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Tag Archive: Lucasfilm


On the Big Wheel.  On the bedroom wall.  On the Trapper Keeper.  On the toy box.  On the dresser.  Everywhere your parents didn’t want you to put ’em.  If you were a kid in the 1970s and 1980s and you collected Topps Star Wars trading cards, your sticker collection might look like this today:

Because the stickers that came one per pack ended up going anywhere kids are going to think they should go.  Or you might have kept your stickers intact–maybe you even made a complete collection of the trading cards–but, because of the nature of random inserts, your sticker collection looked like this:

If this describes you, then this new throwback book is just for you.

As a supplement to the series of books chronicling the original Star Wars trilogy trading cards (reviewed previously at borg.com here), the stickers are now available in a single volume from Abrams, Topps, and Lucasfilm, Star Wars: Topps Classic Sticker Book.  Reprinting a selection of the original sticker images from these card sets as removable stickers, kids young and old can use them anywhere or place them on one of five double-sided pullout posters included.

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Perhaps it is in part because of the influence of Lucasfilm President Kathleen Kennedy, but it looks like finally, after decades of 100 male Star Wars action figures for every one female figure for kids to play with, times may be changing.  It was sad for two generations of girls–and boys–that you could quickly list all the named women characters of Star Wars, both from the original trilogy: Leia, Aunt Beru, and Mon Mothma, and only a few more with the prequels: Padme, Shmi, Adi Gallia, Zam Wesell, Dorme–and Beru again–with even fewer made into toys that would allow kids to see themselves in Star Wars characters.  Disney was surprisingly slow to integrate Daisy Ridley’s Rey into all the various toy lines early last year, but recent announcements indicate the franchise is trying to catch up.  A new line of 11-inch format dolls from Hasbro looks to be a step in the right direction.

One of this weekend’s Star Wars Celebration 2017 announcements is Disney and Lucasfilm’s Forces of Destiny, a series of animated shorts highlighting the heroism of the women of Star Wars.  Although it would seem adding the women of Star Wars to each of the other toy lines in the franchise also makes sense, Forces of Destiny attempts to bridge action figures and the traditional Barbie-type 11-inch doll.  The release announcing the new doll line made clear that these toys aren’t about make-up, mirrors, and dresses.   “Star Wars Forces of Destiny is for anyone who has been inspired by Leia’s heroism, Rey’s courage or Ahsoka’s tenacity,” said Kennedy.

The toy line is also taking a cue from a successful G.I. Joe toy series, calling the toys “Adventure Dolls,” which will feature hands that can hold weapons and feet that aren’t pointed like traditional dolls (that were intended to allow for high heels).  The Forces of Destiny dolls will be anchored by a web series of animated features in July, followed by an eight-part series on the Disney Channel this Fall that will include the voices of the actual Star Wars film actresses, including Daisy Ridley (The Force Awakens’ Rey), Felicity Jones (Rogue One’s Jyn Erso), Tiya Sircar (Star Wars Rebels’ Sabine), Ashley Eckstein (Star Wars Rebels’ Ahsoka) with narration by Lupita Nyong’o (The Force Awakens’ Maz Kanata).

Here is a preview for the new Star Wars Forces of Destiny:

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Review by C.J. Bunce

What many don’t realize about movie concept art books is that, from the best of them, you can learn more about the filmmaking design process from the accompanying text than from the images selected.  Make no mistake–The Art of Rogue One: A Star Wars Story is chock full of many stages of concept artwork.  But what unfolds over its more than 250 pages is a rare peek behind the scenes at director Gareth Edwards, Lucasfilm executives, and the art design team as they figured out what story to tell in Rogue One: A Star Wars Story.

We learned last year in Roger Christian’s Cinema Alchemist: Designing Star Wars and Alien (reviewed here at borg.com), that George Lucas knew immediately he wanted to create the look of Star Wars as a sort of documentary, a historical account of a long ago event.  To that end he tapped Christian to create environments made from real world components.  As explained in The Art of Rogue One, director Gareth Edwards knew he needed to emulate that style of filmmaking and overall look, and his route was using a readily available team of concept artists to create the visuals of Rogue One from day one, even partnering with artists to create the ideas for the film’s story elements in advance of a completed story.  These elements included featuring a female lead, a rebel strike squad like that in Force 10 from Navarone, a key droid team member, a battle reflective of Vietnam, a battle reflective of Paris during World War II, and a dark planet for the home of Darth Vader.  Edwards wanted to create an echo of Luke Skywalker’s hero–who wished he could join the far away war–with Jyn Erso, a heroine raised in a life of war who only wished to escape it.  The proof of the efficacy of Edwards’ process is in the result.  Has Edwards begun a new way of making movies, and will future filmmakers take this tack?

