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Tag Archive: Disney


Is that Bossk?

The trailers look just like Rogue One: A Star Wars Story and Solo: A Star Wars Story, which both reflected so much the original Star Wars from 1977 more than the other entries in the franchise.  It’s not so much that Disney and Lucasfilm put together a movie based on every kid in the 1980s’ favorite background character, because George Lucas already made a movie about that guy, his dad, and a whole army of lookalikes.  It’s hard to find a cooler character than Boba Fett in The Empire Strikes Back, until Lucas delivered on the fan service and inserted him into the original, special edition of Star Wars.  It’s not only that.  Or that, like Solo: A Star Wars Story, it’s clearly a full-fledged space Western.  Or that fans get to see familiar elements of the franchise again, like carbon freezing, speeder bikes, scout walkers, patrol dewbacks, familiar bounty hunters, and Imperial bunkers hidden in the forest.  And it’s not that the lead is played by its rising young actors known for badass characters, Pedro Pascal and co-star Gina Carano.  Or that the series features a story by genre favorite Jon Favreau, with a host of episode directors like Thor: Ragnarok’s Taika Waititi, or noted Star Wars animaster Dave Filoni, or Solo director Ron’s daughter, actor Bryce Dallas Howard.

Well, it’s that, but not only that.  It’s that added gravitas that Star Wars is better at than possibly any other franchise.  It’s adding those dynamic, major character actors in supporting roles who make the magic happen sometimes even from the corner of the screen, from the likes of Peter Cushing, Alec Guinness, Christopher Lee, Terence Stamp, Brian Blessed, Liam Neeson, Samuel L. Jackson, Linda Hunt, Mads Mikkelsen, Forest Whitaker, Max von Sydow.  Would Star Wars be Star Wars without the characters these actors brought to life?  Definitely not.

For the second trailer for the new streaming series The Mandalorian, that means more Carl Weathers–who we saw in August’s first public trailer and April’s “sizzle reel” at the annual Star Wars convention.  Along with Giancarlo Esposito and that toughest of older tough guys in movies, director and Jack Reacher villain Werner Herzog, we have plenty to look forward to.  As the norm these days, unfortunately to watch this series you’ll need to subscribe to another streaming platform, this time that’s the Disney+ streaming service (or… once the Blu-ray arrives should you not want to feed the Disney machine any further).

So check it out–your next look at The Mandalorian, plus five new official posters:

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It looks just like a remake and update of African Queen, and a great set-up for the next big Disney franchise follow-up to Pirates of the Caribbean.  The first trailer is out for Jungle Cruise, and the theme park ride turned big-screen adventure could hardly look more fun.  Emily Blunt (Edge of Tomorrow, Mary Poppins Returns) seems to have walked right into a role written for Johnny Depp, as she teeters through a clever Rube Goldberg-inspired scene as we’re introduced to Lily Houghton, a scientist embarking on a journey with her brother in the Amazon, via riverboat, where they meet an unusual ship captain.

With Hollywood’s #1 box office draw Dwayne Johnson still entertaining us with his Jumanji jungle series and international tours in the Fast & Furious movies, there’s hardly a better person to cast with Blunt in this kind of new team-up, and possibly a new franchise.  Here he looks a lot more like Popeye than Humphrey Bogart.  Johnson has referred to Blunt’s character as “a female Indiana Jones.”  For most of the world–who haven’t ever been to a Disney theme park–it may help to know the movie Jungle Cruise is based on a theme park ride like Pirates of the Caribbean.  As much as the latter began as what seemed like a Disney attempt to make some more money off its theme park intellectual property in a new venue, the Pirates films ultimately were a big hit with audiences and a treasure trove for Disney.  Will Jungle Cruise find Disney’s next pot of gold?

The great Paul Giamatti (Lodge 49, American Splendor, Paycheck) co-stars with Black Mirror’s Jesse Plemons, with a rousing score by composer James Newton Howard (Dave, Waterworld, The Postman, The Sixth Sense, The Dark Knight, Snow White and the Huntsman).  Check out this trailer for what could be a fun amusement park ride of a movie, Jungle Cruise:

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Review by C.J. Bunce

Is there a great movie to take your spouse for your anniversary?  Ready or Not may be the one.  An atmospheric Gothic story that doubles as dark comedy and horror-lite cautionary tale, it’s a fun flick that will get you in the mood for the holiday–Halloween, that is.  It’s about a wedding, about marriage, and marrying into a new family.  And in-laws.  It’s also about the dark side of families, the skeletons in the closet.  Australian actress Samara Weaving plays Grace, and we meet her on her wedding day, marrying Alex (Mark O’Brien), a young man who has tried to extricate himself from his eccentric family.  But now he’s back.  He warns his new bride that his family has a “first night” tradition, requiring her to participate in a game.  First she must draw a card and all she must do is play the game.  To her surprise, statistics of chance kick in and she draws the single dreaded card, for “Hide and Seek.”  The house rule for this game is the new member of the family is the target, and it’s a game played to the death.  Is the family crazy, or is there some real dark force behind their madness?

