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CW Network released the title for the new Warner Brothers TV series featuring Green Arrow yesterday, Arrow.  And the network released the first casting decision for the show–30-year old Canadian TV actor Stephen Amell will portray the lead role of Oliver Queen aka the urban archer superhero Green Arrow.  The new TV series will be directed by David Nutter with script by Andrew Kreisberg, Greg Berlanti and Marc Guggenheim.  We offered a few suggestions to the writing team here a few days ago when the series was announced.

The look from last year's Brightest Day mini-series wouldn't be so bad

Amell has had roles on several TV series: New Girl, Hung, 90210 (2011), Vampire Diaries, Heartland, Beautiful People, and Queer as Folk.  As long as he is sporting the goatee it seems like he could at least look the part.  And he has played a gigolo on Hung, which no doubt plays into Oliver’s ladies’ man status.

Along with the characters you’d expect, a variety of websites have posted the casting type-list for the series, and at the quick pace the series is coming together we can probably expect more cast members to be announced soon:

OLIVER QUEEN
A 27 year old reformed bad boy, who after having spent five years shipwrecked on a tiny, brutally dangerous island in the South China Sea returns to town a different man. Or to be more specific, a tortured, thoughtful master of the bow with a ferocious determination to make a difference.

DINAH “LAUREL” LANCE
28 years old, smart sexy, Laurel is a legal aid attorney determined to use her life as a one-woman war against the 1% following the death of her younger sister Sara. A sister, who as luck would have it, just so happened to have died aboard Oliver’s yacht.

Will the CW give Amell the energetic Cliff Chiang Green Arrow look?

TOMMY MERLYN
28 years old and devil-smooth, Tommy is a trustafarian like Oliver, a spectacularly rich young man whose life revolves around parties, clubs, liquor and lots of anonymous sex. Unlike Oliver, he can’t seem to understand his former best friend’s sudden change of lifestyle and direction.

MOIRA QUEEN
48 years old, a beautiful woman, Oliver’s mother Moira is a very wealthy woman who is not used to being shaken. Having remarried during the five years that former husband Robert and Oliver were both presumed dead, Moira has had free rein over the Queen billions. Not surprisingly, she’s deeply interested in learning whether or not Robert will also return unexpectedly, to ruin her present marriage and go over the books with a fine-tooth comb.

Will CW give Amell the cool Mauro Cascioli Green Arrow look?

JOHN DIGGLE
35 years old, African-American, Diggle is really, really big, a former military man who served with the Army Rangers in Afghanistan, and has been a bodyguard for hire for the last four years. Hired by Moira to be Oliver’s chauffeur and protector, Diggle soon finds he is trapped in a battle of wits, as Oliver repeatedly eludes his protection. But in fact, Diggle’s primary conflict is one of loyalty — he has to show that he’s working for Oliver, not Moira, before Oliver will give him a smidgen of trust.

THEA QUEEN
17 years old (suggest 17-22 years), Oliver’s Lolita-esque sister, Thea was a 12 year old girl when he went on his infamous yachting voyage — but now she’s a celebutante who’s testing the boundaries of acceptable behavior. Thea loved her big brother with all her heart, and is delighted to have him back in her life — but she’s spreading her wings, and is unprepared for Oliver to become the Bad Cop in the family, restricting her access to boys and drugs.

Actor Amell does have that cheesy Ollie smile

Definitely a lot of changes to past storylines, the series appears to be toying with the classic origin story and other than Oliver and Dinah, adding an entirely new character subset.  The biggest missing character is Hal Jordan aka Green Lantern.

No doubt we'll see Oliver's origin story as part of the series or in flashback, like that seen in artist Jock's Green Arrow: Year One

As a CW production we can probably expect a fair amount of the teen primetime soap formula, but hopefully it will more of the Veronica Mars variety as opposed to the 90210 variety.  I’m starting to get a bad vibe like this will be another show like ABC’s Revenge, spoiled rich kids acting…spoiled.

But we’ll reserve judgment til we actually see the pilot.  And we can hardly wait!

Read tons more about our favorite superhero, Green Arrow, here.

C.J. Bunce

Editor

borg.com

By C.J. Bunce

It’s not every day, or even any year, that you get to witness the video premiere of a film from 1902 in its original color version.   Or that you get to listen to the world premiere sound recording of a complete score to that film.  Especially if that movie never had a musical score and the musical score is actually composed and released 110 years after the film’s premiere.  And if that film is considered to be the first science fiction film of all time, then you’re really in for something unique.  Confused?  Read on.

The classic science fiction film is, of course, the French classic Le Voyage dans la lune, or A Trip the the Moon, created by science fiction special effects and animation pioneer George Méliès, who current film audiences may know as one of the heroes of Martin Scorcese’s Academy Award-nominated film Hugo.  The famous scene in A Trip to the Moon where the rocketship blasts into the Man in the Moon’s eye is a classic bit of film nostalgia.  The 14-minute film was based on two classic works: Jules Verne’s From the Earth to the Moon, and H.G. Wells’s The First Men in the Moon.  You can’t have a better science fiction pedigree than A Trip to the Moon.

The Victorian era meets the future in this seen from the 1902 color film A Trip to the Moon

Film enthusiasts for literally a century were aware that A Trip to the Moon was originally released in theaters not in the typical black and white that monopolized film into the 1960s, but in color.  But how could that be?  The story was a secret traeasure of sorts, that stayed hidden until 1993, when a film collector revealed the sole remaining color copy of the 1902 film in Barcelona.  But the 13,375 frames of decomposed material was practically worthless, until film preservationist Serge Bromberg found a way to catch the very few minutes when the film was able to be photographed when deposited with a special chemical vapor.  Every day for two years his staff worked bit by bit through each frame, and in 2010 digital technology had come so far as to allow the preservationists to re-build the film at Technicolor’s laboratories in Los Angeles, following a $500,000 grant from French film foundations.  The result was revealed to dazzled audiences at last year’s Cannes Film Festival.

Film pioneer Georges Méliès mixed stunning color animation and special effects in this view of the future of travel in A Trip to the Moon

But before the film was revealed, a matter of sound arose.  The original film was created before the concept of the talkie, or even the playing of music to accompany the film.  No score had ever been created for A Trip to the Moon.  The same foundations that had financed the restoration selected the French band Air to compose a 16-minute soundtrack for the film.   Because the home-grown film was considered by the French to be revered even more than the rest of the world, musicians Nicolas Godin and Jean-Benoit Dunckel were themselves elevated to a celebrity status like never before.  After completion of the soundtrack, Air began composing a full musical score expanding on the themes they created for the film.  Their sound is both futuristic and modern, and has been compared to their influences: Pink Floyd, spaghetti Western composer Ennio Morricone, and the bands Vangelis and Tangerine Dream.

