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After two meet-up issues, Wonder Woman and The Bionic Woman are back in their 1970s TV action mode in the DC Comics/Dynamite Entertainment crossover series Wonder Woman ’77 Meets The Bionic Woman, Issue #3, hitting comic book shops today.  And Max, the bionic German Shepherd, joins the team.

Writer Andy Mangels (Star Trek & Star Wars) and artist Judit Tondora (Grimm Fairy Tales) have at last tapped into that 1970s nostalgia fans of classic superhero TV shows have been looking for.  Today the duo takes on fembots, and the series reintroduces characters and plot points footnoted to specific episodes of the original TV shows.

   

The series features great covers and variants by artist Cat Staggs, Alex Ross, and others.  Check out some past and future covers from the series above and after the break, followed by a preview of Issue #3:

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We haven’t seen all the tracks on the soundtrack/mix tape that will be “Awesome Mix Vol. 2” yet, but we know Sweet’s 1974 hit “Fox on the Run” will be on it from the several trailers released so far for Guardians of the Galaxy, Vol. 2.  If you like to watch every new trailer and clip, check out all the trailers below plus a new clip released during the 2017 Nickelodeon Kids’ Choice Awards, a clip that seemed to slip by this weekend.

Unlike the prior trailers the new preview is a full scene from the new film, showing everyone seems to be in the same form from the prior movie, except Drax is a bit more… over-the-top.  And Groot is still Little Groot.

Chris Pratt’s Star-Lord, Zoe Saldana’s Gamora, Dave Bautista’s Drax, Bradley Cooper’s Rocket, Karen Gillan’s Nebula, Michael Rooker’s Yondu, and Vin Diesel’s Baby Groot are back, with newcomer Pom Klementieff as Mantis and Kurt Russell as Star-Lord’s very own Dad.  And we’re pretty sure that’s Elizabeth Debicki in gold in the compilation trailers below.

Still no look at Nathan Fillion or Sylvester Stallone yet.  Are they even going to be in the movie?  Here’s the new clip, followed by a compilation of all the trailers released so far:

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Review by C.J. Bunce

For one hundred years the Westmore name has been synonymous with makeup.  Modern fandom knows Michael Westmore as the go-to guy for the face of the stars and alien prosthetics of decades of Star Trek TV shows, but what you may not know is Westmore had an exceptional career in cinema before his days creating the look of the final frontier.  You may also not know Westmore is a great storyteller.  Happily for cinephiles everywhere, Westmore has chronicled many of his encounters with film greats past and present and documented his stories in a new book, Makeup Man: From Rocky to Star Trek, The Amazing Creations of Hollywood’s Michael Westmore.

Full of anecdotes and brushes with Hollywood royalty, Makeup Man showcases Westmore, his famous family that preceded him, and the work he created that cemented his name in the Hollywood Walk of Fame.  For Star Trek fans looking for insight into re-creating their own Klingons and Vulcans, Westmore previously shared his knowledge in the now out-of-print books Star Trek: Aliens and Artifacts (available at Amazon here), and the Star Trek: The Next Generation Makeup FX Journal (available here).  Makeup Man touches on Westmore’s Star Trek makeup work in the last third of the book, but it is targeted more at his Hollywood memories before the 1980s.  In fact Makeup Man is best when Westmore recounts stories that blend the unique creations and techniques of his craft with the acting and film legends of the past that he worked with, like a story about a little-known, MacGyver-esque, facelift trick he used from his family’s past for Shelley Winters.