As you might guess from the trailers, it’s like Quentin Tarentino bought the rights to direct a Clue remake and merged it with another Kill Bill sequel and Richard Connell’s The Most Dangerous Game.  Credit the setting with much of Ready or Not′s atmosphere, filming at mansions Casa Loma and Parkwoods Estate in Ontario.  Behind the action of characters running through the house is expert production design by Andrew M. Stearn (Chicago, The Handmaid’s Tale, Killjoys) and costumes (including a noteworthy wedding dress that devolved over the course of the film) by Avery Plewes (The Umbrella Academy, Star Trek Discovery).  Fans of the classic creep-fest Wicker Man take note: This is another film about being at the wrong place at the wrong time.  Samara Weaving shows she’s ready to take on the big roles going today to the likes of Margot Robbie and Emma Stone.  A big high point of the film is the mix of quietly haunting and jumpy, rousing music, thanks to composer Brian Tyler (Fast & the Furious: Tokyo Drift, Aliens v. Predator: Requiem, The Final Destination, The Expendables, Thor: The Dark World).

Most of the fun comes from a supporting cast of familiar faces.  Genre TV watchers should recognize Orphan Black’s Donnie (Kristian Bruun) and Wynonna Earp herself, Melanie Scrofano, playing a hysterical sister and brother-in-law.  Other familiar faces include Andie MacDowell (Groundhog Day) as the bride’s mother-in-law (MacDowell seems to conjure Daryl Hannah in Kill Bill here), her husband is Clear and Present Danger’s Henry Czerny, with Elyse Levesque (Stargate Universe, Orphan Black), Hanneke Talbot (iZombie, Star Trek Discovery), and John Ralston (Haven, Reign) rounding out the key players.  The most interesting is the bride’s new brother-in-law, played by Shazam!’s Adam Brody.

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First previewed back in June here at borg, Ford v Ferrari (as titled in the U.S., it’s Le Mans ’66 everywhere else) revisits that legendary battle of man vs machine vs man.  And its next trailer has arrived (check it out below).  James Mangold, who has directed some brilliant movies, including Cop Land and Logan, is directing the film, so it’s going to be an easy pick to see when it lands in theaters this November.  It’s long overdue that we get to see automotive legends Ford and Ferrari in a biopic about the 1966 24 Hours of Le Mans race.  Henry Ford II worked with Lee Iacocca to lead a team of engineers and designers to build a car for Ford to compete with Enzo Ferrari, and the result was the GT40 Mark II.  On June 18-19, 1966, they would face off.

It was the subject of a 2009 book, Go Like Hell, and the 2016 documentary based on that book, The 24-Hour WarThe leads in this version of events seem to be not the legendary opponents in the battle, Ford and Ferrari, but Matt Damon as racecar driver-turned-designer Carroll Shelby of Shelby Mustang fame, and Christian Bale as Daytona and Sebring-winning driver Ken Miles.  These were the days of racing when every other name would become a racing legend, names like A.J. Foyt, Mario Andretti, Jackie Stewart, and Lloyd Ruby.  Playing Iacocca is Jon Bernthal (The Punisher, The Walking Dead), with Tracy Letts (Homeland, The Post) as Ford, and Remo Girone (Live by Night) as Ferrari.  Rounding out the cast are Caitriona Balfe, Josh Lucas, Noah Jupe, and Ray McKinnon.

Here is the second trailer for 20th Century Fox’s adaptation of the events leading to the 1966 24-hour race, Ford v Ferrari aka Le Mans ′66:

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At Disney’s annual “D23” Expo this weekend, attendees can expect to get another big fix of Disney, and that includes costumes.  The costumes are from the more recent Disney years, with one display showcasing the new Mary Poppins Returns outfits, Time from Alice Through the Looking Glass, and Captain Jack Sparrow and Barbossa’s costumes from the Pirates of the Caribbean series.  Another wing featured Disney’s recent animated-turned-live action movies, and another focused on the villainy of the live-action films, all within a gallery of dozens of costumes foreshadowing a new book coming next month, The Art of Disney Costuming: Heroes, Villains, and Spaces Between, available now for pre-order here at Amazon.  Check out a 16-page preview of the new 176-page hardcover volume below.

