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Tag Archive: Archie Comics


Surprisingly CW’s Riverdale not only teased the answer to the show’s big mystery in last night’s penultimate episode–instead of dragging viewers into a season finale cliffhanger–it delivered the goods.  The result is a tightly written, highly watchable and addictive first season that will stand alone as an example of how to get your characters and plot right from the very beginning, and a easy watch for new viewers wanting to jump on for Season Two.

Satisfaction.  Above all else, it’s what matters to the viewing audience.  Writers can throw twists and plenty of shock and awe onto the screen, but if they cannot tie up all the loose ends without a deus ex machina event or similar trickery, viewers won’t come back for the second season.  How many opening seasons of series give the audience enough interest to keep watching, yet they are full of ups and downs, episodes that don’t quite work, too many red herrings, and tangled plot threads that seemed to be stuffed into the show for filler?  Heroes, Lost, and Twin Peaks garnered immediate cult followings, yet they dragged the big secrets out until we just didn’t care anymore.

How few television series have been as tightly written as Riverdale?  CW’s other comic book adaptations weren’t this good in their freshman year–Arrow, The Flash, DC’s Legends of Tomorrow, CBS’s Supergirl–none created a finely stitched together bookend set of episodes that will be fun to watch again and again once they arrive at Netflix or other streaming services.  Riverdale took an idea: adapting a classic, 75-year-old, well-known set of characters from a beloved comic book, added in that comic book’s own modern updates from the recent past, and then gave it a dark twist.  Both Twin Peaks and the look and feel of Archie Comics’ own dark title Afterlife With Archie are owed plenty of credit, along with a great story writing team and a top-notch cast.

You’ll need to watch the series for yourself to discover who killed the Laura Palmer of Riverdale, Jason Blossom.  In fact you’ll think you have it all figured out until the big reveal at the end of last night’s episode, “Anatomy of a Murder.”  But you’ll probably be wrong.

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Named for legendary comics creator Will Eisner, the Eisner Awards will see their 29th year, to be announced at this year’s San Diego Comic-Con in July.  This year’s nominations have been selected, resulting in a banner year for Fantagraphics and Image Comics with 22 and 21 nominations, respectively.

We at borg.com never align with the Academy Awards, but always are happy to agree on Eisner accolades.  Artist Jill Thompson is nominated in three categories this year.  Her Wonder Woman: The True Amazon was our pick for 2016’s Best Graphic Novel, and is a nominee for the “Best Graphic Album-New” Eisner Award.  Beasts of Burden: What the Cat Dragged In was our borg.com pick for Best Single Issue last year, and Thompson, Evan Dorkin, and Sarah Dyer are up for the Eisner for Best Single Issue.  Thompson is also nominated for Best Painter/Multimedia Artist.

   

Kudos go to our friend, writer Jason Aaron, for his nomination along with artist Russell Dauterman in the Best Continuing Series category for The Mighty Thor (Marvel).  Other notable nominees are Chelsea Cain and Kate Niemczyk for their Mockingbird series (Marvel) plus Cain’s nomination in the Best Writer category for that series.  The highest number of nominations went to Sonny Liew and his The Art of Charlie Chan Hock Chye (Pantheon), netting nods for Best Graphic Album–New, Best U.S. Edition of International Material–Asia, Best Writer/Artist, Best Coloring, Best Lettering, and Best Publication Design.  Archie Comics received nominations for Erica Henderson and Ryan North for Best Publication for Teens and Best Humor Publication for Jughead.

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If you’re enjoying CW’s new Riverdale series as much as we are, then you probably have a new appreciation for Archie’s pal Jughead Jones.  The classic Jughead has always had an insatiable appetite, practically living at the Riverdale diner.  Actually we wouldn’t be surprised to see him move into the back of the joint on the television series since he lost his home at the drive-in theater, which recently closed.  This month Archie Comics is taking Jughead to a dark place and asks: What if Jughead’s hunger came from a sinister place?

When a murderous menace is on the prowl, taking the lives of some of the most well-known and esteemed inhabitants of Riverdale, Jughead and his family’s dark legacy comes to light. 

It’s Jughead: The Hunger.  It’s a story that will be a prime target for fans of the successful and popular series Afterlife With Archie and Chilling Adventures of Sabrina.

   

Writer Frank Tieri (Wolverine) and artist Michael Walsh (Secret Avengers) team-up for an oversized Archie Horror one-shot.  Check out this preview courtesy of Archie Comics:

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Review by C.J. Bunce

Viewers know in the first ten minutes of Riverdale that the show is going to be a winner.  Archie Comics has had 75 years to perfect its ageless story of a guy, two gals, and a bunch of friends living in Everytown, USA.  Not many comic book series are so good to successfully draw in fans year after year for so long.  With The CW’s drama Riverdale, you’ll wonder why it took so long to bring these characters to television.  The series may also give the Twin Peaks reboot some competition this year.