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“I look at Star Wars as a real historical event that took place in the universe, and George Lucas was there with his crew to capture it.  And now we’re there with our cameras and our crew, filming as it passed through us,” Edwards says in Abrams Books’ latest film art book, The Art of Rogue One.  “When you look like you’ve come in with a plan, it can feel too prescribed and a bit false–but when it looks like you’re capturing the images, like you’re watching them unfold in real time, it just feels more real.  I’m always trying to find that little thing that knocks you off your path–the idea or the ingredient that we didn’t come in trying to create, the curveball that makes the story feel unique.” Edwards directive was similarly unique:  How the artists remembered the images of seeing Star Wars for the first time became a more important focus than copying the look of the environments exactly from the original Star Wars source material.

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What a year!  The world’s a changing place and no less so than with the welcome onslaught of new movies, television shows, books, comics, and everything else that entertained us in 2016.  All year long we tried to keep up with the best of what Hollywood had to offer and honed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our picks for our annual Best of the Best list.  We watched all of nearly two dozen TV series, and enough of others to know we’d seen enough.  We watched dozens of new movies, reviewed more than three dozen books (and read even more), and kept up with dozens of comic book titles.  We witnessed the 75th anniversary of Wonder Woman, Green Arrow, Archie, and Captain America, the 50th anniversary of Star Trek and Charles Schulz’s Great Pumpkin, Rocky turned 40, and it was the 30th anniversary of Aliens and Labyrinth.  And the Cubs finally won the World Series.

Today we reveal the best genre content of 2016–with our top categories from movies and television Best Sci-Fi Fix, Best Fantasy Fix, Best Superhero Fix, Best Animated Fix, and Best Borg, followed by our Best in Movies picks.  The big winner was Rogue One, taking 13 spots, followed by Doctor Strange with three.  Come back later this week for our TV and print media picks, our special look at Kick-ass Heroines of 2016, followed by our annual borg.com Hall of Fame inductees.

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Best Sci-Fi Fix – Rogue One: A Star Wars Story (Lucasfilm).  Although the franchise is more space fantasy than science fiction, all the elements of the best sci-fi were crammed into Rogue One.  Epic space battles, aliens, and loads of sci-fi technology.  A compelling story.  We’re wagering this film will be a classic we go back to for years to come, upsetting Star Wars: The Force Awakens as the third best of the eight films in the series.  It’s everything a sci-fi fan could want.

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Best Fantasy FixThe Huntsman: Winter’s War (Universal Pictures).  Like Rogue One it was a prequel that was also a sequel.  Better than the original Snow White and the Huntsman, this early 2016 release provided a high-fantasy story rooted in the classic fairy tale, rewarding viewers midway with a surprise change-up.  Three tough female leads, four brave (and funny) dwarves, two epic quests, a fairy tale romance, and elaborate costumes and sets made for a perfect fantasy film.

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Best Superhero FixThe Magnificent Seven (MGM/Columbia Pictures).  When we first reviewed The Magnificent Seven we were surprised it had adapted the Yul Brynner version and Akira Kurosawa’s earlier Seven Samurai so well.  We were even more surprised at how well the cast, and cast of characters, worked together to create a true ensemble piece.  It rivaled every attempt by the studios to make a great superhero team-up, and, but for the Western garb and setting, it rates as the year’s best of the superhero genre.  Runner-up, a close contender for the win was the second appearance of Evan Peters as Quicksilver doing his speedster business slow-motion style again in X-Men: Apocalypse.

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Best Retro FixStranger Things (Netflix).  It’s a TV series that would have made a solid movie hit in 1982.  So many series appear unexpectedly these days with a full season ready to stream immediately.  Most demonstrate why they couldn’t cut it with the networks or a major cable channel.  Not so with some of Netflix’s series, especially the surprise hit Stranger Things.  With a nicely eerie soundtrack, title font, a Twin Peaks-meets Steven Spielberg coming of age film cul-de-sac for the setting, and  John Carpenter meets Stephen King vibe, it’s no wonder Stranger Things was the #1 talked about series this year.  Our favorite part, besides the young heroine of the show, was the attention to throwback clothes, toys, posters, and 1980s pop culture references.  It’s a series we’ll revisit in the future, and look forward to in its second season.