Westmore’s prose evokes an amiable master artisan sharing campfire stories of days long ago.  Most interesting is his work with Sylvester Stallone in creating the look of Rocky (1976).  Westmore discusses dodging the cameraman during takes to be able to add the necessary makeup to reflect Rocky’s next punch to the head.  Westmore recounts a little known (but popular at the time) 1984 made-for-TV movie based on a true story, called Why Me?  For the film he had to recreate actual facial reconstructive surgery during all its phases for a woman disfigured in an auto accident.  Westmore’s greatest achievement is probably his Academy Award for Mask (1984), also based on a true story, where he earned the Westmore family’s only Oscar for his work recreating a 16-year-old boy with a rare facial disorder (played in the film by Eric Stoltz).  Each of these stories documents the challenges of Westmore’s craft and his ingenuity in delivering Hollywood magic on the big (and small) screen.

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About three months out and the marketing for the 2017 superhero film Wonder Woman continues as DC Entertainment and Warner Bros. released a third trailer this weekend.  What will likely fair quite well at the box office will also probably be one of the biggest moneymakers for a movie set during World War I.  Taking a cue from the Marvel Universe’s first golden age adaptation Captain America: The First Avenger, DC’s first Wonder Woman solo effort ties back not to World War II but “the Great War.”  With Monster director Patty Jenkins leading the first big-screen film featuring the most popular superheroine of all–and no Christopher Nolan or Zack Snyder–we have much hope for this film, even if the glimpses at its cinematography, camera angles, and action sequences borrow plenty from Snyder’s 300.

Gal Gadot returns from last year’s Batman v Superman as Wonder Woman with Star Trek’s Chris Pine as the first man the Amazon warrior meets, Colonel Steve Trevor.  Gadot tweeted a new poster for the movie Saturday:

The new trailer shows some scenes from the film’s version of Wonder Woman’s origin story.  More humor is infused this time around, too.  Both Gadot and Pine look promising as these classic comic book characters.

Check out the latest trailer, trailer #3, for Wonder Woman:

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How often does a franchise include seven films?  How often are any of them up to the quality of the original that launched the franchise in the first place?  The 1976 surprise hit Rocky was nominated for ten Academy Awards and took Best Picture, Best Director (for John G. Avildson), and Best Editing.  In every way Rocky Balboa and Sylvester Stallone have been synonymous ever since.  Stallone was nominated for his original screenplay and for best actor.  Rocky is the story of an underdog, and Stallone was the mirror of Rocky in real life, proving himself to the world as a wannabe A-list movie star.  As the franchise continued, Stallone became an international megastar, with movies like Rambo.  Many argue the sequel to Rocky, simply titled Rocky II, is akin to the Godfather 2 or Superman 2, an example of Hollywood crafting a truly worthy sequel.  From there critics and audiences diverge:  Was Rocky vs. Dolph Lundgren as Drago in Rocky IV up to the adrenaline rush of the boxing rounds in the earlier films?  Where does Rocky III fit in?  The latest entry in the Rocky series, the reboot and eighth film in the series, Creed, is now streaming on Amazon Prime.  If you are looking for an inspirational, feel-good movie, it should be the next movie on your list.

What seems to be unanimous is a drop in quality and excitement beset Rocky V and the sixth film Rocky Balboa.  So when Creed was released at the end of 2015, who could have guessed it could be on par with the original?  The odds were against its success, much like the character of Adonis “Hollywood” Johnson, the son of the late Apollo Creed, played by Michael B. Jordan in the film.  Director Ryan Coogler, born ten years after the original Rocky film, grew up with Stallone’s boxer already part of the national psyche, along with other motivational sports films like Rocky director Avildson’s other unforgettable classic, The Karate Kid.  Coogler draws from that film’s sensei Mr. Miyagi in one particularly well played training sequence between Stallone and Jordan.  Stallone has played sensei before in the series, but only now, with the actor a real-life wise, elder thespian, does he provide a performance that in some parallel universe garnered him not only an Oscar nomination but a win (Stallone was only the sixth actor twice nomination for playing the same character).  The young Jordan is equally superb, holding back when others may take obvious choices with a hot-headed fighter.  Coogler’s subtlety is the stuff of great filmmaking, such as editing in musical cues from the original Rocky like a whisper throughout the film, only to release the full weight of Bill Conti’s goosebump inducing theme when it meant the most.