A sea of tranquility featured in the 1902 film

National Public Radio will be revealing the full album stream this coming Friday, February 3, 2012, at www.npr.org/music .  A limited edition CD/DVD set will be released at Amazon.com on February 7, 2011, including the re-mastered original color version of the film.

Film distributor Flicker Alley will be releasing the premiere Blu-Ray release of the color version of A Trip to the Moon on March 27, 2012 in a deluxe edition, including the 78-minute documentary, The Extraordinary Voyage by Serge Bromberg and Eric Lange of Lobster Films in Paris, about the life of Georges Méliès and his film A Trip to the Moon.

We featured A Trip to the Moon here at borg.com a few weeks ago as one of our most iconic images of the history of sci-fi in film.  If you haven’t voted for your favorite sci-fi image yet, check it out and vote for your favorite here.

On a final note, George Méliès was another creative master in the realm of masters like Wolfgang Mozart who suffered financially.  Students of copyright law and theory should check out his story, as he may be the first victim of film piracy, as his film was secretly duplicated by film technicians and sold without any profits given to Méliès, eventually resulting in his own bankruptcy.  Long in the public domain, the new color transfer with soundtrack by Air will give modern preservationists of film history and the modern composers some profits that the creator himself never saw.  This is well deserved, as in doing so, modern audiences get a new, immediate film experience and a look at something not seen since the original moviegoers watched the film for the first time.

You can pre-order the Air CD release, including the color version of the DVD via Amazon.com today here.

This may be the ultimate blast from the past.

Over the past three years there was talk about Stretch Armstrong, the movie.  Universal Studios signed a deal with Hasbro to create a film about Armstrong based on a screenplay written by Nicholas Stoller, the writer who co-wrote The Muppets film from last year, in addition to Get Him to the Greek, which starred current Oscar nominee Jonah Hill.  In February 2010, Universal Studios announced Taylor Lautner would star as Armstrong and that the film would be made in 3-D.   Blockbuster producer Brian Grazer even said he’d signed on to make the film.  Over time, this was believed to be part of a handful of films pitched for Kenner and ex-Milton Bradley toys and games, to include Clue, Ouija, Magic, the Gathering, Candy Land and Battleship, which actually is a sci-fi movie making it to the screens this May.

Yesterday, Relativity Media bought the rights to the Stretch Armstrong live-action film, after Universal Studios backed out on the project.  And they announced even better news: Taylor Lautner will now NOT be in the movie.

You don’t know Stretch Armstrong?  Stretch Armstrong was an action figure that kids played with alongside their Six Million Dollar Man, Atomic Man, and 12-inch scale G.I. Joes in the mid to late 1970s.  Only where G.I. Joe had life-like hair, Stretch had life-like skin.  And he had weight and mass, as he was filled with… corn syrup.  And he stretched–stretched from 15 inches long to 5 feet.  Of the 40,000 or so original Stretches made, it is expected that most didn’t make it very far beyond Christmas 1976.  Although I witnessed my cousins stretch theirs until he snapped and oozed goo all over their refrigerator, it is estimated by some Stretch experts that roughly 200 remain intact, preserved in their styrofoam “preservation chamber”–in their original boxes.

You couldn’t really play with Stretch outside if you wanted him to live to see another day.  You couldn’t parachute him from the tree like G.I. Joe.  And you couldn’t put him in covert combat gear, as the Joe clothes wouldn’t fit him.  Stretch only wore his wrestling shorts.  And compared to any other figure, he was badass–he was taller and bigger than his counterpart fighting men.  Oh… and he stretched.

In fact stretching was the point.  He came with a plastic sheet to guide you and a friend in how far you could stretch him without snapping.   Could you get a lot of play out of such a fragile toy?  You bet!  As long as he stomped around like the Hulk or the Thing, he did just fine.  But invite the crappy neighbor kid over who didn’t take care of his toys and it was goodbye, Stretch!

So now, 36 years later.  A movie is in its initial stages of production.  So what the heck could it be about?  Between 2008 and 2010 it was rumored that Jackie Chan had made a play for the film, with Chan as the star.  Then Lautner replaced that idea.

The fact is there are tons of places the story could go, and you need only look to a few cousins who also were made into Stretch versions similar to Stretch Armstrong: Elastic Plasticman and Stretch Mr. Fantastic.  Plasticman is of course the DC Comics humorous, sunglasses-wearing, stretchy superhero from the Justice League, and Mr. Fantastic, the serious scientist leader of Marvel Comics’  Fantastic Four.  DC Comics’ other stretching superhero, Elongated Man, never was made into the Stretch series.  But certainly these guys could inspire some ideas for Stretch Armstrong.

   

One of the rare concepts of Stretch Armstrong was that he was at his heyday in the years of these first action figure properties, yet Stretch had no backstory.  So there really are no limits to what you could do with a Stretch storyline.  Ideally the actor to play Stretch would be built like Lou Ferrigno (who played The Incredible Hulk, which was made into a Stretch Hulk).  Is Lou the guy to play the role?  Probably not now, but maybe, if you’re looking for similar looks, someone who looks more like Sam J. Jones, who played Flash in Flash Gordon.  Or better yet, how about someone who could fit the size of a Stretch Armstrong and who has played several light-hearted and mega action roles, and is currently still a big draw in theaters?  Who?  Dwayne Johnson, of course.  Formerly “The Rock.”  Johnson has had roles that have spanned all types of genres, stuff for kids like Race to Witch Mountain, to cool roles in the remake of Walking Tall, Get Smart, and Be Cool, to megahits like Scorpion King.  And better yet, he has a new film coming called Journey 2: The Mysterious Island and the can’t-wait-for-it-to-get-here G.I. Joe: Retaliation.

With yesterday’s announcement by Relativity Media, hopefully we’ll start to hear more about their plans for this character soon, and no doubt we’ll see some re-releases of the stretchy action man himself.

Stretch Armstrong is now scheduled to appear in theaters in April 2014.

C.J. Bunce

Editor

borg.com

Review by C.J. Bunce

(spoilers!)

DC Comics has released a hardcover compilation of both the Green Arrow and Black Canary Wedding Special one-shot plus the first five issues of the “Dead Again/Child Support” storyline from Green Arrow/Black Canary Issues #1-5.  Judd Winick wrote the story with Amanda Conner illustrating the Wedding Special and Cliff Chiang pencilling GA/BC Issues #1-4 and Andre Coelho pencilling Issue #5.