The book isn’t about Star Wars costumes (for that, we recommend Brandon Alinger’s Star Wars Costumes: The Original Trilogy, reviewed previously here at borg, and Trisha Biggar’s Dressing a Galaxy: The Costumes of Star Wars, reviewed here).  But that didn’t keep Disney and Lucasfilm from showcasing a dozen costumes of Star Wars armor tracing back a design history of Star Wars stormtroopers.  Check those out below.

Lucasfilm also previewed the new hero cast costumes from The Mandalorian streaming series from Disney+ (previewed here yesterday).  And note: Ewan McGregor confirmed he will be reprising the role of Obi-Wan Kenobi in a forthcoming Disney+ series.

 

Check out this preview of The Art of Disney Costuming: Heroes, Villains, and Spaces Between and some Star Wars franchise costumes on display at D23 this weekend:

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It’s not so much that Disney and Lucasfilm put together a movie based on every kid in the 1980s’ favorite background character, because George Lucas already made a movie about that guy, his dad, and a whole army of lookalikes.  It’s hard to find a cooler character than Boba Fett in The Empire Strikes Back, until Lucas delivered on the fan service and inserted him into the original, special edition of Star Wars.  It’s not only that.  Or that, like Solo: A Star Wars Story, it’s clearly a full-fledged space Western.  Or that fans get to see familiar elements of the franchise again, like carbon freezing, speeder bikes, scout walkers, patrol dewbacks, familiar bounty hunters, and Imperial bunkers hidden in the forest.  And it’s not that the lead is played by its rising young actors known for badass characters, Pedro Pascal and co-star Gina Carano.  Or that the series features a story by genre favorite Jon Favreau, with a host of episode directors like Thor: Ragnarok’s Taika Waititi, or noted Star Wars animaster Dave Filoni, or Solo director Ron’s daughter, actor Bryce Dallas Howard.

Well, it’s that, but not only that.

It’s that added gravitas that Star Wars is better at than possibly any other franchise.  It’s adding those dynamic, major character actors in supporting roles who make the magic happen sometimes even from the corner of the screen, from the likes of Peter Cushing, Alec Guinness, Christopher Lee, Terence Stamp, Brian Blessed, Liam Neeson, Samuel L. Jackson, Linda Hunt, Mads Mikkelsen, Forest Whitaker, Max von Sydow.  Would Star Wars be Star Wars without the characters these actors brought to life?  Definitely not.

For the latest trailer for the new streaming series The Mandalorian, that means Carl Weathers–who we saw in April’s “sizzle reel” at the annual Star Wars convention (yet to be posted by Lucasfilm, but check out a watchable version below), with a first look at Giancarlo Esposito, and that toughest of older tough guys in movies, director and Jack Reacher villain Werner Herzog.  Not seen in this trailer, but expected to be added to the list, is Nick Nolte, who we can imagine could get us to that similar kind of character as Woody Harrelson or Paul Bettany in Solo.

So check it out–your next look at The Mandalorian:

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Instead of what has been done at past panels at San Diego Comic-Con–having a panel for each or just a few major projects–Marvel Studios exec Kevin Feige was on-hand to get several announcements out the door and as many key cast members in and out of his single panel as possible.  For the Marvel Cinematic Universe’s Phase IV, that means tying in Disney’s (pay) streaming service with the movies.  The big takeaway?  New logos are pretty much all there is so far to share, plus key casting and timing announcements.  And although the last Phase had some changes along the way, it looks as if these ten projects will round out the entirety of Marvel over the next few years.  The biggest frustration for fans of the X-Men and Fantastic Four is why nobody at Marvel has been getting a head start on these two massively popular teams of characters–money is definitely going to be left on the table for the duration of Phase IV by pushing out these projects.  Why aren’t these Priority #1 with someone at Disney in light of the long lead-time the corporation had for the Fox acquisition?

