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dpicard-08

Anyone who has ever played with action figures has had the thought.  What would it be like to be as small as the figures and roam around with them in their vehicles, or what if they were as large as life and roamed around with us?  Daniel Picard enjoyed collecting the high-end, Sideshow Collectibles 12-inch “statue” figures.  He was also a photographer.  So Picard blended them together and posted them online.  He then sent some of his photos to Sideshow Collectibles’ management and the result is Figure Fantasy: The Pop Culture Photography of Daniel Picard, a hardcover collection of his creations, published by Insight Editions.

What makes Picard’s photographs work is the “magic” of lining up light and shadow so that his photographs of real world situations blend seamlessly with spliced-in images of 12-inch figures.  The Sideshow Collectibles figures are exclusively used in this collection–these are the figures that sell for hundreds of dollars because of their highly detailed production quality.  (Sideshow made the borg.com Best of 2016 list here last year, and we discussed the Star Wars line last year here).  So this line of figures was ideal for Picard’s project.

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The situations Picard selects, the clever humor, the juxtaposition of the fantastical and the mundane, all combine to make Picard’s work stand out from the standard attempts at similar combinations you might find on the Internet.

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Star Wars Rebels officially crossed over into the Star Wars Cinematic Universe in December with the release of Rogue One: A Star Wars Story.  The series’ plucky little astromech droid C1-10P or “Chopper” was seen at the Rebel Base on Yavin 4, and the series space vessel the Ghost was also seen docked there and in other scenes, including a scene with the Rebel Fleet making a jump to hyperspace, and fighting at the Battle of Scarif (no doubt there are some great opportunities here to replay Rogue One from the perspective of the crew of the Ghost).  At the same time, Grand Admiral Thrawn from Timothy Zahn’s Heir to the Empire trilogy of sequels to Return of the Jedi is now firmly enmeshed into the Star Wars canon, and a new trailer teases even more events will bridge the original trilogy with the prequel trilogy.

It all begins with Obi-Wan Kenobi’s message–a warning–sent to the remaining Jedi after Anakin Skywalker massacred so many (along with Emperor Palpatine’s Order 66) in Revenge of the Sith.  Stephen Stanton, who is known for his ability to mimic Sir Alec Guinness’s voice, is the new voice of elder Kenobi.  Stanton has voiced other Star Wars roles, most recently as the Mon Calamari Admiral Raddus in Rogue One.  The second part of Season 3, continuing this week, will feature Mon Mothma on the Ghost, more Tarkin, and Forest Whitaker again taking on the role of Saw Garrera from Rogue One, albeit an earlier, less cybernetically modified incarnation.

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The trailer for Season “3.5” also shows a bipedal Darth Maul in the shadows of Kenobi’s bonfire.  It looks like it is time for a revisit of their battle in The Phantom Menace.  Watch closely for the guards surrounding Grand Admiral Thrawn, black-armored Death Troopers, which are apparently tied to the “Legends” (the old Expanded Universe) creation of a zombie trooper legion in the new Rogue One: The Ultimate Visual Guide.  Death Troopers are also seen in Rogue One. 

Here is the preview of Star Wars Rebels 2017 episodes:

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atari

If you didn’t live through life with an original Pong video game console or the groundbreaking Atari 2600, then you missed out on the beginning of the video game phenomenon.  Coinciding with the advent of the coin-op video game, the home version ultimately sold 30 million units, making Atari the legendary brand it became to this day.  And it all started with a couple of visionaries and an idea to get a dot on a television screen to be moved using the vertical and horizontal hold.  The history of Atari is interwoven with the early history of Steve Jobs and Steve Wozniak of Apple fame, the founder of the Chuck E. Cheese pizza and gaming parlors, creators who would leave to form competitor Activision, and countless others who finally get their story told in Tim Lapetino’s book, Art of Atari.  We have a preview of the book for borg.com readers below, courtesy of Dynamite Entertainment.