On paper, the first chapter, the Wedding Special, is what you would expect.  Put together the two superheroes who have had an off-again/on-again relationship for pretty much decades, and after years of talking about it we get the first big superhero wedding since Clark Kent and Lois Lane.  Of course, they couldn’t just put the two characters together and give us a storyline of what it would be like to have a superhero couple, like “the early years of The Incredibles,” or something close to that.  Instead, they cram together some backstory, bachelor party, etc. and a wedding into a few short pages.  Only Batman is smart enough to return a negative on the RSVP.  As expected, the marriage is doomed from the start.  Someone gets wind of all the superheroes being in the same place at the same time for the wedding, nukes are launched, and it becomes another Justice League fight scene.

Worst yet, once the dust settles and Oliver and Dinah get home, we learn that a big element was missing from the wedding, as Ollie is an imposter and tries to murder Dinah on her wedding night, and she must kill him to defend herself.

Among all of this is plenty silliness and cartoony characterizations that amount to a light-hearted romp up just to the last scene.  It is difficult to expect anything else from a one-shot about a superhero wedding, so you either go with it or stop reading.  Flashing back to other incarnations of Green Arrow and Black Canary, such as those documented in the For Better For Worse compilation (to be reviewed here later), it becomes clear that this really is more of a superhero wedding–focusing on the costumed personas–more than a wedding of Oliver Queen and Dinah Lance.  And in chapter one you are left to hope for seeing that wedding someday.  Back in the prior volume of the Green Arrow series, as well as the volume before that, we did get a fair bit of family life, and the stories seemed pretty good at the time, with son Conner (Green Arrow 2) as well as Mia (the new Speedy) rounding out the family.  The past run at the trials of a superhero family was the closest thing we have seen to the clever The Incredibles film by Pixar.

I am not a fan of Amanda Conner’s renderings of Black Canary.  She draws her looking ditsy, and combining the fact that Ollie and Dinah spend the first chapter swearing at each other in asterisks, etc., Green Arrow and Black Canary are caricatures of a reality show bridezilla-fest.  In start contrast is Chiang’s excellent covers, which seems to nicely peg a great looking superhero team.  The colorist work is also well done–the entire book is finished in vibrant colors.

The rest of the Wedding Album consists next of Winick’s “Dead Again” storyline and there we begin to see some family taking shape.  The highlight is Cliff Chiang, the artist currently getting high praise for the New 52 Wonder Woman series.  Going back now and viewing his earlier work is great fun, as he definitely has his own, recognizable style.  And in the first chapter of the “Dead Again” story, we learn that the man who married Dinah, and who was killed by Dinah, was a shapeshifter called Everyman, and Ollie is held prisoner by a doppleganger for Athena, and the Amazons.  No doubt that Chiang’s work on Green Arrow/Black Canary and this Amazon storyline propelled him into the artist role for the current Wonder Woman series.

Chiang original cover art for GA BC issue 1

But you can’t knock Winick’s writing for the rest of the Wedding Album.  The story is great, beginning with Dinah and Mia arriving at the island of the Amazons to figure out why they took Ollie and Connor springing Ollie from their jail, including having to loan Ollie his underwear since Ollie was, of course, imprisoned naked by the Amazons.  The Amazons want Dinah (not Diana aka Wonder Woman) to lead and train the new Amazon warriors.  But in their escape Connor is shot and near death.  In the aftermath, the family comes together and in the last chapter “Child Support,” Oliver and Dinah actually get married.  The last chapter was illustrated ably by Andre Coelho.  Only once in the last few chapters does the story falter a bit, when we learn the reason Everyman finally made himself known to Dinah on their wedding night.

For the most part, the Green Arrow/Black Canary Wedding Album is worth checking out, if not for a good Judd Winick story, then to see more of Cliff Chiang’s nice artwork.

Review by C.J. Bunce

(with spoilers!)

A slick hardcover version of the 2011 restarted series, Green Arrow, has been published, collecting Issues #1-7.  This is not to be confused with the New 52 reboot starting in the Fall of 2011.  Called Green Arrow: Into the Woods, it is a ”Brightest Day” sequence storyline that conjures some good bits of Oliver Queen’s past, and includes some of the best cover art and interior art of any recent Green Arrow series.  The story was written by J.T. Krul, with art by illustrators Diogenes Neves and Mike Mayhew.  Some of the best covers ever done featuring Green Arrow are found in this collection, all painted by the great cover artist Mauro Cascioli.

In part 1 (originally Issue #1), Ollie has truly reverted to his roots, inspired by his hero Robin Hood.  After the destruction of Star City and Ollie killing Prometheus in Justice League: Cry for Justice, Ollie is living in the mysterious forest that has sprouted in the aftermath of Star City’s destruction. This is the classic Green Arrow of Mike Grell’s influence.  His former company, Queen Enterprises is taken over by a mysterious woman referred to only as the Queen.  And Hal Jordan aka Green Lantern shows up to find Ollie.

In part 2 (originally Issue #2) we learn more about the secret identity of the Queen.  Hal loses his power in the woods, and he and Ollie must defeat some goons sent by the Queen to destroy Ollie.  The entire issue consists of battle scenes, but we do learn that the creation of the forest is somehow related to the powerful White Lantern.  Krul also introduces a new character, a medieval looking fellow, who has no dialogue, but appears from nowhere.  This part ends in a bizarre cliffhanger, with seemingly the death of Ollie for the umpteenth time, via an arrow shot through his forehead.

But there are five more parts to get through, right?  So no dead Ollie.  Part 3 (originally Issue #3) is a strange, ethereal story, and we cannot be sure what is happening.  A medieval dressed fellow claims to be the one and only Galahad, knight of the Round Table.  Only viewing this meeting as a dream sequence makes sense, yet it appears the story is moving forward with this odd new partner to Oliver.  This is never fully explained in this entire volume.  The forest comes alive with the White Lantern’s light, but not before several flashbacks for Ollie, where we meet his father and mother, and Ollie revisits the mistakes of his past.  Is this something real or imagined, for Oliver Queen?  Impossible to tell.

In part 4 (originally Issue #4) Ollie encounters the Martian Manhunter, J’onn J’onnz, originally thought dead, but re-created out of the White Lantern’s power.  Like Green Lantern, the Manhunter’s power is also zapped by the power of the woods.  And Mary, a woman he saved from modern day bandits in the woods, manages to keep Ollie busy, as she, too, sees herself as a leader destined to protect the citizens that remain in the aftermath of Star City.