But how can Creed be as good as the original?

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North by Northwest–With such incredible suspense thrillers like Rear Window, Vertigo, The Birds, Rebecca, Dial M for Murder, The Man Who Knew Too Much, and Psycho, Alfred Hitchcock’s classic North by Northwest sometimes gets lost in the shuffle.  But what a great action film, and what an iconic role for Cary Grant.  He plays an advertising executive mistaken for a spy, being chased cross country to a brilliant action sequence battle on the face of Mt. Rushmore.

With the suave Cary Grant is the elegant Eva Marie Saint, plus James Mason portrays another of his own trademark villains.  It’s a must see, and even better on the big screen.

Nominated for three Academy Awards, including one for screenwriter Ernest Lehman, North by Northwest is returning to theaters next month as the next retrospective screening from the theater buff’s favorite team-up, Turner Classic Movies and the Fathom Event series.

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Beyond the summer blockbuster and the winter holiday hits, every year movie studios shuffle in a stream of contenders during the interim, fighting for your movie dollars.  Today we’re highlighting three new trailers for high adventure movies coming your way over the next three months.  This weekend will see the latest in one of the oldest movie franchises, King Kong, as Kong: Skull Island arrives in theaters.  The Warner Bros. production stars Tom Hiddleston, Brie Larson, Samuel L. Jackson, and John Goodman, and, of course, the return of Kong.

Appropriately enough Amazon Studios is releasing a true life adventure story next month about the search for a lost city of the Amazon.  The Lost City of Z stars Charlie Hunnam (Pacific Rim, Crimson Peak), Robert Pattinson (Harry Potter, Twilight), Sienna Miller (G.I. Joe: The Rise of Cobra, Layer Cake), Tom Holland (Captain America: Civil War, Wolf Hall), and Angus Macfadyen (Braveheart, Timeless, Chuck, Psych).

And Disney reports the end of its enormous box office hit series is coming with the fifth entry in the Pirates of the Caribbean series premiering in May.  Pirates of the Caribbean: Dead Men Tell No Tales looks as swashbuckling and fun as the franchise’s prior entries.  Javier Bardem, Brenton Thwaites, Kaya Scoledario–and Sir Paul McCartney!–join Johnny Depp and the rest of the cast.

Check out these new trailers for three high adventure movies: View full article »

   

We rated it the Best Sci-fi Fix of 2014 and it’s back after a year-and-a-half break.  It’s the brilliant Image Comics sci-fi Western mash-up Copperhead.  Fans of sci-fi Westerns like Firefly should take note.  The series, which reached Issue #10 back in October 2015, featured one of the best new women characters in comics, the tough Sheriff Clara Bronson, large and in-charge in an off-world, sparsely populated town.  Writer Jay Faerber and artist Scott Godlewski created an instant hit complete with plenty of alien crime.  Check out our review of the series here.

Today, the critically acclaimed series returns with Faerber and artist Drew Moss stepping in for Godlewski.  We have a preview of Issue #11 for borg.com readers below.  The new story arc finds Sheriff Bronson’s past and present colliding as an old friend arrives in town while Clara investigates the murder of Copperhead’s mayor.

The first ten issues of Copperhead have been collected in two volumes.  Volume 1, available at Amazon here, introduced us to the new Sheriff in town and her son as they set out on a new planet and a new job.  Volume 2, available at Amazon here, is a rollicking adventure, packed with aliens, mischief, and fun.

Check out a preview of Copperhead, Issue #11, after the break:
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Tomorrow two classic franchises will take the form of comic book series as Dynamite Entertainment releases the first issues of Charmed and Nancy Drew and The Hardy Boys: The Big Lie. 