World building is still a requirement for a TV pilot–the writers can’t assume we all knew each character and where they fit in.  So it’s impressive most of what viewers need to know is delivered before the first commercial break.  By the end of the pilot episode, one of the age-old questions is answered, too, at least temporarily: Is Archie Andrews (played by a perfectly cast K.J. Apa) going to go after sweet and innocent Betty Cooper (Lili Reinhart) or seductive and fiery Veronica Lodge (Camila Mendes)?

Riverdale -- "Pilot" -- Image Number: RVD101g_0002.jpg -- Pictured (L-R): KJ Apa as Archie and Lili Reinhart as Betty -- Photo: Katie Yu/The CW -- © 2016 The CW Network. All Rights Reserved.

Jughead (Cole Sprouse) serves as narrator for the first episode, a loner documenting the summer’s big event: death in a small town, via laptop at his table at the all-night burger joint.  But it’s new girl Veronica that we follow through town via a path similar to Buffy Summers looking to find a friend or two in the pilot to Buffy the Vampire Slayer.  Veronica befriends Betty and the chemistry is instantaneous.  Appropriately distracted Archie is almost a third wheel.  We’re immediately in Veronica’s corner after she punches the head cheerleader in the face with a perfectly delivered, dressing-down, and we’re equally cheering for Betty to get all the good that she deserves.

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In the latest ads for CW’s new teen series Riverdale, the live-action series looks even more like an updated Twin Peaks than in the initial teaser trailer.  CW’s television adaptation of the 75-year-old Archie Comics characters and hometown is only weeks away.  More and more we’re thinking the series has the look and feel of the Archie Comics’ recent successful expanded universe in its Afterlife with Archie and Chilling Adventures of Sabrina series.  Let’s face it–if the new television series really were to look like the monthly comic book, which has run relatively unchanged for its 75-year span, it would basically be a remake of Happy Days. 

However CW’s Riverdale turns out, our fingers remain crossed that we’ll see the infamous Sabrina drop in as a guest star or that the writers will find a way to incorporate at least a good Halloween episode.  Zombies, anyone?  Another classic franchise family, Nancy Drew and The Hardy Boys, are getting their own update next year when Dynamite Comics releases a new monthly series adaptation with a noir, true crime twist: Nancy Drew and The Hardy Boys: The Big Lie.  The common theme seems to be bringing back the classics, but trying to spin them in a way to make them appeal to current audiences, which is nothing really new as adaptations go.

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The first full-length trailer and a second teaser for Riverdale were both released this week. Every classic property should get the CW teen soap opera treatment like Riverdale and Smallville and all the great DC Comics series currently running.  The shows may not be entirely loyal to the source materials, but you can bank on some interesting characters and well-told stories ahead.

Check out this first extended trailer for Riverdale:

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In the first trailer for CW’s Riverdale, the live-action series looks more like an updated Twin Peaks than the classic comic book.  But what a way to make an update!  How will we know if Riverdale is a success?  CW’s television adaptation of the nearly 80-year-old Archie Comics universe is only weeks away.  Yet if you look back on your favorite teen television shows you may find writers and casting agents have been pulling from the Archie playbook before.  Just take a look back at Buffy the Vampire Slayer.  Who was a better Jughead than Xander?  And did you ever see the original best frenemies Betty and Veronica in the love-hate relationship of Buffy and Faith?  What about the dynamic of the leads in CW’s previous successful teen-driven, comic book series Smallville?  Will Archie Comics’ own tried and tested formula prove to make Riverdale a keeper?

However CW’s Riverdale turns out, our fingers are crossed that we’ll see the infamous Sabrina drop in as a guest star or that the writers will find a way to incorporate at least a good Halloween episode banking on the success of the publisher’s recent Afterlife With Archie series.  What sure-fire way to please a current audience than delivering a zombie episode?

Riverdale -- "Pilot" -- Image Number: RVD101g_0002.jpg -- Pictured (L-R): KJ Apa as Archie and Lili Reinhart as Betty -- Photo: Katie Yu/The CW -- © 2016 The CW Network. All Rights Reserved.

The first teaser for Riverdale dropped this week.  Although it doesn’t give us much, we get a look at the characters and a glimpse of the creepy tone of the show–a very CW teen-focused looking series.  These kinds of shows have proven to be CW’s niche realm, along with its recent success with superheroes in its five DC Comics series: Arrow, The Flash, DC’s Legends of Tomorrow, iZombie, and Supergirl. 

Check out this first teaser for Riverdale:

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Next week Riverdale’s most famous band is getting back together.

Archie Comics is releasing a new Josie and the Pussycats monthly series.  Much like its release of its hit Betty & Veronica series this summer, Josie & Co. is getting a premiere with plenty of cover variants with works by J. Scott Campbell, Derek Charm, Colleen Coover, Veronica Fish, Francesco Francavilla, Jessica Garvey, Robert Hack with Steve Downer, Gisele Lagace with Shouri, Alitha Martinez with Kelly Fitzpatrick, Wally McNair, Sam Payne, and Marguerite Sauvage.  The standard cover was drawn by Audrey Mok.  Andre Szymanowicz is providing the colors.  Archie Comics will also release a blank sketch cover version.