As Ollie begins to believe a murderer of several high ranking citizens could be Mary, he goes to confront her but instead discovers a strange villainess in part 5 (Issue #5).  Named Nix, she murders an innocent to escape from Ollie.  For those that can keep up with the events of Into the Woods, it is at this point that the story falters.  The woods come alive, and (too) quick decision-making by Ollie and Galahad is required to fend off a band of demon-like creatures, summoned by the Black Lantern.  Again, we cannot be sure whether this is a reality for Ollie, or whether he is still part of some dream.  The low-point of the book is here, where Ollie must face off against an image of his father, which ends up not as his father at all.  But you get the odd feeling he is Luke visiting the forbidden tree to confront Vader in Dagobah in The Empire Strikes Back.

All of the attacks on Ollie, and on Hal and J’onn in the woods, were caused by the Queen, and so, in part 6 (Issue #6) Oliver attacks Queen Industries to take on the Queen, where he also confronts her minion, the assassin he met earlier in the story.  The Queen reveals herself as a character from the family’s distant past.  Confused, Oliver (not us) manages to return to the forest.  Before that, this part becomes a story of a bitter past for Ollie’s parents, ultimately lacking some necessary emotion and the point of it all… never really comes together.

Although this isn‘t the worst of Green Arrow stories, it is missing something.  Oliver is alone, and yet you wonder if we needed a seven issue story arc to illustrate that aloneness.  The character Galahad comes with no explanation.  Why Galahad?  We see pieces of a story and as readers we try to make them fit together, but I’m not sure it is all meant to be coherent.

Out of the chaos comes the high point of Into the Woods.  And that is Mike Mayhew’s art in part 7 (Issue #7).  It may be that this is one of the best renderings of Green Arrow in years.  I have shared emails with Mike in the past, and he explained that he was influenced by Mike Grell in this issue.  The look of Oliver was based on a friend of Mayhew, who looks a bit like actor Cary Elwes.  I have seen the original pencil work of Issue #7, and the issue is an example of ink work that mutes the power of the underlying spectacular art.  Even so, the visuals in this issue surpass the rest of the book, and for this reason Green Arrow fans who missed the original Issue #7 will be wise to check out Into the Woods.  As for the story in part 7, it amounts to a vision of Oliver meeting his mother in the woods, and a too-sappy effort at Oliver being forced to revisit his past and forgive himself.  If you’re expecting an ending, there is none offered here, as the story is continued and concluded in a to-be released second volume called Green Arrow: Salvation.  Look for some good images of alternate covers at the end of the book.

Despite the meandering story, there are bits of good to be found here.  But the less-than stellar story is pretty much made up for by the impressive look of the book.  Diogenes’s work is well done, if not the best Green Arrow in the history of the character it at least shows a familiar Green Arrow readers can enjoy.  However, Mike Mayhew’s work in the last chapter, plus some great covers by Mauro Cascioli, are a pretty stunning collection of images.  If the cover is not the best of the Mike Grell inspired Green Arrow covers on record, it comes pretty close.  Strangely enough, neither Mayhew nor Cascioli get any cover credit for their work on this book.

Green Arrow: Into the Woods lists for $22.99, but can be found cheaper online.

Led by guest conductor Jack Everly, the Kansas City Symphony Orchestra performed to a sold out theater Friday night in the new 1,600 Helzberg Hall of the inaugural season of Kansas City’s Kauffman Center for the Performing Arts.  The concert featured actor George Takei, known for portraying Mr. Sulu in the original Star Trek, greeting the crowd and reciting the opening lines to the original Star Trek theme, as well as Klaatu’s speech from The Day the Earth Stood Still.  The concert featured the musical scores of numerous science fiction movies and TV shows, with on ongoing light show across the top of the giant theater.

Nationally known soprano from numerous opera companies Kristin Plumley sang beautiful renditions of the original Star Trek theme as well as When You Wish Upon a Star and she appeared dressed as both a science officer from the original Star Trek and Princess Leia.

Both Everly and Takei praised the futuristic design and state of the art acoustics at the Kauffman Center, now one of the leading performing arts facilities in the nation, and Takei said he wouldn’t be surprised to see such a cutting-edge facility in the 23rd century predicted from Star Trek’s future.

Highlights of Friday’s concert, which will be performed again Saturday night at a second performance at the Kauffman Center, included selections from John Williams’ scores to Superman, main themes from Star Wars: A New Hope, and Star Wars: The Phantom Menace, Close Encounters of the Third Kind, E.T., the Extra-Terrestrial, and the theme from Lost in Space as part of a TV theme song medley.  Other highlights included a stunning trio of excerpts from Bernard Herrmann’s The Day the Earth Stood Still, 2001: A Space Odyssey, the theme to Somewhere in Time, the themes from Star Trek series VoyagerThe Next Generation, and Deep Space Nine and the selections from the score to Star Trek (2009).   The medley of TV tunes included the theme to the X-Files, the Jetsons, and Twilight Zone, among others.

Maestro Jack Everly has served as Principal Pops Conductor of the Indianapolis Symphony Orchestra, Principal Pops Conductor with the Baltimore Symphony Orchestra, the National Arts Centre Orchestra in Ottawa, Canada, and Pops Conductor of the Naples Philharmonic Orchestra. Originally appointed by Mikhail Baryshnikov, he was the Music Director of the American Ballet Theatre for 14 years. On Broadway, he teamed with Marvin Hamlisch to conduct The Goodbye Girl and A Chorus Line and he has conducted concerts for the 2010 National Memorial Day Concert and A Capitol Fourth, two of PBS’ highest-rated programs.

In addition to the original Star Trek series and six Star Trek movies, George Takei’s past work includes guest star roles in episodes of series such as Psych, Perry Mason, I Spy, Twilight Zone, Mission: Impossible, The Six Million Dollar Man, Baa Baa Black Sheep, Miami Vice, and Hawaii Five-O as well as film credits including Ice Palace with Richard Burton and The Green Berets with John Wayne.

Soprano Kristin Plumley’s credits include work with New York City Opera, Chautauqua Opera, Virginia Opera and L’Opéra Francais de New York, and she has starred in productions of West Side Story, Carousel, Brigadoon, and Oklahoma! as well as performing at Carnegie Hall.

C.J. Bunce

Editor

borg.com

Chuck Bartowski, Morgan Grimes, Sarah Walker, John Casey, Jeff, Lester, Big Mike, Ellie, Awesome, and General Beckman say goodbye tonight in the series finale of Chuck.  The show that fans kept going and going ended up running five seasons, each with some memorable moments.  So what will we see in tonight’s show?  With two hours there is a lot to wrap up and likely a lot that won’t get wrapped up.

After last week’s episode we were left with Sarah with the defective Intersect in her head.  Will we get more king fu work from Sarah?

How involved will Jeff and Lester get with the spy business?

Will Ellie and Awesome’s baby show signs of having the Intersect?