The new time table is straightforward: Black Widow movie (May 1, 2020), The Falcon and the Winter Soldier TV series (Fall 2020), Eternals movie (November 6, 2020), Shang-Chi and the Legend of the Ten Rings movie (February 12, 2021), WandaVision TV series (Spring 2021), Loki TV series (Spring 2021), Doctor Strange in the Multiverse of Madness movie (May 7, 2021), What If…? animated series (Summer 2021), Hawkeye TV series (Fall 2021), and Thor: Love and Thunder movie (November 5, 2021).  The most eagerly awaited film after this year’s Avengers: Endgame was the hinted-at Guardians of the Galaxy/Thor or Asgardians of the Galaxy team-up movie, but Marvel still has not confirmed that project, unless it’s tied into the 2021 film.  Also relegated to “in development” status: Black Panther 2, Captain Marvel 2, Fantastic Four, X-Men, and the next Tom Holland Spider-Man movie (Spider-Man is Iron Man’s replacement, right?).  Silence seems to confirm the death of the Marvel Netflix universe of Luke Cage, The Punisher, Daredevil, Jessica Jones, and Iron Fist, and maybe even Disney+ projects Runaways, Ghost Rider, and Helstrom.  FX’s Legion was already announced as canceled, and we lost track of how many times The New Mutants movie has been pushed back.  Even bigger unknowns are the next Ant-Man and The Wasp, which had Hank Pym actor Michael Douglas already discussing it as a prequel, and if anyone is thinking about Prince Namor the Submariner, nobody is talking.  It begs the question:  Does Disney have too much to handle now?

As a beginning Disney’s Marvel side seems to be taking a lead from its Star Wars division, with its offerings targeting a mix of fans old, new, and in-between.  For the fans of the MCU so far you have plenty, a Black Widow (presumably prequel) and Thor movie as bookends for Phase IV, and TV series to keep alive Falcon, Winter Soldier, Scarlet Witch, Vision, Loki, Doctor Strange, and Hawkeye.  For new audiences (and possibly much older comic book readers) there is Shang-Chi and the Eternals to get to know, along with the announcement that Luke Cage’s Mahershala Ali will be playing Blade in a reboot movie at the beginning of Phase V, the vampire hunter who, like Spider-Man, has already seen an entire series of movies outside of the MCU.

The details are an eclectic mix of things you might want, things you didn’t know you want, and things you won’t know what to make of:

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If you want to see a good argument for enforcing antitrust policy against mega-sized media corporations, here’s one.  Along with so many other change-ups, delays and cancelations, add Fox’s big-(estimated $170 million) budget Mouse Guard movie to the list.  The writer, artist, and visionary creator of the Mouse Guard universe, David Petersen announced the news back in April, two weeks before the scheduled filming date.  Reportedly Disney directed new subsidiary Fox to cancel the film.  No reasons were announced, but it’s difficult to surmise any reason other than a coordinated effort to own the theater box office with its own projects.  Just how much work had already been done?  How big was this film going to be?  Director Wes Ball (The Maze Runner) and Petersen released two videos over social media this week (and more participants have since released even more great pre-production content) that paint a picture that will leave you feeling like audiences have been out-right robbed.

The first video includes a pan of the offices where the pre-production previz work was already completed, including miniatures, maquettes, dioramas, costumes, performance capture and CG-mock-ups, and thousands of pieces of compelling concept art lining the work area walls.  You really get a sense for what audiences will be missing with the second video, another development piece for sure, yet even as a demo or “sizzle reel,” anyone who is a fan of fantasy movies can see this was going to be something entirely new.  Matt Reeves (The Batman, Planet of the Apes reboots) was producing.  Artist Darek Zabrocki was one of many artists who created thousands of pieces of concept art (see above and below) to push the film forward (see Zabrocki’s Instagram account here for several images).  Rogue One: A Star Wars Story screenplay writer Gary Whitta′s script was in-hand (he’s now released it via his Twitter account for everyone to read here).  Composer John Paesano had his first theme in play with a warrior’s quest-evoking theme in a James Horner/Randy Edelman vibe (listen to it here).  It was all just ready for Weta to step in and take over with production, and wham, that House with the Mouse slammed the door.  But it looks like no other mice will suffice for Disney.  So Fox will either sit on the rights, sell them, or the rights will revert in a few years.  All these pre-production pieces will likely get warehoused until they get auctioned off for space reasons down the road as happens with studios (studio storage is expensive!), unless another studio or filmmaker steps in with some money (Peter Jackson?  Guillermo Del Toro?  The Jim Henson Company?).  But we seem to already be past the eleventh hour for that to have happened.  On the one hand, outsiders will never know why the decision was made, corporations make these calls for all sorts of business reasons.  But what is clear is that without the approval of that mega-merger of behemoth media empires, this expression, this idea, this story, this vision, would be coming to your local theaters soon.

