his own fun series, a dozen other heroes and villains joined DC’s Legends of Tomorrow, and this year CW’s DC on TV ties in Supergirl.  So many untapped stories can now be told as the DC universe is apparently unshackeled barring only interconnected stories with Batman, Wonder Woman, Green Lantern, and Aquaman, who will be featured on the big screen next year instead.

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Tomorrow night the fifth episode of Season 5 airs.  For those fans who want to delve into an “in-universe” look at Oliver Queen and his efforts to save his city, Titan Books has released Arrow: Oliver Queen’s Dossier, a detailed, 160-page scrapbook of notes, newspaper articles, documents, and records collected by Starling City’s emerald archer as he investigated crimes in the first three seasons of the TV series.

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art-of-jock-book-cover

One of the standout artists of the past 20 years, British artist Jock’s work has appeared on comic book covers and movie posters, and his concept art has provided the vision behind the look of movies like Dredd, Ex Machina, Battleship, and in the works is next year’s Star Wars: Episode VIII.  A new high-quality hardcover from Insight Editions available this month is showcasing some of his best images.  The Art of Jock establishes a new standard for photographic reproductions, with some of the very best color and crisp detail found in any recent coffee table edition we’ve reviewed.  It features hundreds of illustrations from a creator really only at the early stages of his career.

Born in Scotland as Mark Simpson, Jock broke into comics with the British sci-fi comic book 2000 A.D., and today is an internationally-recognized artist and Eisner Award nominee.  We’ve seen his work in DC Comics series like Green Arrow and Batman, in Marvel series like Savage Wolverine and Daredevil, in the Image series Wytches, and in Vertigo series Scalped and Losers.  Highlights of early sketches and final versions of his work on these series can be found in this book in large, full color pages.  Fans of Jock will love the many original comic book covers and interior art included.

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The Art of Jock was written by DC Comics editor Will Dennis, with commentary by Battleship director Peter Berg, and DC Comics’ Jim Lee and Scott Snyder.  But the most valuable insight is provided by the artist himself.  Jock recounts his process and critiques his own work, comparing his style between phases of his own development.

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i-am-jane-goodall

Do you remember your first book?  Was it Grover and the Monster at the End of This Book?  Winnie the Pooh and Eeyore’s Birthday?  A Child’s Garden of Verses?  De Angeli’s Book of Nursery & Mother Goose Rhymes?  The Pokey Little Puppy?  Milton the Early Riser?  Horton Hears a Who?  The Little Golden Book of Manners?  The Five Chinese Brothers?  The Ugly Duckling?  Curious George Goes to the Hospital?  I remember all of these (all recommended), but am not sure which was my very first.  A Child’s Garden of Verses was my first exposure to 3D via its magical lenticular cover.  I’ve read them all years later and they have much in common–compassion and respect for others and yourself is a common theme of them all.

Throughout the past year Brad Meltzer, noted fiction and non-fiction author and television personality (and DC Comics writer for the Identity Crisis and Green Arrow series) joined former Marvel Comics artist Christopher Eliopoulos to produce the Ordinary People Change the World series of books for young readers from Dial/Penguin/Random House.  Each of these could–or should–be your child, your nephew, niece, grandchild, or other young friend’s first book.  The latest, released this month, feature Dr. Jane Goodall and President George Washington.  As the holidays get closer, make a note of I Am Jane Goodall.   It’s a storybook written in an autobiographical style incorporating actual quotes from the noted scientist, environmentalist, and animal rights advocate, and belongs at the top of our recommendation list for today’s young readers.

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Meltzer and Dr. Goodall have gone back to young Goodall’s decisions and thinking as a child to relate to readers her influences, desires, and dreams, and how she went about carving a path to change the world.  Eliopoulos draws Dr. Goodall as an adorable girl throughout.  We meet her first stuffed chimp named Jubilee, and witness her thinking about moving to Africa to study chimpanzees at a young age, then actually saving the money to go to Kenya at 23 to visit the animals, meet Dr. Louis Leakey and eventually work for him, then to go on and live among the animals and learn more about communication and primates than anyone before her.  The story is sweet, inspiring, and beautifully written and drawn.

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Green Lantern 76 Adams

Every year something exciting makes its way to public auction.  Back in 2011 we discussed some great art from The Dark Knight Returns here at borg.com and again in 2013 here we discussed more cover art from The Dark Knight Returns hitting the market as well as some Dave Gibbons Watchmen cover art.  In December 2015, one of the most iconic covers of the Silver Age hit the auction block courtesy of Heritage Auctions.  That cover was Neal Adams’ original cover art to Green Lantern Issue #76 (learn more about it here), the book that launched the Bronze Age of comics in the minds of many historians, and the beginning of the “Hard-Traveling Heroes” story arc that forever re-defined Hal Jordan, Oliver Queen’s Green Arrow, and Dinah Lance’s Black Canary.

So what was the total paid, the auction hammer price including fees, for the cover art?