How many references to Subway sandwiches can you cram into two hours?

How many times will Chuck mention quitting the spy business?

Are Morgan and John Casey’s daughter back together for good?

Does John end up with Gertrude Verbanski?

Does Chuck’s mom end up with Alexei Volkoff?

Does General Beckman end up with Roan Montgomery?

Will Jeffster get back together?

Will we ever get to see Morgan’s mom?

Here’s who would we like to see one more time in the finale from Chuck’s past:

  • Linda Hamilton as Mrs. Bartowski
  • Scott Bakula as Mr. Bartowski
  • Matt Bomer as Bryce Larkin
  • Timothy Dalton as Alexei Volkoff
  • Bruce Boxleitner as Dr. Woodcomb
  • Chevy Chase as Ted Roark
  • Mark Sheppard as Director of the Ring
  • John Larroquette as Roan Montgomery
  • Brandon Routh as Daniel Shaw

No other recent pop culture show packed in more pop culture references and genre actors from the past.  We even got to see Mark Hamill in a cameo this season.  No doubt it will be a fun ride, and no doubt fans will miss the show when the final label maker punches out the words Chuck for the last time.

By Elizabeth C. Bunce

When I set about to pull together my Fantasy Casting Dream Team, I knew right away what it would look like: The characters I selected had to be drawn from various storytelling forms (film, TV, literature, etc). They had to stand the test of time–be true, perennial favorites (vs more recent character crushes).  And they had to be female.

That part was easy.  Actually picking the roster, however, took some deep thought.  It was far easier to say who wouldn’t make the list–no matter how much I may love, say, Charlie Crews (Life), Eliot Spencer (Leverage), or John Casey (Chuck), they were all missing one important trait (that second X chromosome).  Coming up with great female characters wasn’t a problem, either–it was narrowing down my choices (and worse, committing to them, as if I’m going to be quizzed on this later in life, possibly by St. Peter.  Ok, I guess that technically doesn’t happen in life… never mind.).  So.  How to choose among beloved characters from favorite childhood books (Anne Shirley or Mary Lennox? Sophie or Princess Aerin?  Sweet Hattie or dastardly Cruella de Vil?)?  Or narrow down iconic TV characters (I could name Buffy or Faith… but my actual favorite was Anya)?  Or plumb the depths of classical literature and the oral tradition to select among greats like Penelope or Guenevere?

Ultimately, though, with enough shaking, five I’m proud to commit to rose to the top.  There was a tiny glitch with my #1 spot; astute readers may notice that it missed my #1 requirement by rather a long margin.  But he really is so marvelous he makes up for it, and he was, after all, created by a woman (if you don’t know many Emmuskas yourself, the “Baroness” part probably gave that away).

So, like choosing sides for a playground game of kickball, from first pick to last, we have:

Sir Percy Blakeney, aka the Scarlet Pimpernel
The Scarlet Pimpernel by Baroness Emmuska Orczy

We seek him here, we seek him there/Those Frenchies seek him everywhere….

When asked to come up with my five favorite characters, the only one to come instantly to mind was Percy Blakeney/The Scarlet Pimpernel.  Genre fans already recognize the drama inherent in dual identities, and in the early days of the 20th century, Orczy gave us one of the best.  He is, without a doubt, my personal favorite superhero, and my favorite incarnation is the one pictured above, as played by Richard Grant in the 1990s A&E miniseries.  By day, he’s Sir Percy Blakeney, foppish and outrageous and shockingly clueless–a charming idiot obsessed with tying the perfect cravat.  By night, he risks everything to perform incredible acts of heroism as the Scarlet Pimpernel–rescuing beleaguered French aristocrats from the Reign of Terror.  Had she stopped there, Orczy’s hero would probably still have endured.  But she added depth to Sir Percy’s character in his troubled relationship with his wife, French-born Marguerite, who bears the guilt of having once unwittingly betrayed a privileged family to the revolutionaries.  Orczy showed us this story through Marguerite’s eyes, but Grant (and others before him, including the great Leslie Howard) gives us Percy’s side, and the pain of his love for her, tainted by her treachery, informs every one of their nuanced interactions.  He is a complex and layered character, deeply wounded yet no less driven, and able to sustain the most brilliant of aliases.  It takes a genius to play an idiot so convincingly, and so Sir Percy Blakeney, aka the Scarlet Pimpernel, swashbuckles his way to #1 among my all-time favorite characters.

Dona St. Columb
Frenchman’s Creek by Daphne Du Maurier

The great Daphne du Maurier left us a legacy of unforgettable characters: the sinister seductress Rebecca and her creepy handmaid Mrs. Danvers; the ruthless smugglers of Jamaica Inn; The Birds that stormed the Cornish coast and went on to terrorize Hitchcock’s Bodega Bay.  But among that august company, my personal favorite is Dona St. Columb, the heroine of du Maurier’s brilliant Restoration-era pirate romp, Frenchman’s Creek.  Dona is a bored aristocrat whose first act in the novel is to steal her husband’s best friend’s clothes and rob a stagecoach.  Purely for the novelty of it.  Bored to death by herself, her husband, and her shallow life at court in London, Dona takes her young children and flees to Navron, her family’s seaside estate in Cornwall.  There she discovers that the home is being used as the base for French pirates.  Lured by adventure and romance, Dona falls in with the pirates and in love with their captain, whom she always refers to as the Frenchman.  This is the setup for dozens, nay hundreds, of insipid romance novels since–but du Maurier’s great skill and talent elevate both the novel and its delightful heroine well above the average.  Dona is smart, funny, sly, impatient, gloriously larger than life, and soberly self-reflective.  Her journey of languid awakening and swashbuckling adventure is tempered by a self-awareness and maturity that copycat romances lack, and the bittersweet conclusion to her affair with the Frenchman adds a sophistication and respect to our enjoyment and understanding of her character.  But it’s through her bright, delightful voice and her witty observations of life around her that we get caught up in her tale.  I adored Dona from the first, and felt bereft when her story was complete.  And that is exactly the sort of character we all want to create.  (It is a good thing that Dona and Percy never met, for the world might well have imploded.)

The Terminatrix (Sarah Connor, Terminator 2)

Long before Kristanna Loken appropriated (appropriately) the name, fans of Linda Hamilton’s kickass performance in T2 had dubbed her The Terminatrix.  Sure, she’s not an evil cyborg killing machine, but she doesn’t let that stop her.  Evincing one of the most dramatic (if unseen) character arcs in film history, Sarah Connor goes from scared suburbanite to one-woman army, giving us a whole new breed of action hero: a female one.  We had Ripley before and Xena, et al, since, but the mold was forever reshaped around Hamilton’s chiseled biceps and steely glare.  When an aging Ahnold is not sufficient to stop a next-generation Terminator, who can we turn to but… a really pissed-off mom?  Sounds about right.