Inspired by recent noir comic book series like Ed Brubaker’s Fatale and Darwyn Cooke’s Parker series, Nancy Drew and The Hardy Boys: The Big Lie writer Anthony Del Col (Assassin’s Creed, Kill Shakespeare) and artist Werther Dell’Edera (Detective Comics, House of Mystery) are bringing the classic teen detectives into the 21st century.  Yet it has a very Archie Comics vibe.  In the new series, Frank and Joe Hardy are accused of murdering their father, a detective, and they enlist Nancy Drew to help prove their innocence–and find the real murderer.  The series promises a “twisting, hard-boiled tale, complete with double-crosses, deceit and dames,” keeping with the noir crime setting.  Look for cover variants Nancy Drew and The Hardy Boys: The Big Lie from Faye Dalton, Emma Vieceli, and Robert Hack.

Before the series Supernatural would take over the genre spot for the next decade, the three Halliwell sisters, Prue (Shannen Doherty), Piper (Holly Marie Combs) and Phoebe (Alyssa Milano) provided a similar weekly fix of the paranormal, the mythic, the magical, and the Wiccan.  Following the death of Prue in the finale of Season 3, their long-lost half sister Paige Matthews (Rose McGowan) assumed Prue’s role within the “Power of Three,” and a new comic book series will continue the story of these three sisters.  The second longest running hour-long television series featuring all female leads, Charmed aired 178 episodes over eight seasons.  The next episodes will take the form of a Charmed monthly comic featuring writer Erica Schultz (Swords of Sorrow) and artist Maria Sanapo (Grimm, DC Comics Bombshells).  Artist Joe Corroney (Star Wars, Star Trek) will provide the cover art to Issue #1, and Sanapo will draw the monthly covers and interior artwork.

Check out previews of Issue #1 of both new series, including variant covers, after the break, courtesy of Dynamite Entertainment:

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Review by C.J. Bunce

The best thing about reading a book about the making of a film, without first watching the film, is that your view of the book is not skewed by your opinion of the film.  If you knew nothing about The Great Wall, the new behind-the-scenes look in The Great Wall: The Art of the Film will prompt you to want to see it.  Not only will you find incredible concept art, set design, costumes, and props, the book itself is unique.  In the past five years “making of” film and art books have vastly improved in quality.  Abbie Bernstein’s new book from Titan Books features the best quality images, the best layouts, and the best book design of any book yet reviewed at borg.com–the book itself has a traditional Chinese book binding and gilded edges.  It also features an element left out of many film books these days–it includes images of the entire film, and doesn’t remove spoiler elements, such as, in this case, detailed images of the film’s monsters and ending (the art book for Star Wars: The Force Awakens provided no final image of Luke Skywalker and several costumes and props, as an example).

An icon of China cinema, the man behind several “art house” films in China and the opening ceremony at the Beijing Olympics, director Zhang Yimou discusses in the book why The Great Wall is unique and how it became the biggest production in China film history.  If you have watched stunning Chinese film work over the years and aren’t a fan of dubbed or subtitled films, the barrier is language–how can you connect U.S. and Chinese film audiences?  Yimou intended just that by making a Hollywood-esque film as a Chinese production in English with a cast and crew from dozens of nations, including more than 100 on-set translators.  Beyond that goal, the powerful imagery of the film as displayed throughout The Great Wall: The Art of the Film, is the stuff of Academy Award-winning costume design and art design.

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Along with interviews with Zhang are chapters featuring producer Peter Loehr, actors Matt Damon, Pedro Pascal, Jing Tian, and Willem Dafoe.  The most visually stunning chapters detail The Nameless Order, with Zhang’s color coding of each fighting corps, including the royal blue Crane Corps–the fighting unit consisting entirely of women.  We see frosted plastic pages displaying each corps symbol, and poster quality designs highlight each leader, along with their shields and weaponry.  Detailed sections feature the creation and design of the film’s monsters–the mythical Tao Tei–and how WETA and Industrial Light and Magic created them.  And each key sequence of the film is revealed with photographs of special effects and the actors in action.

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