If you’re like many, including Lapetino, you likely threw away the boxes that housed the video game cartridges to your Atari 2600 immediately after getting the game home.  If you missed out on the Atari games altogether, like classic games Breakout, Space Invaders, Pac-Man, Asteroids, Centipede, Pole Position, Jungle Hunt, and hundreds more, you may not be aware of the role the box art played for early video game buyers.  The artwork on the boxes was much closer to the video game realities of today than the original games of the past, which frequently were as simple as boxes and line barriers with the same dot representing a football, a cannonball, a bullet, or a laser bolt.  But, as the designers interviewed in the book recall, it just didn’t matter.  It didn’t really, as the new form of gameplay was exciting in its own right.  Yet the box art is memorable for many, providing an easy recall to every game from Atari you once owned in an instant flashback.

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Lapetino provides interviews with former Atari designers and staff, including those who created everything from the games, to the consoles, and the marketing materials that sold it all.  The artists who created the box art are identified and featured in their own sections.  No doubt Atari fans will likely encounter games they’ve never seen, including countless movie tie-ins.  You might recall the Raiders of the Lost Ark game and the infamous E.T., the Extra-Terrestrial, but how about Superman, Dukes of Hazzard, Pigs in Space, and Gremlins?

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hell-or-high-water

Review by C.J. Bunce

For fans of the traditional Western, Hell or High Water is a Western in name only.  Sure, it has the hallmarks:  Frank and Jesse James-inspired bank robbers, it takes place in a Western enough locale, and there’s plenty of cowboy hats and even horses and cattle.  But it’s something very different, and reviewers calling it a Western are setting the wrong expectations.  Yes, it’s closer to Clint Eastwood’s Unforgiven than your typical fare, but not that close.  A nontraditional Western?  Barely, maybe.  Better described it’s a drama in Western dress.  It’s also a look at a place and time: West Texas, today.  Which makes it in other ways a West Texas version of the Coen Brothers’ Fargo.  You’ll see plenty of life reflected with a Texas cultural twist.  Good and bad.  Strangely enough, if life is indeed reflected in the cinema each year, Hell or High Water is the best reflection of America to hit theaters in 2016.

In addition to the perfect Western title, Hell or High Water has the perfect imperfect hangman sheriff in its Ranger Marcus Hamilton, played by Jeff Bridges in what is yet another brilliant supporting character role.  If he hadn’t landed the Oscar for True Grit, he’d have it for this.  Bridges plays another crotchety old man, he’s days from retirement, and all soaked in his own blissful ignorance of his racism, much like Clint Eastwood’s old man in Gran Torino and Eastwood’s own take on the Texas Ranger in pursuit in the 1993 “modern Western” A Perfect World.  Bridges’ partner is the put-upon Comanche Ranger Alberto Parker, played by Gil Birmingham, an actor of actual Comanche lineage who has guest starred on numerous genre classic series including Buffy the Vampire Slayer, Charmed, Veronica Mars, Castle, and even Riptide.  At times Birmingham gets his Oscar-worthy moments, too, especially when he fires back at Hamilton with equally biting quips.

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The Rangers are hunting down two brothers, played by Star Trek and Wonder Woman’s Chris Pine and 3:10 to Yuma and X: Men: The Last Stand’s Ben Foster, who have a strange plan to rob a Midland Texas chain of banks because they learned the banks’ network of video recording hardware is being updated, with the added bonus of being able to launder the money through an Oklahoma casino.  The movie trailers laid out every aspect of the plot–why they need the money–more concisely than its laid out in the film, but the film is really part character study of the brothers, part indictment of the banking system, and the destruction of the family unit, and everything else wrong in the world.  To that end this is a typical drama, but it has its moments, including a quality bank robber story.

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The Wizard of Oz–whether or not you may be a fan of L. Frank Baum’s classic book or one of the best fantasy films of all time, you may want to tune in for a new NBC series airing Friday nights this winter.  Featuring well-known actors Joely Richardson and Vincent D’Onofrio, Emerald City stars Adria Arjona as twenty-year-old Dorothy Gale, who is sucked into a tornado and transported to the otherworldly Land of Oz.  D’Onofrio plays the famous Man Behind the Curtain who runs Oz.