Scheherazade
The Thousand and One Nights

Her tales have been captivating us for nearly a thousand years, and it was her amazing imagination that gave us Aladdin, Ali Baba and the Forty Thieves, and Sinbad.  But it is Shahrazad’s own story of selfless and unusually daring heroism that makes her one of the best characters of world literature.  When ruthless sultan Shahriyar is betrayed by his wife (and his brother, it ought to be noted), he exacts a terrible, mad revenge: each night he marries a virgin, then slays her in the morning, so he can never again be wounded the same way.  For over three years this horror continues, unstopped by all the men of the kingdom–until the vizier’s young daughter steps forward and volunteers.  Shahrazad alone has the courage and conviction to end this mindless slaying of women–and a plan that is both audacious and baffling.  She’ll do it with bedtime stories.  Shahrazad is a natural storyteller who understands better than anyone the power of the cliffhanger–and the redemptive power of story.  Each night she spins her husband a new tale–but refuses to reveal the ending until tomorrow.  Thus is she spared her predecessors’ fate.  But more than that, Shahrazad’s tales are full of moral lessons and the wisdom and virtue of women, and gradually her stories cure Shahriyar of his madness.  For her courage to stand up where no one–no man–would, and declare the slaying of women unacceptable; for her brazen plan to stop a mass murderer in his tracks with nothing but half a fairy tale; and for her enduring legacy of literary skill and feminism, Shahrazad easily earns a spot on my roster.

Veronica Mars
Veronica Mars

I can say with total honesty that Veronica Mars (Kristen Bell) was the heroine I’d been waiting for all my life.  She came about 15 years late for me, but the smart, sassy teen (girl) PI was exactly the kind of character I craved as a kid.  She appeared on the scene in 2004, in the genre gap left behind by Buffy, but Kristen Bell did far more than just fill big sister’s shoes.  Veronica Mars not only gave us a YA heroine for the digital age, but created an entirely new genre: teen noir.  Daughter of the town’s disgraced former sheriff-turned-private investigator, the once-popular party girl now earns extra income by spying on her fellow students at Neptune High, in a community sharply divided along class lines.  Recovering stolen homework and restoring tarnished reputations is only her day job, however, for Veronica’s hardboiled exterior conceals a wounded past, and her driving passion is solving the murder of her best friend Lily.  It’s a brilliant genre mashup that gave rise to one of the very best YA heroines ever put on-screen.  Complex, smart, independent, and vulnerable–with a kickass cool job–characters don’t come much better than Veronica Mars.

By Art Schmidt

What a simple question.

Borgeditor: Hey, I’m asking all of the staff to write something about their five characters?  Are you in?

Me a Week Ago: Sure, that sounds great!  What could be easier and more fun?

Then, fast forward to Me Last Night:  Wow, this is hard as hell.  Who are my favorites?  Today?  Yesterday?  When I was a kid?  Why are they my favorite?  What makes them tick?  What makes me tick?

Needless to say, it’s been a struggle.  I normally think about something a long time before I ever write one word.  A story, an article, a review, whatever it is.  I dream about it and cogitate on it and mull it over in my head for days or weeks before I ever put a single word to paper.  I normally sit down in front of my portable imagination recording machine (otherwise known as a laptop) with most of what I want to say already outlined in my mind.

As of this writing, I am sitting here with next to nothing.  Well, that’s not entirely true, but I have a hell of a lot less than I normally do.  Every time I scan my bookshelves, my DVD/BD collection, or my DVR favorites list, I come up with a handful of great characters that I somehow missed during the previous evenings’ preview.  Hard, hard, hard.

But it’s time to fish or cut bait, and I ain’t about wasting bait.  And this is good bait, this ‘Five Character’ idea.  It’s certainly made me think a whole lot, about a whole lot, for a whole lot longer than I normally do.  And so without further procrastination, here’s my Top Five Favorite Characters.

5.  I’ll start with more of a character type (and sliding toward an actual actor), than a specific character.  And that’s Han Solo / Indiana Jones (Harrison Ford).   Yes, I know, that’s kind of breaking the rules.  But then, that’s what Han and Indy were all about, right?  Bend the rules, live by your own code of morality, and as long as you’re crusade is just, damn the torpedoes.  And no one could have played these guys with as much success as Harrison Ford.  Admit it, even if you’re not a Star Wars fan, you liked Han.  Especially in the original Star Wars, where he shot Greedo first.  (Damn, I promised myself I wouldn’t go there, again.  Sorry.)  And Indiana is obviously one of the most well-known and beloved characters in film.  Other characters fit into this archetype: Batman, obviously, and John McClane being among the most popular.

But why?  The films were fun and amazingly entertaining, especially back before CGI and $100 million budgets.  The stories were engrossing, the action was breathtaking, you cared about the characters, and everyone came away smiling.  Han and Indy were a big part of that, perhaps more than people usually acknowledge.  One of my favorite quotes from an actor (and there are endless quotes from self-important actors clouding the ether out there) is from the normally down-to-earth, personable Harrison Ford:

“I think what a lot of action movies lose these days, especially the ones that deal with fantasy, is you stop caring at some point because you’ve lost human scale. With the CGI, suddenly there’s a thousand enemies instead of six – the army goes off into the horizon. You don’t need that. The audience loses its relationship with the threat on the screen. That’s something that’s consistently happening and it makes these movies like video games and that’s a soulless enterprise. It’s all kinetics without emotion. I don’t have time for that.”

An action hero that understands the power and necessity of the emotional connection between a character and the audience.  I love it.  And no characters bring that to bear on the big screen like Doctor Jones and Captain Solo.

4.  Othyisar Du’Morde – Who?  I know, probably no one reading this knows who this character is or what piece of fiction he is from.  Well, this is a bit self-serving, and you’ll have to forgive me for that.  Othyisar is a character I created myself, and who has only seen print one time.  If you have no interest in reading a short bit about this arch-mage from the Forgotten Realms, by all means skip ahead to #3 and forget I even listed this guy.  If you forgive me for listing him, I’ll forgive you for skipping him.  We’re square.