A whopping $442,150.  The twist on this auction is that in the 1970s, most original comic art was not returned to the artists, as has generally been done since then.  So many artists, including Neal Adams, have renounced the possession and sale of such pieces as “stolen”.  But this seller made a deal with Adams to share in the proceeds (with a cut for the charity The Hero Initiative), and so Adams agreed to endorse the sale with this comment:

“Since the proprietor of the cover has agreed to equitably share the income of the auction with me and my family I hereby validate sale and ownership of this piece and I will, in fact, supply a Certificate of Authenticity to the highest bidder of the auction, and the ownership of this cover will never be questioned by me.  This sharing of profit with the creator, of the sale of artwork produced back in those days when ownership has ever been in question, will in this case and may in all cases go far in bringing underground artwork into the light of a fair and open marketplace.”
For everyone who wasn’t that winning bidder, on shelves now at your local comic book store and via Amazon.com here is a deluxe hardcover edition of the entire Green Lantern/Green Arrow story by Dennis O’Neill and Neal Adams.  It’s a great full-color reading copy and reference.

After the cut, check out a high definition copy of the original cover art for Green Lantern Issue #76 that sold this past year.

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New Speedy Willa Hollans on Arrow

Time flies when you’re having fun.  Seems like yesterday we were up all night on the street in San Diego waiting to see the world premiere of the pilot for CW’s Arrow.  It’s hard to believe Season 4 begins tonight.  Arrow has done something pretty amazing–taking a 70-year-old character and upending his backstory and surrounding characters in a way that stays true to the spirit of the original.  This season the story of Oliver Queen (Stephen Amell) is getting even closer to his roots.

Tonight Oliver’s sister, Thea (Willa Holland), will take over the Speedy mantle, donning the above slick new supersuit.  Some credit is due to my pal and fellow Iowa boy Phil Hester and Kevin Smith, co-creators as writer and artist, respectively of Mia Dearden, the first woman Speedy in the pages of DC Comics’ second long-running Green Arrow monthly.  This new look borrows much from their original.  It’s not the first time CW’s Arrow has dipped back into the archives to bring out good ideas from the past, and that is what helps make the series so well-received by fans of the superhero genre.

What can we expect from Season 4?

Queen

For one, Starling City will be renamed Star City, one of the comic book homes of Oliver Queen throughout the years.

John Barrowman will return but now as the new Ra’s Al Ghul.  The power will undoubtedly go to his head, but how far, and will he take Thea down into the darkness with him?

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Green Arrow Stephen Amell SDCC 2015

DC Entertainment and the CW released a first look at the new costume for Oliver Queen’s superhero incarnation the Arrow at the DC panel at San Diego Comic-Con Saturday night.  This suit was crafted by Maya Mani, who also crafted supersuits for Arsenal (Colton Haynes), Black Canary (Katie Cassidy), Speedy (Willa Holland), and Ray Palmer’s Atom.  The original costumes for the series had been designed by Academy Award winning costumer Colleen Atwood.

The new look seems to pull more from the New 52 look at the Smallville supersuit more than any classic look for the character.  Those football pad shoulder pieces are going to take a bit to grow accustomed to.

Sunday the cast appeared again, this time with Amell in the new garb claiming the “Green” in the Green Arrow title, and mentioning the change from Starling City to the classic Star City.

New Arrow costume from Stephen Amell

The panel showed a video (below) recapping the series highlights from 2015 so far.  What it really does is emphasize that Ra’s Al Ghul has the worst name in comicdom and that no one at Warner Bros. must have any idea how it is intended to be pronounced (your guess is as good as ours, but just look at each cast member to see how many different ways it can be said).

Neal McDonough joins CW’s Arrow this season as villain Damien Darhk (sometimes DC Comics seems like it attended the George Lucas school of character naming, doesn’t it?).  McDonough crosses the divide from the Marvel universe, formerly playing the awesome Dum Dum Dugan in Captain America: The First Avenger, Agents of S.H.I.E.L.D., and Agent Carter.  We’ve also been fans of his work in everything from Quantum Leap to Star Trek: First Contact, from The X-Files to Timeline, and Walking Tall to RED 2.

Oliver Queen Arrow new supersuit SDCC 2015 costume panel shot

Here’s the video montage from the panel at Comic-Con:

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Jaws Entertainment Earth exclusive SDCC 2015 comic-con Quint and shark

Youth is wasted on the young.

I should have this line from It’s a Wonderful Life in a frame hanging over my desk.

Case in point:  The exclusive Jaws shark and bloody Quint playset available only from Entertainment Earth in San Diego on Comic-Con weekend.

How much fun would we have had with that toy as kids?

And–wow–look at these nifty Planet of the Apes figures from NECA toys:

NECA-CC15-POTA-Bundle SDCC 2015

NECA has introduced some of our favorite lines in the past, like the retro Tron line from more than a decade ago.

San Diego Comic-Con exclusives are being announced in advance of the show in addition to what will be revealed at this year’s show with 40 exclusives this year from Entertainment Earth alone.  If you want one of them you’ll need to be at SDCC 2015, except for some, which we have links to pre-order from below.  And this year you’ll be limited to one per person for SDCC 2015 Entertainment Earth exclusives as other booths have done in the past.  So you’ll need to enlist some friendly Con-goers to buy extra for you.

CW Funko SDCC 2015 exclusives Arrow Flash

Highlights include new Funko ReAction unmasked Oliver Queen and Barry Allen figures from the CW series Arrow and The Flash, as well as these:

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