But don’t expect the bright and cheery world of the 1939 production or something like you’d see from Disney.  Look for a dark world in this modern-day retelling.  It’s gritty and somewhat dystopian as seen in the first trailer for the series, below.

Oliver Jackson-Cohen, Ana Ularu, Mido Hamada, Gerran Howell and Jordan Loughran co-star in the series.  Series writers and executive producers include Shaun Cassidy, David Schulner, Tarsem Singh Dhandwar, Matthew Arnold, and Josh Friedman.  Dhandwar directs the series.

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Star Wars fans take note: Trisha Biggar, costume designer for the prequels and featured in the landmark book Dressing a Galaxy: The Costumes of Star Wars, has created the costumes for the series.  Keep Padme Amidala in mind when watching the wardrobes of the various featured witches.

Check out this preview for Emerald City followed by several character posters released by Universal to promote the series:

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Happy New Year!!!!

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We at borg.com want to wish you a festive and safe New Year’s Eve and a spectacular 2017.  We’re entering our seventh calendar year of daily updates here, and we want to say thanks for reading.  We wish everyone a great new year.

We can all look forward to plenty of anniversaries ahead in 2017:

In the film industry John Ford, Buster Keaton, Stan Laurel, and Bela Lugosi had their film debuts 100 years ago.

Charles Schulz’s Woodstock from Peanuts turns 50.

The comic book characters Ghost Rider, Barbara Gordon, Deadman, Blue Beetle, and Ronan the Accuser turn 50.  Huntress, Cerebus, and Judge Dredd turn 40.

Valerian, the lead character in the new Luc Besson movie Valerian and the City of a Thousand Planets, turns 50.

Star Wars turns 40.  Look for a volley of marketing from Disney about this throughout the year to rival Star Trek’s fiftieth observance last year, including 48 variant covers from Marvel Comics, like this Stuart Immonen artwork:

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Image Comics turns 25 in 2017.  Look for some titles including The Walking Dead to drop to 25 cents for the month of February.

The Jungle Book, The Dirty Dozen, and the original Casino Royale turn 50.  Along with Star Wars, Close Encounters of the Third Kind turns 40. E.T., the Extra-Terrestrial, Star Trek II: The Wrath of Khan, Blade Runner, Tron, and The Dark Crystal turn 35.  Predator, The Princess Bride, and RoboCop turn 30Unforgiven, A Few Good Men, The Muppet Christmas Carol, and My Cousin Vinny turn 25.

Fifty years ago–in 1967–The Beatles released its Sgt. Pepper’s Lonely Hearts Club Band LP, and Rolling Stone magazine published its first issue, and Marx Toys released their line of Best of the West toys, including Geronimo and Fighting Eagle, and the Fort Apache metal playset.

In science news from 1967, the world’s first heart transplant was performed, and NASA faced one of its lowest points as astronauts Gus Grissom, Roger Chaffey, and Ed White perished in the fateful launch of Apollo 1–all 50 years ago.

So there’s plenty to reflect on throughout 2017.  But back to New Year’s… Six (yep, six!) years ago we posted a YouTube clip we thought we’d re-post here to welcome in the new year, from Zooey Deschanel and Joseph Gordon-Levitt (and it’s now been watched nearly 18 million times!):

Thanks for coming back and thanks for following borg.com on Facebook, Twitter, or Tumblr, or subscribing to daily updates, or just dropping by now and then to see what’s new.

Happy New Year!

C.J. Bunce
Editor
borg.com

borg-label hall-of-fame-label

Masters of the Universe.  Red Dwarf.  Mortal Kombat.  And we revisit Marvel, Star Wars, and Star Trek.

Let’s start this year’s borg.com Hall of Fame ceremony by talking a little about who is NOT in the Hall of Fame who might come close if borgs were more loosely defined.  We still haven’t included the non-organic: like automatons, androids, or robots.  Think Lt. Commander Data from Star Trek: The Next Generation before he met the queen in Star Trek: First Contact–despite his perfectly life-like appearance.  For the bulk of the series Data was always an android, not a cyborg.  He’s just a highly advanced C-3PO–until First Contact. 