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Best Borg/Best Movie Villain – Darth Vader (Rogue One: A Star Wars Story).  Darth Vader returned in his best scene of the franchise outside of The Empire Strikes Back in Rogue One: A Star Wars Story.  It wasn’t James Earl Jones’s return to voice one of the best villains in the history of cinema that grabbed us, but the full-on rampage Vader takes to pursue the stolen Rebel plans in the film’s finale.  Director (and lifelong Star Wars fan) Gareth Edwards gave fans exactly what they wanted, utilizing an impressive UK creature actor Spencer Wilding to do his bidding as the imposing Lord of the Sith.  We also got a peek at what little of the man remained years after his battle with Obi-Wan Kenobi.  We saw inside his cybernetic suit of armor via a scene featuring him floating in a bacta tank.  Darth Vader remains one of the greatest borgs of all time.

Want to know who we picked for best in effects, soundtrack, and best sci-fi, fantasy, comedy, and horror movies of the year?  Take a look after the cut…

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The latest volume from the partnership of Abrams ComicArts and Topps Trading Cards as they document some of the greatest non-sports trading cards ever released is now available.  Star Wars: Return of the Jedi–The Original Topps Trading Card Series Volume Three reproduces–for the first time–all 220 cards and 55 stickers in a single deluxe hardcover volume.  And like the first two volumes in the series, it includes the image of the classic bubble gum stick inside the classic wax pack style cover jacket.

It’s the next book in the now long line of great trading card books from Abrams.  It includes four bonus trading cards made exclusively for this edition, including both title cards for the two Return of the Jedi card series, and is similar in design to the previous trading card reference books Bazooka Joe and His Gang reviewed here at borg.com, Mars Attacks 50th Anniversary Collection reviewed here, and Star Trek: The Original Topps Trading Card Series reviewed here.  Abrams ComicArts and Topps released the first compilation of Star Wars trading cards last December–Star Wars: The Original Topps Trading Card Series, Volume One, reviewed here at borg.com, and this April we reviewed the second volume, Star Wars: The Empire Strikes Back, The Original Topps Trading Card Series, Volume Two, here.

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Star Wars insider and trading card editor Gary Gerani returns to give fascinating insight and a behind-the-scenes look at Topps as it coordinated with Lucasfilm to create and market these licensed images.  Gerani was the original editor of the three Star Wars Topps series who worked with Lucasfilm to select the photographs for the card sets and wrote the card titles.

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We’ve said it before so we’ll repeat it:  If you aren’t someone who wants to know what the next Star Wars movie is about, walk away now.  Lucasfilm has proven with Star Wars VII: The Force Awakens and this year with Rogue One: A Star Wars Story that they figure fans won’t mind seeing a fair chunk of key scenes and plot developments via the movie trailers.  Would the “Chewie, we’re home,” line uttered by Harrison Ford carried greater weight had it not been previewed ad nauseam in months of previews?  Should we assume plenty of surprises have been left for the movie?

We can’t get enough of these glimpses of more Star Wars.  The latest preview for Rogue One released this Thanksgiving weekend give up several humorous scenes from the film.  Did the marketing folks think fans needed something lighthearted since the overall story of Rogue One is reportedly the darkest story yet, excepting possibly Star Wars III: Revenge of the Sith?  This final trailer also shows some beautiful action sequences we have not yet seen.  This movie is going to be the biggest entertainment event of the year.  Just look at the detail in this village set below–every single thing about it tells you this is in the Star Wars universe.

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Since Thanksgiving we’ve also seen both new international and IMAX posters (all below after the break) plus Alamo Drafthouse glassware available at select screenings.

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And the studio announced ticket sales will begin tomorrow!  Check your local theater for listings.