Voice actors enlisted for the film included Idris Elba, Thomas Brodie-Sangster, Jack Whitehall, Samson Kayo, and Andy Serkis.  In the meantime, Petersen keeps creating, new Mouse Guard and other worlds.  Petersen’s comics and compilation hardcover editions, along with his version of The Wind and the Willows, are the picture books I have purchased more than any other for gifts–ever.  His artwork is fantastic, fantastical, and magical, and it came as no surprise when he announced a film in the works back in 2016.  Petersen’s Dark Crystal and Teenage Mutant Ninja Turtle comic cover art also has him as a contender for the year’s best cover artist.  Mouse Guard is one of those rare worlds in my lifetime that evokes the wonder of Jim Henson, the creativity of J.R.R. Tolkien, and the gravity and import of Mr. Rogers.

Enjoy the little of the film we get to see, these great videos released by Ball and Petersen:
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It’s like Quentin Tarentino bought the rights to direct a Clue remake and merged it with another Kill Bill sequel and Richard Connell’s The Most Dangerous Game.  Whichever way it ends up, the creators of the late summer release Ready or Not know how to make a great movie trailer.  Disney’s new production arm Fox Searchlight, known for independent, horror, and comedy films, looks to have produced a clever idea: a horror film with quirky dark Tim Burton-esque black comedy in a traditional mystery setting.  Make that two trailers, both a good greenband trailer and a good redband trailer.  Check out both trailers below.

Australian actress Samara Weaving (Ash vs Evil Dead, Picnic at Hanging Rock) plays bride Grace, whose new husband, played by Mark O’Brien (Arrival, Warehouse 13), belongs to a family with an eccentric tradition.  The bride must draw a card and survive the game on the card to pass the test and join the family.  She chooses “Hide and Seek” and the family grabs their weapon of choice and proceed to try to kill her.  In the backdrop is this great mansion, backed with production design by Andrew M. Stearn (Chicago, The Handmaid’s Tale, Killjoys), and costumes by Avery Plewes (The Umbrella Academy, Star Trek Discovery).  There’s not much not to like here, except the splattery blood and gore and language that won’t be for every audience.  For everyone else this looks like plenty of goofy fun.

Some high points not to overlook are the Canada actors TV watchers should be familiar with, especially Orphan Black’s standout funnyman Donnie (Kristian Bruun) and Wynonna Earp herself, Melanie Scrofano.  Other familiar faces include Andie MacDowell (Groundhog Day), Henry Czerny (Clear and Present Danger), Adam Brody (Shazam!), Elyse Levesque (Stargate Universe, Orphan Black), Hanneke Talbot (iZombie, Star Trek Discovery), and John Ralston (Haven, Reign).  Ready or Not is directed by Matt Bettinelli-Olpin and Tyler Gillett, with a screenplay by Guy Busick and R. Christopher Murphy.

Here are both the PG-13 and the R versions of the trailers for Ready or Not:

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It all started when Henry Ford II tried to buy Ferrari to boost Ford Motor Company.  But Enzo Ferrari said “no.”  It’s long overdue that we get to see automotive legends Ford and Ferrari in a biopic about the 1966 24 Hours of Le Mans road race.  Ford worked with Lee Iacocca to direct a team of engineers and designers to build a car for Ford to compete with Ferrari, and the result was the GT40 Mark II.  At the June 18-19, 1966, Le Mans they would face off.  It’s a legendary battle so good it’s getting two titles for the big screen: Ford v. Ferrari in the U.S. and Le Mans ′66 everywhere else.  James Mangold, who has directed some brilliant movies, including Cop Land and Logan, is directing the coming film, so it’s going to be an easy pick to see when it arrives in theaters this November.

It was the subject of a 2009 book, Go Like Hell, and the 2016 documentary based on that book, The 24-Hour War But the leads in this version seem to be not the legendary opponents in the battle, Ford and Ferrari, but Matt Damon as racecar driver-turned-designer Carroll Shelby of Shelby Mustang fame, and Christian Bale as Daytona and Sebring winning driver Ken Miles.  These were the days of racing when every other name would become a racing legend, names like A.J. Foyt, Mario Andretti, Jackie Stewart, and Lloyd Ruby.  Playing Iacocca is Jon Bernthal (The Punisher, The Walking Dead), with Tracy Letts (Homeland, The Post) as Ford, and Remo Girone (Live by Night) as Ferrari.  Rounding out the cast are Caitriona Balfe, Josh Lucas, Noah Jupe, and Ray McKinnon.  (While you’re waiting for the movie, check out the LEGO kit).

Beyond the fictional stories in Steve McQueen’s 1971 movie Le Mans and Tom Cruise’s 1990 movie Days of Thunder, here is the first trailer for 20th Century Fox’s adaptation of the events leading to the 1966 24-hour race, Ford v. Ferrari aka Le Mans ′66:

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