Droids from Star Wars, Gort from The Day the Earth Stood Still, Robot B-9 from Lost in Space or Robby the Robot in Forbidden Planet, the Autobots and Decepticons of Transformers, the police force of THX-1138, Box in Logan’s Run, the perfectly human appearing kid-like star of D.A.R.Y.L., the several automatons of episode after episode of The Twilight Zone, Beta in The Last Starfighter, Tron and Flynn and the other microscopic, human-like bits of data in Tron, Hellboy II’s Golden Army, the future Iowa Highway Patrolman in Star Trek 2009 (we assume he’s just wearing some police safety mask), Rosie the maid in The Jetsons, Hogey the Roguey from Red Dwarf, Marvin the Android in The Hitchhiker’s Guide to the Galaxy, X-Men’s Sentinels, Lal and Juliana Tainer from Star Trek: The Next Generation, the title character of CHAPPiE, or Iron Giant, despite their human-like or bipedal nature, none are actual borgs because they lack biological matter, living cells, or the like.

The same applies for the robotic hosts in Westworld–Michael Crichton’s original was clear these were merely automaton robots and we’ve seen nothing from 2016’s HBO series to show that has changed (even the NY Times got it wrong).  Which explains why The Stepford Wives aren’t on the list, or Fembots, either from The Bionic Woman or the Austin Powers series, or the Buffybot in Buffy the Vampire Slayer.

So who’s in?

Here is Round 4, the twenty-eight 2016 borg.com Hall of Fame honorees, in no particular order, some from 2016 and others from the past, bringing the roster count to 134 individuals and groups:

First up is Time, yep… Time itself.  From Alice Through the Looking Glass, a powerful Father Time-esque human/clockwork hybrid who rules over Underland–

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From George Lucas’s original Force-wielding character as envisioned by Mike Mayhew: Kane Starkiller from Marvel Comics’ alternate universe story, The Star Wars:

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The Major, from 2017’s Ghost in the Shell:

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Max Steel got his own movie in 2016:

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Steel hails from the Mattel action figure who received multiple super powers due to an accidental infusion of nanobots:

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Cave Carson from the update of the classic DC Comics comic book series spelunker, the new series Cave Carson has a Cybernetic Eye:

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Although he was a charter member of the borg.com Hall of Fame, Darth Vader returned in Rogue One, providing some new images of the classic borg:

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More of our inductees, after the cut…

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Our borg.com Best of 2016 list continues today with the Best in Print and a bonus wrap-up of other year’s bests.  If you missed it, check out our review of the Top Picks and Best Movies of 2016 here, the Kick-Ass Heroines of 2016 here, and the Best in Television here.

Without further ado, this year’s Best in Print:

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Best Comic Book Series – Old Man Logan (Marvel).  With just enough backstory from prior series focused on the future world version of Logan/Wolverine, writer Jeff Lemire and artist Andrea Sorrentino took us through the struggle of the superhero that survived all his contemporaries, only to be plunged into a parallel world where everything is familiar but nothing is the same.

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Best Graphic NovelWonder Woman: The True Amazon, Jill Thompson (DC Comics).  Writer/artist Jill Thompson is probably the best creator in comics today.  Her origin story of Wonder Woman is vibrant, and she presents a flawed, complex, and ultimately strong and fearless heroine.  The best Wonder Woman book we’ve ever read.

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Best Comic Book Limited Series/Best Crossover Comic Book Series – Batman/Teenage Mutant Ninja Turtles (DC Comics/IDW).  James Tynion IV and Freddie Williams II pulled together an impossible team-up of characters that ended up working great together.  An action-packed, nostalgic fun trip.

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Best Comic Book Writing – Matt Kindt, Dept.H (Dark Horse).  Kindt pulls together an incredibly nostalgic assemblage of the best action concepts: classic science fiction of the H.G. Wells variety, G.I. Joe Adventure Team-inspired characters, and a fun character study and whodunit that will have you searching out your old game of Sub Search.  We just hope he makes a prequel at some point so we get to see a similar quest with an old fashioned copper-helmeted deep sea diver.  A fun read month after month and the best writing comics have to offer.