Marguerite Bennett and Cameron Deordio are scripting the series.

Josie, Valerie, and Melody make their current debut after Afterlife With Archie’s dark look at the band in the haunted parallel universe of that title’s October issue.  Plus, the CW Network has its own new Archie series premiering in only a few weeks–Riverdale stars K.J. Apa as Archie, Cole Sprouse as Jughead, Camila Mendes as Veronica, Lili Reinhart as Betty, Ross Butler as Reggie, Casey Cott as Kevin, and Madelaine Petsch as Cheryl Blossom.  And of course, the band is in the series as well, with Josie played by Ashleigh Murray, Valerie is played by Hayleau Law, and Melody is played by Asha Brom.  Luke Perry, Lochlyn Munro, and Madchen Amick will also star in the series.

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While you’re waiting for the TV series, check out these covers to Josie and the Pussycats: 

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I have been a fan of Edward Hopper since the first time I saw his artwork.  I view a print of his Automat every day at home.  In college a wall of every other dorm room had either Hopper’s Nighthawks or the Helnwein pop culture adaptation Boulevard of Broken Dreams with Hopper’s characters swapped for Elvis Presley, Humphrey Bogart, James Dean, and Marilyn Monroe.  A few years ago I made a special side trip to visit the original in Chicago, housed just across America’s most famous artwork, Grant Wood’s American Gothic.  Nighthawks means many things to many people.  For me it’s about nostalgia.

I always have an eye open for new adaptations of Nighthawks.  Some of the best adaptations have been created as variant covers for comic books.  It’s a rare find, but it happens, oftentimes in places you wouldn’t expect it.  The best comic book cover adaptation of Nighthawks is available this summer, and it’s our pick for the best comic book cover we’ve seen so far this year.

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Edward Hopper’s Nighthawks

It’s J.K. Woodward’s variant cover to Micronauts, Issue #5.  Innovative, futuristic, inventive, thought-provoking, and evocative of adventure for fans of the 1980s toys.  I have been a fan of Woodward since his brilliant and beautiful watercolor work on his cover-to-cover Star Trek: The Next Generation/Doctor Who crossover series Assimilation².  At first glance you might not even realize this fantastic future world is something familiar to you.  Is it the alien behind the counter that cinches the Hopper homage?  Maybe the yellow hue color choices in the background?  The commercial coffee pot?  Or just the overall design?  Check out his artwork in full and decide for yourself:

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We first previewed dozens of gorgeous covers for Adam Hughes new monthly Betty & Veronica series here at borg.com in May.  Check out our story if you want to see one of the best assemblages of cover art on a single subject in years.  We’ve now read Issue #1, to be released tomorrow at comic book stores everywhere.  It offers a Betty & Veronica as if it were interpreted by Joss Whedon–that’s right, a Buffy and the Scooby Gang look and feel that is a perfect modernization for the classic characters from Riverdale.  If you haven’t been to a comic book store in a while, now is your best excuse to return for this stellar start to what is destined to be the next great series.

Adam Hughes doubles as writer and artist, and that complete involvement delivers from every angle and in every panel.  Who would win in a battle between Archie and Jughead?  Between… Betty and Veronica?  You’ll find out soon enough.

Pop culture references aplenty?  Check.

A Steve Gerber-inspired in-joke with a Frank Cho Liberty Meadows-style payoff?  Check.

Funny antics between Archie and Reggie and Reggie’s dog Hotdog?  Check.

A sexy and intelligent duo (and duel?) of young women–just like they’ve always been?  Check.

A classic insert tale from Betty & Veronica of the past?  Check.

A noble mission and a battle of frenemies like never seen before?  Well, yeah, pretty much.

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Hughes, known for his renderings of beautiful women, has created a visual you might find on a CW young adult TV series, and his leads could easily be played by, say, Sarah Michelle Gellar and Selma Blair.  Appropriately enough the CW is bringing the Archie crew to TV in 2017.  (We can’t wait!)

You’re going to love this book.  It’s. A. Winner.  Now check out this great preview, courtesy of Archie Comics:

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The groundbreaking series continues.  Archie Comics’ imprint Archie Horror is releasing the next issue of The Chilling Adventures of Sabrina in comic book stores everywhere tomorrow.  “Familiars” is a great perfect jumping-on point for new, mature readers (for sex, violence, gore, hangings, occult, etc.) and fans of the horror genre.

Every witch needs a familiar, and through the ages, Salem has faithfully fulfilled his duties to Sabrina.  This chapter lifts back the cloak of time to reveal the dark history of how Salem (the cat “familiar”) came to be and serve his master.

The ongoing series continues with script by Roberto Aguirre-Sacasa, artwork by Robert Hack and Jack Morelli, and that great pulp, retro-style cover by Robert Hack.  A variant cover is also available, by artist Andrew Pepoy.

That Damned Cat Archie Sabrina

If you missed out on Issue #5, look for a reprint available in stores tomorrow, too.

Check out these great pages from Issue #6:

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