But first, here is the final trailer for Rogue One: A Star Wars Story:

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The more that is revealed, the more Rogue One: A Star Wars Story appears that it may be good enough to take on the first two Star Wars films, Star Wars and The Empire Strikes Back, if not at least edging Return of the Jedi or the The Force Awakens out of the third spot.  This week we learned that, unlike for Star Wars: The Force Awakens, George Lucas actually voiced his approval of components in Rogue One.  He wasn’t included in the story or dialogue, but gave his thumbs up on several art design concepts.  That’s thanks to director Gareth Edwards, who appears to be as big a Star Wars fan as the rest of us.

The only concern so far is the trend of releasing images reflecting something like 25% to 40% of the scenes from the film in a year’s worth of trailers leading up to the release.  It seems we know the entire story now, except for who lives and who dies by film’s end.  Of course, the only way to dodge this is to avoid all the trailers.

Even more footage was released this week not in another trailer, but via a behind the scenes featurette.  Plus, more TV spots have surfaced.  And if you haven’t figured out what the story is about already, director Edwards lays it out as clearly as can be at the beginning of the behind the scenes video.  Check it all out below, plus new international posters.

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You probably won’t find any spoilers by way of new concepts if you have viewed the trailers released this year, but if you can’t get enough of footage from Rogue One (like us), them jump right in and see for yourself:

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In the latest trailer for Rogue One: A Star Wars Story, released today during ABC’s Good Morning America, we have even more teased scenes that make it impossible not to get excited for this incredible looking film.  Jyn Erso (played by Felicity Jones) is tapped to lead a dangerous mission, and Forest Whitaker never looked better as an old rogue.  And check out the new movie poster.  Count the good guys.  Is this going to be another The Magnificent Seven/Seven Samurai inspired film?  The original Star Wars was inspired by Akira Kurosawa’s Hidden Fortress.

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And Darth Vader, no longer hidden as another villain to the new story of Star Wars’ past.  But something tells us that appearance is going to be similar to Mark Hamill’s brief return as Luke Skywalker in last year’s Star Wars: The Force Awakens.

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But be warned:  The newest Star Wars entry fills in the remaining plot points, gives a clear look at Mads Mikkelsen’s key role in the story, provides more looks at costumes and landscapes, and introduces a few new characters, including what appears to be Eunice Olumide as a Rebel leader, more AT-STs, Death Star shots, and more Vader.

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Check out the latest trailer for the next big Star Wars flick:

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As part of a new fan contest and chapter-by-chapter reveal of its line of Rogue One: A Star Wars Story action figures and other toys, Lucasfilm has released a stop-motion video full of new characters.  Star Wars items offered by The Disney Store, Funko, JAKKS Pacific, and Hasbro are peppered throughout this clever way to advertise–and get fans excited about–so many new toys.  At the same time, action figure packages are slowly beginning to appear across the Web.

Tomorrow, September 2, 2016, online retailers will begin to take pre-orders for the new toys.  New items are expected to be available in stores September 30, well in advance of the premiere of the film, as with previous Star Wars marketing for the prequels and last year’s Star Wars: The Force Awakens.

Below we have several images you’ve probably not seen yet, the new video, a behind-the-scenes look at the video revealing even more action figures, and details from Hasbro’s latest press release.

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If contests are your thing, check out the details of Lucasfilm’s latest and an opportunity to attend a screening of the film and tour of Lucasfilm in San Francisco in December at this link.

First up, see how many new toys you can find in this video:

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Certain to provide some last-minute marketing funds for its December release of Rogue One: A Star Wars Story, Disney/Lucasfilm is dipping once again into fans’ pockets in November as it finally releases the 3D Blu-ray 4-disc edition of Star Wars: The Force Awakens.  For those fans who don’t have a 3D TV configuration, the set offers some new features that may prompt you to buy whether you plan to view the 3D cut or not.

So other than what promises to be an exceptional 3D version of the film on Blu-ray 3D, Blu-ray, Digital HD, and DVD, why might fans go for the Star Wars: The Force Awakens 3D Collector’s Edition?

How about an audio commentary by J.J. Abrams?  The most sought after director of today will no doubt share insight into this incredible directing opportunity, why he made the story choices he did and a behind the scenes view of the cast.  Not enough for you?  Then how about some more deleted scenes–scenes that were rumored to exist but where held back from this April’s standard Blu-ray, DVD, and digital releases.

Star Wars Force Awakens Blu-ray 3D collectors edition

A 3D version, an Abrams commentary and more deleted scenes cinches it for us.  But if you want any more how about five new behind the scenes features?  Check them out:

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