After the cut we continue with the best in comics, books, and more from 2016:

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Claire Heroes cheerleader

Save the cheerleader, save the world.

You remember the line from the successful hit television series Heroes, the show with Claire, the superpowered cheerleader.  If she could be saved from Sylar, she could change the world.

But you don’t need superpowers to change the world.

Several charities are out there in need of your help. You can change the world one dollar at a time.  And it can even help your own pocketbook if you make charitable contributions by the end of the week for your 2016 taxes.

So change the world.  borg.com endorses the following awesome organizations:

American Anti-Vivisection Society

ASPCA

Alley Cat Allies

Animal Rescue League

Bat Conservation International

Best Friends Animal Society Sanctuary

Frankie’s Friends

Great Plains SPCA

Humane Society

Old Friends Senior Dog Sanctuary

REGAP

Wayside Waifs

Check out these great charities today and give if you can.

C.J. Bunce
Editor
borg.com

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Our borg.com Best of 2016 list continues today with the best in television.  If you missed it, check out our review of the Top Picks and Best Movies of 2016 here and the Kick-Ass Heroines of 2016 yesterday here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV Borg — Ash vs Evil Dead (Starz), Bruce Campbell.  We searched high and low for the year’s best TV series featuring one or more borg characters, but didn’t really need to go that far.  The brilliantly funny pop culture ace actor Bruce Campbell’s reboot of the borg.com Hall of Famer Ash could have gotten overlooked had it been just another horror series.  Yet underneath this over-the-top, blood and gore-filled demon hunt is a whole lot of silly fun.  And the actors could have been better, with the likes of Lee Majors (pictured above), Lucy Lawless, and Ted Raimi all making appearances.  We couldn’t ask for a better actor than Campbell to take our borg.com TV title this year.

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Best TV Series, Best TV Horror Series – Grimm (NBC).  The fifth season of Grimm was simply fantastic, full of gripping writing and a change-up of character roles in a way we’ve never seen before.  This season we saw the best action, twists and turns, and flat-out excitement, above every other series on television.  Pulling bits and pieces of folklore from Western and Eastern mythologies and everything in between, the writers delivered all season long.  The writing team’s best work was what they have done all along, taking the story in a direction no one could have predicted.

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Best TV Sci-fi Series – Stranger Things, (Netflix).  It’s nearly impossible to list all the influences that came together to form our pick for this year’s Best Retro Fix.  Stand By Me, Firestarter, Silver BulletStranger Things could be another coming of age Stephen King tale, but with nicely creepy John Carpenter undertones and the wonder and sci-fi of a Steven Spielberg movie.  Think Close Encounters of the Third Kind, E.T., the Extra-Terrestrial, and Super 8.  Whatever it is, great performances by a lead group of kid actors, teen actors, and a few adults from filmdom’s past made for a fun season one.

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Best New TV Series, Best Re-Imagining on TV  – Wynonna Earp (Syfy).  We knew Syfy had a winner in the first episode of this year’s best new TV series, Wynonna Earp.  A great mash-up of Western, paranormal, and horror, Wynonna Earp took an American legend and made it interesting for today’s viewers.  Melanie Scrofano’s Wynonna is a classic heroine in a supernatural setting.  And her interactions with Tim Rozon’s Doc Holliday include some of the best humor on TV.  Did we mention the villains are basically zombies?  Wynonna’s got a gun–a Peacemaker–and she knows how to use it, giving us a fun, over-the-top shoot ’em up each week to look forward to.

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Best Animated TV Series – Star Wars Rebels (DisneyXD).  For the second year in a row, Star Wars Rebels proves that animated shows are just as compelling as big budget theatrical blockbusters.  This season we met the great villain Grand Admiral Thrawn, finally introduced to Star Wars canon.  Every episode gave fans something to be excited about, as in the episode “The Antilles Extraction,” where Sabine goes undercover as a cadet in the Empire’s elite flight academy to bring Imperial pilots over to fight for the Rebellion.  Darth Maul and Captain Rex are also standout characters.  Original trilogy voice actors, compelling visuals, and rousing music, make this one of the best series on TV.

After the cut, come back for more of our Best in Television 2016:

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