Othyisar is my favorite ‘character’ from the days of my youth, playing RPGs (read: Dungeons and Dragons) and computer games endlessly, before marriage and kids and profession all took priority over my free time.  If I created a character who was a wizard of any kind, he was named Othyisar.   If you ever encountered an ‘Othyisar’ in Norrath or Azeroth, or in The Old Republic, it was me.   :)

So it’s no surprise that my first published article featured Othyisar Du’Morde.  It was for the ‘Arcane Lore’ feature of Dragon Magazine issue #203, and it was my first paid gig as a writer.  The following year at Gen Con, I got my copy autographed by the three guys who did the cover for the issue, artists Tim Bradstreet and Fred Fields, as well as the model who posed for the cover (hey, he was standing there at the booth with the artists, and I didn’t want to be rude).  And in that same issue, the folks at publisher TSR reviewed a little video game that had just came out and was taking the world by storm, called Doom, which is one of my favorite games of all time.  All reason enough for Othy to be one of my favorite characters.  But it got better.

Years later, in a different State and a different place in life, I was chatting with a new co-worker and, after much hesitation, he asked me ‘Is this you?’ and showed me issue #203 online.  In quiet “we shouldn’t be talking about this at work” tones, I admitted that it was me, and he proceeded to gush to me how his gaming group ran a long adventure based not only on the contents of my article, but also with the Othyisar character and the little background piece I had written.  He said it was one of his favorite adventures (I know, he was probably just being nice, but indulge me).  Wow, that was one of the coolest moments ever.

It’s amazing to find that you can view PDFs of this (and other) back issues of Dragon Magazine here.  If you’re curious and want to check it out.  But no pressure.  Just sayin’.  And no, I don’t get a nickel if you click on the link.  :)

3.  Mr. White – At the time, Quentin Tarantino was unknown, Sundance was a quaint little film festival where artsy films made by non-European directors were showcased, and Hollywood’s ‘independent’ film-makers hobnobbed in the snow and sun.  Then came Reservoir Dogs and in a blaze of unapologetic gunfire and stylish F-bombs the place was turned upside-down.  The movie centers on four main characters, all members of a criminal gang brought together to pull off a major heist.  Given anonymous names by their leader to maintain secrecy and minimize his liability, the story follows the lives of the four main members of the gang: Mr. White, the unacknowledged leader played with brilliant ruthlessness by Harvey Keitel; Mr. Orange, the in-over-his-head undercover cop played by Tim Roth; Mr. Blonde, the unhinged crazy killer given life with gleeful abandon by Michael Madsen; and the skinny, twitchy Mr. Pink, played by the always scene-stealing Steve Buscemi.

Mr. White is a master criminal, a bad guy, and a cop killer.  No argument there, and no apologies; he’s not one of my favorite characters because I admire or even like him.  He’s my favorite ‘Love to Hate’ character, more so than Darth Vader or Elric of Melnibone, because the performance by Keitel is so top-notch, and the character so likable when he needs to be, but ruthless and evil when he wants to be.  Mr. White is the epitome of the gun-toting thief, loyal one moment, then sticking a gun in his comrade’s face the next.  He alternately hefts drinks and guns with the same zeal.  You can argue that the glue in this story is Mr. Orange, but for me, Keitel’s character holds Reservoir Dogs together and makes it just as much a thrill ride today as when it came out.

And you have to admit, he’s got a cool-sounding name.

2.  Dream of the Endless – Otherwise known as The Sandman, Dream is the central character in Neil Giaman’s award-winning and world-renowned comic book series of the 90s.  He is one of The Endless, who control the destinies and lives of all mortal creatures in the universe.  His realm is The Dreaming, and he is alternately the benign King of Dreams or Morpheus, the bringer of nightmares.

Gaiman’s character is an endless conundrum, never really a clear-cut hero or villain.  And the stories are as deep and intellectually satisfying as anything in print.  Dream confronts his adversaries the same way we approach life; uncertain, unsure, with imagination and help from friends, at times alone and in the best way he knows how.  Part of the character’s allure is that he’s both a mystery and an open book.  The Dreaming gives him the ability to create things out of thin air, partially illusion but at times also very real, things that can directly affect the lives (and deaths) of mortals in the real world.

Amidst his Endless brothers and sisters, Dream is the introvert, the thinker, the recluse.  He’s hesitant to interfere in the lives of people, despite his stations’ often demand of it.  His dream powers are the super power everyone wants, even if they don’t know it: the ability to create something out of nothing, to weave dreams into reality, and to travel anywhere, at any time, he chooses.

The series ran in the early to mid-nineties, and has been collected in multiple editions of paperback graphic novels ever since.  My two favorite collections, or story arcs as the author Neil Gaiman refers to them, are ‘A Game of You’ and ‘The Kindly Ones’, both of which reflect both the breadth of Gaiman’s story-telling ability and the best (and worst), of the Sandman character.  In short, his humanity.

1.  Prince Corwin of Amber – My favorite character of fiction is Prince Corwin, hands down.  Why, you ask?  Well, I could give you a bunch of reasons (and I will in a bit), I could go into a mini-review of the books themselves (the five original brilliant novels, followed by five less-worthy ‘sequels’), and wax poetic about how Roger Zelazny created what could be perhaps one of the very few real contenders against The Lord of the Rings for best fantasy series of all-time.  I could go on and on, but really, it boils down to one thing.

Prince Corwin kicks ass.  Plain and simple.

Zelazny’s masterpiece The Chronicles of Amber is the saga of the ruling family of Amber, the magical kingdom of which all other worlds are but shadows, including Earth.  In by far the best use of amnesia as a plot device, the story opens as Corwin awakes in a mental institution and subsequently escapes, lying, fighting, and sneaking his way through a dangerous landscape of monsters and villainous relatives, where he doesn’t really know who anyone is but his instincts tell him enough to be wary.  He’s clever, he’s strong, and he’s decisive.  He knows what he wants, and he works hard to get it.  He gives others a fair shake, but if they cross him he doesn’t hesitate to let them know it, with words or steel.  Corwin is a modern-day update to the Conan archetype (one of my favorite characters who didn’t make the ‘Final Five’ cut), but unlike Conan, Corwin is a little more down-to-earth, a little more accessible, a little more human.  He’s fallible and can be beaten; he eventually comes out on top, but at times only after years of torture and toil.

Corwin cemented the blueprint that was used for DC Comics The Warlord (another favorite I had to cut out of my list) and countless other fantasy heros who had access to both guns and swords, heroes thrown into bad circumstances and had to make the best of it.  The latest incarnation, in the movies anyway, will be Edgar Rice Burrough’s second-most-popular hero John Carter of Mars, from the Barsoom series, thanks to Disney’s upcoming epic adventure based on the character.  But even then, Corwin is still the epitome of that archetype.

One of thirteen siblings, all scheming to hold their father Oberon’s abandoned throne, Corwin is not the best at anything; his brother Eric is older and smarter, his brother Benedict is a better swordsman, his brother Gerard is stronger, sister Fiona is an unmatched sorceress, and on and on.  But Corwin is perhaps the amalgam of all of them, the ‘Jack of All Trades’, good at everything and more well-balanced than the others.

And did I mention that he kicks ass?  :)

Come back tomorrow for Elizabeth C.  Bunce’s five favorite characters.

By Jason McClain (@JTorreyMcClain)

Ok, here I am looking at a list of twenty characters that I have to cut to a quarter of that for this list.  I didn’t even go crazy thinking about everything I’ve watched or read to find that one person that stood out above the rest.  I just really looked at my bookshelf, which should contain most, if not all, of my favorites.  But, is it everything?  Do I have everything I want to own in pop culture circles?  (No! I don’t own Firefly or Stalag 17 or every appearance of the Legion of Substitute Super Heroes!)

That problem aside, at least I had an idea from the beginning to focus the list.  When thinking of my favorite characters, I chose good friends.  I chose characters that support their friends and family, though sometimes it takes a little personal growth to do so.

To help narrow down the list, I made a choice not to include any of the characters from a previous borg.com essay on characters to make it more of a challenge.*

* Side note, the list I made then had three characters not on the list I made now.  I bet I could make this list every day and find five new favorites. Eliminating Sam Gamgee and Hermione Granger though, those were tough blows to a list about supportive friends.

I then eliminated childhood favorite comic book characters since I know I’ll probably mine that idea for future essays just devoted to them.

That eliminated ten names.  I still have to eliminate five more.  Well, one actor played two parts so I’ll eliminate one of his.  Nine.  Picking one character from Doctor Who (or from Buffy, I can’t believe I forgot Buffy) seems unfair, so I have to lop them off.  Eight.  Ditto for Community** and The Simpsons.  Six.  Lastly, I have to get rid of Supes from Kingdom Come because as much as I love the friendship between him, Wonder Woman and Batman, it’s not about any one of them, it’s about how they approach things differently and yet work well together (eventually).

** Though I will say that I have to write a little about eliminated choice Britta Perry.  She’s a hippie, she mispronounces things and she can be a bit awkward (though can’t they all be a bit awkward.)  So, in those small ways, I can see a female me.  The similarities start to fail once you realize that I don’t want to sleep with Jeff Winger.  Now, if there were a Jennifer Winger…

So, without further ado, here are my top five characters*** in no particular order:

*** As of January 2012.  It could change by February and I may put back in some of the eliminated ones.  A good list is just a product of its specific moment in time.

Frank Cross – Scrooged****

Niagara Falls.  Every time I watch Scrooged I always know I’m going to cry at the end.  I can just think of little Calvin Cooley tugging on Frank’s sleeve and I start to get a little misty.  Yes, it probably has everything to do with Bill Murray’s portrayal as he makes every scoundrel he plays lovable.  But, for this role, you get to see his choices that led to being a scoundrel.  It’s not like they are bad choices, just everyday choices that he doesn’t want to admit were wrong.  As a friend, well, he’s not much of one until the end, but I think it was always there as a possibility.  He just didn’t have an outlet for it until the ghosts showed him what was out there for him like Claire, the folks he meets at the shelter, the Cooley family and last, but not least, his own family.  The S.S. Minnow, James, the S.S. Minnow.

**** He was the actor with two characters, though about any of his characters would probably qualify for a part on a list. The one I eliminated was Bob Harris from Lost in Translation as temporary friends we meet when we travel can be very powerful in our memories.  I almost think I should go back and include Bob.  Maybe summer camp and travel friends are a separate list. It would give me a chance to go back and look at Meatballs and Wet Hot American Summer for great characters.  As an additional aside, I also think that credit should be given to Charles Dickens for his original creation of Scrooge that I feel Murray was born to play.

Jaye Tyler – Wonderfalls

Jaye.  Hmmm.  A good friend?  Maybe?  Well definitely, but not intentionally, which I think may be one of the points of the show.  You can do all the things that a good friend should do and still not be a good friend.  On the other hand, if you think you’re crazy and toys, stuffed animals and coins speak to you and you just do things to get them off your back, you can be a good friend by accident.  You stop thinking of yourself and how it works for you and instead you put yourself at risk for embarrassment just long enough to do something good for someone else.  The fact that it’s unintentional, does it mean it is any less good?

The Sundance Kid – Butch Cassidy and the Sundance Kid

I think Sundance embodies the evolution of friendship.  At the beginning of the movie, Sundance defers to Butch because Butch is the smart one coming up with plans.  By the end, Sundance realizes that he’s the smart one that knows Spanish and Butch is helpless and he wonders why he ever believed anything different. Still, they’re friends and have been for many a year.  You don’t abandon something like that and at the end, as they hide, injured and desperate, Sundance has to have regrets, but I don’t think that their friendship is one of them.  Not going to Australia on the other hand looms large in the pantheon of regrets.

Rorschach – Watchmen

He’s crazy, but there’s one person that mitigates that crazy and that’s Nite Owl and I think that Rorschach knows that.  He’s at his best when he is with Nite Owl and he goes as far as to admit it, in a way.  He talks of the days that they used to patrol together as a team and he misses those days.  If Butch and Sundance would have made it to Australia, I think Butch would be like Rorschach and longing for the time that they were a team.  Without the tempering influence of Sundance, Butch’s plans would be left unsaid, festering into crazy at their unrealized potential to make his world better in his mind.  The friendship for Rorschach and Butch might be gone at that point, but it never really leaves, it just becomes a different form.  You can’t go back to going out night after night and fighting crime, the body and mind is not built like that.  Eventually the friendship matures and you find new ways to enjoy it.

Vladimir - Waiting for Godot

This one is personal.  Yes, the existentialist play is about two friends trying to pass the time and on that level it’s a fantastic look at all the aspects of friendship.  What elevates it to top five status for me is that I can’t think of the play without thinking of my good friend Jason Vivone.  We did an excerpt from it for a duet scene in high school. We saw a touring company version of it performed in Lawrence, Kansas.  We performed the whole thing as adults in Kansas City. It’s about friends and I will always associate it with a good friend.  I’ve known Jason for over thirty years and no matter what, when I talk to him it’s like we’ve seen each other every day over that time.

The reluctant friend, the unintentional friend, the friend who knows your faults and still hangs out with you, old friends that you may not ever be as close to again and the mature friendship that will never go away are all different ways to express friendship.  Believe me, there are many other ways out there as well and the good characters find ways to make that universal feeling we have with our fellow humans feel fresh again.  Like writing about characters and friends with the characters and great friends that contribute to borg.com.  See you next time.

Next up tomorrow–Art Schmidt’s favorite characters.

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